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Scary, creepy, nasty horror sound effects and gore sounds
Need to create a tense atmosphere to induce madness, craziness and fear in your Horror or Sci-fi project? DISTORTED PERCEPTION is the library for you.
Abnormal melodies, strange sound movements, transitions and distorted cinematic impacts are some of the things you will find in this collection; sounds with a distorted, saturated and tense feeling to grab people’s attention and provoke fear, tension and suspense in them.
You can also use the sounds to enhance musical productions or create some nasty and crazy musical moments, thanks to a nice selection of percussive elements. The library contains two musical compositions using only the sounds in this library (using the percussive sounds with some of the atmospheres and transitions). Apart of being a great library for Horror or Sci-fi games and movies, this collection works well for trailers too.
Sounds included:
Atmospheric elements: Abnormal melodies, feedback and tense drones • Cinematic basses • Saturated bass drops • Distorted cinematic impacts • Sci-fi impacts • Sound movements • Noises • Percussive elements: Drum kicks, distorted drum kicks, hi-hats, snare drums, movements and sequences • Transitions
Lots of creatures for your audiovisual project
You will get a wide variety of monsters, from small, medium and large size. In this library we have tried to recreate all the characteristics of the monsters, breathing, gills, visceral movements, etc. This library is divided into:
Attacks.
Danger Sounds.
Friendship Call
Scream
Footsteps
Footstep with Material
Growl
Slobber
Breathings
Roars
Eating
Grunt
Death
Receive Attack
Mutation
Bite
Angry
Flying
More about the pack
Intuitive file naming
All you’ll ever need regarding magical elemental sounds [Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
Totally mono compatibility
All sounds have between 3 and 5 variations.
The sounds of Breathe and Fly are in Loop format.
Features
141 unique monster sounds
Most of the sounds are split into regular and caw versions so you can freely choose which one to use.
Number of Audio Waves: 141
Format: 44,100 Hz / 16 bits
Do Sound FX loop: Yes
Minutes of audio provided: 3 minutes and 12 seconds
Documentation
Breathe life into your CREATURES, MONSTERS, BEASTS, DINOSAURS or DRAGONS with this gigantic pack of realistic, royalty-free, high-quality creature voice overs, foley, and just about every other creature sound you’ll ever need! Inspired by Jurassic Park, Pacific Rim, Alien vs. Predator, The Lord of The Rings, Godzilla, Walking With Dinosaurs, King Kong, The Wolfman, as well as the creatures found in Skyrim, Elder Scrolls, this sound pack comes with over 3,000 audio files (1,070 original sounds) that include but are not limited to:
• Attack Roars
• Idle Creature Sounds
• Warning Roars
• Breathing Loops and Single Sounds
• Hurt and Die Sounds
• Claw Attacks, Stabs, Rips and Tears
• Body Movement Foley
• Wings and Footsteps
• Motion Through Air and Water
• Dead or Hurt Body Drops
…and many more – all in cutting-edge cinematic fantasy quality, with multiple premium WAV and MP3 formats for your convenience.
CREATURES OF ALL SPECIES AND SIZES
From all REPTILE/LIZARD-looking creatures, MOLLUSK-like monsters and FURRY/MAMMAL beasts, SKY (BIRDS, DRAGONS, INSECTS) and SEA CREATURES, to ELEMENTAL FANTASY monsters (FIRE/LAVA, ICE/WATER, STONE/EARTH) you will be spoiled with choices! This gigantic sound library not only that comes with all the sounds for every mood, situation and scene for each creature, but also includes each of the species in 3 sizes – LARGE, MEDIUM and SMALL!
INCREDIBLE FLEXIBILITY AND EASE-OF-USE
Each audio file is drag-and-drop ready, presented in high-quality MP3 and WAV formats, including many in multiple takes, edits (long, short, fast, slow, looping), with meticulously labeled keywords, so you can create the perfect experience for your players/audience in a matter of moments! Enrich your title in seconds with beautifully mixed, AAA quality sounds brought to you by our team of industry veterans, whose 1,000+ games worth of experience have culminated in this extraordinary pack of sounds.
