Written by Thomas Rex Beverly. Images courtesy of Thomas Rex Beverly.
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A complete collection of sonic exploration by Slava Pogorelsky.
Grow your sound arsenal with an ever evolving collection of high-end cinematic and fresh sound effects!
Here’s what to expect:
STEAMPUNK VINTAGE MACHINERY AND MECHANISMS introduces a fresh sound palette for steampunk soundscape of machinery and mechanisms that sound huge, gritty and full of character, totaling 1454 sound effects.
RESONATING METAL FORCE offers a fresh sound palette of reverberant aggressive metal rampage, totaling 680 sound effects. Featuring creeping evolving metal pressure and resonating rattle, massive rumble, explosive impacts and nerve-racking squeaks.
HORROR SERIES VOL.1: EVIL STRINGS TORTURED WIRES offers a unique toolset for nightmarish designs, totaling 564 sound effects. Featuring creeping dread of bowed metal wires, strings and double bass, providing exciting opportunities for unique layering.
CINEMATIC MAGICAL ICE is offering a unique toolset for ice-cold freezing designs, totaling 267 sound effects. Great for fantasy genre with ice based magic, motion graphics, time lapse and flow motion freeze sequences.
CINEMATIC WATER WHOOSHES AND TEXTURES is offering a unique toolset for water and underwater designs, totaling 285 sounds. Great for hyper realistic designs, water based magic, surreal underwater movement or motion graphics with liquid elements.
CINEMATIC WOOD SYMPHONY is offering a variety of wood based recordings that were morphed into a unique audio experience that bends the boundaries between recognisable source and unusual wooden textures, totaling 611 sound effects.
SCI – FI ELEMENTS VOL.1 is offering a variety of carefully crafted futuristic sound effects that vary from pleasant and musical to unpredicted and glitchy, totaling 364 sound effects.
CINEMATIC METAL WHOOSHES is offering a unique collection of aggressive roaring metal whooshes and transitions with cinematic feel and mind bending characteristics, totaling 120 sound effects.
WHAT SOUND PROFESSIONALS SAY:
Philip Eriksson – Audio Director (It Takes Two, Battlefield V, Star Wars: Battlefront I & II)
“Slava has some pretty kick ass sound libraries!”Victor Mercader – AAA Sound Designer (Apex Legends)
“I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine. The Sci-fi Elements sound library is the perfect library to use and blend into my UI designs in Apex Legends.”Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
“Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
“Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”Stefan Kovatchev – Audio Director (MultiVersus)
“Slava has put together an impressive collection of high quality source assets, recorded cleanly, and at high sample rates. It’s always refreshing to find a new purveyor of good source material. I particularly enjoyed Resonating Metal Force, which is comprised of very useable, unique tonal textures and impacts.”Shane Tetro – AAA Sound Designer (Remnant II)
“Slava’s libraries feature high-quality, adaptable recordings and designs. There is plenty to dig through in every pack, making each library extremely dynamic for various applications. Their exceptional textures have significantly enhanced my workflow; consider me a fan!”Samuel Gagnon-Thibodeau – Sound Designer/Sound Effects Editor (Dream Scenario, The Watchers, Hunting Daze)
“Slava’s Cinematic Wood Symphony detailed textures and movements blend so well in what I’m usually looking for in terms of sound design. It really brings proximity and sensitivity to the action while feeling real and natural. The creative blend of the wooden sounds with whooshes and impacts also makes them very unique. I’m finding myself coming back to them more and more as they fit in many situations.”
Yarron Katz – AAA Composer and Sound Designer
“Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Visiting One Square Inch
I’m an avid supporter of Gordon Hempton’s conservation work, so I was thrilled to make a field recording pilgrimage to One Square Inch in Olympic National Park in October 2017. Fortunately, you can still find long stretches of natural silence in this magical place. Hear a 35-minute soundscape from the One Square Inch here:
A percentage of all the Pacific Northwest libraries I sell will be donated to One Square Inch to help support soundscape preservation in Olympic National Park.
