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Add texture & detail to urban soundscapes with excavators, backhoes, loaders, and other construction machinery sounds.
Embark on an auditory journey into the heart of Asian gambling with our meticulously crafted collection of royalty-free music and sound effects. Immerse your players in a world of captivating audio that’ll leave them craving more!
WHAT’S INSIDE?
Delve into the authentic sounds of Asia with our comprehensive library, featuring a diverse array of audio assets meticulously tailored for the most beloved Asian gambling games, including:
🀄 Mahjong: Experience the timeless allure of this classic game with custom tile sounds, winning effects, and atmospheric background music that perfectly captures the essence of traditional gameplay.
🎰 Pachinko: Feel the electric buzz of the arcade with dynamic sound effects that bring the thrill of pachinko machines to life. From bouncing balls to jackpot celebrations, our library has it all!
🃏 Baccarat: Immerse yourself in the sophistication of the casino floor with elegant card shuffling, dealing, and winning effects that add an extra layer of excitement to every hand.
But wait, there’s more! Our library also includes audio assets perfect for other popular Asian gambling games such as SIC BO, TAI SAI, FAN-TAN, DRAGON TIGER, CHO-HAN, KENO, PAI GOW POKER, and many more. Plus, enjoy a selection of card, dice, and poker chip sounds, as well as win jingles and music loops – complimentary gifts from some of our related products!
ASIAN GAMBLING GAMES at a Glance:
With over 1000 games worth of experience in audio production and a passion for gaming, we understand the importance of high-quality audio in creating immersive experiences. Our library is curated to ensure every sound is top-notch, allowing you to focus on creating unforgettable games that keep players coming back for more.
READY TO ELEVATE YOUR GAMING PROJECTS TO NEW HEIGHTS?
DON’T DELAY – DOWNLOAD NOW AND IMMERSE YOUR PLAYERS IN THE ULTIMATE ASIAN GAMBLING EXPERIENCE!
Need more card, dice, chip, and coin sounds? Looking for additional table game sounds or Asian casino music? Explore our related products below:
👉 Cards, Chips, and Dice Sound Effects with Dealer Voiceovers
👉 Scratch Card Sound Effects and Music
👉 Roulette Sound Effects with Dealer Voiceovers
👉 Slots of Asia: China and Japan
👉 Progressive Slots and Classic Fruit Machines
GRAB YOURS NOW AND LET THE SOUNDS OF ASIA INSPIRE YOUR NEXT GAMING MASTERPIECE!
Over 375 sounds of creaking and cracking materials, including breaking cables, ropes under tension and about to split, wires and strings under stress, metal friction causing tension. Recorded with a combination of Sanken CO100K and Nevaton microphones for full frequency sound content. Saved as 192KHz these files allow for high resolution editing. Useful for impact sounds in cinema, games or documentary, but also for cartoon sounds or even creature sounds as many of the recordings contain vowel-like screeching and scraping.
Imagine a scene where a rope is about to break over an edge, an object being torn by a huge cable, a wooden structure about to collapse under stress and so on… Our brain is triggered by those rattling sounds or spine-breaking cracks coming from little fibers being split apart, parts of the structure creaking, wires scraping over edges…
These sounds can be perceived as delicate but have a great psychological impact as we interpret these and know what is about to happen. So suspense is built with both background and close-up sounds. Useful when building tension, when creating a sense of upcoming climax, these sonic elements will work out to amplify the details that are often important but not always visible for the eye.
All the source material and recording are acoustic, there are no digital effects applied. This guarantees natural organic harmonics, even way beyond our hearing. Pitching down the 192 KHz files will let you discover another collection of sounds!
You can find the following libraries in this collection >
This is a remaster of our 1st library. Every sample has been reworked to punch harder and yet take less headroom. It now has 2243 unique sounds, 648 of these are brand new! That’s more than 2GB of content, running at 1:04:29.
In this pack, you will find everything you need to create amazing Sci-fi impacts and whooshes. You have access to complex cinematic sounds, sources and FX to create your own unique stuff, a special folder of sub and transient heavy sounds to add oomph and punch to any sound, as well the star of the show: the Designed Weapons.
Whether you are looking for a laser sword or an electric hammer, you will quickly find something ready to use in this pack. We have included 20 predesigned weapons complete with whooshes, hits and blocks variations. The 3 new weapons included also have more variations and some extra goodies such as parries or positive and negative blocks.
Everything is in 24bit 96khz and uses the UCS naming convention.
Have fun! :)
AUDIO SUMMONERS
Nolan Sound Library – ALL IN ONE Bundle.
