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Home Sound Effects

Sound Effects

  • PSP oldTimerMB is a vintage-style multi-band compressor designed for demanding track processing, buss and mix compression, and mastering. (VST, VST3, AudioUnit, AAX and RTAS plug-in) Our aim in developing this plug-in was to design a high end multi-band processor based on the algorithm from our best-selling PSP oldTimer compressor. The result is a musical and warm sounding processor with a range of controls making it a vital tool for virtually any kind of music. Switchable and adjustable output valve emulation give’s you a choice of additional color to the sound. Thank you, and please enjoy the versatility and quality of PSP oldTimerMB!

  • PSP PianoVerb2 is a redesigned and improved creative resonant reverb plug-in (VST, VST3, AAX and RTAS for Windows; AudioUnit, VST, VST3, AAX and RTAS for Mac OSX) plug-in based on our famous and beloved freeware plug-in PSP PianoVerb. The new version offers redesigned GUI with a brand new resize feature and new presets management. Like the original PianoVerb it creates its unique sound with twelve resonant filters that mimic the behavior of piano strings. The ability to transpose, tune and detune the set of strings allow you to set up PianoVerb2 to deliver a wide range of reverberations ranging from traditional wide spread reverb to unique and unusual resonances. With the addition of a brand new modulation section and the ability to set up multiple settings of time and damping and decay freezing (via A/B comparison function) this little plug-in delivers amazing options for creative use. Add to that some other amazing new additions such as a high pass filter section, independent dry/wet controls and a reverb tail freeze control, and you can see just how PianoVerb2 has become a truly comprehensive and unique algorithmic reverb. Whenever you want to add some natural resonance to a weak piano track, vitalize your leading guitar with a bit of sustain or simply add a touch of a nice reverb to the selected track, PSP PianoVerb2 can do the job!

  • PSP preQursor2 offers PSP’s uniquely designed filters with low resonance peaks for reduced ringing artefacts, great band separation, and narrow notching when attenuating. All four filters are bell-type filters when boosting, and have progressive Q factors. The PSP preQursor2 introduces PSP’s Advanced Analog Modelling of preamplifier and filters to accurately recreate an analog-like behavior. The analog modelling algorithm can be enabled and controlled per instance, or globally per group of instances. The latter allows for easy control of the amount of analog- like processing on either selected tracks or all tracks in the mix. All these characteristics result in a processor that not only sounds excellent on acoustic tracks, overall mixes, or any other application, but also allows you to virtually create the input console for all tracks in your mix with easy and convenient controls. In every usage case, PSP preQursor2 will maintain the natural feel and definition of the material.

  • PSP RetroQ offers PSP Audioware’s unique take on a musical equalizer with unique sonic character and low phase distortion. This makes RetroQ sound smooth and musically natural. It’s shelf filters are based on fabulous-sounding VintageWarmer’s filters, and PSP RetroQ’s addition of a mid-range filter is designed using the same internal architecture. An adjustable high pass filter is added to make the plug-in a complete program equalizer. It was optimized for use on groups and mixes, but it is equally at home in any situation in which you desire some gentle sweetening in your overall processing chain.

  • PSP stompDelay is a creative delay plug-in (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX) designed to provide a wide range of sounds from lush analog tape delays through vibrant loops, from classic ping-pong to scratchy pitch shifts. It features both traditional delay effects and a looper when in “infinite operation mode” (called Infinity mode) that offers continuous tap tempo, as well as accurate tape simulation, including simulating the volume drop that occurs when fast-forwarding or cueing the tape.

  • PSP stompFilter is a creative tool designed to provide an exceptionally wide range of modulated filter and gain sounds (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). Its effects include a simple LFO-modulated low pass filter; auto-wah; low-, band-, or high-pass filter; and compressor. Thanks to the smoothly adjustable filter type and flexible cross-modulations of the LFO by the envelope of the signal, PSP stompFilter is able to provide vivid, expressive filtering. Just a pinch of adjustable LFO randomization will provide analog-like “imperfections,” ensuring that you will never get bored of it.

