Scary, creepy, nasty horror sound effects and gore sounds
This downright terrifying collection of horror sound effects – co-produced by Hollywood horror master Richard Adrian (The Hills Have Eyes, Gothika, Thir13en Ghosts, Ghost Ship, House Of Wax, Haunted Hill, Mirrors etc) – is available in three different versions:
Want an easy, high-quality solution for horror sound effects? You have a tight schedule and need to meet a bloody deadline by tomorrow? That calls for our CINEMATIC HORROR – DESIGNED collection: a handy pack full of pre-designed, ready-to-use SFX that crawl and slither into your projects, ready to scare the audience with precision. There are booms, drones, hits, shockers, stingers, stutters, whooshes and further nightmares, including screams and screeches, distortion, whispers, echoes, metal squeaks and other haunting sounds. No need to fear short-term inquiries anymore – this library will fix your needs in an instant.
The CINEMATIC HORROR DESIGNED offers you a great selection of more than 4 GB high quality SFX, brought to you in more than 100 single files. Each file contains 4 versions to ensure flexibility and alternation. All of it recorded and produced in 96 kHz and 24-bit by horror expert Richard Adrian and our devoted sound designers. The library also comes with key word search and well-grounded Soundminer metadata.
This frightful collection not only creeps up your spine, but clasps your whole body. Symptoms such as cold skin, anxiety, dizziness, shivering, paleness and increased heart rate may occur, indicating the degree of sonic impact this library entails. The CINEMATIC HORROR CONSTRUCTION KIT is not for the sensitive nature, but for those who dare to play the complex facets of primeval fear. If you want to create something unique – the next terrifying attack, an evil twist, a horrifying moment of pure despair – this library should be your tool kit.
A glance at the content list of the CINEMATIC HORROR CONSTRUCTION KIT suggests a dreadful future: ambients, drones (organic and synthetic), human sounds, impacts (e.g. guitar distortion, creepy clangs, smacks and thunks), metal impacts, metal squeaks and scrapes, rises, instruments (e.g. piano, violin, wine glass), metal scrapes, metal squeak, vocals and vocal choirs (breaths, laughs, exhales, screams (male and female), wood creaks, groans and more – all ready to follow your wicked phantasies and effects.
These SFX come with more than 12 GB of high-quality source recordings delivered in 96 kHz, 24-bit, giving you only the best quality for heavy editing, pitching, and FX processing while keeping a top notch level of clarity and precision. To provide you with the fastest and easiest workflow possible, all files contain extensive metadata. Balance and mix the sounds just as you like and expand the range of panic, fright and terror.
Get BOTH versions above in one, sweet, terrifying bundle. It provides an unbeatable 12 GB arsenal of horror sounds that'll be a cornerstone for anything scary in your sound effects collection.
• Gets you both Cinematic Horror – Designed and Construction Kit
• 370+ files, 1.700+ sounds | 96kHz/24bit, WAV
This small, highly focused sound library features drones and textures created solely with sounds from a 1950’s Cable upright piano.
These sound effects range from low, dark, and pulsating, to high and shimmering and could easily work in sci-fi, suspense, thrillers, or fantasy. While they can sound otherworldly, the sounds are actually quite organic. The sounds were made with looped and layered tone clusters and ambience recorded inside the piano – no granularization, synthesis, or additional processing like reverb were employed.
They can be used alone or mixed with other sounds to great effect.
The “Crash & Smash – Designed” sound effects library contains 350 sounds of destruction.
You get 5 categories (Glass, Metal, Stone, Wood, Plastic) each with 50 edited, layered and designed sounds of destruction and demolition. Additionally you get 100 mixed heavy Crash and Destruction Sounds in 5.0 Surround.
These were fully created and designed in surround not just upmixed. You also get the downmixed versions in 2.0 Stereo.
All sounds were designed from the original Crash & Smash.
You can easily create a vast amount of new crashes by combining, layering and arranging these sounds. Comes with embedded Sound Miner Metadata.
