Get the stunningly detailed sounds of one of nature’s tiniest aerial acrobats flapping and fluttering in one of the quietest outdoor places in the continental United States. With their ultrasonic chirps, mesmerizing flight abilities and evolution-exhibiting beaks, this library captures the sounds of these rarely heard creatures from a mere two inches away.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
Key Features:
• 255 clean sounds of hummingbirds recorded in the resonant mountains of west Texas
• 35 sounds of hummingbirds with other songbirds
• Humming, buzzing, popping, fluttering, and purring drones
• Wing slaps and wing contact movement
• Ferocious territorial dogfights
• Laser-like chirps
• Ultrasonic chirps up to 30kHz
• Wild vocalizations
• Swift fly-bys, whooshes, and dive bombs
• Multiple species with a variety of fundamental “hum” frequencies
• Categorized into high, mid, bass, and sub-bass hummingbirds
• Clips ranging from solo hummingbirds to six-bird feeding frenzies
• Microphones placed 6-8 inches from hummingbird feeder with flybys as close as 2-3 inches
• HD videos at 60 fps
How It’s Made:
Get the full story behind the High Desert Hummingbirds SFX library on the –A Sound Effect Blog
National Museum of Wildlife Art:
Recordings from this library are featured as part of Iridescence: John Gould’s Hummingbirds at the Nation Museum of Wildlife Art.
GEAR:
• Sennheiser MKH 50/30 MS pair
• Mid/Side recordings decoded to LR stereo
• Rycote AG MS Blimp
• Sound Devices 702
• GoPro Hero4
This collection started as a mic test and turned into a library. What is unique about the collection is that the phone was taken apart so you get each individual element as clean as possible. It was recorded with shotgun mics, a TLM 103 to see how it sounded with something other than dialogue, and a Cold Gold contact mic at 96 khz, which was the biggest surprise as it sounds like a high definition retro mic when placed on the back of the phone's rotary dial. Skip the antique hunt and listen to these vintage sounds.
The first VST/AAX/AU plug-in from SoundMorph, DUST is a synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source. The motion of each particle is determined by the flow field, which determines the force applied to each particle at each point.
Just like how the flow of a river determines the path of a leaf floating down in it. This is our most ambitious software release to date, and you are going to love it! Not only is DUST addictive to play with, but it generates some of the coolest sounds you've ever created.
DUST highlights:
• Presets by Richard Divine, Ivo Ivanov, Robert Clouth, Yan David
• 8 particle emitters
• convolution reverb
• Binaural Audio Panning
• Save and recall presets
• Custom Flow Field equations
• over 60 sounds included
• import your own sounds
• 4 modulation options on parameters
• Available in VST, VST3, AAX and Audio Unit format
• Compatible with Mac and PC (32 bit and 64 bit)
• Compatible with most major Daws
System Requirements:
An Intel® Mac with Mac OS X 10.9 (or later), OR a PC with Windows 7 (or later); Multicore processor; 2 GB RAM; 1024×768 display.
AudioHero's Animals collection features 200 professionally recorded sound effects, ready for use in your productions. This library includes wildcats, snakes, birds, bears, baboons, wolves, horses, cats, dolphins, zebras, pigs, whales, elephants and much more! These sounds are all hand-picked from Sound Ideas Wild World of Animals and General HD collections as well as the Hollywood Edge Animal Trax libraries.
You won't find any well-oiled, wind-tunnel-tested, aerodynamically perfect sounding bicycles in this library!
This pack of sounds has been recorded to capture the extreme creaks and those “old, busted bike” kinds of sounds.
3 bicycles, all with a special sonical personality to them, were recorded:
2 SCO gentlemen's bicycles, from 1970-1980, and 1 home trainer, a little younger than the others.
Recorded inside a studio with the bikes either being on a dynamo or suspended from the ceiling, all bikes had lavalier microphones mounted front and back, and a microphone overhead of the rider. Some takes has a contact microphone track to add to the misery.
