The EFX Gun Foley collections feature gun handling, munitions handling, shell case drops, clip insertions and removals, cocking/uncocking, weapon drop and slide sounds – and much more. Great for actual gun handling sounds, but also highly useful for designing other mechanical sounds!
Intervention is the most complete and researched SWAT sound effects library ever made, featuring 26 weapons recorded by Hollywood’s premier weapons recordist, Charles Maynes.
We've compiled a collection of the most frequently used weapons by American SWAT units, offering you a complete sound set to work on modern films, television or games.
We’ve even included the source recordings for you to design your own gunshots, and plenty of additional foley, utilities, boots, explosives, gun handling and gear body movements, making this the most developed soundpack library in its genre.
All files are 24bit/96khz stereo files, meticulously embedded with Soundminer & Basehead metadata, including:
• 26 weapons commonly used by US SWAT teams
• Suppressed and burst variations for most weapons
• Shot variations for dry, open exterior, interior and urban locations
• 4 source layers for each weapon, allowing you to design your own shots
• 14 gun foley weapon sets including reloads, magazine inserts and cocking
• SWAT body gear movements
• Utilities like night vision goggles, batons, battering rams and more
• Large explosives and explosive sweeteners
• Designed gun handling files for gun movements
Charles Maynes' work includes Spider-Man, Tom Clancy's Ghost Recon: Future Soldier and Resident Evil 5, and he is regarded as one of the go-to people in Hollywood and games for weapons recording. Intervention also contains gun foley recorded by another Hollywood sound pro, Matthew E. Taylor
Get the ambiences and atmospheres of Rwanda, Africa in this sound effects library recorded by Ana Monte. It features recordings from around the capital of Kigali, suburbs, markets, sewing shop, rooftop and roadside recordings, as well as countryside, forest and hillside recordings.
This small, highly focused sound library features drones and textures created solely with sounds from a 1950’s Cable upright piano.
These sound effects range from low, dark, and pulsating, to high and shimmering and could easily work in sci-fi, suspense, thrillers, or fantasy. While they can sound otherworldly, the sounds are actually quite organic. The sounds were made with looped and layered tone clusters and ambience recorded inside the piano – no granularization, synthesis, or additional processing like reverb were employed.
They can be used alone or mixed with other sounds to great effect.
Sonic Transmission is a unique collection of 257 sounds recorded and produced with high-quality equipment at 24 bit /96 Khz. Recorded in a 0 acoustic fields with a large range of piezo, contact, suction and hydrophone microphones, this sound library offer original audio textures ready to use or to design.
Plenty of material has been recorded over many months to provide a wide range of variety, such as:-Metal: small to big, hollow to thin, resonating, heavy, soft
-Plastic: hit, impact, scrape, squeak
-Glass: brillant to low and deep, saturated, bouncing
-Water: oxygen, bubbles and movements into resonant containers
-Wood: low and long creaks, hit and movements
-Servo motors: clean, low, accidented, revs
-Spring: creaky and tonal
-String: cello and bass
-And much more
This collection comes in two section:
-Raw material: construction kit to create and design your own effects. Most of the sounds comes with many variations.
-Designed: ready to use sound effects, tonal, scifi, bassy, whoosh, saturated, modulated, drone, impacts
Recorded and edited in high resolution, these sounds are easy to pitch down and time stretch to create unique and surprising sounds. All Faunethic tracks include metadata tags filled with Soundminer.
Get the sounds of incredible New Zealand with this new library: I went down to New Zealand to visit a relative and record and experience the north island. It was an unforgettable trip. I rented a car, stayed on a farm, and explored as much as I could of the island.
I recorded everything from cities to beaches to forests and farms and beyond! I even hopped on a 8 person plane to the Great Barrier Island off the coast of New Zealand to capture sounds.
BONUS – I traveled to Sydney, Australia for a week and recorded ambience and walla along the way. This is all included in the library!