Get 1825+ Files in one bundle: Trains, Norway Nature, Nature Soundscapes, Radio Noises, Motocross, Foley Sounds, Spain Ambiences, Planes, Airports, New York Life, Mountains Winds, Forests and many more…
Also includes the NSL in ATMOS Format for big productions.
Unveiling Rusty Metal Squeaks, a meticulously curated collection of 40 high-quality sound effects that embody the essence of decay and time-worn machinery. This exclusive sound library is an indispensable resource for audio professionals looking to inject authentic, eerie, and atmospheric creaks and squeals into their projects.
Whether you’re crafting the ambient background of a rusty freighter, designing the eerie atmosphere of an abandoned facility, or in need of authentic mechanical noises for a period piece, Rusty Metal Squeaks delivers. This library provides you with the raw, unpolished sounds of metal that groans and protests, perfect for adding depth and realism to your audio projects.
Explore the full potential of sound with Rusty Metal Squeaks, your go-to sound effects library for that perfect metallic resonance.
The Push & Pull Heavy Weight Low Frequency Movements Library contains acoustic recordings that will fit the need for huge doors, large gates, heavy loads, massive objects, sliding tombstones, shifting masses and so on… All sounds are clean with no effects added for easy use and editing. Recorded at 192 KHz with Nevaton and Sanken CO100K microphone, the full spectrum allows for quality source material.
You will find variations of trembling, rattling, shoving, scraping, bouncy objects and materials being pushed or pulled.
This sound FX library is part of a series of recordings available:
The Airbus H130 helicopter in 96khz 32bit wav for clean clear & realistic sound design.
No need for sifting through lengthy audio, these are concise well edited wav files for immediate scenario based application of basic helicopter operations from startup, takeoff, flybys, circling, hover,approach, land & shutdown.
Metadata available under UCS tagging.
It’s A Plain Phone_Pack 06 is sixth installment in the It’s A Plain Phone_Collection. This pack includes recordings of a ClearSounds 40XLC Amplified Telephone pressing buttons, pick up, hang ups, slams, detach and reattach cable to both phone and base, switches, and more! This specific phone is designed for those hard of hearing, thus multiple additional switches and settings. 7358+ sounds over two microphone setups, or 3679+ sounds with 1 microphone set up; all packed in 670 sound files. These sound files were recorded at 24 bit, 192kHz using the Sennheiser MKH8050/30 and Sanken CO-100K/ Sennheiser MKH30 microphones into a Sound Devices Mix Pre-6.
All are metadata tagged using the Universal Category System in Soundminer, and also searchable in Soundly and Basehead.
All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
There are few, if any, other mechanical devices that have existed more ubiquitously alongside modern humans than time pieces. They are intricate, precise, and complex, made in as many styles and designs as the mind can imagine, all of which sound incredible, making them a sound designer’s dream.
We profiled 12 clocks using a superposition technique, identifying and pinpointing specific parts and perspectives of each piece. Additionally, we’ve added an extra bonus clock that was not fully profiled, but just sounded too good to leave out. Each clock has a stereo (MidSide) capture and a series of mono channel spot recordings. Layer ’em, mix ’em, and match ’em up in whichever way you see fit.
Clocks include:
Focused mechanics and components include:
Ticking at the escapement, winding of various arbors, balance wheels and hairsprings, chimes, bells, gong wires, and hammers, fan flies, weights, action keys, locks, doors, and bellows
The detail, precision, and tactility of these assets are like sonic chamomile for the mind. Alongside the power and resonance of the gongs, chimes, and bells, the juxtaposition of these different tonal textures make for a wonderfully dynamic collection.
Sounds that activate some of the deepest parts of our brain’s functioning, the content of Clockwork is simultaneously widely utilitarian and deeply innate. No matter your project, it’s time to dive in.
Train, Train Station, Railway Ambience
Including: train sounds, trains passing by, different perspectives and distances, In urban and remote area etc.; Many types of trains, locomotives, service train vehicles etc.; Train horns;
Mechanical, pneumatics sounds. Train stationary sounds.
Train station/railway ambience, both interior (inside building, room tone) end exterior. Crowd. PA announcement, train operator whistling etc.. Train station soundwalk. Restaurant…Train station in city and in rural; Rail crossing; Train room tone. Locomotive room tone;
Structure borne sound of train passing by, sound recorded with contact mics on railways; Recorded in daytime and nighttime, all year round. Total time is approx. 280 mins. Comprehensive train FX library. European railways, trains, recorded in Europe.
Various microphone setups used as well as microphones. Depends on application. Description and equipment info in metadata chunk.
Edited RAW recordings ready to use. No dynamic manipulation (compressors/limiters) used, max. peak level: -5dBFS. No recorder’s limiter used during recording – full dynamic recordings.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, RØDELink Lav and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
This library contains sound from 23 multi-miced kinetic machines and wounderous apparatus split into mixdowns and construction kits of each machinery.
