Plug-Ins and Standalone tools for all of you mixing and sound design needs
This soundlibrary arises from recordings with plugins and effects.
After working these sounds in post production, this library comes with 15 incredible drone sounds that will bring your vídeo, trailer or movie to life.
Size: 276 MB
Files: 19 • Including metadata
Sample Rate: 48kHz – 24 Bit WAV
Duration: Approx. 16 min
Gear: Virtual Plugins
Delivery: Instant – blazingly-fast – digital download on Bandcamp
License type: Royalty-Free
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– Decimort recreates the colouration and adds the vintage sampler’s magic to any sound
Electronic music (especially Hip-Hop) producers have long been aware that classic samplers (such as early Akai and E-MU units) had a character and sound all their own: they added a “grit” and “color” to the samples and loops they played back which made them sound “Fat” and sit well in a mix. This sound coloration was due to the encoding techniques, lower sample rate, and bit depth, and conversion circuits used by these early samplers. Decimort recreates this coloration and adds that vintage sampler magic back to any loop, any bassline, or any sound played through it for that matter! Beyond vintage sampler emulation, it’s also the perfect bit-crusher with filter, capable of extreme settings for dramatic results.
PSP InfiniStripFIRE is an infinitely configurable channel strip plug-in (AAX, AudioUnit, VST, VST3, RTAS) based on 20 years PSP experience in developing HANDCRAFTED PLUG-INS for tracking, mixing and mastering. PSP InfiniStrip can be used for mixing, tracking or live streaming/broadcasting anywhere you need a great sounding and easy to configure channel strip, without having to worry about latency!
That’s right – you can configure PSP InfiniStrip with whatever modules you need and track through them with confidence that the plug-in isn’t adding any latency at all to your recorded signal! ZERO LATENCY. FULL IMPACT.
Designed with innovation in mind.
Each software application we provide pushes the limits of creating in its own way:
Dust – synthesizer plugin based on a real-time particle simulation, where each particle is a separate granulating sound source.
Wave Warper – for creating your own modern whooshes, passbys, and sample mayhem.
– for morphing, bending, and stretching time and samples.
Evil Twin – for cinematic sound and music design, granular effects, impacts, glitches, and bpm synced loops.
Galactic Assistant – for creating endless user interface type sounds. The first ever UI synthesizer.
DR01D – Included for free! Retro robot voice simulator.
To learn more about each product, we encourage you to visit their individual pages, where you can watch tutorial videos, read more about them, and view the minimum system requirements.
FabFilter Pro-C 2 is a high-quality compressor plug-in for the most demanding engineers. Whether you need subtle mastering compression, an upfront lead vocal, that magic drum glue or deep EDM pumping: Pro-C 2 gets the job done with style!
Pro-C 2 offers eight different, program-dependent compression styles with beautiful sound and character. But there’s more! Apart from the classic compressor controls, you also get smooth lookahead, up to 4x oversampling, intelligent auto-gain and auto-release, a variable knee, hold, range, external side-chain triggering, variable stereo linking and mid/side processing, all packed in a beautiful Retina user interface.
Igniter is the new industry standard for creating any real-world or sci-fi vehicle and engine sound effects with ease and at unbeatable value. Whether you work in audio post or game audio, Igniter enables you to design, perform and automate any complex vehicle behaviour directly in your DAW – from sports cars, motorbikes, planes, helicopters, spacecraft and other engine sounds to moving ambiences, textures, Foley or whatever sparks your imagination.
Igniter is the only solution of its kind to come jam-packed with over 20 performable vehicles and 1,943 audio assets from vehicles including Aston Martin, Ferrari, Porsche, Tesla, Harley Davidson, Huey UH-1H, Agusta Westland 119x, CH-47D Chinook, Bombardier Challenger, Cessna 560XL, skids, sweeteners and much more. Recordings come from Watson Wu, The Recordist, Sounding Sweet, George Vlad, Echo Peak and Flysound.