Wildlife
One of the most magical sounds I’ve ever experienced is Roosevelt Elk bugling in an old growth forest. Imagine walking down a trail, surrounded by 1000-year-old trees, and suddenly hearing a haunting trumpeting off in the distance. This sound stopped me dead in my tracks, and I was in complete awe. Hear elk bugling and trumpeting here:
Magical Dripping Tree
My favorite sound in the Hoh Rainforest was what I deemed “The Magical Dripping Tree.” Picture a rich tree canopy with coniferous trees towering over big leaf maple trees. During my visit, the maple leaves were stunning hues of gold and ranged from 8 to 12 inches wide. Moss covered these deciduous trees, and after a rainstorm or foggy night, I discovered the moss released the most beautiful plopping drips, rain-like, but less dense and with giant splats. The forest was so quiet that these drops made rich plopping transients, enlivening the space of the old-growth forest. Hear some of these magical drips starting at 1:30.
Storm Waves
A massive rain system swept through the area for about four days during my visit. This wind made for extreme storm waves that I recorded at Rialto Beach in between storm cells. The twenty-foot waves and frothing seafoam made for rich and powerful recordings. I love the violent slurping sound as water is sucked back after each massive wave.
Rialto Beach is a place where massive spruce stumps are still rooted in the beach, desperately holding to the earth as the soil is stripped from their roots. I pressed a contact mic to one of these stumps and could hear what Gordon Hempton calls the “heartbeat of the ocean”. The vibrations from crashing waves moving through the tree roots create stunning resonances in the wood!
Keeping Gear Dry
- Tent Rain Cover: I made a useful rain cover by folding the body of my tent flat on the ground while leaving the rain cover up supported by tent poles. If the rain drops are plentiful, plopping on the plastic can be an issue, but when it is lightly misting all night, this type of cover works beautifully.
- Dew: I constantly checked the dew point to know whether or not dew would form on my microphone blimp overnight. Some nights I was only able to record for 3-4 hours before the moisture was so thick on the microphone blimp that I had to call it quits. While my tent rain cover helped minimize dew, I knew it wouldn’t stop it altogether. I am looking into a better waterproofing option with a Cinella blimp for my next trip. I’ll write a post to let you know how it goes!
- Hiking in the rain: When recording in wet conditions, I like to have all my gear wired before I leave my dry prepping area (usually my car). I start by wrapping all microphone cable connection points with electrical tape. (Thanks Andy Martin for this tip!) Then, I mount the Rycote blimp on my Manfrotto stand and drape a dry bag over the top. I keep my recorder in a bag strapped to my chest with a rain cover hung on top. If there is very heavy rain, I put a cheap plastic poncho over my entire body. If I am backcountry camping, I carry blocks of desiccants that I periodically place inside a large dry bag with all my recording gear to dry everything out.
Help from a Friend
I love the field recording community. It’s a small group, but I love how people help each other out. When I fried my main battery charger during some fun in a Pacific Northwest rainstorm, Andy Martin (a Seattle-based field recordist) let me borrow some extra batteries and charger during my trip! His generosity saved me from wasting several days trying to find a replacement in Seattle or having to overnight ship a replacement. I hope to be able to pay it forward in the future.
Thomas Rex Beverly has created four new libraries based on his recording adventures in Olympic National Park – here they are:
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Nature & Countryside Ambiences Pacific Northwest: Quiet Nature Play Track 35+ sounds included, 199 mins total $75• In Pacific Northwest: Quiet Nature, get a peaceful collection of ambiences from the Hoh Rainforest, a temperate rainforest on the Olympic Peninsula in Olympic National Park. Hear the massive sparseness of one of the last pristine quiet places in the Continental US. Hear the natural cathedrals of sound created by Douglas fir and spruce. Hear wind gusts pluck autumn maple leaves and waft them to rest on forest floors. Hear massive halls of wet wood that envelop and transport you to a long-lost time when giant trees covered millions of acres of the Pacific Northwest.
• This library offers you a large collection of quiet nature sounds from one of the wettest forests in North America. Some places on the Olympic Peninsula get over 200 inches of precipitation per year, and that abundance of moisture makes for a magical fern and moss filled ecosystem brimming with soothing ambiences.2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Pacific Northwest Series. Field Recording travel for these libraries was carbon neutral!KEY FEATURES:
• Recorded near the One Square Inch of Silence
• Sparse ambiences with minimal wildlife
• Distant twittering songbirds high in the canopy
• Mornings and afternoons in 300 ft forests
• Eerie nights in old-growth titans
• Barred Owl hoots
• Sporadic drips and light soothing wind
• One long unbroken natural soundscape. Thirty-five minute of natural silence!
