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The A Sound Effect Blog

Posted September 11, 2019 by Asbjoern Andersen in Game audio, Sound community highlights

7 years of game audio education – with the School of Video Game Audio:

Founder Leonard Paul celebrates SoVGA turning 7 with a look at the past, present and future of the site & game audio education:

Read More

Cope with game audio layoffs - with Brian Schmidt

Posted September 10, 2019 by Asbjoern Andersen in Game audio

How to prepare for – and power through – a layoff in the game audio industry, with Brian Schmidt:

Game audio veteran and GameSoundCon creator Brian Schmidt on how to bounce back from a game audio layoff:

Read More

A white sphere wears over-the-ear headphones.

Posted September 9, 2019 by Adriane Kuzminski in Sound community highlights

8 new podcasts worth hearing: Two new field recording shows, the sound of Apocalypse Now, audio programming, setting rates & more:

Need something great to listen to? Check out these new episodes about film sound, game audio & sound business success:

Read More

Posted September 6, 2019 by Asbjoern Andersen in SFX interview, Sound community highlights

Ben Cross on recording, editing and mixing Foley – and creating a stunning ancient armour sound effects library:

Ben Cross shares stories from a life as a Foley mixer & editor – and on how he co-created an ancient combat sound library:

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Sound Success Field Recording, Foley, Teaching

Posted September 4, 2019 by Asbjoern Andersen in Sound community highlights, Sound Success

How to succeed in Field Recording, Foley and Teaching Sound – with Thomas Rex Beverly, Ronnie van der Veer, and James David Redding III:

Hear what it takes to get started and succeed in field recording, Foley, and teaching sound courses:

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How the sound was made for Our Planet on Netflix

Posted August 30, 2019 by Asbjoern Andersen in Television sound • 1 Comment

Video: How Our Planet’s evocative sound was made – with Graham Wild:

Go behind the scenes on the sound for ‘Our Planet’ with award-winning re-recording mixer Graham Wild:

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Creative Sound Design and Film Sound

Posted August 29, 2019 by Asbjoern Andersen in Sound community highlights, Sound design guides

Randy Thom, On Being Creative:

Film sound legend Randy Thom on the creative process, inspiration, discovery – and what sound design is all about:

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Posted August 27, 2019 by Doug Siebum in Film sound, Sound community highlights, Television sound

Tips and thoughts on running your own audio post production house – with William McGuigan:

William McGuigan shares insights on starting and running his own boutique audio post house:

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About A Sound Effect

A Sound Effect is home to an absolutely huge, curated collection of sound effects – hand-picked from the best sound creators in the world:

Recent Posts

ANIMAL HYPERREALISM vol IV is out next week – secure your launch deal here while you can!
Airwiggles Audio Challenge 2025: Highlights from a highly successful month:
How Realistic Sound Makes ‘Weapons’ Even Scarier – with Luciano Vignola and Filipe Messeder
11 great new sound libraries: Grenade foley, original cartoon voices, sci-fi soundscapes, guitar amp IRs, and much more
Designing Sound for the Centuries in ‘Civilization VII’ – with the Firaxis Sound Team

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Latest sound stories

ANIMAL HYPERREALISM vol IV is out next week – secure your launch deal here while you can!
Sep 16A Sound Effect
326 – Weapons
Sep 15TonebendersPodcast.com
The sound of 'WEAPONS': Using the Rumbler to create picture frame rattles for the end chase scene
Sep 10A Sound Effect

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Highlighted posts:

Television sound:

How the outstanding sound for ‘Stranger Things’ is made
This is how the fantastical sound of Game Of Thrones is made
Behind the sound for the shocking ‘Making A Murderer’
Meet the man behind the sound of the X-Files
Sounds for Superheroes: Behind the Supersonic Sound Design for The Flash
How the rich, lively sound of ‘Better Call Saul’ is made
Creating The Breathtaking Sound Of 'COSMOS: A Spacetime Odyssey'
Creating The Haunting, Sinister Sound Of 'Penny Dreadful'
This is how the dramatic sound of Discovery’s ‘Deadliest Catch’ is created
How the futuristic, gritty sound of ‘Westworld’ is made
→ More television sound stories

Game audio:

Behind the incredible sound of ‘Battlefield 1’
Making the magnificent sound of Mafia III
The most iconic sounds in game audio, analyzed
An Introduction to Game Audio Scripting
Behind Titanfall 2’s Terrific Sci-Fi Sound
Why Procedural Game Sound Design is so useful – demonstrated in the Unreal Engine
Creating the Sound for the Grand, Wild World of ‘The Witcher 3’
Game Audio Guide: How to write a (game-changing) audio design document today
The Future Of Game Audio – with Ben Minto
Making the rich, atmospheric sound of ‘Ghost Recon: Wildlands’
Game audio: Behind the spectacular vehicle sounds for Mad Max
Behind the excellent Star Wars Battlefront trailer sound design
10 Essential Tips for Game Audio Freelancers
Behind the cinematic sound of Blizzard's spectacular Overwatch trailer
Behind the stealthy sound of Dishonored 2
Making the Magical Sound of Ori And The Blind Forest – a talk with Game Sound Designer Andrew Lackey
How To Learn Game Audio Online
The current state of Game Audio - and what lies ahead
10 inventions that changed the history of game sound
Video: An introduction to Audio in Virtual Reality – with Oculus Rift’s Brian Hook
→ More game audio stories

