Home Mechanical Sound Effects Page 17
California Grassland Abandoned is a collection of 65 Stereo and 18 Quad Recordings focused on Abandoned old structures, various Int / Ext Winds, Metal Latches, Gates, Wood Creaks, and an assortment of other interesting sounds.
The recordings from this library took place in The Carrizo Plain, an open expanse of Grassland that is located West of the Mojave Desert in California’s Central Valley. Abandoned and weathered dilapidated remnants of old ranches, water tanks, barns, metal sheds, farm machinery, and corrals from a bygone era of the West can be discovered if one ventures off the beaten path.
An old rusted corral gate’s latches, hinges, locks, and ronks. A 1950 Ford Truck’s wild sound door creaks. The still quiet of morning ambiences. A very animated barn door. A water tank in the middle of no man’s land bending and booming as the elements of nature have their way. Calm, medium, and higher winds in metal sheds, small houses, barns, tall dry grass, and in some exterior locations out in the Plain.
The goal was to try to capture anything I could that had a lot of character along with providing a sense of what a lot these areas sound like. These recordings aren’t meant to be absolutely desolate so in a few of the wind and ambience tracks there is some light birds, and sometimes a few insects.
The companion library to this, California Grassland Wildlife contains a number of different bird species and a couple of other animals and insects native to the environment.
The Gear
Sound Devices MixPre-6
Mics
Sennheiser MKH 8020
Sennheiser MKH 8040
Sennheiser MKH 8040+MKH 30 MS
Sennheiser MKH 8040 Pair + MKH 30 DMS
Barcus Berry Contact Mic
A / B Spacing was used with the MKH 8020’s. ORTF with the MKH 8040, along with a MKH 30 in MS and Double MS.
MS Recordings have been decoded to Stereo and Double MS have been decoded to Quad Format.
This collection of 589 sounds features a wide range of sounds, from solo machines and mechanisms to machine parts, factory ambiences, and experimental fantasy machines.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Pluggy XLR EM272, FEL Clippy XLR EM272 and Sonorous Objects SO.3 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Typewriters is a sound effects collection chock-full of vintage typewriters making sounds beyond the simple click-clack-clunk heard in so many TV shows and movies. I was curious if there was more to the sound of these old machines than meets the naked ear. Would recording them with high-end Barcus Berry contact microphones help bring out the best in them sonically? After recording 20 typewriters for this library, and performing a variety of keystrokes and actions on each in isolation, I can definitively say, yes.
Included are standard, portable and ultraportable machines from the early 20th century to the mid-1970s. Each machine, metal or plastic, emits sounds that are almost musical in nature. These files can enhance your next sound design project in nuanced ways that exceed the usual clickity-clack-clunk-thwack-smack we associate with typewriters. You’ll get a variety of zips, rips, twangs, growls, bounces, snaps, zings, rings and dainty end-of-line warning bell dings.
This library features 145 sound recordings of assorted small electric motors, sourced from appliances like vacuum cleaners, power drills, air dusters, and other DC motors.
We also harnessed the Koma Elektronik Field Kit system which gives the ability to fine control the speed of the motors, allowing for a one-of-a-kind sonic palette. These sounds range from glitchy static noise and hums to electromechanical motor sounds.
All content was captured with induction coil pickups and contact mics, into the Elektronik Field Kit and finally into a Sound Devices 702 recorder.
Foley Plus 2 is a smattering of sounds from the Foley and sound effects vault of owner, David Fienup.
There is cloth, footsteps, smart phones, keyboards, microphone handling, food and drink, a wide variety of props, glassware, skin, appliances, leather, metal, plastic, bottles, cans, furniture, paper, sports, water, tools, and much more. Please check out the track list, as there are far too many to name!
This collection includes both ultra-clean, in-studio Foley and sound effects, as well as field recordings.
Dig into the eerie depths of Noise Box. Sampled from the enigmatic ‘Moonlight’ made by Tetsuo Noise Box. This library offers 354 samples. Every part of the noise box is sampled as a one shot and useful for designing with metal hit and scrape sounds. Perfect starter material for crafting suspense, horror, and sci-fi atmospheres.