Available in two versions:
Get more than 9 GB of source material to create your own terrifying creatures. Including more than 7600 single sounds in over 1000 files, this extensive library offers you an extremely wide range of source sounds to create your own unique creatures.
Get the most extensive creature sound source library on the market with more than 7600 royalty free sound effects in over 1000 files, reaching from huge to tiny, low to high and soft to hard. This great collection of pre-edited source recordings are everything you need to create any creature you have in mind. The sounds are fully enriched with well-grounded Metadata so that you will always find what you need fast. Provided in 96kHz, 24-bit, the possibilities to pitch, stretch and process are vast. No matter if you want to create slippery insects, ferocious orcs or giant dragons, you will find it in this library. Check out the demo below to feel the power of “Creatures – Construction Kit”.
• Library ships in 96kHz/24bit High Definition Audio
• Completely recorded in 192kHz/24bit
• 1000+ files, 7600+ royalty free sound effects
• Comes with comprehensive metadata
Huge and rumbling beasts, tiny and nasty insects, brutal and slippery zombies: The “Creatures – Designed” collection offers more than 300 royalty free “ready to use” sounds in 76 files. The collection consists of numerous sets of outstandingly evil creatures, with various different moods in each set.
Don’t have time to create new creature sounds from scratch? Just use some of our final designed and ready to use unrivalled creature sounds. The effects are provided in various sets of individual creatures, each including numerous moods. These sounds are ideal for direct use in trailers, movies or games. All of these creatures were uniquely designed by using the source recordings of the Creatures – Construction Kit library.
• Library ships in 96kHz/24bit High Definition Audio
• Completely recorded in 192kHz/24bit
• 5 different moods per creature, 4 variations per mood
• Comes with comprehensive metadata
A very lean library made to offer a quick go-to sound set for designers who need the natural popping, snapping, and cracking sounds of human joints. Update: Now comes with 3x more sounds than before!
SampleTraxx continues to cross the border between music and sound design with “Custom Tools” a new collection of 570+ new sound effects and 15 categories for true cinematic lovers.
Custom Tools is made to design high definition cinematic sci-fi horror trailer and soundtracks with a variety of production-ready sonic elements, noises and tension. This sound pack is a modern cinematic tool for shocking industrial horror sound design with a sci-fi aesthetics.
Featuring 1.5Gb of content, 570+ sound effects and 15 categories in Wav format 48/24 meticulously named and organised for fast workflow to be immediately dragged in every DAW or sampler.
DANZA MACABRA is a collection of sound effects made out of real instruments recorded with Barcus Berry contact microphone.
Unusual tones and timbres came out while bowing and scratching violin and cello or “playing” an upright piano with “string piano technique” using different metal objects.
Danza Macabra comprises 45 loops at 140 bpm of designed clocks, tick loops, wooden old pendolo and time design elements. Designed glockenspiel and ride cymbals, morphed cinematic elements you will not find elsewhere.
The sounds contained in Danza Macabra are great when treated with different amount of pitch-shifting to get never heard before sonic results.
An exclusive collection to satisfy your sound design addiction.
“Dare” is a small pack of 50 atmospheric elements (WAV, 96kHz/24bit) suited for horror productions.
Thanks to his dark tone, this library is great to induce tension, fear and oppression in your game, movie or trailer. If you want to evoke the sensation that someone or something is hiding and watching you, this library is great for you.
The following musical instruments were used to create Dare: An Ukulele, Transverse flutes, a Kalimba and a Melodica.
‘DARK’ by Badlands Sound delivers you 15 scary, ominous dark drones that will add an added layer to terrify the audience. You will hear low-end rumbles, sinister drones, creepy atmospheres and more! This sound library includes 15 high-quality 96k / 24-bit dark drones. All audio files are two minutes long subtly changing over time.