  • PSP TripleMeter is the successor to the PSP 2Meters bundle. It offers three different meters – VU meters, RMS meters, and PPM meters – with discrete features such as calibration and shared features such as trim faders, filters and a label strip. Our goal was to offer you the ability to choose between different audio measurement tools while processing audio. Now, with a single click you can check the volume units (VU) measurements of a signal and compare it to the peak indications or RMS values!

  • PSP Twin-L is a dual algorithm classic limiter. The aim of this plug-in is to provide a wide variety of shaping options. The plug-in is able to emulate the main features of two types of limiter: VCA-limiters, which is a modern type of analog limiter, and Opto-limiters which are vintage optical limiters. Keep in mind, however, that PSP Twin-L’s limiting algorithms are not intended to emulate any specific hardware but rather to bring the capabilities of both types into a versatile plug-in. It’s also worth mentioning that the PSP Twin-L is part of our series Zero Latency Processing plug-ins; no additional latency is critical in many situations such as live monitoring and managing automation.

  • PSP Xenon is a full band, dual-stage limiter plug-in (AudioUnit, VST and RTAS, AAX for MacOSX; VST and RTAS, AAX for PC) featuring an integrated Leveller, advanced K-System metering and psychoacoustically optimized wordlength reduction. PSP Xenon offers 64-bit precision processing throughout its entire signal path, and can operate at sample rates up to 192kHz.
    Once you experience for yourself the pristine, transparent response and intuitive design of this plug-in, we believe it will become your “go to” limiter for mastering and other critical audio applications.

  • The PSP Signature Bundle contains all the plugins that have made PSPaudioware famous over the last 2 decades at 50% OFF. The collection covers the key areas of music production including an award-winning modular channel strip, vintage Reverbs and EQs, full-featured delays, creative filters, the world-famous signal warming, and precision meters. It is all here, signed sealed and delivered by PSPaudioware.

    BUNDLE CONTENTS:
    PSP InfiniStrip
    PSP VintageWarmer2
    PSP E27
    PSP 2445 EMT
    PSP 608MD
    PSP stompFilter
    PSP TripleMeter

  • PSP StereoPack is collection of 4 plug-ins (VST and RTAS format for Windows; AudioUnit, VST and RTAS for Mac OSX UniversalBinary and VST and MAS for OS 9). The set consists of: PSP PseudoStereo , PSP StereoEnhancer , PSP StereoController , PSP StereoAnalyser . These plug-ins are applied for creating, expanding, improving, controlling and analysing the image and quality of the stereo signal in single tracks or mixes thereof.

  • PSP VintageWarmer2 (plug-in AudioUnit, VST, VST3, RTAS for Mac OSX (Universal Binary); VST3, VST and RTAS for Windows; VST, RTAS and MAS for Mac OS Classic) is a high-quality digital simulation of an analog-style, a single- or multi-band compressor/limiter. It combines rich, warm analog processing with a straightforward user interface, and comes with a comprehensive library of presets. The plug-in processor is highly flexible and can be used for both softknee compression and brick-wall limiting. This makes it an essential tool for mixing and mastering engineers. Careful attention has been paid to PSP Vintage Warmer’s overload characteristics with the processor being capable of generating saturation effects typical of analog tape recorders. PSP Vintage Warmer also incorporates professional VU and PPM metering together with accurate overload indicators thereby assuring professional quality results.

    PSP VintageWarmer2 version installer contains 3 versions of the plug-in:

    • PSP MicroWarmer which provides the same sound quality as it’s big siblings, but with a simplified single-band interface and low latency performance optimized for use on individual tracks;
    • PSP VintageWarmer (LE) which is a direct descendant of the original PSP VintageWarmer with its all strengths such as low resource usage and latency;
    • PSP VintageWarmer2, the main addition being the FAT double sampling mode for even more analog sounding processing.