GET IT TODAY and inject life into your creatures, monsters, beasts, dinosaurs or dragons!
KEY FEATURES:
• Huge variety of creature VOICES, FOLEY and ALL OTHER SOUND EFFECTS of ALL SPECIES and SIZES;
• Perfect sounds for multiple genres (Fantasy, Horror, Adventure, FPS, RPG, RTS Games, Casino Slots, etc.), any scene or situation
• Ready to use – requires no editing, labelling or splicing
• Categorized, organized and individually labeled files for maximum use efficiency
• FREE Updates to higher versions, FOREVER!
TECHNICAL DETAILS:
• 3,210 Audio Files (1,070 original sounds)
• WAV Format: 24 Bit / 96 kHz, 16 Bit / 44 kHz
• MP3 Format: 320 Kbps
• Unpacked Size: 2.1GB
• Total Run Time: 1h 56m 48s
PERFECT FOR:
• Video Games
• Slot Games
• Film / Animation
• Ads / Trailers
• YouTube Videos
• Live Events
• Sound Design
…and all other audio-visual productions!
MASSIVE SAVINGS: Explore the Fantasy Sound Effects Bundle, packed with a diverse collection of sounds—from elemental magic spells and sorcery to dragons, orcs, and other mythical creatures. This all-inclusive package grants you access to all future fantasy-themed libraries through FREE updates, adding incredible value. Opt for the bundle today to secure substantial savings over individual purchases. Click here to unlock a world of enchantment and limitless creativity!
Metal Atmosphere is a collection of contact microphone recordings of wire fences vibrating in the wind.
The library consists of 29 recordings ranging from 1 minute to over 10 minutes in length. These have been recorded by taping JrF contact microphones to wire fences and other structures through which sound travels easily.
Most of the sounds are made by the wind “playing” the wires as a huge stringed instrument, while a few others are recordings of submerged wooden fences. The tone is generally dark, even menacing, bringing desolate spaces to mind.
The sounds can be used as backgrounds even if they technically aren’t proper ambiences, as there is a certain degree of similarity between the two channels which creates a fake stereo field. About half of the files also include wind gusts and wind-specific dynamics which renders them easily identifiable as wind sounds, only with extra metal elements added. Additionally there are countless impacts, risers and swells included which can easily be cut out and used as spot effects. All files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
In total, more than 2 hours of metal atmospheres and resonances from unique sources – tagged with comprehensive metadata.
We enter the next round of absolutely striking new SFX! CINEMATIC DARKNESS is the fourth release in our grand CINEMATIC series and is absolutely no less exciting than its predecessors: dirty BLASTS, scary DRONES, digital GLITCHES, synthetic SCREAMS, disturbing STUTTERS, creepy NOISE – the list continues as we have packed more than 15 GB of high-quality SFX into this collection.
CINEMATIC DARKNESS has been co-produced with sound designer Sebastian Johnson who left his footprints in the world of sound design starting in the 90s with the first commercial library for the Waldorf Microwave and sound design for Ensoniq, Clavia, DSI, and recently for more than 40 blockbuster trailers in the last 4 years such as Gravity, World War Z, Godzilla, Maleficient, The Hobbit, Transcendence, The Dark Knight Rises, Prometheus, Pacific Rim, Resident Evil 5, Star Trek & much more!
Our new library comes all nasty, disturbing & unsettling. It’ll shake you to the core & without a doubt it will power your next project. Evil, murky, harsh, synthetic and edgy are only a few characteristics of CINEMATIC DARKNESS. You have the possibility to customize this collection to your very own needs: the CONSTRUCTION KIT offers you high-quality source recordings to be creatively processed, while the DESIGNED version comes in handy with pre-designed, “ready-to-use” sounds, ideal for time-scarce projects. CINEMATIC DARKNESS is the next generation of evil SFX – add a wicked new tone to your sound pool!
Bloody Nightmare is a modern horror cinematic library aimed at the most cutting edge bone chilling productions out there.
Whether you work in sound design, as a composer, trailer editor or as an electronic musician, Bloody Nightmare is a valuable new wave of Horror sounds that will surely cause visceral moments of terror and dread!