Venture into the unknown with Dark Deepsea Drones, consisting of 8 long drone soundscapes:
1 Into the Deep (6:50)
2 Pressure Induced Hallucination (5:51)
3 Abstract Mytosis (2:23)
4 Aquatic Appocalypse (4:31)
5 Obscure Entity (4:12)
6 Lost in the Abyss (12:26)
7 Drifting Away (9:21)
8 Amongst Jellyfish (5:34)
Artwork by Annemie Van Roey
Dark Materials is a SFX library dedicated to horror sound effects. It comes with a big collection of crunching, breaking, twisting bones and juicy impacts – more than 770 sounds are included in total!
SciFi Drones is a composite collection of very disturbing and scary futuristic spaceship ambiences, Sci-Fi Drones and organic, surreal alien-atmospheres.
Each drone is 2 minutes long, with very versatile variations in each file. And whether it comes to futuristic horror settings, abandoned sci-fi corridors, large spaceship halls, haunted basements or open space in an alien galaxy, this will set the right tone.
Fantastic for any sci-fi project – and will also set the tone equally well for other disturbing cyberpunk projects and scary industrial spaces.
This library is a hybrid-production; A symbiosis of organic original field-recordings like Room Tones, Construction Sites, Traffic, Zoo-Animals, Motors and synthetic elements. Lot’s of spectral and granular synthesis. And lots of sound designing, of course.
A bundle containing a collection of very disturbing and scary futuristic spaceship ambiences, Sci-Fi Drones and organic, surreal alien-atmospheres. This special bundle gets you both full mixes, as well as drones carefully split into logical frequency layers for maximum flexibility.
This gives you better control, allows you to do your own mix of these elements, and you can combine and mix the different layers across the ambiences using drag&drop to create nearly endless variations. It also makes it easy to do creative up-mixes to surround.
Dark Seals is a unique collection of close up, expressive seal vocalisations. It includes everything from aggressive growls, funny gargles, snapping snarls, howling wails & disgusting snorts and slobbers.
Recorded on location in Namibia and the United Kingdom, the library consists of many incredibly up-n-close recordings of individual seals, both adults and pups. The close proximity and large variety in vocal ranges between adults and pups makes this material highly malleable and perfect source for creature sound design. Check the demo to hear examples of these sounds playing at half speed.
The files are organised per individual seal and often carry on for minutes with continuous vocalisations, resulting in many variations of a similar type of call. The content is therefore very suitable for game audio design.
Besides individual seals, there are also various recordings of a huge colony of Cape Fur Seals. These will come in useful when designing sounds of creature hordes.
‘Dark World’ is a collection of 50 drones and moods (250 mins +) that explore ideas of designed spaces.
Blurring the lines between score and sound design, ‘Dark World’ combines sound effects and musical instruments to create tense, beautiful and eerie moods. Made for composers and sound designers and ideal for surround sound placement.
DARKSCAPES is a collection of 30, seamlessly looping, dark, horror-inducing soundscapes and ambiences with total run time of 35 minutes.
All sound effects have been created using real field recordings in order to add organic feel to them and trick your brain into
perceiving them as something realistic and later edited with top of a line outboard and plugins to add dark, horror-inducing depth to them.
All SFX have baked-in Soundminer’s meta data
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060, DPA4060, PCM D100
EDITED WITH: iZotope RX, Wormhole, Adaptiverb, Modular, FabFilter, Waves, TC Electronics, Pro Tools.
Dehumaniser 2 is a powerful vocal processing tool perfect for creature sound design. Utilising incoming live or pre-recorded signals, the software allows you to dynamically tailor effects while creating multi-layered sound instantly.
Perfect for audio professionals, this versatile tool makes a strong addition to any film, TV or video game post-production process. Its flexibility also makes the plugin ideal for use in live environments, including theatre performances, Halloween attractions or voiceover/dialogue sessions.
Ships with over 100 monstrous presets and 133 high-quality animal recordings, including Tigers, Leopards, Pigs, Parrots and more.
