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Home Plug-Ins Page 5

Plug-Ins

Plug-Ins and Standalone tools for all of you mixing and sound design needs

  • – Don’t be deceived by the SilverLine format and affordability – big things sometimes come in small pa
    The most powerful modulation effect we’ve ever created, Godfazer is your new go-to plugin for chorus, phasing, filtering, rotary speaker emulation and much more. Built with creative sound design at the top of the agenda, Godfazer spatially and spectrally transforms signals of all kinds with its versatile Ensemble module and two dual-modulated Multi Filters.

  • – Have you ever wanted to replicate that unique, magical breeze floating through most of JMJ’s tunes?

    Fazortan 2 is the newest incarnation of our Controllable Space Phaser, part of the SilverLine Collection. Needless to say, we didn’t cut corners when striving for that robust, yearned-by-all analog feel. The Phase Shifter provides you with total control, allowing you to obtain highly precise sonic contours. If you’ve ever wondered what’s behind the swirling, ethereal synth vibes synonymous to Jean Michel Jarre’s vintage sound, it has surprisingly less to do with the synths he chooses but in matching it with the analog phaser for which Fazortan 2 is a fine equivalent.
    Thanks to our advanced analog modelling techniques based on Operational Transconductance Amplifiers, we implemented allpass filters comprising characteristics identical to its analog counterpart. In this update, we’re even closer to the original hardware unit.
    You can think of Fazortan 2 as an exact virtual replica of a ‘70s retro phaser, but whose identical sound and primary functions aren’t limited to the analog realm. Bearing in mind that the original had a single Rate knob and a Color switch on the front panel, Fazortan 2 stands alone as a completely new device – made obvious no less by its GUI – expanding on the features of its hardware counterpart.

  • Drumazon synthesis emulates all the sounds of the original 909. All the modules are coded to match their analog counterparts, down to each nuanced detail. As a virtual bonus, all Drumazon instruments have enhanced controls. This extra functionality allows the user to adjust the sounds further than on the original unit. This opens up a whole new world of sound creation! Listen to the audio demos or tweak it yourself with the demo version :)

  • – The sweet spot in distortion domain

    Devastor 2 is the second generation of D16’s first FX Plugin from the SilverLine Collection series. Devastor is a deceptively simple yet remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit you can find in Phoscyon, but with full control over multiband processing. This elevates its sonic mangling capabilities to an entirely new level!

    The plug-in offers nine different connection topologies between its filters and diode-clipper. Filters can process the signal before or after it gets fed into the diode-clipper, but some of the configurations even allow the filters to work alongside the clipper, which greatly increases the possible sonic palette.

    Devastor’s filters are not simply the peaking EQ type that are commonly used in classic multiband distortion units: rather, they are like those found in analog synthesizers (low pass, high pass, bandpass and band-reject) with adjustable resonance and cutoff parameters. As a result, Devastor has a completely unique sound. Just check out the factory content and hear for yourself!

  • – Incarnation of an iconic stomp box you will surely appreciate

    In bringing the classic stomp box back to life, we’ve created a must-have effect plugin that will appeal not only to performing guitarists, but to instrumentalists and producers of virtually any genre: whether it’s rock guitar riffs or melodic synth lines you’re into, you’ll find that the extreme attention to sonic detail coupled with the flexibility afforded by modern technology in Antresol make it the perfect example of what a flanger should be in the modern era. The original, conceived in the mid-70s, quickly became a benchmark for flanger-type effects by offering a uniquely rich character defined by luxuriously harmonious interacting resonances, and has been heard ever since on countless classic recordings. That’s why D16 couldn’t resist the opportunity to resurrect the soul of this classic in a thoroughly modern incarnation with Antresol, our newest effect in the SilverLine Collection!

  • PSP StereoPack is collection of 4 plug-ins (VST and RTAS format for Windows; AudioUnit, VST and RTAS for Mac OSX UniversalBinary and VST and MAS for OS 9). The set consists of: PSP PseudoStereo , PSP StereoEnhancer , PSP StereoController , PSP StereoAnalyser . These plug-ins are applied for creating, expanding, improving, controlling and analysing the image and quality of the stereo signal in single tracks or mixes thereof.

