Home Mechanical Sound Effects
Metallic Impacts delivers a dynamic collection of strikes, crashes, and resonant hits created from a variety of metal objects. Each sound is provided in both raw and processed versions, giving you the choice between natural recordings for authentic realism or designed impacts for instant cinematic punch.
Designed with versatility in mind, these sounds are perfect for trailers, action sequences, combat design, or building tension in horror and sci-fi contexts. Every file has been precisely edited for immediate use, recorded and mastered at 96kHz / 24-bit to preserve detail and allow for extreme processing. All files include UCS-compliant metadata, ensuring they drop seamlessly into your sound effects workflow.
Metallic Scrapes is a focused library of metal-on-metal movements, featuring a range of drags, scuffs, and surface scrapes. From short, subtle textures to longer, sustained scrapes, these sounds provide useful building blocks for adding grit, tension, or industrial detail to your projects.
Each sound is included in both raw and processed versions, giving you flexibility to choose between clean recordings for natural realism or designed variants that are ready to drop straight into your timeline.
While less dramatic than impacts or crashes, these textures are effective for layering into ambiences, creating transitional elements, or adding subtle tension in sci-fi, horror, or industrial contexts.
All files are carefully edited and delivered in 96kHz / 24-bit quality, complete with UCS-compliant metadata for fast and accurate search results in your sound effects workflow.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is only available in UCS.
Compilation of 10 different sport cars. All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Pluggy XLR EM272, FEL Clippy XLR EM272 and Sonorous Objects SO.3, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Sound Boosters – Affordable, Premium-Quality Libraries to Elevate Your Creative Workflow!
This pack includes:
Big, Large, Massive, MEGA GEAR! Boost your sound palette with ultrasonic sounds that can be pitched, stretched, and manipulated to mechanical extremes. Add the perfect punch to your creations with designed mechanical snaps, creaks and massive machine motion. Whether you’re building from scratch or enhancing your sounds, Mega Gear delivers the raw power and intensity your project demands.
• 181 ultrasonic and designed sounds for extreme manipulation
• Massive mechanical actions including metal gears, creaks, snaps and stomps
• Massive Machine Motion Sequences
• Perfect for steampunk, puzzle, city builder, horror, survival or factory games
• Fully UCS-standardized filenames, with rich metadata
With a minimum of 8 variations per action, this library is perfectly suited for both game audio and film, offering the versatility and depth required for high-quality production!
Quietsub FX Mechanical Parts
A collection of 159 mechanical sounds made by small motors. This is the result of a massive editing job involving small metal and plastic parts, and any other item made by humans and others.
Stuff that clicks, winds, and moves by itself.
This collection covers the world of small mechanics. Sounds in this collection include:
You can get all wound up with this kind of thing. Something for any mechanical mind.
Files are 24-96000 BWF with metadata.
Music Boxes contains three distinct music boxes, carefully recorded to give you the flexibility to design your own melodies.
With a total of 219 one-shot sound files, you’ll get isolated notes, each meticulously recorded one by one, allowing you to construct new phrases, build complex arrangements, or use them as unique tonal building blocks in sound design – along with mechanical wind-up sounds.
The Music Boxes:
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Wild Whistles is a varied collection of whistle sounds, ranging from realistic to stylized.
From traditional plastic and metal whistles to mouth-and-finger calls, this library offers a wide range of expressive source material. Expect familiar tones of train and police officers, referees, and party whistles, as well as more humorous and exaggerated designs perfect for animation and stylized projects.
In addition to the raw recordings, the library includes a set of designed sounds crafted from these whistles. You’ll find tonal impacts, alarms, creature vocals, arrow fly-bys, and even jet pass-bys, all shaped from whistle elements to spark creativity and surprise.
This collection can be used for both realistic contexts and more creative or cartoon-oriented projects.
Wild Whisltes contains more than 2.88 GB / 238 files / +1400 sounds.
Vintage Manual Grinding Wheel is a field/foley recording collection of mechanical tones sourced from a vintage manual, pedal-powered grindstone wheel.
Once found in blacksmith shops and farmyards, this antique sharpening and grinding wheel produces a diverse range of rhythmic, gritty, abrasive scrapes, squeaks and rattling, resonant metal-on-stone movements.
Captured through varied rotations, slow and fast turns, sudden releases, back-and-forth and random movements – this library is packed with friction rich textures.
Quietsub FX Construction
A large collection of 1,097 Construction sound effects. This contains the sounds made fixing around the home and noises made by professionals, as loud as they may be.
It seems people are always building something. They also make a lot of noise doing it. From home building, workshops, public works projects, home renovation and plumbing, even Blacksmiths! This collection covers all the bases.
Production of this collection was challenging. Although recording stationary sounds like hammers and saws is relatively simple, they still have to be located and gain permission to record items. Also, large construction equipment has be recorded on-site. Getting close enough can be difficult. Being polite and respectable to workers always helps. It can be dusty, dirty, and you deal with conflicting background sounds such as road traffic.
Sounds in this collection:
Everything you need for your next construction project!
Files are 24-96000 BWF with metadata.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
Sounds from a Transit System on Pause.
Underground Ambiences and Mechanical Atmospheres for Cinematic and Abstract Soundscapes.
The Still Line is a 139-minute sound effects library capturing the rare stillness and quiet pulse of an underground rail network paused in time. Recorded during a period of minimal traffic, as public life slowly returned after lockdowns, it spans resonant tunnels, hushed platforms, and moving trains, with subtle human presence woven throughout—footsteps, luggage wheels, and distant voices—adding life without disrupting the pervasive stillness. These recordings offer rich ambiences and precise mechanical textures, perfect for grounding a scene in reality, providing unique sonic textures, or reimagining it for something entirely new.