    We strongly recommend that you use the PSP VintageWarmer (LE) or the PSP MicroWarmer in all multitracking applications except situations where FAT mode is important. The PSP VintageWarmer2 is recommended for mastering purposes and groups or master busses only.

  • PSP X-Dither is a mastering dither and noise shaping processor (VST, RTAS and AAX for Windows; AudioUnit, VST, RTAS and AAX for Mac OSX). It is designed to cover wide range of situations when dithering or noise shaping is the way to maintain the quality of an original mix, group or individual track during various stages of the recording and mastering process, including final digital mastering.

  • The PSP L’otary2, is our ultra high quality emulation of a rotary speaker (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). We based our algorithm upon two original and legendary models: the Leslie® 122 and 147, and spent hundreds of hours perfecting our simulations. In other words, this is not just another modulation effect! PSP L’otary is capable of reproducing as precisely as possible the classic sounds of those famous rotary speakers.

    That said, the PSP L’otary2 is capable of creative divergences from the original. For example, you could set up both the rotating high frequency horn and the rotating low frequency drum independently from each other and emulate speakers with a static drum or even a broken horn or drum engine.

  • PSP SpringBox is an emulation of a hardware spring reverberator (VST, AAX and RTAS for Windows; AudioUnit, VST, AAX and RTAS for Mac OSX). It recreates several features typical of a spring reverb, such as a convincing “boing” on transients and a repeatable resonating musical character with an adjustable presence. A selection of configurations from two to six springs total is provided, as well as the ability to set stereo spread and pan/balance configured to suit various mix setups – from a typical guitar reverb to a creative uses as a send reverb in the mix. Thanks to PSP SpringBox’s two channel A and B settings setup and range of presets operation is fast and easy.

  • Environments & Ambiences Command Center Vol 1 Play Track 43 sounds included, 28 mins total $24.95

    Orbital Emitter is proud to present Command Center I – a comprehensive sci-fi sound-set providing a rich arsenal of futuristic sounds for you to quickly build believable sci-fi atmospheres for all of your sci-fi projects!
    Inside you will find nuanced environments, futuristic instrument displays, multiple alerts and imaginative lo-fi system sounds. And like the rest of our growing library, this environment sound-set can be customized to your liking allowing multiple possibilities -all from this one sound-set!

    Our sound-sets are made up of two main folders labeled as Audio-Scenes and Audio-Stems. The Command Center I Audio-Scenes consist of five long playing scenes representing this star-cruiser command center in various modes of operation; -From busy to calm to high alert and more! Think of these audio-scenes like we dropped microphones into a futuristic space cruiser command center and have captured all of its sounds in real-time!

    Our Audio-Stems folder contains the curated sound elements used in creating the audio-scenes. This is where you will find isolated sound elements like tactical scans, lost communications, sweeping sensors, enemy alerts, interface sounds, probe telemetries, stellar mapping, systems under incredible stress, interface sounds and much much more!
    If we break down the long playing audio-stems into sound types, they would be as follows:

    • 3 background atmospheres or rumbles
    • 19 systems sounds
    • 9 tactical sounds
    • 11 interface sounds

    Also included with our audio-stems are less glamorous necessities like room tones and back-wall system sounds to give your futuristic environments the nuance they deserve. This sound-set is delivered industry ready at 24 bit/48kHz WAV and each sound file contains simple meta-data to make our sound files easy to organize & find. All of our sounds are 100% original, 100% royalty free,  created in our sound-labs to transport your audience to the stars!

    Thank you for reading! Watch for more from Orbital Emitter coming soon!

  • Say Hello to Particles the new sonic weapon for creative sound designers, video makers, filmmakers and motion designers.

    A must-have sound effect library to give a sense of organic and hyper-realistic to your projects in a fast and creative way.

    • 287 high quality pristine sound effects with an organic and granular taste divided into 6 categories.
    • Stereo 24bit and 96khz for extreme pitch shifting and sound manipulation.
    • BaseHead embedded metadata

    CATEGORIES:

    Hyper- Realistic Textures (104 sounds)

    These are hyper close-up recordings of various kinds of props (food, fabrics, materials).