  • The PSP Signature Bundle contains all the plugins that have made PSPaudioware famous over the last 2 decades at 50% OFF. The collection covers the key areas of music production including an award-winning modular channel strip, vintage Reverbs and EQs, full-featured delays, creative filters, the world-famous signal warming, and precision meters. It is all here, signed sealed and delivered by PSPaudioware.

    BUNDLE CONTENTS:
    PSP InfiniStrip
    PSP VintageWarmer2
    PSP E27
    PSP 2445 EMT
    PSP 608MD
    PSP stompFilter
    PSP TripleMeter

  • PSP Xenon is a full band, dual-stage limiter plug-in (AudioUnit, VST and RTAS, AAX for MacOSX; VST and RTAS, AAX for PC) featuring an integrated Leveller, advanced K-System metering and psychoacoustically optimized wordlength reduction. PSP Xenon offers 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz.
    Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your “go to” limiter for mastering and other critical audio applications.

  • PSP X-Dither is a mastering dither and noise shaping processor (VST, RTAS and AAX for Windows; AudioUnit, VST, RTAS and AAX for Mac OSX). It is designed to cover wide range of situations when dithering or noise shaping is the way to maintain the quality of an original mix, group or individual track during various stages of the recording and mastering process, including final digital mastering.

  • PSP VintageWarmer2 (plug-in AudioUnit, VST, VST3, RTAS for Mac OSX (Universal Binary); VST3, VST and RTAS for Windows; VST, RTAS and MAS for Mac OS Classic) is a high-quality digital simulation of an analog-style, a single- or multi-band compressor/limiter. It combines rich, warm analog processing with a straightforward user interface, and comes with a comprehensive library of presets. The plug-in processor is highly flexible and can be used for both softknee compression and brick-wall limiting. This makes it an essential tool for mixing and mastering engineers. Careful attention has been paid to PSP Vintage Warmer’s overload characteristics with the processor being capable of generating saturation effects typical of analog tape recorders. PSP Vintage Warmer also incorporates professional VU and PPM metering together with accurate overload indicators thereby assuring professional quality results.

    PSP VintageWarmer2 version installer contains 3 versions of the plug-in:

    • PSP MicroWarmer which provides the same sound quality as it’s big siblings, but with a simplified single-band interface and low latency performance optimized for use on individual tracks;
    • PSP VintageWarmer (LE) which is a direct descendant of the original PSP VintageWarmer with its all strengths such as low resource usage and latency;
    • PSP VintageWarmer2, the main addition being the FAT double sampling mode for even more analog sounding processing.

    We strongly recommend that you use the PSP VintageWarmer (LE) or the PSP MicroWarmer in all multitracking applications except situations where FAT mode is important. The PSP VintageWarmer2 is recommended for mastering purposes and groups or master busses only.

  • PSP Twin-L is a dual algorithm classic limiter. The aim of this plug-in is to provide a wide variety of shaping options. The plug-in is able to emulate the main features of two types of limiter: VCA-limiters, which is a modern type of analog limiter, and Opto-limiters which are vintage optical limiters. Keep in mind, however, that PSP Twin-L’s limiting algorithms are not intended to emulate any specific hardware but rather to bring the capabilities of both types into a versatile plug-in. It’s also worth mentioning that the PSP Twin-L is part of our series Zero Latency Processing plug-ins; no additional latency is critical in many situations such as live monitoring and managing automation.

  • PSP TripleMeter is the successor to the PSP 2Meters bundle. It offers three different meters – VU meters, RMS meters, and PPM meters – with discrete features such as calibration and shared features such as trim faders, filters and a label strip. Our goal was to offer you the ability to choose between different audio measurement tools while processing audio. Now, with a single click you can check the volume units (VU) measurements of a signal and compare it to the peak indications or RMS values!

  • PSP stompFilter is a creative tool designed to provide an exceptionally wide range of modulated filter and gain sounds (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). Its effects include a simple LFO-modulated low pass filter; auto-wah; low-, band-, or high-pass filter; and compressor. Thanks to the smoothly adjustable filter type and flexible cross-modulations of the LFO by the envelope of the signal, PSP stompFilter is able to provide vivid, expressive filtering. Just a pinch of adjustable LFO randomization will provide analog-like “imperfections,” ensuring that you will never get bored of it.