To get you started… We include 61 designed textures as ready to use samples. These processed designed sounds highlight the creative potential of the raw one shots. Also, we include four Kontakt presets for quick access to the samples and inspire performance, emulating the experience of playing our noise box.
Useful for sound design and creative cinematic scoring!
Kontakt 6.8.0 or higher is required. NOTE: This library does not run in the free ‘Kontakt Player’
A selection of refrigerator hum sound effects that can add a touch of everyday life to your audio and visual projects.
Discover the Creaky Rope Tension Sound Library, featuring 290+ high-quality mono recordings of rope tension from various angles and speeds. Perfect for filmmakers, game designers, and sound engineers, these pristine 192kHz/24bit recordings offer versatile creative possibilities, making them ideal for ships, swings, sweeteners,and a wide range of other rope and wood related activities.
A captivating audio collection capturing the sounds of a 20th-century barge moving along the Seine River in France. This sound bank offers a variety of authentic recordings, perfect for content creators, musicians, and sound designers looking to add a realistic touch to their projects. You will find recordings of the barge’s engines, bells, mechanisms, and levers, as well as hull creaks. The river soundscapes, including bird songs and water lapping, are also included.
All recordings were made with a Zoom F6 recorder, equipped with two EM272Z1 cardioid capsules, ensuring optimal audio quality. This sound bank can be used to enhance music, audiovisual post-production, content creation, and sound design.
Looking for tattoo sound effects? This library can help! Tattoo Gun includes a wide range of pristine tattooing sound effects. Capturing the tattoo artist working with different needles, speeds, movements, bursts, shading, dot work… you name it! All performances were recorded at high sample rates with mics that capture ultrasonic sounds, allowing you to bend and morph these effects to the extreme in your sound design!
Tattoo Gun is a great permanent addition to your sound effects library. Get the tattooing experience without the sting. “No Regerts”
No humans were tattooed in the making of this library.
Introducing our new Artbits library which is all about elevators! Such a typical subject to be recorded in the world of sound effects as they generate a large range of mechanical sounds from the emblematic doors, the traction system, all the clicketing metallic parts, and the characteristic acoustic of small cubic space.
Unlock your imagination with this meticulously crafted collection that unleashes 2,300 sounds across spaceships, machines, mechanicals, weapons, user interfaces, ambiences and more. We merged professional real-world recordings and hand-crafted synthetic SFX to inspire.
This SCI FI sound effects library gives you three sonic realms:
• Construction Kit:
1,475 sounds blend raw yet clean and professional recordings with synthetically crafted SFX for highest flexibility.
• Building Blocks:
Swiftly create your scenes with 566 ready-to-use, designed SFX, fueling your creativity.
• Designed:
Elevate your projects instantly with 263 complex and meticulously conceived SFX.
The complete sound library arrives in WAV format, 24 bit and 96 kHz, preserving every nuance. It’s compacted to a substantially size of 11.7 GB within 696 files, neatly categorized with the UCS category system. This collection is a true powerhouse of potential.
Get ready to reshape sound – your auditory voyage awaits.
KEYWORDS:
Sci-fi sounds, Space effects, Futuristic sounds, Sci-fi atmosphere, Alien sounds, Robotic sounds, Spacecraft effects, Sci-fi drones, Sci-fi ambience, Futuristic ambience, Alien ambience, Sci-fi lasers, Space exploration sounds, Sci-fi machinery, Sci-fi engines, Space battle sounds, Sci-fi blaster, Futuristic explosion, Sci-fi ship sounds, Space environment, Sci-fi impact, Space sounds, Alien language, Sci-fi beeps, Futuristic alarms, Space beacons, Sci-fi communication, Space journey sounds, Alien FX, Sci-fi sweeps, High-tech sounds, Sci-fi gadgets, Spacewalk sounds, Deep space, Futuristic drones, Sci-fi environment, Sci-fi toolkit, Outer space sounds, Sci-fi soundscape, Intergalactic sounds, Robotic FX, Sci-fi voices, Futuristic voice, Sci-fi sounds library, Laser sounds, Futuristic UI, Sci-fi pulses, Space drones, Robotic impact, Space exploration FX
A cutting-edge sound library meticulously captured and curated to give you the power to deliver the true aesthetic of powerful machinery and captivate your audience through the gritty sounds of mechanical technology and tooling.