For vehicle fanatics, Igniter Full Tank comes with 75GB of additional library content including onboard recordings, ramps & static rev bands, Foley sounds, skids, slides and much more!
Upgrade to Pro-Q4 from Pro-Q1, 2 or 3
About FabFilter Pro-Q 4
Since its original release in 2009, FabFilter Pro-Q has become the trusted workhorse EQ plug-in for many engineers and producers around the world, widely praised for its workflow, sound quality and feature set. With version 4, we’re bringing exciting new features to Pro-Q, introducing spectral dynamics, the instance list, EQ Sketch, vintage saturation and much more.
FabFilter Pro-Q 4 gives you the highest possible sound quality, a complete feature set, and a gorgeous, intelligent interface that is designed to help you get ‘that’ sound quickly and easily.
CINEMATIC CYBERWAVE contains over 20 GB of state-of-the-art audio samples that meticulously capture the dark and futuristic sound of the cyberpunk and synthwave genres. With an impressive collection of over 260 patches, this instrument is a one-stop-shop for all your production needs. From dynamic synth leads to rumbling basses, hypnotic arpeggios, mind-bending effects, punchy drums, ethereal pads, and immersive soundscapes, you’ll find everything you need to create dark & gritty, as well as neon & futuristic soundscapes that will transport your audience to a mesmerizing, dystopian new world.
The modern user interface offers intuitive control with a 3-layer mixer, LFO-synchronized modulation of volume, pan, filter or any combination thereof, 2 sequencable “Motion FX Slots” and 4 versatile effect options with delay, reverb, chorus, flanger that add depth and dimension to your compositions. Furthermore, the advanced arpeggiator and editable filter, volume and pitch curves (all ADSR curves) empower you to create your own unique and dynamic sounds that will set your music apart.
The carefully curated sound library included in this instrument is tailored to capture the authentic cyberpunk aesthetic. It features a vast range of samples sourced from analog synths and guitars, real drums, and electronic drum kits, alongside glitch effects, whooshes, impacts, explosions, and deeply sampled digital and analog hardware synthesizers. The attention to detail ensures that whether you’re producing cyberwave or any other genre that calls for a futuristic edge, the Cinematic Cyberwave Kontakt Instrument equips you with the tools to elevate your music to the next level.
Embrace this opportunity to elevate your production game and unleash your creativity with the Cinematic Cyberwave Kontakt Instrument from Noizefield Instruments and CB Sounddesign. Immerse your audience in a neon-lit, gritty, and futuristic world, where your music sets the stage for an unforgettable experience. Don’t miss out on this powerful instrument that will inspire you to create captivating cyberpunk soundscapes like never before. Get your hands on the Cinematic Cyberwave Kontakt Instrument today and redefine the boundaries of your musical journey.
** Note that CINEMATIC CYBERWAVE requires the full version 5.8.1 or above of Native Instruments KONTAKT
https://www.youtube.com/watch?v=RhyNakHA8qA&t=6s
https://www.youtube.com/watch?v=4zwI06t1iTI&t=4s
Experience true horror with SwishSwoosh’s Kontakt Instrument – AMBER
The cinematic tension software instrument from SwishSwoosh. Take control of your soundscapes and bring your horror scenes to life with AMBER’s powerful and customizable features.
The Krotos Everything Bundle combines our full plugin catalog with the complete Krotos sound library collection to deliver the most content and best value bundle we’ve ever produced.
Equip your studio with the world’s most powerful sound design software and sound effects packages that will allow you to design and perform your own unique sound effects, without restrictions, while injecting more fun into the process.
The Full Krotos Sound Design Software Package
Krotos Everything Bundle includes the complete Krotos software line: Dehumaniser 2, Reformer Pro, Weaponiser Fully Loaded, Igniter Full Tank and Concept. Offering flexible, intuitive and efficient workflows for sound design, audio post-production, and game-audio applications.