    Since they are really rough, they’ll inspire you to create something cool using them as sound sources.

    Their proximity allows you to use them for macro-shots, CGI and motion pieces, hyper-detailed images.


    Granular Whooshes (76 sounds)

    From sci-fi granular to totally organic, a large number of whooshes, passbys, dopplers to give a natural sense of motion to your project.


    Minimal One Shots (62 sounds)

    This is the category of short and tiny sounds: small collapsing, fractures, all with a premium high-end sonic detail.

    You can make your organic foley drumkit using them as a sample into your electronic music project.


    Organic Impacts (17 sounds)

    Powerful, organic, natural-sounding with a big low end, these impacts are ready for your earth’s destruction shots.


    Granular Atmospheres (16 sounds)

    Abstract but generated from organic recordings, these atmospheres will help you to get the right “other world” dimension to your project


    Low End Rumbles (12 sounds)

    Last but not least, do you need more power in the low end? You can layer these sounds to enforce subsonic frequencies giving a new taste to other existing sounds.

  • City Life Sound Effects Urban Air Play Track 33 sounds included, 146 mins total $57

    Urban Air is a collection of long duration / ready to use / surround urban backgrounds.

    This is aXLsound’s first surround ambience library, it has been recorded across different cities with various microphones setup ( LCR ORTF / QUAD / 5.0 ) and then carefully collected and edited into 5.0 surround tracks.

    You’ll find various moods and sonic characteristics including: downtown, suburban, industrial, small towns, quiet, loud and annoying traffic beds, wet city, side streets, parks, wide city squares, diffuse and distant urban elements, clean air tones or dirty gritty city noise …

    The duration of the tracks varies between 02m 30s for the shortest and more than 08 minutes with the vast majority lasting around 04-05 minutes, so long scenes shouldn’t be a problem. Also, some sounds include markers highlighting (un)interesting sounds and events.

    For more convenience, 2 versions are available for this library : 

     –  C / LR / LsRs : the 5.0 sounds are delivered “splitted” in three separate files :  ( 1 mono + 2 stereo files ) , this way you can easily use the stereo files if you don’t need surround.

    – .C / .L / .R / Ls / .Rs : multiple mono files

    This ambience pack contains 33 sounds / 99 files embedded with full and detailed metadata ( Soundminer, Basehead, iXML ).

  • Recording of a Ferrari 488 from 2016 with a 3.9-litre twin-turbocharged V8 661 horsepower engine.

    The Ferrari 488 exotic car sound collection features 302 clips in 19.39 gigabytes of audio. It features the sound of the 2016 Italian sports car’s 3.9-litre twin-turbocharged V8 661 horsepower engine performing in 17 takes.

    The sound bundle includes 9 onboard and 10 exterior perspectives. The 21 exterior channels capture the car travelling at fast, slow, and medium speeds on straightaways and around corners at close and distant perspectives. The 10 onboard channels recorded engine, exhaust, and interior driving at steady RPMs, with gearshifts, and with ramps. Also included are starting, stopping, passing, and other exterior maneuvers.

    Every sound effect is embedded with over 18 fields of Soundminer, BWAV, and MacOS Finder metadata. In addition, every take is provided aligned and ready for tandem-track mixing and editing in Reaper and Pro Tools session.

  • Recording of a McLaren 570S from 2016 with a V8 biturbo rear mid-engine with rear wheel drive and a 7-speed clutch.

    The McLaren 570S sound effects collection gathers 235 clips in 19.73 gigabytes of audio. It features the sound of the 2016 model of the British sports car and its 8-cylinder biturbo and rear mid-engine with rear wheel drive and a 7-speed clutch.

    A total of 12 synchronized takes showcase 11 onboard and 8 exterior perspectives. The exterior microphones capture driving at slow, medium, and fast speeds while the car departs, arrives, passes, as well as idles and starts and stops. The onboard microphones present driving at steady RPMs, with gearshifts, and with ramps from the interior, engine, and exhaust, with ready-to-use mixes of each perspective.