Film sound:

Behind the spectacular sound of ‘Dunkirk’ – with Richard King
Making Baby Driver’s masterfully musical sound design:
Creating The Poetic Sci-Fi Sound Of ‘Arrival’
Behind the horrifying sound of ‘Alien: Covenant'
How sound brought the bricks to life in The LEGO Batman Movie
Designing the sound of the future for ‘Ghost in the Shell’
Behind the sound for 'Moana / Vaiana'
Video: Behind the sound for 'Rogue One: A Star Wars Story'
Creating the dramatic, intense sound for ‘Deepwater Horizon’
The story behind the scary sounds of Blair Witch
Making the sound for 'Star Trek Beyond'
Exclusive Insights From A Trailer Sound Design Expert
Young UK Filmmaker Creates Award-Winning Horror Sound - Here's How He Did It
The 10 Signature Sound Elements of Modern Movie Trailers
How the wild sounds of Jurassic World were made
The beautiful sound design for 'The Little Prince'
Creating the horrific sounds of The Conjuring 2:
→ More film sound stories

Sound Design Guides:

How To Design Stellar Spaceship Sound Effects – an Essential Sci-Fi Sound Design Guide
How to Set (and Get) the Right Price for Your Audio Work
Make the most of REAPER as a sound design tool
How To Design Superb Sci-Fi UI Sound Effects
How to unlock the creative power of audio in VR
Rule of Thirds: A Sound Design Approach by Barney Oram
The Key to Outstanding Animation Sound Design
How To Design Supreme Sci-Fi Weapon Sound Effects
Welcome to the wonderful world of Ambisonics – a primer by John Leonard
How to create horror sound effects that are truly scary (and gory!)
How to build a powerful Pro Tools rig – without breaking the bank:
The sound effects survey results are in: Here are 90+ ideas for new SFX libraries
Creature Sound Design Insights from David Farmer, sound designer on The Hobbit & LOTR
Creative Sound Design: When Glitches Are A Good Thing
Game Audio: 4 Golden Rules For Technical Sound Design
Charles Maynes’ 10 Inspiring Notions For Great Sound Design
The Ultimate Guide To Making Your Own Christmas Sound Effects
DIY SFX Libraries - A guide to your first sound effects library
Sound Design Guide: Emotional States & Sound Design
→ More sound design guides

Sound community highlights:

The 3 Most Popular Sound Effects Libraries Right Now
Behind ‘Beep’ – the gigantic game audio history project
Building a successful audio post studio
Inside the Creative Mind of Documentary Sound Designer Peter Albrechtsen
The Rise Of Reaper
What the future holds for Pro Tools and VR
A Sound Seminar – From The Inside
Introducing a brand new way to find audio events around the world
Creating the world’s largest cat sound effects library – with Yarron Katz
How inventive, evocative museum sound design is created today
Making sound for Scarehouses
Exploring New Sonic Worlds: Sound For Virtual Reality
How Pyry Survo created the ultimate roller coaster & theme park sound effects library
Sound effect creators, here’s what the new EU VAT rules could mean for you
How the ultimate pub crowd sound effects library was created
From Idea To Sound Library Release: A One-Year Journey With Kpow Sounds
How to create sound for commercials – insights from an award-winning sound team
Here’s how two Icelandic sound designers could change sound effects – forever
Behind The Scenes On Designing Sound - With Jack Menhorn
Sci-fi Sound Effects: 14 Fantastic, Futuristic Sound Effect Libraries
Robot Sound Effects: 6 SFX Packs for Designing Fantastic-Sounding Robots
Horror Sound Effects: 13 Scary Sound Libraries That'll Make Your Audience Shiver
Unique sound effects from Denmark – an interview with Sonic Salute recordist Mikkel Nielsen
→ More sound community highlights

Recording:

How To Find The Best Handheld Recorder
Surround field recording adventures in forests, canyons, parks, and wetlands
How to prepare for a successful field recording trip
The Essential Guide To Recording Weapon Sound Effects – With Watson Wu
Recording and designing the winter sound effects for SNOW
The Essential Primer To Recording Car Sound Effects
5 Useful Tips for Creative Urban Field Recording
How To Record Extremely Loud Things – Randy Coppinger interviews Chuck Russom and Michael Raphael
The Dumb Microphone - And The Lost Art Of Listening
Field Recording: Capturing The Sound Of The UK
→ More recording stories

New Sound Effect Libraries

Musical Textures $179
Ultimate Horror $199
The Antiques Collection $89
Elements Enhanced $179

Popular Right Now

Spells Variations Vol 4 $10.20
Overkill - Gore And Splatter $149
Metamorphosis $190
Old Wooden Doors $19

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