Haunted Doors [D&S] is a collection of 209 old doors sound effects.
HD consist of of 45 designed sounds (Opens, Closes, Cinematic Door Impacts @ 96kHz 24Bit) & 164 source recordings (Door creaks, knob twists & turns, rattling, squeaking, opens, closes, locks, bolts and more! @ 192kHz 24Bit).
All audio files have been recorded at superb 192KHZ 24BIT. Multiple mic positions to capture all
the little details such as loose lock mechanisms, inner rattling, stuttering creaks and rich natural reverbs of empty corridors.
Comprehensive Soundminer's metadata. Over 25 different door knobs and handles,
over 10 pairs of hinges, 10 different doors and more! Perfect for horror movies, games and more.
LOCATION: Spain, Costa Blanca. Traditional Spanish hacienda before renovation.
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8060
EDITED AND MASTERED WITH: Pro Tools, iZotope RX (mildly),Fabfilter, Zynaptiq, Waves.
Welcome to the Just Gore | Add On – more than 790 goregeous bone-breaking, blood-soaking and flesh-slicing splatter sound effects.
This huge hard-gore construction kit contains all extra-disgusting sounds for a breaking bone, a punch to the guts or a brutal dismemberment.
A collection of eerie synthesized tones, ominous drones, abstract textures and ghostly vocals ready to add a whole new dimension to your horror projects. Inject a sense of fear, dread, despair, tension or some spooky ambience to your scene to get the audience on the edge of their seat with sounds ranging from low-end elements to piercing, high frequency noise outbursts.
Whether you are working on a full-scale scarefest film production, adding background atmospheres to a paranormal reality television series or documentary, soundtracking a gore-laden video game or need some sinister textures for a musical piece with a dark theme, this diverse collection of sounds is sure to have something to suit your project.
We've included 63 raw vocal files from our voice actor talents, exactly as they were recorded and with no processing, as an exclusive bonus for A Sound Effect customers. These can be used as they are, or even better, put through your favourite effect processors to conjure up your own ghostly creations!
Troll Monster Vocalizations contains 194 vocals sounds. A variety of different groans, grunts, deaths, shouts, attacks, growls, laughing and more.
This pack also includes a variety of 150 bonus sounds effects from our full library Pro Sound Collection. ALL sounds from Troll Monster Vocalizations are included Pro Sound Collection so if you need more sounds be sure to check it out before purchase.
This downright terrifying collection of horror sound effects – co-produced by Hollywood horror master Richard Adrian (The Hills Have Eyes, Gothika, Thir13en Ghosts, Ghost Ship, House Of Wax, Haunted Hill, Mirrors etc) – is available in three different versions:
Want an easy, high-quality solution for horror sound effects? You have a tight schedule and need to meet a bloody deadline by tomorrow? That calls for our CINEMATIC HORROR – DESIGNED collection: a handy pack full of pre-designed, ready-to-use SFX that crawl and slither into your projects, ready to scare the audience with precision. There are booms, drones, hits, shockers, stingers, stutters, whooshes and further nightmares, including screams and screeches, distortion, whispers, echoes, metal squeaks and other haunting sounds. No need to fear short-term inquiries anymore – this library will fix your needs in an instant.
The CINEMATIC HORROR DESIGNED offers you a great selection of more than 4 GB high quality SFX, brought to you in more than 100 single files. Each file contains 4 versions to ensure flexibility and alternation. All of it recorded and produced in 96 kHz and 24-bit by horror expert Richard Adrian and our devoted sound designers. The library also comes with key word search and well-grounded Soundminer metadata.
Key features:
• Library ships in 96kHz/24bit High Definition Audio
• Extremes, hits, drones, shockers, stingers, stutters, whooshes & more
• 500+ HD SFX in 100+ files
• Effective workflow: well-grounded Soundminer Metadata
This frightful collection not only creeps up your spine, but clasps your whole body. Symptoms such as cold skin, anxiety, dizziness, shivering, paleness and increased heart rate may occur, indicating the degree of sonic impact this library entails. The CINEMATIC HORROR CONSTRUCTION KIT is not for the sensitive nature, but for those who dare to play the complex facets of primeval fear. If you want to create something unique – the next terrifying attack, an evil twist, a horrifying moment of pure despair – this library should be your tool kit.