The ultimate sound library that lets you unleash the raw, untamed force of angry machines and manufacturing floors right at your fingertips. Loaded with an assortment of menacing sounds from machine rooms, furnaces, printing lines, and more, this collection will elevate your projects to a whole new level of intensity.
Specification: 1988 Lamborghini Countach (LP5000 QV model), v12 and 455 horse power.
Onboard sounds are from 5 separate microphones.
Ch1 Cabin Left, Ch2 Cabin Right, Ch3 Engine, Ch4 Exhaust 1, Ch5 Exhaust 2.
2 stereo microphones were used to capture External perspective sounds (Tracking & Fixed)
positions.
Want sounds of buttons, switches, levers or gears - and other mechanical sound elements that clink, clank, whir, squeak and grind? These mechanical sound effects libraries offer you an extraordinary toolbox of recordings - from the tiniest gears to gigantic bucket-wheels, and everything in between. Recorded from a wide range of perspectives and featuring both construction kit elements and designed sounds, these sound libraries come in handy for any project that calls for mechanical sounds, or as sonic building blocks when designing robots, motors, machines and other contraptions that call for that mechanical sound.
Clank, whir, beep, click, hiss, buzz, hum, rattle, screech, thud, squeak, crackle, pop, sizzle, grind, roar, bang, snap, creak, chime
Q: What are some of the most popular mechanical sounds?
A: Click to sort the category by most popular mechanical sound effects libraries
Q: Are there any mechanical sound libraries on sale right now?
A: Click to sort the category by mechanical sound libraries on sale
Q: How do I download the mechanical sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen mechanical SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Spell Variations Vol. 4 marks the grand finale of our magical sound series, delivering a diverse and powerful collection of spell effects. Inside, you’ll find summonings, blood spells, petrifications, healing spells, dark incantations, and much more!
This volume includes 255 high-quality sound effects, organized into 27 distinct spell types, each with multiple variations (3 to 17) to ensure no spell sounds the same, even when reused across your project.
Each spell type is carefully named and sorted into individual folders, giving you intuitive navigation and maximum flexibility for magical scenes, game effects, or cinematic transitions.
Recorded, edited, and mastered in 192 kHz / 24-bit, these sounds deliver exceptional clarity and full adaptability for pitching, layering, or creative processing.
A must-have library for professional sound designers seeking drag-and-drop magical sounds for video games, trailers, animations, or any audiovisual production.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding magical sounds [Use them again & again
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 255 spell sounds
– Number of Audio Waves: 255
– Format: 192KHz / 24 bits
– Win/Mac: Yes
– Minutes of audio provided: 19:21
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
MAGIC – ALCHEMY is a professional sound effects library built from real chemical reactions and elemental forces. It delivers short, character-rich magic sound effects perfect for spellcasting, magical UI design, and fantasy storytelling. Designed to sit cleanly in a mix and shimmer with personality, these spell sounds are ideal for games, trailers, audio dramas and more. Real reactions, recorded with obsessive detail.
No digital fakery here. Every sound in MAGIC – ALCHEMY began as a live experiment — alcohol burning in jars, butane growling through pipes, fuses igniting, water swirling in glass. These are true-to-life textures, captured in a lab-grade recording setup. The result? Magical sound with depth, realism, and spark..
These are not long, cinematic flourishes. This library is about immediacy — short, dry, punchy magic effects that are easy to slot into your project. Ideal for game asset design, magical feedback sounds, and trailer moments where clarity counts.
Need a healing chime, a cursed hex, or something more ambiguous? The Designed section is grouped into Holy, Cursed, and Neutral categories — giving you emotional options that match your scene’s intent, whether you’re crafting a fantasy RPG or a subtle magical interaction.
Whether you’re layering magic for a fantasy film, adding interactive audio to a mobile game, or creating rich textures for audiobooks or theatre, MAGIC – ALCHEMY fits right in. It’s mix-ready, flexible, and full of sonic character.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.