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Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
Introducing “Sounds of Mexico“, a sound library that includes various details of life in Mexico!
– 120 files in 24bit 96kHz
– Recorded with Sound Devices Mixpre 6, Neumann KM184 and KM183
– Total duration 4 hours
– Bird identified
– Including 105 ambient recordings in 4.0 (city traffic, church (little surprise here), emblematic sounds of street vendors, heavy rain on various surfaces, gusts of wind near the Popocateptl, iconic birds of Mexico City (Inca Dove, Clay Colored Thrush), Queretaro (Green Heron, Whimbrel) and Puebla (Blue-Throated Hummingbird, Mexican Chickadee, …), the famous Voladores ceremony in its entirety, and more!).
– Bonus: sounds of Jeep engines (4.0 and Mono), recorded in Queretaro with Los Lobos motorsports enthusiasts!
Let me know what you think by leaving a review, or messaging me on Instagram!
Thanks!
Pics by @lutz.daniel
Experience the sound of 1979 Japanese oldtimer! Toyota Corolla E30 with inline carbureted 4 cylinder engine. This old school car was recorded with multi mic setup. Library contains different styles of driving (bad idle, failed engine starts, regular city driving, spirited driving, accelerations + RPMS and ramps for game audio) recorded onboard with different perspectives (intake, 2 x engine, 3 exhaust microphones) + interior stereo in sync with other mics. Last but not least, there are files containing exterior passes and interior “foley” like sounds. To record sounds of failed starts we removed fuel hose. There are also recordings of rough idle, which you can hear in the preview.
Library contains:
This sound library features incredible sound of a rotary engine screaming at 9000 rpms. This flame spitting car runs without catalytic converter, stock air intake was replaced with Racing Beat Revi system and flames are thrown out of Invidia Q300 exhaust. It was recorded onboard with set of microphones under the hood (intake and two engine perspectives), on the back of the car (three exhaust perspectives) + stereo setup on the front seats in sync with engine / exhaust. Various styles of driving were covered, from regular driving through high speed spirited driving, aggressive accelerations up to RPM ramps and slow and steady increase for looping in game audio. Engine start, idle, stepping on the gas repeatedly and burnouts are also included. Exterior passes were recorded in mono and stereo, slow by sounds, fast ones, stopping, and differenty parking maneuvers. This library also features a lot of “foley” kind of recordings, so everything from door sounds to interior effects like handbrake, seatbelts, different locks, turn signals and so on.
An imaginative and supercharged collection of the next generation of modern, futuristic, and sci-fi vehicles, energy and engine sound effects. Introducing, Game Engines Sound Kit, a new breed of designed vehicle sound fx featuring a massive 10GB sound bank that fulfills all your needs related to spaceship engines, machines, robotics, mechs, power ups, power down, and super useful space background ambiences. The range of creative sound design and attention to quality in Game Engines is incredibly versatile and created for those who want to build compelling futuristic scenes in AAA games, film and TV. All game & production ready.
Racing Bundle Vol. 1 comprises recordings from a variety of racing types and classes to transport your audience track side and experience the thrill of the race.
Our Audio Craftsmen captured recordings at a Sprint Car event, and SUV Dirt Track racing event, both in Ontario Canada. Alongside a Stock Car event in Bradford, England. This 4.43GB collection includes three volumes:
Sprint Car Racing Vol. 1:
A collection of Sprint Car sound effects. Includes sounds such as; Engine accelerations, Drifting, High RPM Revs, Pass Bys and more.
SUV Dirt Track Racing Vol. 1:
An extensive collection of a Ford F-150 2004 and Ford Explorer 2004 sound effects. Includes sounds such as; Drivers getting in and out of vehicles, Engine on and off, Racing and more.
Stock Car Racing Vol. 1:
A collection of Formula 1 and Formula 2 Stock Car sound effects. Includes sounds such as; Race start and stops, Commentator presence, Revving and more.
This bundle is ideal for those looking to elevate levels of realism and immersion to their creative projects.
All sounds in Sprint Car Racing Vol. 1 & SUV Dirt Track Racing Vol. 1 are delivered in 24Bit 48kHz format. All sounds in Stock Car Racing Vol. 1 are delivered in a high-quality 24Bit 192kHz allowing for further sonic manipulation. They have been meticulously edited and tagged with extensive UCS compliant metadata for easy organization and use.
Take to the skies with “Planes of LAX,” a sound library that thrusts you into the thunderous symphony of jet engines soaring down into and roaring up out of Los Angeles International Airport (LAX). Tailored for professionals in film, games, and immersive formats, this collection will take your jetliner flybys to the next level.
Immerse your audience in a three-dimensional auditory experience with Ambix Ambisonic recordings and decoded 7.1.2 Atmos Bed, 5.1, and Stereo versions.