  • PSP stompDelay is a creative delay plug-in (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX) designed to provide a wide range of sounds from lush analog tape delays through vibrant loops, from classic ping-pong to scratchy pitch shifts. It features both traditional delay effects and a looper when in “infinite operation mode” (called Infinity mode) that offers continuous tap tempo, as well as accurate tape simulation, including simulating the volume drop that occurs when fast-forwarding or cueing the tape.

  • PSP SpringBox is an emulation of a hardware spring reverberator (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). It recreates several features typical of a spring reverb, such as a convincing “boing” on transients and a repeatable resonating musical character with an adjustable presence. A selection of configurations from two to six springs total is provided, as well as the ability to set stereo spread and pan/balance configured to suit various mix setups – from a typical guitar reverb to a creative uses as a send reverb in the mix. Thanks to PSP SpringBox’s two channel A and B settings setup and range of presets operation is fast and easy.

  • PSP RetroQ offers PSP Audioware’s unique take on a musical equalizer with unique sonic character and low phase distortion. This makes RetroQ sound smooth and musically natural. It’s shelf filters are based on fabulous-sounding VintageWarmer’s filters, and PSP RetroQ’s addition of a mid-range filter is designed using the same internal architecture. An adjustable high pass filter is added to make the plug-in a complete program equalizer. It was optimized for use on groups and mixes, but it is equally at home in any situation in which you desire some gentle sweetening in your overall processing chain.

  • PSP preQursor2 offers PSP’s uniquely designed filters with low resonance peaks for reduced ringing artefacts, great band separation, and narrow notching when attenuating. All four filters are bell-type filters when boosting, and have progressive Q factors. The PSP preQursor2 introduces PSP’s Advanced Analog Modelling of preamplifier and filters to accurately recreate an analog-like behavior. The analog modelling algorithm can be enabled and controlled per instance, or globally per group of instances. The latter allows for easy control of the amount of analog- like processing on either selected tracks or all tracks in the mix. All these characteristics result in a processor that not only sounds excellent on acoustic tracks, overall mixes, or any other application, but also allows you to virtually create the input console for all tracks in your mix with easy and convenient controls. In every usage case, PSP preQursor2 will maintain the natural feel and definition of the material.

  • PSP PianoVerb2 is a redesigned and improved creative resonant reverb plug-in (VST, VST3, AAX and RTAS for Windows; AudioUnit, VST, VST3, AAX and RTAS for Mac OSX) plug-in based on our famous and beloved freeware plug-in PSP PianoVerb. The new version offers redesigned GUI with a brand new resize feature and new presets management. Like the original PianoVerb it creates its unique sound with twelve resonant filters that mimic the behavior of piano strings. The ability to transpose, tune and detune the set of strings allow you to set up PianoVerb2 to deliver a wide range of reverberations ranging from traditional wide spread reverb to unique and unusual resonances. With the addition of a brand new modulation section and the ability to set up multiple settings of time and damping and decay freezing (via A/B comparison function) this little plug-in delivers amazing options for creative use. Add to that some other amazing new additions such as a high pass filter section, independent dry/wet controls and a reverb tail freeze control, and you can see just how PianoVerb2 has become a truly comprehensive and unique algorithmic reverb. Whenever you want to add some natural resonance to a weak piano track, vitalize your leading guitar with a bit of sustain or simply add a touch of a nice reverb to the selected track, PSP PianoVerb2 can do the job!

  • PSP oldTimerMB is a vintage-style multi-band compressor designed for demanding track processing, buss and mix compression, and mastering. (VST, VST3, AudioUnit, AAX and RTAS plug-in) Our aim in developing this plug-in was to design a high end multi-band processor based on the algorithm from our best-selling PSP oldTimer compressor. The result is a musical and warm sounding processor with a range of controls making it a vital tool for virtually any kind of music. Switchable and adjustable output valve emulation give’s you a choice of additional color to the sound. Thank you, and please enjoy the versatility and quality of PSP oldTimerMB!

  • PSP NobleQ combines the features of passive program equalizers with a wide range of frequency settings and extended functionality. To make this plug-in a versatile tool we added several modern features such as an adjustable high pass filter, and the ability to switch high peak and shelf filters to Boost or Attenuation operation.