The mechanisms have been designed and build by and recorded in collaboration with the kinetic artist Willi Reiche in a quiet setting at the Kunstmaschienenenhalle.
Spinning gears, squeaky leather belts, grinding metal, humming motors, tonal elements and rattling parts construct an imaginative factory ambience. It can be perfectly used to design a magical lab, an inventor workshop or a steam punk industrial complex. Of course any tiny to big gear and machines can be brought to live with these sounds. You can easily layer different parts from various machines to create the desired mood and characteristic of your visuals or story.
There are both electric machines driven by servo motors and machines that have to be handled by hand. Additional emf content has been captured from the electronic devices.
Gear used: Up to 10 microphones have been used on each machine, including Schoeps MK41 / CMC1, Dpa 4060, Neumann KMR81i, Earthworks QTC50, AKD D112, Lewitt 540s, Ambient ASF1 and EMF microphones.
Foley sounds of brick toys, like Lego, Duplo, Gobriks, Sluban, Playmobil, Abrick, Minibricks, Mega, Nanoblock, Cobi, Mould King, Wange, CaDA, Nifeliz, JMBricklayer, Fun Little Toys, Fischertechnik, Burgkidz, Unico, BlueBrixx, Zurus, Light Stax, Cutedeer, Feleph, Artor Bricks… All files are recorded 32bit, 192 kHz, with Sonorous Objects SO.3 microphone & Zoom F3 recorder. Library is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, Shure KSM 137, FEL Pluggy XLR EM272, FEL Clippy XLR EM272 and Sonorous Objects SO.3 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.It is also available in UCS.
Vintage Mechanical Keyboards: a meticulously crafted sound effects library capturing the nostalgic charm character of seven unique-sounding mechanical keyboards: the much-loved IBM Model M, the sleek IBM Japan 5576, the classic Wyse PSE, a unique Soviet Elektronika MC 7004, a quirky non-qwerty Stocktrader keyboard from 1978, a solid Zinc bank teller keyboard, and a vintage terminal board from 1976.
Each keyboard was expertly recorded with multiple microphones to preserve its unique sonic character, featuring regular keystrokes at various velocities, slow press/release strikes, and separate recordings of letter keys, arrow keys, numpads, and spacebars. There’s also typing at various speeds, keyboard mashing, finger rolls, and miscellaneous switches and plastic creaks.
950 meticulously crafted files, totaling 25.4 GB, and recorded at 192kHz and 24-bit, complete with metadata that adheres to the UCS standard.
🚀🦢
The Compressed Air sound effects library features sonic textures of air blasts, bursts, and sprays into and over a mix of household objects.
The Master Gun AKM Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.
In addition to the unsuppressed shot recordings, we’ve also sampled the AKM with a suppressor attachment. The suppressed AKM was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
We’ve been meaning to record this broken hair dryer for ages, it has a slight different noise to a normal hair dryer due to this, however when recording the hair dryer it broke but not before we caught its last blow dry.
We have everything from:
Switch Clicks
Button Rattle
Foley Touch/Rub
Foley Hits
Foley Creaks
Foley Cable Tension
Servo Type Noise
Hair Dryer On/Power up
Hair Dryer Off/Power Down
and the eventual
Hair Dryer Death which was like an EMF Type Noise before it smoked in our face
Broken hair Dryer will give you enough audio to give your project the authentic sound of… well… a broken hair dryer, boosting your project to the next level. Broken hair Dryer has been edited to allow a drop in ready and Royalty Free sample pack. These Samples can be used in a variety of projects from Sound Designing/Compositions for TV, Film, Documentaries and Video Games. UCS Compliant and Metadata is attached to the samples
Get the expected everyday sounds and the unexpected sporty sounds of a go-to compact car. Find the true sound of it with Vadi Sound Library.
What’s inside
Fasten your seatbelt for 141 mechanical and electrical sounds of acceleration, deceleration, driving, drive-by, interior and exterior sounds; ignition, honk, engine, door, and trunk, and more Foley.
You will get long takes of drive-bys, car engine sounds, exhaust sounds and stereo interior recordings, from the exhaust, engine and the cabin perspective on both the rural roads and the highways.
Up your game with these 141 stereo recordings of engine starts and stops, rev-up, idle, gearshifts, accelerating and decelerating to constant and high, medium, low RPM, driving slowly and fast.
96kHz – 24bit format, 2.7 GB size, 79 minutes duration. Comes with intuitive naming and metadata. UCS compliant, 100% royalty-free and compatible with all DAWs, middleware and video editing software.