Decoded and referenced in Dolby Atmos at Cheviot Sound, ensuring top-quality playback.
Along with decoded stereo files, choose from separately recorded stereo and mono recordings, adding flexibility to meet the unique demands of your projects. Stereo recordings were expertly captured using a Tascam X8 in an XY configuration, while mono recordings were taken with a Rode NTG5.
Immerse yourself in the distinctive roars, whines, and rumbles of various planes, including but not limited to:
Airbus A320, A321, A350, A380
Boeing 737-7H4, 737-823, 737-824, 737-825, 767-332ER, 777-223, 787-9 Dreamliner
Boeing C32A Airforce Two
Bombardier Challenger 605
Embraer 175LR, E175LR-04, E175LL, Phenom 300, Phenom 300-02
Mitsubishi CRJ-701ER
Decode to 5.0, 5.1, 6.0, 6.1, 7.0, 7.1 and higher immersive formats, Change orientation, and Emulate microphone polar patterns using ambisonic decoder plugins:
RODE SoundField – FREE
Harpex B Converter – PAID
Recording-
Jack Weiss
Roy Berardo
Editing-
Jack Weiss
Photos-
Jethro Tai
This sound library features incredible sound of a boxer engine releasing extra pressure through amazing sounding Forge blow off valve. Car was built in 1998 and it’s running on EJ207 engine with semiclosed deck, IHI VF35 Turbo, straight pipe exhaust with axle back from RM Motors. Was fully restored and you can experience the sound it makes thanks to multi channel setup. It was recorded onboard in sync with stere interior. You’ll get different onboard perspective like engine, blow off valve and exhaust + exterior sounds recorded on the road and race track in mono and stereo.
Recorded with: 2x DPA 4061, DPA 4062, Sony M10, Rode NTG3, 2x Rode NT5, LOM, CM4
Mazda Miata MX5 NBFL 1.6 Modded sound library features 185 high quality files recorded with multi mic setup. Japanese classic, Mazda Miata MX5 with 1.6 naturally aspirated engine was improved with cold air intake kit and Cobalt exhaust which drastically changed sound. Engine was recorded in sync with interior cabin ambient, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to designed sounds, you’ll find raw recordings for each perspective (2 engine microphones, air intake, 2 exhaust microphones). Additionally this library features 51 files with exterior recordings (passes, manoeuvres, approaches, engine start and such) and 22 foley files with recordings of doors, trunk, hood and interior sfx.
The Porsche Cayenne 4.8 V8 sound library features 58 high quality files recorded with multi mic setup. The engine was recorded in sync with cabin interior ambients, and you’ll find different styles of driving – from casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo. Last but not least, there are foley recordings that covers interior and exterior perspectives of different activities.
The Cars In Motion II sound library was built from 551 WAV files, with total length of 268 minutes. It features exterior sounds of cars driving at different speeds, reverse sounds, accelerations, braking sounds and a lot of additional files. You’ll find different sounding engines, from a small Seat Ibiza through a powerful Porsche Cayenne, up to a fast Subaru Impreza WRX. In addition to cars there are also random cars folder, that contains everything from regular cars up to trucks and buses. Here’s a list of all the cars that are part of this library:
The Porsche Macan S 3.0 V6 sound library features 198 high-quality files recorded with a multi-mic setup. The Engine was recorded in sync with interior cabin ambient, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio.
In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road-related sounds recorded in mono and stereo on dry asphalt.
Last but not least, different foley were recorded to cover exterior and interior activities. In addition to designed onboard recordings, there are also premixed stems for the engine, intake and exhaust and RAW files, of each microphone without any post-processing.
The Audi A4 B8 Allroad 2.0 TFSI is a 211 HP 4×4 car with turbo, and this library gets you almost 9GB of recordings, featuring 155 96kHz and 24bit files (including RAW files, 111 without RAW), with a total length of 213 minutes (without RAW files).
The library covers different sound effects like engine during regular driving, reverse or accelerations. It was recorded with 3 microphones mounted under the hood and one inside the drivers’ cabin to capture the interior in sync with the engine.
It was recorded with two Sound Devices 702, two DPA 4061 microphones, two Sennheiser MKH 8040, Sony PCM-M10 and Rode NTG3.
In addition to the onboard sound you’ll find exterior driving, turning, stopping, turning engine on and off or reverse sounds recorded from 2 perspectives.
Also driving on the snow and asphalt effects recorded with DPA 4061 mounted near the tyres, and finally, passes recorded from 3 perspectives. Slow driving (20 to 40 km/h), medium speeds (40 to 80) and fast (from 80 to 140 km/h), stopping and accelerations.
Those sounds were recorded in mono with Rode NTG3 following a car, stereo ORTF recorded with MKH 8040s capturing passes from left to right, and stereo AB with Sony PCM-M10 capturing sound from right to left.
