Award-winning supervising sound editor/re-recording mixer Dan Kenyon shares details of his sound work on ‘Smile 2’ – discussing his collaboration with director Parker Finn, working with composer Cristobal Tapia de Veer’s unique score, designing demon vocal processing, and he shares details for his sound work on specific scenes.
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Discover 14 of 2024’s most popular sound effects libraries here:
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Director Coralie Fargeat takes on toxic beauty culture in her film ‘The Substance’. Here, sound designers Valérie Deloof and Victor Fleurant, and foley artist Gregory Vincent, talk about their approach to the film’s body horror, their recording techniques for creating internal POVs, how they used sound to reinforce personalities, to humanize or dehumanize characters, and much more!
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‘Joker: Folie à Deux’ re-recording mixers Dean A. Zupancic and Tom Ozanich on working with live on-set performances for the songs, crafting incredibly immersive scenes using panning, reverbs, EQ, and level to sell the movement of the sounds in the surround field, and so much more!
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Sound supervisors Matthew Collinge and Danny Sheehan share insights on their sound work for Director Ridley Scott’s ‘Gladiator II’ – from building colossal, reactive crowds to recording custom-made arrows, and much more
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Ready for the very latest in sound effects? Check out these new releases from the independent sound community:
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