New Zealand library highlights:
• New Zealand North Island crickets, bugs, birds, cows, winds, streams, rivers, beaches, rain and city ambience
• BONUS – Sydney, Australia ambience and walla
• 3.8 GB, 120+ mins, 50+ files
• New Zealand – Stereo 96Khz, 24bit
• Australia – Stereo 48Khz, 24bit
• Metadata included for programs like Soundminer
• In Northern Rockies: Common Loons, get a collection of the strange and mythical calls of Common Loons. These beautiful birds have haunting calls that sing across the boreal lakesof North America. One of the greatest pleasures I’ve had as a field recordist was hearing their majestic wails echo across still waters. This library includes sounds of a nesting pair captured during a full week of nighttime and dawn recording in Glacier National Park, Montana.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Northern Rockies Series. Field Recording travel for this library was carbon neutral!
KEY FEATURES:
• Nesting pair of Common Loons recorded in Glacier National Park, Montana
• 22 clips including Loons
• Close, medium, and distant perspectives
• Isolated solo nighttime calls
• Loons mixed with full dawn choruses
• Included Loon calls: wail, yodel, tremolo, hoots, flapping takeoffs, and tremolo call flybys
• 4 clips of Quiet Nature recordings from the same location. These recordings have sparse wildlife and are perfect for use as nature roomtones for the Loons included in the library.
• Ruffed Grouse “Drumming” can be heard in several recordings in this library as distant bass thumps. Read more about how males create this sound by beating their wings while sitting on hollow logs – here.
• Other included wildlife: Swainson’s Thrushes, Wilson’s Snipes, Red-winged Blackbirds, Ruby-crowned Kinglets, Beaver tail slaps, angry Chipmunks, and bats up to 90 kHz.
• All tracks have an integrated loudness of approximately -35 LUFS.
• This is NOT a parabolic dish library of close up and isolated Loons. It is an ambience library of Common Loons within their natural habitat.
• *Note – I self-identified all birds using several iOS apps and bird identification websites, so I cannot guarantee 100% accuracy in species identification.
TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform. Starting in Soundminer 4.5Pro_v271 you can now read text markers from within Soundminer!
• Marker text included in the Soundminer description and BWAV description fields.
High-quality nature ambiance of wild landscapes in both eastern and western Oregon – with a focus on different cricket sounds by day and night.
Types range from hot desert heat to cold windy forest nights, to vibrant riversides. Many tracks are quite long – several minutes or longer. A number catch crickets quite close to the recorder
• Harmonic Series Drones is an extension of several of my music compositions. Over the past few years, I’ve been very interested in data sonification, writing several pieces that turn real-time weather data into music. This library was created using a drone generator that turns weather data into sound. I built this drone generator for my piece Sitka for piano and seasonal electronics.
• Instead of pulling weather data from Sitka, Alaska, as I did in the piece, I used 2016 daily temperature data from the Arctic National Wildlife Refuge, a fragile place wrapped up in current political drama and now open to drilling. This library is a sonification of 2016 temperature data in ANWR. The highest global temperature on record was recorded in 2016 (2016 Global Climate Report). It is even worse in the Arctic where temperatures are warming at twice the rate of lower latitudes (2016 Arctic Report Card). With this library, you’ll be able to hear the warming, and I hope this library helps to draw attention to the rapidly changing environment of the Arctic.
• Each of the forty-eight drones corresponds to the average temperature of a day in 2016, with twelve drones from each of the four seasons. The drones are built from pure tones made from tightly filtered pink noise. These pure tones are then stacked in harmonic series relationships. For instance, a winter drone might consist of the fundamental and four lowest partials. A summer drone could have the fundamental and partials seven, fourteen, and thirty-two.
• The drones stand on their own without the story. If you never knew they started with weather data, you would still find a variety of pure, rich, microtonal drones with enough variety to fit the mood of any project.
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
KEY FEATURES:
• All files are sample seamless loops. So, there are no fade-ins and outs and the files are ready for looping in any DAW.
• Consonant and dissonant drones
• Simple and complex drones
• Each of the 48 drones is between 1 and 1.5 minutes in duration
• Non-periodic undulating drones
• Each harmonic has a randomized gain, so the drones pulse non-periodically.
• Drones were made from tightly filter pink noise, so drones have a small amount of soothing and airy pink noise.
• Microtonal harmonic series relationships create beautiful beating between drone harmonics.
• All drones have a fundamental of G1 (49Hz). Transpose them as needed to fit any project.