The Soundcatcher is proud to announce a new sound design library called “Desolated Strings & Wood“. The found Markneunkirchen Zither from Wernitzgruen was in a very poor condition. I collected it and wrecked it like there was no tomorrow.
You´ll get 272 stereo files (1.48GB total), tagged for trouble-free use in your favorite database program and carefully mastered in 24Bit/96kHz.
Need to create a tense atmosphere to induce madness, craziness and fear in your Horror or Sci-fi project? DISTORTED PERCEPTION is the library for you.
Abnormal melodies, strange sound movements, transitions and distorted cinematic impacts are some of the things you will find in this collection; sounds with a distorted, saturated and tense feeling to grab people’s attention and provoke fear, tension and suspense in them.
You can also use the sounds to enhance musical productions or create some nasty and crazy musical moments, thanks to a nice selection of percussive elements. The library contains two musical compositions using only the sounds in this library (using the percussive sounds with some of the atmospheres and transitions). Apart of being a great library for Horror or Sci-fi games and movies, this collection works well for trailers too.
Atmospheric elements: Abnormal melodies, feedback and tense drones • Cinematic basses • Saturated bass drops • Distorted cinematic impacts • Sci-fi impacts • Sound movements • Noises • Percussive elements: Drum kicks, distorted drum kicks, hi-hats, snare drums, movements and sequences • Transitions
Doom Drones contains more than 3Gb of eerie, doomful, dark, atmospheric field recordings, designed drones and backgrounds. Perfect for something in the realm of a David Lynch film, ambient music production, a horror film, or just to set the mood of a foreboding soundscape.
Each artist made 60 custom loops for a total of 120 loops. With SoundMorph focusing more on field recordings and subtle tonal design and Arovane focusing more on dynamic synthetic textures and sound design. Both perfectly suitable as layers or final assets, depending on their use, Doom Drones is a great addition for anyone wanting to enhance dark ominous moments.
All field recordings were captured with a mid/side stereo setup consisting of 2 Schoeps CMC6 bodies, Schoeps mk5 & mk8 capsules housed in a Rycote AE windshield running into a Sound Devices 722.
This Double Bass & Violin sound effects library not only includes weird low double bass bow strokes, stabs, vibrating strings, drones, harsh harmonics, string scrapes, bow stroke voices, and bright violin tones and screams. It also includes the opportunity to open up a whole new set of sonic adventures.
Why? All double bass sounds have been recorded at 192K/24 bit, with an amazing stereo set of close up Sanken CO100K microphones, and a stereo set of Sennheiser Mkh 8020 microphones, capturing low end and room. All violin sounds have been recorded with a single Sanken CO100K microphone.
Common for all Sanken files is that you're able to either extreme time stretch/time compress, or pitch up and down the files, and by this discover a whole new world of sounds – without adding nasty degenerating artifacts or muffling the sound. The ultra-high frequency range of the Sanken microphones does really make a great difference!
Recordings these sounds was a pure blast. The amount of versatile organic material in the set is great. The bass instrument has been played in a very innovative way, using both regular bow on strings and bass body, but also finger cymbals attached to specific places for a vibrating ring or rattle noise, creating some really other-worldly sound effects, and almost vocal-like patterns.
While the double bass material produces a massive low end without any further processing, the violin recordings really benefit from being stretched and pitched. This makes all the non-audible bright sounds captured by the Sanken microphones come through.
Need to create a tense atmosphere to induce destruction and fear in your game or trailer? “DOWNFALL” is the library for you.
Atmospheric elements, hits, percussive elements, noises, transitions and loops are some of the things you will find in this collection; sounds with a heavy, frenetic and tense feeling to grab people’s attention and evoke images of a desolated and doomed world in them.
This collection of 159 Sound Effects can be used to enhance music tracks too, making this library a versatile addition to your current collection of production elements.