Streamline your process and discover new approaches for designing any sound effect including – but not limited to – creatures, animals, weapons, textures, vehicles, Foley, synthesis and other unique sound effects – advancing creativity and shortening the critical path from your imagination to the final mix.
The Complete Krotos Library Range Included
Our collection of professionally recorded and designed libraries contains our full range of Krotos-made sound libraries for Weaponiser and Reformer Pro. Over 100.5GB (23,905 sounds) of comprehensive assets are included to inspire your creativity and enhance your projects at the best possible value.
Krotos Everything Bundle gets you 30% off individual product prices – the best way to purchase the full Krotos software and library range all-in-one for your studio, facility or freelance setup!
Please note that this Bundle does not contain Reformer Libraries from BOOM, Soundbits, Sounddogs, Coll Anderson, or any other 3rd party library supplier or Weaponiser libraries from Paul Stoughton, or any 3rd party designer.
It only contains content included as part of Krotos Plugins, or Krotos produced libraries.
INCLUDES:
• Reformer Pro
• Weaponiser Fully Loaded
• Dehumaniser 2
• Igniter Full Tank
• Concept 2
• Dehumaniser Simple Monsters
• Simple Concept
• Krotos Starter Sound Effects Library
• Baby Tigers Sound Library
• Otters Sound Library
• Parrots Sound Library
• Clothes & Materials Foley SFX Lib.Vol. 1
• Clothes & Materials Foley SFX Lib.Vol. 2
• Electronics Sound Effects Library
• Elements Sound Effects Library
• Rocks Sound Effects Library
• Surfaces Sound Effects Library
• Mechanical SFX Library Vol. 1
• CinematicWhooshes & Transitions SFXLib.
• Everyday Foley SFX Library
• Ultimate Footsteps SFX Library
• Ammo & Reloads SFXs Library
• Battle Sound Effects Library
• Explosions Sound Effects Library
• Futurism Sound Effects Library
• Mechanical SFX Library Volume 2
• Modern Cinematic SFX Library
• Tortured Metal SFX Library
The SA-2 Dialog Processor is made up of 5 bands of active equalization, configured in a variety of modes to best address common issues of dialog.
Revolver is the ultimate combination of high end reverb control with the sound capacity of convolution.
A crush on music
Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.
Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.
Warmth, harmonics, color and dynamics
FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.
With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.
Bring your sounds to life
Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.
With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.
FabFilter goodies
Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.
Professional mixing and mastering tools
Contains 7 plug-ins
FabFilter Micro’s single filter is smooth and creamy, yet easily turns into raw saturation and self-oscillation when tweaked using the interactive filter display. It features low-pass and high-pass shapes and an envelope follower to modulate the cut-off frequency.
With the individual Input Gain and Output Gain parameters, you can fully control the saturation of the internal filter, making FabFilter Micro not only ideally suited for basic filtering tasks, but also capable of beautiful distortion and analog saturation effects.
Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, AltiVec and SSE optimization, and much more!
Features
Vielklang Instant Harmony 2 is an instrument for easy generation of harmonies from an audio or MIDI melody. The utilization of voice leading and harmony progression models allows vielklang to create harmony parts in a more musical way than traditional harmony processors and makes it a versatile and creative tool for musicians, songwriters and producers.
vielklang utilizes zplane´s widely-used élastique SOLOIST engine for high quality pitch shifting and time stretching.
The new version introduces the following features:
• advanced pitch editing with direct tool access
• new sleek interface
• vibrato and tremolo generator
• hybrid view for score-like harmony visualization
• MIDI harmonization
• multiple file harmonization
• Instant Harmony V2.0 & Advanced Pitch Editing
• Harmonize your melody with one single click – loading a single-voiced audio file – and create natural-sounding background choirs and brass arrangements.
vielklang Instant Harmony generates harmonies with 2-4 voices. It is packed with musical intelligence and music theory: it detects the best fitting harmonies for each individual input melody, and automatically synthesizes up to four voices with the voices not merely running in parallel but with their voicings selected to sound most natural (voice leading).