• Partials are included in the metadata, for example, “fundamental_G1_harmonics_1_2_3_4_7_16”.
DATA SONIFICATION:
• Weather data included in the Soundminer Description and BWAV description fields.
• Temperature data was translated as a combination of lowest harmonic, number of harmonics, and highest harmonic.
• Generally, lower temperatures include bass harmonics and higher temperatures include treble harmonics. For example, the hottest day of the year only included harmonics 18 and 24.
• Location: weather data is from the NOAA station at Helmut Mountain, Alaska in the Arctic National Wildlife Refuge.
SampleTraxx is back with SHOCKING SIGNAL, a collection of big screen alarm, disturbed cinematic feedback, ping, distortion and re-amped production elements.
Shocking Signal is all about alerts, notifications, danger, disaster, emergency, panic red alerts, sirens, warnings, static, bad signals, blasts, broken circuits, electrics, glitches, neon, power and anything requiring sophisticated and extreme sound design.
Providing new and experimental sound materials generated using the most cutting-edge digital techniques, this collection is designed to suit the needs of people who want to add something unique to their production.
Dedicated to sound designers, experimental composers, cutting edge electronic music producers, busy post-production facilities, video editors, broadcast radio/TV stations.
Featuring 170+ sound effects with detailed Soundminer metadata in 96/24 HD resolution ready to be fired in your favorite DAW.
• In Pacific Northwest: Quiet Nature, get a peaceful collection of ambiences from the Hoh Rainforest, a temperate rainforest on the Olympic Peninsula in Olympic National Park. Hear the massive sparseness of one of the last pristine quiet places in the Continental US. Hear the natural cathedrals of sound created byDouglas fir and spruce. Hear wind gusts pluck autumn maple leaves and waft them to rest on forest floors. Hear massive halls of wet wood that envelop and transport you to a long-lost time when giant trees covered millions of acres of the Pacific Northwest.
• This library offers you a large collection of quiet nature sounds from one of the wettest forests in North America. Some places on the Olympic Peninsula get over 200 inches of precipitation per year, and that abundance of moisture makes for a magical fern and moss filled ecosystem brimming with soothing ambiences.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Pacific Northwest Series. Field Recording travel for these libraries was carbon neutral!
KEY FEATURES:
• Recorded near the One Square Inch of Silence
• Sparse ambiences with minimal wildlife
• Distant twittering songbirds high in the canopy
• Mornings and afternoons in 300 ft forests
• Eerie nights in old-growth titans
• Barred Owl hoots
• Sporadic drips and light soothing wind
• One long unbroken natural soundscape. Thirty-five minute of natural silence!
• This library is a portrait of the Hoh Rainforest. The rainforest is in a long river valley, so the distant soothing wash of the Hoh River can be heard in all recordings.
TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
• Marker text included in the Soundminer description and BWAV description fields.
FILE LIST &METADATA:
• View in Browser or Download CSV • Flora (plants) and Fauna (animals) are described in these terms: • fauna sparse • fauna constant • flora sparse • flora constant • flora and fauna sparse • flora and fauna constant • Included wildlife: Barred Owl, Pacific Wren, Hairy Woodpecker, Ruffed Grouse, Brown Creeper, Golden-crowned Kinglet, Varied Thrush, chipmunk, Douglas Squirrel, and ultrasonic insects. Overall, wildlife is very sparse during fall in the Hoh River valley.
This library is a small collection of handwriting foley on paper. It’s a mix of scribbles, doodles writing and punctuation that will save you alot of time when you need various writing movements and sounds.
All sounds recorded using the Neumann KMR81 and the MA5 Pre.
Need playing card sound effects? Welcome to the most thorough and comprehensive playing card library in existence. Not only does this library provide an incredible array of card actions with many diverse variations, but it's also provided with 2 Mic perspectives.
Close Perspective: For that “in your face” sound often used in games or scenes where you want to focus and create an impact. Mixed perspective: For scenes where the sound needs to sit naturally without drawing too much attention, yet still sound articulate.
The library was recorded with the most commonly used card deck used by casinos, magicians and hobbyists alike.
It was recorded with 2 matched Neumann TLM 103's selected for their outstanding transient response and ultra high SNR, and contains 410 Sounds (205 sounds x 2 perspectives).