Atmospheric element_Tension • Fx_Movement • Fx_Movement_Atmospheric • Fx_Movement_Riser • Fx_Transition • Impact_Braam • Impact_Hit_Distortion • Noise_Glitch • Noise_Interference • Percussive element_Distortion • Percussive element_Distortion_Loop
Need the sound of objects being pushed, pulled, dragged, moved – or perhaps sliding and scraping over different surfaces? The Drag & Slide SFX library gets you exactly that: More than 500 dragging and sliding sounds that are ready to be used as they are – or for intense sound design.
Bags, Barrels, Blades, Bottles, Cabinets, Chairs, Coat-hangers, Crates, Dining Tables, Fridges, Frying Pans, Iron Boxes, Iron Tables, Metal Cans, Metal Chairs, Nightstands, Pallets, Paper bags, Plates, Racks, Rakes, Shoes, Shovels, Sledgehammers, Spray cans, Stones/rocks, Toolboxes, Vacuum Cleaners, Various heavy objects, Wooden Boards – and more!
All sounds were cleaned, edited and filled with BWF-Metadata for instant use in your projects – and many of the files in the pack contain more than one sound. Recorded with Sound Devices 744T, 788T, Sennheiser MKH8050, Ambient ATE208, Sony PCM-D100
DRONEA gets you over 13 hours of drones, pads, underscores and atmospheres.
A collection of 238 drones, designed at 24-bit. Light to dark, clean to dirty, low to high, moving transitioning and pulsating. Many of these audio atmospheres were naturally processed by playback through a huge concrete tunnel and vintage guitar amplifiers.
All sounds were recorded or designed at 24-bit, 96 kHz, with embedded meta data.
Drones are essential for every sound designer and composer. Combine and layer Drones to add more depth, tension, and suspense to your track. Drones can act as a great background to any sci-fi scene and make your music more interesting.
A pack of 28 quality Drones & Pads to create an intense amtosphere in film, games and podcasts. Some sounds are really good for Horror and SciFi genre. Most of the sounds are analog recorded and highly reworked with best digital effects. Metadata is grounded with Soundly.
Drops 'n' Braams brings to the table 137 new sounds of hybrid cinematic Braams and Drops to boost your production with time-bending elements and sonic manipulation brought to the max. The SFX library is produced from scratch by Alessandro Romeo, owner and lead sound designer at SampleTraxx.
With Drops ’n’ Braams you can create massive stingers, deep impacts, trailer and score elements, morphing bass, transition woosh and much more.
A great addition for trailer cue creators, score composers and cutting-edge electronic music producers.
Eerie Forest is a collection of subtle ambiences recorded at night in dense forests in the regions of Transylvania and Moldova, Romania over two trips in Spring and Autumn 2017. The library features soft wind, distant hum, vegetation rustles, dogs barking at various distances, church bells tolling, a variety of owl species and other birds like ravens and woodcocks. All these elements are not foreground, but rather washed-out, echoey and atmospheric.
Eerie Forest is not suitable for foreground sound elements as the recordings are very soft and subtle. Make sure you check out the demos before you purchase.
Industrial, heart-stopping and threatening loops featuring evacuation alarms, hazard alerts, big heart-stopping whams, military threat sirens, security breach warnings, emergency calls, and distress signals. Each piece of sound design features five different variations (A, B, C, D, and E) each with its own unique flavor and stylistic approach which allows the user to cover a wider range of professional work by adapting his/her favorite samples to the needs of a particular project.
Selection of immersive downers and powerful dramatic sub falls featuring slow-motion bass, low-frequency drops, futuristic glitches, and epic cinematic booms. This original library is from the personal collection of trailer music composer Federico Soler Fernández (“Valerian and the City of a Thousand Planets” – “Middle Earth: Shadow of War” – “Halloween – 2018” – “The Predator 2018”)
One-shot impact hits with aggressive bass, angry and sudden booms, big heart-stopping whams, bone-chilling metallic textures, frantic clashes, glitchy futuristic hits, dramatic and disturbing explosions, and epic cinematic bangs.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.