The advanced pitch editing controls (full version only!) give you fast and easy access to pitch, timing, vibrato control, formant shift, and to many more editing options.
Professional Peak and Loudness Metering
PPMulatorXL is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Programme Meter (PPM). PPMulatorXL has also included a EBU R.128 compliant loudness metering and a amazingly fast offline metering for audio files in standalone mode.
By adding this plugin to the master output of your audio editing program, you can record, edit, mix and export your audio within a precisely-calibrated workspace – something which is often impossible to do when working in a non-studio environment.
PPMulatorXL is designed to closely-follow the ballistics of mono, stereo, mid-side (MS) and surround (5.1) PPM meters (conforming to IEC 268-10/DIN 45406) and has a number of built-in additional features, including various display style options and a highly-useful Peak Logging process which logs all peaks/overloads against the time code in the host application where they occurred.
Key Features:
• Customizable and resizable layouts and channel labeling
• Audio file batch processing (PPMulatorXL only)
• Automated peak logging with export
• Mono gain trim to M3 (-3dB) or M6 (-6dB) standards
• Phase correlation meter & Goniometer
• Reference tone generator for meter alignment and calibration
• Multi-channel support up to six channels
Supported Standards:
• IEC 268-10 Type I: Nordic N9
• IEC 268-10 Type I: DIN 45406
• IEC 268-10 Type IIa: BBC scale
• IEC 268-10 Type IIb: EBU scale
• ITU-R BS.1770-2: True Peak Meter
• EBU R128 (2011): Loudness Meter (PPMulatorXL only)
Technical Specifications:
• Audio format: Mono/ Stereo/ Mid-Side/ 5.1, 32-192kHz sample rate
• Min. system CPU: 1GHz
• OS: Mac OS min 10.6
• Windows min. XP
• Host: Pro Tools >= V9
• Plugin format: RTAS, AAX, AU, VST + Standalone application
decode. practice. master. repeat.
deCoda can decode any song so you can learn to play it in minutes. In seconds deCoda will tell you the key, tempo, chords where the verses and choruses are and more.
Using deCoda is as simple as adding your favourite song and letting deCoda help you figure it out. Inspired and informed by those working in the music and recording industry, deCoda offers features that make learning a song more effortless than ever.
deCoda has been built by zplane. zplane technology is used to make many of the biggest hits in the world by top artist and producers, and that same know-how is used to power deCoda.
Key Features
• Advanced chord and tempo detection algorithms
• Flexible looping options
• Automatic song structure detection – Part A, B C, A2, B2 etc.
• Instantly transpose to a chosen key
• Change tempo whilst maintaining the pitch
• Focus EQ for isolating parts of the track
• Melody information displayed on a piano roll
• Exportable MIDI
DOWNLOAD THE DEMO HERE
About FabFilter Pro-Q 4
Since its original release in 2009, FabFilter Pro-Q has become the trusted workhorse EQ plug-in for many engineers and producers around the world, widely praised for its workflow, sound quality and feature set. With version 4, we’re bringing exciting new features to Pro-Q, introducing spectral dynamics, the instance list, EQ Sketch, vintage saturation and much more.
FabFilter Pro-Q 4 gives you the highest possible sound quality, a complete feature set, and a gorgeous, intelligent interface that is designed to help you get ‘that’ sound quickly and easily.
Upgrade from Timeless 2 to Timeless 3
FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!
Vintage filters and creative effects
The stereo delay signal is routed through five unique effects and up to six analog-sounding filters, and then routed back to the input with adjustable feedback. Easily program your own delays using the well laid-out controls and interactive delay and filter displays.