A glance at the content list of the CINEMATIC HORROR CONSTRUCTION KIT suggests a dreadful future: ambients, drones (organic and synthetic), human sounds, impacts (e.g. guitar distortion, creepy clangs, smacks and thunks), metal impacts, metal squeaks and scrapes, rises, instruments (e.g. piano, violin, wine glass), metal scrapes, metal squeak, vocals and vocal choirs (breaths, laughs, exhales, screams (male and female), wood creaks, groans and more – all ready to follow your wicked phantasies and effects.
These SFX come with more than 12 GB of high-quality source recordings delivered in 96 kHz, 24-bit, giving you only the best quality for heavy editing, pitching, and FX processing while keeping a top notch level of clarity and precision. To provide you with the fastest and easiest workflow possible, all files contain extensive metadata. Balance and mix the sounds just as you like and expand the range of panic, fright and terror.
Key features:
• Library ships in 96kHz/24bit High Definition Audio
• Scrapes, squeaks, creaks & groans, vocals & drones and so much more!
• 270+ files, 1.200+ HD sound effects
• Effective workflow: well-grounded Soundminer Metadata
Get BOTH versions above in one, sweet, terrifying bundle. It provides an unbeatable 12 GB arsenal of horror sounds that'll be a cornerstone for anything scary in your sound effects collection.
Key features:
• Gets you both Cinematic Horror – Designed and Construction Kit
• 370+ files, 1.700+ sounds | 96kHz/24bit, WAV
Discover nearly 7 hours of individually flavoured, hauntingly musical and ever-evolving drones, packaged neatly into 79 of the kind of audio files that you can never have enough of.
In many ways, Aberrant Drones is the sister library of the Augmentation Elements library, as it provides you with the creative tools required to augment your sound design.
Whilst the Augmentation Elements library arms you with tools such as whooshes, risers and stings, allowing you to sweeten specific elements of your sound design, the Aberrant Drones library allows you to augment the mood of an entire scene. Each audio file is populated with richly descriptive SoundMiner metadata, making it easier than ever before to sift through hours of abstract drones.
This is why the metadata is usually described in terms of feeling and mood, like so:
Drone,Sci-Fi,Abstract,Cacophonous,Glowing,Impending Doom
Drone,Sci-Fi,Abstract,Textured,Vibrating,Oscillating,Anxiety
Augment your creative tool-box with Aberrant Drones, and transform your sound design work!
For really in-depth reviews, check out the articles on 344audio.com and strongmocha.com
The Blacksmith Sound Effects Library features 800 files with over 1000 sounds, recorded at a one-day visit to an old forge from the last millennium. You get tons of hammering metal on an anvil of course but also many other typical forge sounds, as well as more unusual sonic experiences. Mostly metallic sounds – from tools handling, metal hits, drops, clank of chains to vibrating metal poles, rattling cranks, wooden hatches and much more.
All sounds were recorded in MS using a Sennheiser MKH-8050 + Ambient ATE 208 going in a Sound Devices 788T in 192kHz and 24Bit. The sounds are cleaned and edited for direct use. All mastered and decoded to stereo for instant use.
Now you don’t have to kill anyone to get these types of sounds! No more mafia boss interactions, No need to arrange meetings with your hitman, No need to lure unsuspecting victims to your recording location!
This library features recordings of a metal shelf being shaken, slammed, scraped, and other torturous things.
In this library, you’ll find metal slams, moans, squeals, shakes, taps, and sounds of rocks being poured over it.
There are lots of nice resonant sounds filled clangorous textures. Great for creating creepy tones for suspense and tension.
This library was recorded with a Barcus Berry Contact Mic going into a Barcus Berry 4000 preamp and a Sound Devices 702.