All sounds are organic and have room for further sound design; recorded in high detail so that you can layer and shape all channels individually in vehicle and other sound design.
Full specs: Volkwagen Polo TSI 1.4 2013 Comfortline, 6R, 85PS, 1104 kg, 1390 cm3 cylinder.
Gear: DPA 4060s, Sennheiser MKH8040s, Audix F5 Dynamics, Zoom F3s.
Keywords: Vehicle, car, compact car, everyday car, electrical, mechanical, ride, break, speed, VW, Volkwagen, Polo, tire, highway, drive by, gear, light, car hood, door, honk, trunk, sun visor, steering wheel, seat belt, lock, outdoor, engine, key, control panel, open, close, window, window wiper, air conditioner, idle, rev-up, handbrake, uphill, downhill, motor, button, remote, road, indoor, exhaust, acceleration, deceleration, cabin, Foley
What else you may need
You may also want to check out our Bavaria 36 Sailing Boat for access to 58 unique files of 32m 35s duration, including sailing, sail Foley, engine ignition starts and cut offs, water movements, different RPMs, interior and on-deck Foley and ambiences from different perspectives like front, rear, near the water, inside the hull.
Mercedes-Benz Axor 1840 is another option with 54 pristine sounds with multi-channel tracks of exterior and onboard perspectives; ranging from engine starts and stops, rev-up, idle, gearshifts, accelerating and decelerating to constant and high, medium, low RPM, driving slowly and fast.
Want sounds of buttons, switches, levers or gears - and other mechanical sound elements that clink, clank, whir, squeak and grind? These mechanical sound effects libraries offer you an extraordinary toolbox of recordings - from the tiniest gears to gigantic bucket-wheels, and everything in between. Recorded from a wide range of perspectives and featuring both construction kit elements and designed sounds, these sound libraries come in handy for any project that calls for mechanical sounds, or as sonic building blocks when designing robots, motors, machines and other contraptions that call for that mechanical sound.
Clank, whir, beep, click, hiss, buzz, hum, rattle, screech, thud, squeak, crackle, pop, sizzle, grind, roar, bang, snap, creak, chime
Q: What are some of the most popular mechanical sounds?
A: Click to sort the category by most popular mechanical sound effects libraries
Q: Are there any mechanical sound libraries on sale right now?
A: Click to sort the category by mechanical sound libraries on sale
Q: How do I download the mechanical sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen mechanical SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Spell Variations Vol. 4 marks the grand finale of our magical sound series, delivering a diverse and powerful collection of spell effects. Inside, you’ll find summonings, blood spells, petrifications, healing spells, dark incantations, and much more!
This volume includes 255 high-quality sound effects, organized into 27 distinct spell types, each with multiple variations (3 to 17) to ensure no spell sounds the same, even when reused across your project.
Each spell type is carefully named and sorted into individual folders, giving you intuitive navigation and maximum flexibility for magical scenes, game effects, or cinematic transitions.
Recorded, edited, and mastered in 192 kHz / 24-bit, these sounds deliver exceptional clarity and full adaptability for pitching, layering, or creative processing.
A must-have library for professional sound designers seeking drag-and-drop magical sounds for video games, trailers, animations, or any audiovisual production.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding magical sounds [Use them again & again
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 255 spell sounds
– Number of Audio Waves: 255
– Format: 192KHz / 24 bits
– Win/Mac: Yes
– Minutes of audio provided: 19:21
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
MAGIC – ALCHEMY is a professional sound effects library built from real chemical reactions and elemental forces. It delivers short, character-rich magic sound effects perfect for spellcasting, magical UI design, and fantasy storytelling. Designed to sit cleanly in a mix and shimmer with personality, these spell sounds are ideal for games, trailers, audio dramas and more. Real reactions, recorded with obsessive detail.
No digital fakery here. Every sound in MAGIC – ALCHEMY began as a live experiment — alcohol burning in jars, butane growling through pipes, fuses igniting, water swirling in glass. These are true-to-life textures, captured in a lab-grade recording setup. The result? Magical sound with depth, realism, and spark..
These are not long, cinematic flourishes. This library is about immediacy — short, dry, punchy magic effects that are easy to slot into your project. Ideal for game asset design, magical feedback sounds, and trailer moments where clarity counts.
Need a healing chime, a cursed hex, or something more ambiguous? The Designed section is grouped into Holy, Cursed, and Neutral categories — giving you emotional options that match your scene’s intent, whether you’re crafting a fantasy RPG or a subtle magical interaction.
Whether you’re layering magic for a fantasy film, adding interactive audio to a mobile game, or creating rich textures for audiobooks or theatre, MAGIC – ALCHEMY fits right in. It’s mix-ready, flexible, and full of sonic character.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.