Easy drag-and-drop modulation
Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless’s unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.
FabFilter goodies
Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more.
Upgrade to Saturn 2 from Saturn 1
A crush on music
Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.
Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.
Warmth, harmonics, color and dynamics
FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.
With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.
Bring your sounds to life
Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.
With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.
FabFilter goodies
Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.
Upgrade to Twin 3 from Twin 2
Beautiful new interface and improved workflow
FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.
Improved oscillators and filters
It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away
Massive FX section and new Arpeggiator
Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.
Full-featured preset browser
Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.
Vintage phatness, out of the box
Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.
Easy drag-and-drop modulation
With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.
FabFilter goodies
Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.
Beautiful new interface and improved workflow
FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.
Improved oscillators and filters
It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away
Massive FX section and new Arpeggiator
Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.
Full-featured preset browser
Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.
Vintage phatness, out of the box
Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.
Easy drag-and-drop modulation
With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.
FabFilter goodies
Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.
Pro-R 2 brings a raft of new next-gen features to what was already a widely respected reverb plug-in, including comprehensive multichannel compatibility, two brand-new reverb algorithms, IR import and replication, ducking and gating functions, analog-style saturation, and much more. It is a huge technological and functional leap forward for the plug-in, and one made without any compromise to the slick workflow and stellar sound quality that Pro-R users already know and love.
Full immersive audio support
Place reverbs in three-dimensional space with support for immersive channel layouts up to 9.1.6 Dolby Atmos. Pro-R 2 configures itself for multichannel formats automatically whenever it is added to a surround channel, and individual Decay Rate and Post EQ bands can be applied to any combination of channels using the new Speakers panel. Meanwhile, the new Surround Settings panel provides straightforward controls for balancing the relative levels of every reverb parameter — Predelay, Character, Decay Rate, etc — between the front and back of the immersive space. A massive amount of work has gone into the implementation of surround cross feeding, delivering an exceptionally convincing sense of space; and with its intuitive approach and liberating flexibility, ProR 2 yields spectacular results without letting complicated channel routing get in the way of creativity.
All-new Vintage and Plate reverb Styles
Expanding on the clean, natural sound of Pro-R, Pro-R 2 introduces two new reverb algorithms that bring a diversity of retro flavors to mixes. ‘Vintage’ is inspired by classic digital reverb units of the ’80s and ’90s, and is the go-to for long, bright hyper-real spatial ambiences, while ‘Plate’ serves up the evocative metallic sound of plate reverb — ideal for drums and vocals. Together, the two new styles broaden Pro-R 2’s spatializing remit out from the realistic physical environments for which its predecessor was known into more overtly synthetic textural territory.
Impulse response (IR) import
As if tripling the number of reverb styles on offer was not enough, Pro-R 2 also adds the ability to import impulse responses and have them automatically recreated as algorithmic setups — including Decay Rate and Post EQ shaping — that closely match their sonic characteristics. Whether wanting to binge on the vast array of free impulse responses available online, or capture and emulate favorite vocal booth, drum room, or hardware reverb in Pro-R 2, IR import opens up a whole new world of possibilities.
Extended reverb parameters and controls
Pro-R 2 provides even more tools with which to design dream reverbs. Set the wet signal level to drop whenever the dry signal is present with the Ducking control; dial in density and saturation with the Thickness knob; get your Phil Collins on with the tempo-syncable Auto Gate; and capture and hold the tail indefinitely with a click of the Freeze button. No matter what anyone’s reverberation goal might be, Pro-R 2 has everything needed to realize it.
Full-featured preset browser
A great improvement on the simple hierarchical menu of Pro-R, Pro-R 2’s streamlined new preset browser makes it easier than ever to navigate and manage the factory library and user presets. Assign editable tags for filtered searching, set presets as favorites for one-click filtering, and add author names and text descriptions. And if the original Pro-R is installed then all its presets appear in Pro-R 2’s library as well.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.