Includes interior recordings from 3 different bicycles:
• Long rides, multiple tempos
• Gears spinning
• Extreme creaks from saddle and frame
• Chain and chain guard noises
• Pedal spins
• Brakes
• Kickstand
• Bells
• Shaking and kicking bicycle frame
• Hometrainer riding
Need sound effects for your explainer videos? The EXPLNR sounds series is a collection of sfx libraries designed and produced with the classic 2d animated explainer video in mind. These sounds will give quick and useful coverage to the common moves used in this style.
Vol 1 is an excellent all-around base library that includes whooshes, clicks, pops, swells, ratchets, slides, rips, drags, flicks, crumples, and dings – all custom designed with the playfulness and clean edges required to match the explainer video style.
To help cover repetitive visual movements, multiple iterations of each sound are included. A host of designed sounds will quickly cover more complex movements.
The next time you have an explainer video in the house, you know your starting point.
In this SFX Series, you will find 60 uniquely designed sounds for all applications of cinema, TV, animation or music. Sounds included in this download include movements, swishes, whooshes and flutters, covering all ranges of frequencies and textures to add drama or added effect to your productions. Each sound has been recorded from the sound source and crafted into their own unique distinct sound for you to use and manipulate.
What’s included:
8 Flutter FX recorded at 48kHz / 24bit / WAVs
19 Movements recorded at 48kHz / 24bit / WAVs
16 Swishes recorded at 48kHz / 24bit / WAVs
5 Fly-bys recorded at 48kHz / 24bit / WAVs
12 Whooshes recorded at 48kHz / 24bit / WAVs
Metadata tagging for Sound Miner
This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multipleperspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The UglyBike is a typical old bicycle that’s working fine, but needs some TLC. It is a bicycle that’s just average, a little rattle a gentle scrape, a bike that everyone has had but got traded in for a newer one. A story of unrequited love.. :)
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.
Five perspectives:
1. Onboard Front: captures the whirring tire and surface sound.
2. Onboard Pedal: nice overall combination of pedaling, crank creaks, chain rattle, tire and surface sounds.
3. Onboard Rear: close up sound of the rear axle, with chain, sprocket and switching of gear.
4. Tracking shot: mono recording of the passby, keeping the bike in focus while passing by.
5. Static XY shot: stereo recording of the passby that emphasizes speed.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers: Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window.
However, we are aware that some people have different needs for different purposes, so we’ve created a Metadata Reference Guide that explains the structure. And because we’ve automated the metadata proces, you can be confident that a ‘find & replace’ command will always replace all instances.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer or other database apps.
Need more?
The UglyBike library is part of the complete ‘City Bicycles’ library package available at www.frickandtraa.com. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. The extra bicycles surfaces and additional effects are also available seperately here on ‘a Sound Effect’. If you’ve bought a single library and want to upgrade to the full package, contact us for a reduced price on the complete City Bicycles library. Every part of City Bicycles that you paid for will get you an extra reduction on the full package.
Responses:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
Dakota Wetlands by Badlands Sound features 11 three to four minute seamless loopable ambiences making these a breeze to work with. Recorded over the span of a couple months this collection of ambiences were recorded in 96k 24bit with the Sound Devices 702t and a pair of Sennheiser MKH 8040's.
In the Audio Demo for this product you will be able to hear all the sounds that are in this library. If you are looking for marsh, prairie sounds next to a lake, or specifically wetlands for a great price this library is for you.
Invigorate your animal and creature designs with the sprightly sounds of Wildlife Collection: Capuchin Monkeys. Featuring 81 exotic monkey sound effects, this library delivers a wide variety of vivacious chirps, screeches, chitters and grunts to design your wild creatures, fill out jungle scenes, and more.
These colorful capuchin monkey vocalizations were captured by recordist and sound designer Chris Diebold (Spider-Man: Homecoming, Transformers: The Last Knight) with multiple microphones, including the Sanken CO-100K, which captures and maintains up to 100kHz (rather than 20kHz from other microphones). Delivered at the high sample rate of 192kHz, these authentic, high-quality monkey recordings are ripe for pitch processing and control over your creative sound design.
In addition to the raw recordings, this collection also contains pre-designed and “hyped” sounds ready to drag-and-drop directly into your projects. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.
Welcome to the jungle: 'Pura Vida – Sounds of the Tropical Forests of Costa Rica' delivers a wealth of rainforest recordings and ambiences.