    The collection includes Reaper and Pro Tools mixing sessions, full professional metadata embedded in every clip, and metadata import files for 7 languages.

  • Car Sound Effects Car Foley II Play Track 130+ sounds included, 30 mins total $40

    Car Foley 2 sound effects library features foley recordings of different actions performed inside 10 different cars. It’s 130 files with a total length of 30 minutes covering actions like closing and opening regular doors, slide doors, hoods, trunks, interior buttons and switches, windows, seatbelts, brakes, gear levers, handbrakes and more.

    Inside you’ll find foley recorded in cars like:

    • Audi A3 8L 1.9 TDI
    • Mazda 6 III 2.0 Skyactive G
    • Nissan Qashqai 1.6
    • Nissan Terrano II 2.7 TDi
    • Porsche Cayenne I 4.8 V8
    • Renault Master IV dci 165
    • Subaru Impreza WRX GD
    • Toyota Corolla Verso 1.6
    • Toyota Rav 4 II 2.0 Diesel
    • Volkswagen Caravelle T5 2.0
    20 %
    OFF
  • There’s nothing better than a nice long soak in a Jacuzzi hot tub… This library will instantly place you right in the middle of a beautiful oasis of warm bubbling water and massaging bubble jets. All sounds are cut into perfectly seamless loops and provided in both .wav and .mp3 to make your use of this library as easy as a trip to the spa!

    These loops make it easy to drop the files into any game development software or to easily support props in a film/tv project.

    Music is only heard in the demo, not in the actual footage.

    Other libraries that pair well:
    1000 Winds Project (Farts.) [The Original]
    Everyone farts… and some people do it in the hot tub!  CAUTION: This library contains the HIGHEST resolution fart winds that exist on this side of the internet… Well, let’s be real, all sides of the internet!

    Chicago – Environmental & Transportation Ambiences
    Depending on the needs of your project, you might just find that you need additional environmental ambiences, which are covered in this library! Recorded in high resolution, this library will put you right in the virtual seat of the city of neighborhoods!

    PWC – Jet Ski – Sea Doo | Volume 1 & 2
    More sounds in the world of water!  Ultra-high resolution Sea Doo recordings utilizing on-board microphone techniques, from multiple perspectives (driver perspective (mid-side, exhaust perspective & engine perspective).

  • This is a small collection of 180 easy-to-use futuristic interface sound effects.

    All sounds categorized by the most popular cases in production, such as Alarm, Beep, Button, Confirm, Deny, Telemetry, Text, Noise, and others.

    Also, it contains two main sub category: Simple (could be used as a layer in complex sound design) and Complex (which already consists of several layers).

    This library is a fast, easy, effective and extremely affordable way to complete your production tasks.

    Main features:

    • 180 ready-to-use sound effects with alterations

    • Futuristic computer interface sounds

    • Categorized as Simple and Complex

    • Most popular types of effects: Alarm, Beep, Button, Confirm, Deny and others

    • Contains metadata for search engines

  • Recording of an Italian Lamborghini Huracan LP610-4 with a 610 horsepower 5.2 L V10 engine.

    The Lamborghini Huracan LP610-4 sound library includes 17 takes from an exotic Italian sports car. The collection gathers the sound of its 610 horsepower 5.2 L V10 engine with 7-speed dual-clutch transmission with 340 sound fx in 21.98 gigabytes.

    The bundle includes a total of 32 channels of synchronized audio. The 12 onboard perspectives (13 channels) feature microphones mounted at the exhaust, in the interior, and in the engine. They capture driving at slow, medium, and fast speeds with steady RPMs, gearshifts, and ramps. The 9 exterior perspectives (19 channels) showcase departures, approaches, passing by, starting, and turning off while driving on straightaways and around corners.

    Also included is an Altiverb impulse response, embedded metadata in every clip, custom stereo mixes of the onboard perspectives, and Reaper and Pro Tools sessions with each take aligned for easy mixing and editing.

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