•In Bowed Cactus, get a visceral collection of bowed and plucked cactus from the deserts of the American Southwest. Take a violin bow to a cactus spine and hear guttural screeches with intense, physical energy. Hear plucked needles popping in rich organic granulation. Hear thick, bowed spines growling like supernatural animals and single needles stuttering with real grit.
•This library offers you an extensive collection of sounds from a unique organic sound source. Cactus sounds are incredibly soft and intimate in real life, but when recorded from two inches they morph into otherworldly creatures brimming with ultrasonic energy. I hope you are excited by their sound designing potential and I can’t wait to hear what you create!
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
DARKSCAPES is a collection of 30, seamlessly looping, dark, horror-inducing soundscapes and ambiences with total run time of 35 minutes.
All sound effects have been created using real field recordings in order to add organic feel to them and trick your brain into
perceiving them as something realistic and later edited with top of a line outboard and plugins to add dark, horror-inducing depth to them.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060, DPA4060, PCM D100
EDITED WITH: iZotope RX, Wormhole, Adaptiverb, Modular, FabFilter, Waves, TC Electronics, Pro Tools.
Get more than 200 zombie style sound effects (in 92 audio files) with Infected Zone.
You will find ambiences, drones, musical elements, cinematic impacts, zombie hordes, bites, bone breaks, zombies eating, intestine movements, blood drips, stabs, gunshots, machine guns, vocalizations and more.
These sounds are great for any kind of zombie/horror production (games, trailers, movies).
Don’t be afraid to enter the ‘INFECTED ZONE’
Torturing Wood is a compact bundle of cracking, tearing, and breaking sounds – from the destruction of an old wooden garage. It offers 100 files, each meticulously edited, and embedded with metadata information for easy import and ensure a fast and easy workflow.
Halloween 101 is a great collection of sounds for your spooktacular projects! Inside are eerie ambiences; ghosts and zombies; human grunts, dying, screaming, and wailing; bloody gore; blade sounds, glass breaks, squeaky floors and doors, and so much more!
• Strange, haunting ambiences
• Blades – impacts, hits, chainsaw, war-hammer, battle ax
• Fighting and Gore – punches, rib cage ripping open, splats, goops
• Footsteps – glass, creaky wood
• Glass Breaks
• Human Sounds – evil laughs, screams (solo and group), grunts
• Unhuman Sounds – Groups of ghostly voices, zombies (solo and groups), speaking in tongues
• Weather – thunder & wind
• Doors – creaking, “Demons Gate”
Finalist – Best Sound Effects Libary – Indie Sound Awards 2022
The sound ‘Kind Creature’ made with the V7 library won the British Sound of the Year Award presented by The Museum Of Sound and The New BBC Radiophonic Workshop.
Custom made sounds made with the V7 are used in the scores for Control, Wolfenstein and newer projects by award winning game composer Martin Stig Andersen.
V7 is a home-built metal spring sound-tool made from an old measurement-unit found at a flea market. Now – disassembled, rebuilt and mounted amongst other things with a 33 foot long Giant Spring that connects the measurement box to an open metal staircase and creates a natural spring reverb.
I Played with a bow, friction rubber clubs, metal slides, whipped cream gas cartridges and a souvenir Eiffel Tower.
The result is a unique sound effect library of massive metallic hits, gongs, scrapes, squeaks, friction, rumbles and rattles. From subtle, soft squeaks and harsh, brutal metal shrieks to long and deep musical metal moans.
V7 is recorded with an Ehrlund EHR-E microphone placed inside the metal box. All files are in 96 kHz/24 bit and contains the original acoustic recordings.
73 files with 700 + individual sounds – all tagged with detailed Universal Category System (UCS) metadata.
Lots of creatures for your audiovisual project
You will get 107 with a wide variety of sounds for your monsters, we have tried to recreate some characteristics of creatures, such as breathing, deaths, different types of steps according to materials, eating, etc. This library is divided into:
Performing attacks (different intensities)
Receiving attack sounds
Deaths
Growls
Shouts
Eating
Breaths
Footsteps
Grunts
Screams
More about the pack
Intuitive file naming
All you’ll ever need regarding magical elemental sounds [Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
Totally mono compatibility
All sounds have several variations.