Recordings include exotic sounds such as atmospheric jungle ambiences, howler monkeys, hummingbirds, tropical birds, insects, cicadas, waterfalls, bats and a slew of other tropical sounds.
A total of more than 4.5 hours of jungle sounds and ambiences are included!
The sound designer's secret weapon! These files have been used a LOT by us at Double Trouble Audio when we've needed some heavy punchiness to our sound effects. Punchy Cardboard is a collection of high quality cardboard sounds processed with tape to make a really organic sound that can help you sound a lot more punchy.
We’ve also processed all the sounds with three different levels of analogue saturation, which is a great and affordable way to add an analog uniqueness to your sound effects.
This pack really shines when layered with explosions, impacts, car crashes, slaps and fights. Anything that needs that extra oomph!
The North India sound effects library is a unique collection of 73 sounds recorded and produced with high quality equipment in North India.
From west to east at different seasons over many months, this collection includes:
North India features sounds such as:
• Varanasi: The most religious city of the country, bordered by Ganga
• Cities: Delhi and Kolkata, hyperactive Indian cities
• Country-side and villages mostly in Rajasthan.
• Temple: Ceremony, prayer
• Mountains of Punjab and Himachal Pradesh, next to Pakistan
• Market: from small to big, outdoor and indoor
• Public space and train stations
This collection provides authentic and interesting sounds recorded through north west to the north east part of the country!
All Faunethic tracks include metadata tags filled with Soundminer.
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That’s right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
When it comes to audio projects, having a collection of readymade sounds makes a big difference. Not only does is speed up the process for sound editors, but it makes engineering simpler and more seamless. With our Tinnitus Sound Library, you can take advantage of 20 different high-quality audio sounds specifically designed to embrace some of the most bold and unique sounds you can find in today’s film and gaming industries.
It’s fast and simple with our sound library. Each sound is carefully crafted by real sound engineers who know how to produce a high-quality audio experience. It’s time for you to simplify your process and take advantage of what Badlands Sounds has to offer.
Disclaimer: Music in the audio demo is not included in the product.
In the second installment of the High Desert Winds Series, get the blustery sounds of High Desert Winds 2 recorded in the resonant mountains of West Texas. This library was recorded during a massive two-day wind storm with gusts up 75 mph! These extreme winds rattled and shook the house in wonderful ways. The creaking and groaning windows, doors, and walls were vibrating so much that I could record wind for the first time using a contact microphone! There are also recordings of leaf vortexes, sand blasts, tarps popping, umbrella destruction, and much more. If you need the sounds of a stunning desert storm to complement the recordings in High Desert Winds 1, this is the library to check out.
2% FOR THE PLANET:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
KEY FEATURES:
• 90% bird and insect free
• Turbulent hurricane-force gusts ranging from 20-75 mph
• Droning and singing wind whistles
• Open plastic bottle and wine bottle wind whistles
• Mountain ridge top wind
• Desert grass, scrub oak, and pinyon pine wind
• Indoor ORTF perspectives: adobe house, wooden storage shed, and mid-sized truck
• Indoor contact mic perspectives: chimneys, windows, doors, and walls
• Plastic tarps and umbrellas whipping in 50-75 mph winds
• Locations: Davis Mountains, Texas
• Named markers included in each file to help find interesting events. Starting in Soundminer 4.5Pro_v252 you can now read text markers from within Soundminer!
• Marker text included in the Soundminer Description and BWAV description fields.
Sounds of Central America explores the sounds native to this Latin American region and beyond.
These high-quality sound recordings were meticulously recorded in Mexico, Guatemala. Honduras, El Salvador, Nicaragua, Costa Rica and Panama. Included is also a taste of the Caribbean and beyond with additional recordings from Belize and Cuba.
Sounds of Central America was recorded with the intention to be particularly useful for post-production environments with a range of genuine and rare sounds you could expect to hear in these countries.
From wild Mexican rodeos, to howler monkeys screaming in the Guatemalan jungle, local fish markets in El Salvador, various means of local transportation, exotic nature, all kinds of crowds with all kinds of local accents, angry mobs, incredibly close-mic’d hummingbird wings and so much more.
We hope you enjoy this high-quality sound pack.