INCLUDES:
• Bends and Flicks
• Bridging
• Cutting
• Natural and Hard Deals
• Table Placements
• Flipping onto a card
• Flipping onto a table
• Flourishes
• Hindu Shuffles
• Overhand Shuffles
• Riffle Shuffles
• Smushing Shuffles
• Table tapping
• Card Tapping
• Thumb Riffles
• And more…
This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multipleperspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The BadBike is a rattling and broken bicycle that perfectly nails the sound of a worn out bike, it’s passbys and hardstops are hard too miss.
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.
Five perspectives:
1. Onboard Front: captures the whirring tire and surface sound.
2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
5. Static XY shot: stereo recording of the passby that emphasizes speed.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers: Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window.
However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.
Need more?
The BadBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.
Responses:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
Generative Drones contains a wide variety of tonal drones generated through experimental synthesis and sampling techniques, perfect for abstract tracklays and leftfield music.
All of the sounds have been designed by our Audio Craftsmen, with experimental synthesis and sampling techniques in order to create the most engaging and interesting tonal elements for your projects. The drones have been recorded in 24bit 96khz for further manipulation, and have been carefully edited so that you can easily drop them into your project timeline and get working right away. The 30 included elements can be easily combined, mixed, and matched to allow your abstract soundscape to resonate infinitely through your timeline, offering a mix of tonal and atonal elements that entice and engage the listener.
Add a ton to your cinematic sound tool box with this incredible collection. If you need to freshen up your cinematic sounds, then the SoundMorph “Cinematic Bundle” is the bundle to get.
With a savings of over $320 (reg. price $721) you save big purchasing the “Cinematic Bundle” versus purchasing the individual products!
Haunting Ambiences Vol. 2 is brought to you as the successor to one of our fastest selling Sound Effects Libraries to date, made in collaboration with recordist Georgi Valchev from West Wolf. This sequel contains a complete arsenal of every horror ambience you will need to build film, tv, escape room and video game scenes, from squealing farm animals to haunted ancient tombs. We have included an array of 20 dense, multilayered construction kits, to design the soundtrack of your deepest, darkest nightmares.
Our dedicated team of Audio Craftsmen scoured menacing shipyards, abandoned mansions and forgotten forests within some of the most frightening locations across Eastern Europe to bring you this extensive library of authentic horror textures.
All of the sound recordings have undergone meticulous editing from our in-house team, and are provided to you here as stems (many are fully dry). This allows you to fully take control of your sound design, by using plugin effects alongside further elements and processing. Perfect for horror films, escape room/live experiences and video games; all sounds are available in 96kHz, 24bit with the same running length, so that you can easily mix and match the sounds to your liking.
Cymbals From Hell Vol. 2 is a haunting collection of raw and designed gong sounds, brought to you as the successor to one of our most popular horror libraries to date. Crafted from various types of gong recordings, this library brings you the creepiest stingers and harshest resonances to terrorise your audiences.
Made in collaboration with Igor Tikhonov from KEDR Audio, who captured various types of gong sounds and several performances using both Mid-Side and omnidirectional A/B microphone techniques to encapsulate an expansive stereo-field and the richest gong textures.
Our Audio Craftsmen then meticulously edited and designed them to make the most frightening and disturbing sounds including harsh, distorted gong rumbles, horror stingers, low heavy gong rumbles, mangled hits, and much, much more.
All the sounds are extensively meta-tagged and are UCS complaint so you can easily find the sound you need and are in 192kHz/24bit allowing for further sonic manipulation.
Antique Metal Boxes features an array of heavy duty vintage metal box effects, recorded inside our Foley suite using authentic props. This library covers cover a large range different of antique boxes, including old toolboxes, vaults, loot crates, military equipment and ammunition boxes.
Our skilled team of audio craftsmen performed a diverse selection of moves with the boxes, giving you a collection of Impacts, knocks, locks and unlocks, scrapes, movements and rummaging sounds to work with.
All sounds were recorded in 24Bit 96kHz allowing further sonic manipulation and design if you so wish. The files in this library have been precisely edited and tagged with extensive UCS compliant metadata for ease of use.