• This library is a portrait of the Hoh Rainforest. The rainforest is in a long river valley, so the distant soothing wash of the Hoh River can be heard in all recordings.TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
• Marker text included in the Soundminer description and BWAV description fields.FILE LIST & METADATA:
• View in Browser or Download CSV
• Flora (plants) and Fauna (animals) are described in these terms:
• fauna sparse
• fauna constant
• flora sparse
• flora constant
• flora and fauna sparse
• flora and fauna constant
• Included wildlife: Barred Owl, Pacific Wren, Hairy Woodpecker, Ruffed Grouse, Brown Creeper, Golden-crowned Kinglet, Varied Thrush, chipmunk, Douglas Squirrel, and ultrasonic insects. Overall, wildlife is very sparse during fall in the Hoh River valley.BLOG POST:
• Read the full story on the A Sound Effect Blog – Sounds from the Quietest Place in the Continental USMORE INFO:
• Read 30+ user reviews for Thomas Rex Beverly Audio
• Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
• Browse the Library Info Master List to compare specs on all my libraries.
• Browse the Metadata Master List to search my entire catalog.
• MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.GEAR USED:
• Sennheiser MKH 8040 Matched Pair in ORTF
• Sound Devices 702
• Rycote ORTF Blimp -
Nature & Countryside Ambiences Pacific Northwest: Roosevelt Elk Play Track 19+ sounds included, 86 mins total $35• In Pacific Northwest: Roosevelt Elk, get a mini-nature collection of ambiences from the Hoh Rainforest, a temperate rainforest on the Olympic Peninsula in Olympic National Park. Hear Roosevelt Elk clack antlers and bugle as they fight for the chance to mate. Hear Pacific Wrens joyous chirps as they dance on rotten logs. Hear the massive sparseness of forests filled with 200-300 foot douglas fir and spruce. Hear haunting reverberations as ravens caw in groves of titans and the Hoh River’s soothing wash, the perfect sound to lull you off to peaceful dreams.
• This library offers you a small collection of both quiet and active nature sounds from one of the wettest forests in North America. Some places on the Olympic Peninsula get over 200 inches of precipitation per year, and that abundance of moisture makes for a magical fern and moss filled ecosystem brimming with soothing ambiences.2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Pacific Northwest Series. Field Recording travel for these libraries was carbon neutral!KEY FEATURES:
• Recorded near the One Square Inch of Silence
• Featuring Roosevelt Elk
• Hear two full grown Roosevelt Elk clacking antlers and bugling!
• Distant elk trumpeting deep in the forest.
• Varied ambiences from the Hoh Rainforest in Olympic National Park
• Sparse ambiences with minimal wildlife
• Active ambiences with twittering songbirds
• One extended 35-minute quiet nature ambience
• This library is a portrait of the Hoh Rainforest. The rainforest is in a long river valley, so the distant soothing wash of the Hoh River can be heard in all recordings.TEXT MARKERS:
• Named markers are included in each file to help find interesting events in an otherwise uniform waveform!
• Marker text included in the Soundminer description and BWAV description fields.FILE LIST & METADATA:
• View in Browser or Download CSV
• Flora (plants) and Fauna (animals) are described in these terms:
• fauna sparse
• fauna constant
• flora sparse
• flora constant
• flora and fauna sparse
• flora and fauna constant
• Included wildlife: Roosevelt Elk, American Crow, Common Raven, Pacific Wren, Brown Creeper, Barred Owl, chipmunks, and various other distant murmuring songbirdsBLOG POST:
• Read the full story on the A Sound Effect Blog – Sounds from the Quietest Place in the Continental USMORE INFO:
• Read 30+ user reviews for Thomas Rex Beverly Audio
• Read my Field Recording Mastering Rules and learn more about how these recordings were mastered.
• Browse the Library Info Master List to compare specs on all my libraries.
• Browse the Metadata Master List to search my entire catalog.
• MD5 and SHA 256 Checksums are included for each zip file in my catalog. Use these hashes to check the integrity of your downloaded files.
• ***Note – the name of this library was changed from Pacific Northwest: Miniature to Pacific Northwest: Roosevelt Elk on 9/28/2018. This was a name change only. No audio files were updated.GEAR USED:
• Sennheiser MKH 8040 Matched Pair in ORTF
• Sound Devices 702
• Rycote ORTF Blimp -
Military Flights
Navy Growlers were a constant problem over the Olympic Peninsula because the US Navy had been granted a permit to do training flights during my visit. For several hours each day, the Growlers, insanely loud, supersonic capable military jets, buzzed around the Hoh River Valley at low altitudes.