Include Dragon sounds
Features
107 unique monster sounds
Number of Audio Waves: 107
Format: 44,100 Hz / 16 bits
Do Sound FX loop: Some
Minutes of audio provided: 4 minutes and 1 second
Documentation
Designed Sci-Fi features 546 cinematic sci-fi sound effects, alien textures, ambiences, drones, space cities, deserted crystalline caverns, vast hives of digital insects, distressed metal impacts, abstract user interface sounds, transitions, and more.
Created with modular synth equipment (Mutable Instruments, Intellijel, Doepfer, Erica Synths, Make Noise, Arturia, Expert Sleepers, 2hp, Ladik) recorded into an Emu E5000Ultra Sampler, then processed digitally using a variety of techniques and high-end effects.
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
If you want to terrify your audience - whether it's for a game, movie or another project that calls for bone-chilling sounds - the horror sound effects libraries from the independent sound community are a fantastic tool for making that happen.
They give you everything from haunting ghost sounds, gruesome and gory sound effects and demonic possessions, to frightening and disturbing ambiences, screams, whispers and grotesque zombie sounds - making sure your audience will get a sonic experience that's sure to leave a mark.
Bones breaking, breathing, chains rattling, creaking doors, demonic laughter, footsteps, ghostly whispers, gore splatter, heartbeats, knife slash, monster roar, music box, screams, screeching violins, siren, stabbing, thunder, water dripping, wind howling, zombie groan
Q: What are some of the most popular horror sounds?
A: Click to sort the category by most popular horror sound effects libraries
Q: Are there any horror sound libraries on sale right now?
A: Click to sort the category by horror sound libraries on sale
Q: How do I download the horror sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen horror SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Cataclysm is a vast collection of recorded, synthesized and designed sounds created to support important destructive moments and add a stronger sense of extreme consequence to any sound.
The recorded section of library features elements such as flash powder explosions, propane cannon blasts and artillery cannons recorded in unique natural environments with violent transients and lush, long and varied tails. It also features falling trees, forge burners, large trebuchet wood groans, rock smashes as well as more ordinary items recorded and designed to feel like an over the top version of themselves such as vacuum cleaner suctions, metal vase holders, ground pounders and more.
The synthesized section of the library features equally rich textures in the form of explosion sweeteners, other-worldly environmental reflections, scorching energy risers and more.
Finally, recorded and synthesized content was employed to develop the designed section, where the hyperrealism of the recordings meets the clean yet aggressive textures of the synthesized section in catastrophic assets themed around the library’s title.
This sound library was carefully recorded, processed and crafted to offer a unique toolset for your ice-cold freezing design needs.
Great for fantasy genre with ice based magic, enchantment and supernatural elements, shining motion graphics, time lapse and flow motion freeze sequences.
Bonus Aztec death whistle recordings processed by glass and icy textures.
This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.
WHAT SOUND PROFESSIONALS SAY:
Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Ginno Legaspi – SoundBytes Music Magazine
“As far as the sound goes ‘Cinematic Magical Ice’ is both beautiful and mystical. I happen to like the icy textures that are oozing with coldness. Overall, this sound library boasts a good variety of effect samples ready to drop in various cinematic projects.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Bullet Impact Sounds contains 153 bullet sound effects (23 bullet flybys and 130 bullet impacts). Bullet impacts cover 16 different surfaces. Body Flesh, Body Thump, Concrete/Brick, Dirt, Grass, Rock, Gravel, Glass, Metal Light, Metal Heavy, Wood Light, Wood Heavy, Water, Mud, Snow and Ice. Each surface has 8-9 sound variations.
A perfect collection of bullet sounds suitable for all types of sound designers, video editors, game developers or anyone who needs a large range of high quality bullet sound effects ready to use out-of-the-box. Designed specifically for games, video and other media by award winning sound designers.
This pack also includes a variety of 150 bonus sounds effects from our full library Pro Sound Collection. Note that ALL sounds from this package are already included in our other premium sound packages Pro Sound Collection and WARFARE SOUNDS. So be sure to check out Pro Sound Collection and WARFARE SOUNDS before purchase to save time and money!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.