Step into an underground transit system where empty platforms, echoing tunnels, the mechanical heartbeat of infrastructure, and sparse human touches all coexist to create a cinematic soundscape.
This mini-library offers over two hours of recordings from quiet platforms, long tunnels, ticket halls, train interiors, and the subtle machinery that sustains the network. Freed from the usual crowd noise, every detail emerges: the tonal hum of escalators, the metallic sigh of air brakes, distant trains rolling through silent tunnels, and the layered resonance of vast, reflective chambers.
What’s Inside
Whether you’re building a dystopian future, crafting cinematic tension, or repurposing urban textures for abstract sound design, The Still Line offers a unique palette grounded in reality yet open to transformation.
You’re invited to a one of a kind exploration into the subtle sensory sound of close mic, close proximity recorded sounds. ASMR Style Close-up Sound Effects library is a unique collection of sound that is specially crafted to enhance interactive media formats where you want to highlight delicate interactions, foster feelings of closeness, and promote a sense of relaxation. Filled with sounds that serve as calming audio cues, this sound effects library will encourage user engagement and interaction without disrupting the flow.
Design your next project with ASMR Style Close-Up Sound Effects for Interactive Sound Design and you just might find that you literally provoke a physiological and psychological reaction from your audience. They might get the “tingles” or ironically, your content could be so soothing that it lulls listeners to sleep! Now, that’s the power of engaging interactive sound design.
Whether you’re designing a cozy simulation game, a wellness app, a narrative-driven video experience, or a calming UI ecosystem, this collection offers a rich palette of soft, subtle, and highly detailed audio textures that will certainly bring your project to life.
Bring your projects to life with the Mechanical Sound Effects Pack, a meticulously crafted collection of 201 high-quality sound effects featuring gears, mechanisms, clicks, locks, levers, and more! Whether you’re working on film, video games, animation, or industrial design, this pack delivers authentic mechanical sounds to enhance realism and immersion.
🔧 What’s Inside?
🔊 Features:
✔ 201 WAV Files (high-quality, ready for production)
✔ Royalty-Free – Use in any project, commercial or personal
✔ Diverse Selection – From tiny clockwork clicks to massive industrial movements
✔ Perfect for game developers, filmmakers, and sound designers
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
A diverse collection of robotic movements, servo motors, hydraulic actuators, mechanical whirs, beeps, and futuristic automation sounds. Whether you’re designing a sci-fi video game, producing a futuristic film, or enhancing a tech-inspired animation, this pack delivers immersive mechanical realism. You can easily bring your robots, exoskeletons, AI-driven machines, and cybernetic creations to life. Perfect for game developers, filmmakers, sound designers, and content creators seeking authentic robotic audio effects.
🔊 Features:
✔ 131 WAV Files (high-quality, ready for production)
✔ Royalty-Free – Use in any project, commercial or personal
✔ Perfect for game developers, filmmakers, and sound designers
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
Computer FX is a comprehensive sound effects library focused on the mechanical and electronic sounds of computer hardware. It includes recordings of keyboards, mice, trackpads, hard drives, DVD drives, floppy disk drives, and printers- capturing everything from subtle clicks and hums to more complex motorized movements.
Ideal for sound design in tech-heavy scenes, user interface design, sci-fi, or mechanical systems, this collection also serves as a creative foundation for generating new sounds.
All recordings were captured with a Sennheiser MKH 8050, Sanken CSS-5, Sound Devices 702, and Zoom F6, recorded at 24-bit / 192kHz. The library includes 496 WAV files, is 4 GB in size, and is fully UCS-compliant with embedded metadata.
File Breakdown:
237 Keyboard sounds
87 Hard drive sounds
74 Floppy drive sounds
32 Mouse sounds
28 DVD drive sounds
18 Trackpad sounds
15 Printer sounds
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Want sounds of buttons, switches, levers or gears - and other mechanical sound elements that clink, clank, whir, squeak and grind? These mechanical sound effects libraries offer you an extraordinary toolbox of recordings - from the tiniest gears to gigantic bucket-wheels, and everything in between. Recorded from a wide range of perspectives and featuring both construction kit elements and designed sounds, these sound libraries come in handy for any project that calls for mechanical sounds, or as sonic building blocks when designing robots, motors, machines and other contraptions that call for that mechanical sound.
Clank, whir, beep, click, hiss, buzz, hum, rattle, screech, thud, squeak, crackle, pop, sizzle, grind, roar, bang, snap, creak, chime
Q: What are some of the most popular mechanical sounds?
A: Click to sort the category by most popular mechanical sound effects libraries
Q: Are there any mechanical sound libraries on sale right now?
A: Click to sort the category by mechanical sound libraries on sale
Q: How do I download the mechanical sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen mechanical SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Spell Variations Vol. 4 marks the grand finale of our magical sound series, delivering a diverse and powerful collection of spell effects. Inside, you’ll find summonings, blood spells, petrifications, healing spells, dark incantations, and much more!
This volume includes 255 high-quality sound effects, organized into 27 distinct spell types, each with multiple variations (3 to 17) to ensure no spell sounds the same, even when reused across your project.
Each spell type is carefully named and sorted into individual folders, giving you intuitive navigation and maximum flexibility for magical scenes, game effects, or cinematic transitions.
Recorded, edited, and mastered in 192 kHz / 24-bit, these sounds deliver exceptional clarity and full adaptability for pitching, layering, or creative processing.
A must-have library for professional sound designers seeking drag-and-drop magical sounds for video games, trailers, animations, or any audiovisual production.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding magical sounds [Use them again & again
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 255 spell sounds
– Number of Audio Waves: 255
– Format: 192KHz / 24 bits
– Win/Mac: Yes
– Minutes of audio provided: 19:21
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.