Read more about this issue:
- Navy Warfare Training on the Olympic Peninsula
- Olympic National Park is no place for Growler jets
- Satellite Communicators: These are devices that use a satellite connection so that you can text anyone without cellular service or make a call for emergency services. I didn’t have one of these on this trip, but I wish I had. I could have texted my family with safety check-ins, called for help if needed, and even had weather forecasts for my GPS location texted to me each day. The ability to communicate without mobile service is hugely beneficial to a solo field recordist because a satellite connection would have enabled me to travel to more exposed areas and given me access to beautiful places I wouldn’t otherwise be comfortable in as a solo backpacker. I plan to get one for my next trip. They average between $250 and $400 and need a monthly data plan. I’m considering the Garmin inReach Explorer+ or the SPOT X. I’ll let you know how it works out!
- Weather Research: When recording nature sounds, there is always a tough balance between lousy weather or too many people. For example, in Olympic National Park, there are far fewer visitors in October, but the chances of rain and storms are much higher. I knew the average rainfall during October, but I didn’t know that a significant portion of the precipitation comes from light rain and mist. For instance, Seattle and San Antonio (where I’m from) have similar average rainfall amounts (37 inches vs. 31 inches). The main difference is that San Antonio gets its rainfall from sudden massive downpours, whereas Seattle is like living in a cloud. I now know to check the average rainfall, the rate of rain, and the typical types of storms before planning a trip. I also realize that recording during a rainy season could easily require me to wait out a storm.
- Signal Chain Accessories: In previous blog posts, I have championed field recording minimalism. I have since changed my tune a little bit in regards to cables, chargers, and other accessories in my recording signal chain. I still like having the least amount of microphones and recorders possible, but having more redundancy with accessories would have been incredibly helpful on this trip. I’ve learned that extremely wet environments tend to cause accidents and I ruined several pieces of my kit during this trip.
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Snow Foley Instrument, a collection of pristine snow footsteps samples recorded with the legendary Sony PCM-D100 in the remote mountains of southern France. To enhance your sound design workflow, the samples are accompanied by user-friendly Kontakt and DSsampler instruments.
Whether you’re crafting linear sound designs, immersive interactive experiences, or dynamic game environments, this versatile library has you covered.
Key Features:
- 8 Different Walking types
- More than 200 unique samples
- Recorded in real snow, in different depths
- Stereo 96Khz 24bit
- Kontakt & DSsampler
- Midi Controlled Knobs
*Runs in Kontakt or Free Kontakt Player version 7.7.3 or higher, and in DecentSampler 1.9.13 or higher.
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390 Anime Epic Combat Sound Effects! This sound effect album is excellent for Anime-inspired games, Japanese fighting video games, and more! This collection of 390 sounds features a wide range of combat impacts, skills, and whooshes. In addition, we also designed many booms, drop bass, distortion, risers, and stingers to intensify the epicness and brutality of any combat moves! So supercharge your fight scenes and embark on an action-packed adventure now!
What’s inside the pack?
Combat Hits (106)
Combat Skills (24)
Combat Stun (11)
Combat Epic (126)
Designed Boom, Drop Bass, Distortion, Risers, and Stingers (95)
Misc and Mutation (14)
Whooshes (14)
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Listen to the recording below and decide for yourself whether these jets are causing “no significant impact” to the acoustic ecology of Olympic National Park as the Navy claims.
I could have avoided this noise pollution by checking online or calling a park ranger in advance to ask if there was any new noise pollution in the area. I’ll definitely check for new noise pollution when planning for my next trip!
Despite the jets, I was fortunate to still capture a substantial amount of pristine nature recordings.
Lessons Learned
Upcoming projects:
I’m focusing on some sound design libraries for the next few releases. Watch for them soon! I’m also busy planning my field recording trips later this summer and fall. If you need any specific sounds, please let me know and I’ll try to capture them!
Thanks for listening,
Tom
A big thanks to Thomas Rex Beverly for sharing his insightful trip to the Pacific Northwest with us! Be sure to check out his upcoming Pacific Northwest libraries.
