Blog | Page 29 Of 230 | A Sound Effect

Posted April 17, 2024 by Adriane Kuzminski in New sound effects libraries

20 great new sound libraries: Royal cannons and rare helicopters, Pachinko and Mahjong, European ambiences, game-ready assets, moody atmospheres, ultimate bundles, and more!

Get the freshest sound effects available anywhere, with these 20 new sound libraries from the independent community:

How the sounds of Google Pixel phones are made

Posted April 15, 2024 by Asbjoern Andersen in Sound community highlights, Sound design guides

Pixel Perfect Soundscapes: Inside Google’s Phone Sound Design Process:

What goes into creating the sound of a mobile phone? Find out in this interview with Google Sound Design Lead Conor O’Sullivan:

Posted April 12, 2024 by Doug Siebum in Recording, SFX interview, Sound design guides, Television sound

Robot Voice Design: How Joe Grandberg used analog gear to recreate the Cylon voice from Battlestar Galactica

Joe Grandberg takes you behind the inventive process of recreating the signature Cylon voice from Battlestar Galactica

Posted April 11, 2024 by Adriane Kuzminski in New sound effects libraries

19 great new sound libraries: Ambisonic oceans, broken glass, low-frequency objects, ambiences from the Netherlands, Zimbabwe, and Rome, and more!

Get the freshest sound effects available with these 19 new sound libraries from the independent community:

Posted April 10, 2024 by Asbjoern Andersen in Film sound

Video: The evocative sound of David Fincher films

Go behind the unique sound of David Fincher’s films – and Fincher’s long-time creative collaborations with sound designer Ren Klyce:

Posted April 8, 2024 by Jennifer Walden in SFX interview

Creating ‘COSMIC CHARGES’ — with Matteo Milani

Sound designer and recordist Matteo Milani takes you behind the making of COSMIC CHARGES, an ambitious new sound effects library featuring ‘tonal explosions’:

Posted April 4, 2024 by Jennifer Walden in Television sound

Exploring Shōgun’s Superb Sound Design — with sound supervisor Brian Armstrong

Sound supervisor Brian Armstrong delivers an authentic soundscape for FX series ‘Shōgun.’ He talks about sonically transforming the Canadian location shoot into 17th-century Japan by de-geese-ing the dialogue and adding era-appropriate background sounds to set the scenes. He also discusses the sound team’s approach to capturing sounds on set, creating non-shingy sword sounds, designing the devastating earthquake sound, and much more!

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