Add a whole other level of realism to your scene with our collection of breaking clay pots. Each file has been meticulously recorded in a well treated studio, edited and individually mastered to fulfill the quality needs of any project. This library was recorded with a matched pair of Sennheiser 8040s to a Sound Devices Mixpre 6. Besides sounding gorgeous, these microphones have a very low noise floor and are able to withstand harsh sharp transients.
The Ultimate Horror SFX Bundle brings you our top selling Monsters, Jump Scares, Screams and much more. Fill your next horror scene with over 7.8GB of quality recordings. Whether it’s a scary track or a scene in a film, this bundle will provide everything you need to shock your audience.
Our Audio Craftsmen have carefully edited each sound for maximum sonic clarity so that you can drop each sound directly into your project timeline and get down to work with minimal fuss.
Water Emerge/Submerge Vol . 1 is one of the many unique recordings captured with our dual-mic over and underwater set-up.
Our Audio Craftsman have used an overwater-underwater microphone configuration comprising the Sennheiser MKH50 for the overwater mic and the Aquarian H2a Hydrophone for the underwater recordings. With both mic sources available as separate files, there are multiple options for layering up the sound effects. Water Emerge/Submerge Vol .1 Brings the movement of water to life, perfect for use in projects that include; swimming, diving or embarking on underwater special missions.
You can also use the source sounds for further manipulation to create unique and wonderful aquatic sound design. Some of the many included sounds are: Pouring into tub, Submerging Metal Bucket, Submerging and Emerging, Frying Pan, Pipes, Ball. Our Audio Craftsmen have carefully edited each sound for maximum sonic clarity so that you can drop each sound directly into your project timeline and get down to work with minimal fuss.
All files are named with detailed descriptions, along with the microphone that was used to capture them. All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation, and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
Tools & Trades features comprises sounds of construction and destruction – performed by real contractors and their tools!
Our Audio Craftsmen followed tradesmen during a day of work to capture a vast variety of hammering, drilling, shattering glass, dropping and handling tools, pulling tape, sawing and operating power tools. These meticulously edited sounds are perfect for designing destructive elements or building up realistic soundscapes for your film, TV, documentary and game projects.
Sounds have been separated into the following character categories:
Drilling: A huge selection of drills recorded from various perspectives. Features steady drilling at various speeds and shorter, quicker bursts.
Glass: A satisfying selection of glass shattering and breaking. Perfect for literal and metaphorical use.
Hammering: Hammers being used on various surfaces with different pressures. Ranging from single impacts to successive hits.
Misc: Sounds of miscellaneous movements and tools. Includes the handling of different materials (metal, plastic, etc.) and picking up and setting down of sundry items.
Saws: Recordings of a circular saw at different speeds and perspectives, as well as the steady rhythms of a hand saw.
Scraping: Tools being used to scrape surfaces.
Tape: Perspective recordings of tradesmen pulling painter’s tape from a roll.
Tools: Clinks and clanks of tools being handled.
Wood: A short collection of wood being dropped and handled.
All sounds were recorded in 24Bit 96kHz, and have been tagged with extensive UCS metadata for ease of use.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
Gabriel Guy
Re-recording Mixer, Walt Disney Animation Studios: Frozen, Big Hero 6
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
David Farmer
Sound designer: Lord of the Rings & The Hobbit trilogies
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
Zdravko Djordjevic
founder of The Audio Spotlight
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
Afghanistan
Åland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belau
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bonaire, Saint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Brazil
British Indian Ocean Territory
Brunei
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo (Brazzaville)
Congo (Kinshasa)
Cook Islands
Costa Rica
Croatia
Cuba
Curaçao
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Falkland Islands
Fiji
Finland
France
French Polynesia
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Isle of Man
Israel
Italy
Ivory Coast
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
North Macedonia
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Rwanda
São Tomé and Príncipe
Saint Barthélemy
Saint Kitts and Nevis
Saint Lucia
Saint Martin (Dutch part)
Saint Vincent and the Grenadines
Samoa
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom (UK)
Uruguay
Uzbekistan
Vanuatu
Vatican
Venezuela
Vietnam
Virgin Islands (British)
Virgin Islands (US)
Western Sahara
Yemen
Zambia
Zimbabwe