All tracks recorded by Evan Buist, sound engineer and field recordist (National Geographic, DreamWorks, Paramount Pictures).
This Double Bass & Violin sound effects library not only includes weird low double bass bow strokes, stabs, vibrating strings, drones, harsh harmonics, string scrapes, bow stroke voices, and bright violin tones and screams. It also includes the opportunity to open up a whole new set of sonic adventures.
Why? All double bass sounds have been recorded at 192K/24 bit, with an amazing stereo set of close up Sanken CO100K microphones, and a stereo set of Sennheiser Mkh 8020 microphones, capturing low end and room. All violin sounds have been recorded with a single Sanken CO100K microphone.
Common for all Sanken files is that you're able to either extreme time stretch/time compress, or pitch up and down the files, and by this discover a whole new world of sounds – without adding nasty degenerating artifacts or muffling the sound. The ultra-high frequency range of the Sanken microphones does really make a great difference!
Recordings these sounds was a pure blast. The amount of versatile organic material in the set is great. The bass instrument has been played in a very innovative way, using both regular bow on strings and bass body, but also finger cymbals attached to specific places for a vibrating ring or rattle noise, creating some really other-worldly sound effects, and almost vocal-like patterns.
While the double bass material produces a massive low end without any further processing, the violin recordings really benefit from being stretched and pitched. This makes all the non-audible bright sounds captured by the Sanken microphones come through.
Let’s continue our scientific journey into experimental-impulse-response research. This time around, we have developed a technique to produce outstanding rhythmic reverb spaces; utilizing intense frequency and amplitude modulation synthesis with the touch of granularity.
Some of them resulting in the most vivid and lush ambiences you could imagine, other with glitchy stuttery twists. Sounds that are truly out of this world, that can yet be tamed to fit your reality. Our impulses will reverberate clearly in your convolution reverb engine, without any harsh resonances or struggles with equalisation.
They are like pieces of glass, beautiful and clean with outstanding shapes and textures, yet coloured if need be. Trust your ears, these spatial shapes can be what it takes to transform your tracks into cinematic wonders or completely reinvent them as spatial masterpieces.
Details:
64 impulse response samples
48khz / 24bit wav files
Compatible with any convolution-reverb software
WAV + ReFill version (for Propellerhead Reason 8.3+ with 64 Combinator & RV7000mk2 patches)
SampleTraxx is back with SHOCKING SIGNAL, a collection of big screen alarm, disturbed cinematic feedback, ping, distortion and re-amped production elements.
Shocking Signal is all about alerts, notifications, danger, disaster, emergency, panic red alerts, sirens, warnings, static, bad signals, blasts, broken circuits, electrics, glitches, neon, power and anything requiring sophisticated and extreme sound design.
Providing new and experimental sound materials generated using the most cutting-edge digital techniques, this collection is designed to suit the needs of people who want to add something unique to their production.
Dedicated to sound designers, experimental composers, cutting edge electronic music producers, busy post-production facilities, video editors, broadcast radio/TV stations.
Featuring 170+ sound effects with detailed Soundminer metadata in 96/24 HD resolution ready to be fired in your favorite DAW.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
Gabriel Guy
Re-recording Mixer, Walt Disney Animation Studios: Frozen, Big Hero 6
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
David Farmer
Sound designer: Lord of the Rings & The Hobbit trilogies
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
Zdravko Djordjevic
founder of The Audio Spotlight
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
Afghanistan
Åland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belau
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bonaire, Saint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Brazil
British Indian Ocean Territory
Brunei
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo (Brazzaville)
Congo (Kinshasa)
Cook Islands
Costa Rica
Croatia
Cuba
Curaçao
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Falkland Islands
Fiji
Finland
France
French Polynesia
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Isle of Man
Israel
Italy
Ivory Coast
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
North Macedonia
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Rwanda
São Tomé and Príncipe
Saint Barthélemy
Saint Kitts and Nevis
Saint Lucia
Saint Martin (Dutch part)
Saint Vincent and the Grenadines
Samoa
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom (UK)
Uruguay
Uzbekistan
Vanuatu
Vatican
Venezuela
Vietnam
Virgin Islands (British)
Virgin Islands (US)
Western Sahara
Yemen
Zambia
Zimbabwe