    The PSP NobleQ stands out for its warm sound, its boost and attenuation low-shelf filters and its combined peak and shelf high frequency processing. The warm and musical sound in PSP NobleQ is made possible thanks to its finest processing utilizing FAT double sampling for a natural analog-like response. We also added an output valve-like rounding algorithm with adjustable processing depth.

    The low shelf filter actually combines two shelving sections: the first one allows you to boost low frequencies while the other one attenuates them but is tuned slightly higher. Together they help to get a rich bottom end without low-midrange muddiness.

    The high frequency range consist of two filters – a peaking filter with adjustable band width (usually set to Boost) and a shelf filter (usually set to Attenuate). Both filters interact in such a way that the more attenuation to high frequency is applied the more selective peaking filter becomes while keeping its center frequency similarly boosted.

  • PSP Nexcellence is a rich-sounding, spring emulation inspired by and modeled after “Necklace-type” reverb units. It provides two different spring set processors and can use one or both of its processing engines simultaneously. The algorithm has improved on the original hardware by providing a handy set of parameters to let you control inherent aspects of the spring reverb.

  • PSP Neon is a fully featured linear phase equalizer plug-in (VST, RTAS and AAX for Windows and AudioUnit, VST, RTAS and AAX for OSX) that offers eight bands of equalization, each of which can be assigned one of seven filter types. PSP Neon uses frequency-domain fast convolution based linear phase algorithms for the best balance between CPU efficiency and phase accuracy. For those who want to use the excellent analog-modeled PSP Neon filters in even more CPU critical applications, you can even toggle off the linear phase mode and take advantage of PSP Neon’s minimum phase error Infinite Impulse Response (IIR) mode!
    PSP Neon also features one of our most user friendly interfaces ever, offering unparalleled easy of workflow. Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your “go to” linear phase equalizer for mastering and other critical audio applications.

    Version 2 of PSP Neon comes in three flavors:

    • PSP Neon HR – compatible with PSP Neon HR version 1, so your sessions will open and your presets will load. Just like its predecessor, It offers linear phase processing as well as three spectral resolution levels.
    • PSP Neon STD – like HR, but with standard (std) spectral resolution. This is sufficient for all but the most demanding mastering purposes (for which you can always grab HR). STD offers greatly reduced latency (by factor of ~3) and much gentler memory requirements.
    • PSP Neon MIX – with its minimum-phase filters (no linear-phase processing) it is very well-suited for mixing, as it introduces almost no latency (just 31 samples), while still providing all other important features such as oversampling, middle-side processing, a spectrum analyzer and the advanced Neon user interface.

  • PSP N2O is a semi-modular multi-effect plug-in which offers unparalleled flexibility and total sound creation freedom. The high-quality sound processing modules can be routed in any configuration, allowing for endless musical journeys. While built upon the same basic concept as PSP Nitro, PSP N2O, with its new modules and extended modulation features, explores completely new sonic areas. The plug-in engine has been rewritten and redesigned from scratch in order to improve the sound and take full advantage of the optimizations offered by modern CPUs. The enhanced user interface improves the experience of both sound designers creating their own soundscapes as well as everyday users who aren’t as fond of looking under the hood.

    Check out the list below to find out about exciting PSP N2O features—or better yet, take a deep breath and give it a try! And remember, don’t tell your neighbors about your experience! While legal in the US, many states have laws regulating the possession, sale and distribution of N2O. Some reports say it is highly addictive…

  • PSP McQ captures the sonic character and functionality of various classic console equalizers such as the versatile MCI console EQs. However, while PSP McQ was inspired by these analog classics, we added several modern features such as adjustable high pass and low pass filters, steepness (resonance) control for the shelving filters, optional bell filters for the low and high bands, and three nominal Q values for the midrange filters. We packed the PSP McQ full of musical features, such as gain following Q factors for the midrange bell type filters. By this, we mean that the Q factor of these filters gradually increases along with increases in boost or attenuation. The PSP McQ is especially suited for deep track tweaking in order to get a desired sound for a track, or to get great track separation in the mix.

    PSP McQ also includes our unique second generation SAT(uration) option in the output section. This both protects against digital clipping in software or hardware following the plug-in, and adds a smooth, overdriven sound to hard-driven signals. The SATuration algorithm is located after output level control in PSP McQ’s internal chain and its ceiling reference level is setup a fraction of dB below 0dBFS.

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