This library also contains some basic foley, like closing and opening doors, servo sounds, windows, buttons or seatbelts.
Mini Countryman F60 SD sound library features 192 high quality files recorded with multi mic setup. Engine was recorded in sync with interior cabin ambient, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo on a dry and wet asphalt. Last but not least, different foley were recorded to cover exterior and interior activities. In addition to designed onboard recordings, there are also stems for engine (4 inputs), intake and exhaust RAW files without any post processing.
The Cars In Motion sound library gets you exterior sounds of cars driving at different speeds, slow/medium/fast/very fast pass-bys, reverse sounds, accelerations, braking sounds and a lot of additional files. You’ll find different engines, and cars with different character.
From a small BMW 114i through to a powerful Jeep Grand Cherokee 4.7 V8 with Magna Flow exhaust, up to a fast twin turbo BMW 640D F12. In addition to cars there are also files covering big machines like tractors and excavator.
The library features 561 WAV files with total length of 340 minutes, recorded in 96kHz and 24 bits with a Sound Devices 702, two Sennheisers MKH 8040, Rode NTG3 and Sony PCM-M10.
• Audi A4 Allroad 2.0 TFSI – 73 files – 73 minutes
• Audi A4 B8 2.0 TDI Avant – 11 files – 10 minutes
• BMW 114i E87 – 20 files – 10 minutes
• BMW 530D E60 – 55 files – 21 minutes
• BMW F12 640D Gran Coupe – 87 files – 49 minutes
• Excavator MF 860 – 30 files – 20 minutes
• Jeep Grand Cherokee 4.7 V8 – 62 files – 51 minutes
• Renault Kangoo 1.6 16V – 71 files – 32 minutes
• Renault Master II 2.8 dTi – 21 files – 13 minutes
• Renault Master F3500 dCi135 – 30 files – 12 minutes
• Tractor Case II CX90 – 15 files – 10 minutes
• Volkswagen Golf II – 26 files – 13 minutes
• Other Cars – 60 files – 23 minutes
Experience the sound of Nissan Skyline R34 with naturally aspirated RB20DE NEO engine. This very iconic car was recorded on regular roads. Library contains different styles of driving (regular city driving, spirited driving, accelerations + steady RPMS and ramps for game audio) recorded onboard with different perspectives (intake, engine, 3 exhaust microphones) + interior stereo in sync with other mics. Car is mostly in stock form, some minor changes were made with no huge impact on sound. Last but not least, there are files containing exterior passes and some interior “foley” like sounds.
Library contains:
This sound library features incredible sound of a rotary engine screaming at 9000 rpms. Car in mostly stock form, without catalytic converter was recorded onboard with set of microphones under the hood (intake and engine perspective), on the back of the car (two exhaust perspectives) and inside the car (mic in the trunk + stereo setup on the front seats in sync with engine / exhaust). Various styles of driving were covered, from regular driving through high speed spirited driving, aggressive accelerations up to RPM ramps and slow and steady increase for looping in game audio. Engine start, idle, stepping on the gas repeatedly is also included. Last but not least, exterior passes were recorded in mono and stereo, slow by sounds, fast ones, stopping, and differenty parking maneuvers.
Recorded with: 2x DPA 4061, DPA 4062, Sony M10, Rode NTG3, 2x Rode NT5, LOM
Subaru Impreza GD WRX sound library features 119 high quality files recorded with multi mic 8 channel setup. Engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving. From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. Onboard recordings are split into two folders, designed with already mixed inputs, and STEMS with engine, exhaust and air intake channels, for you to make a mix on your own. In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road related sounds recorded in mono and stereo. Last but not least, different foley recordings covering exterior and interior sound effects.
The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.
Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.
Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.
Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM Uši Pro. These sounds are included in a dedicated subfolder.
The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!
This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.
While highly abstract in nature, these sounds are a great basis for building:
Metadata: UCS file naming, SoundMiner, Soundly, BWF
Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.
File Format: WAV
Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box
Processing: Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.
Ambience Colors is a surprisingly diverse, vast collection of atmosphere tracks and sound effects. Pack of unforgettable memories collected over few years and places. Let’s go deeper into the highlights:
Herde of cows on a meadow | Inside a wasp nest | Bali hindu ceremonies with crowds, brahmins and announcers | Bali Village with dogs, roosters and crickets | Cambodia village around a marketplace and calm streets | Latin church mass catholic with a quiet crowd | Diffused city noise | Distant fireworks on New Year’s Eve| Inner courtyards of old Prague houses | City streets | Crowd indoors at film shooting locations, restaurants and celebrations | Crowd outdoors around beer gardens | Industrial indoors with a meat processing factory | Huge poultry farm | Industrial outdoors on a building site or foresters machinery | International airports with crowds and announcers | Nature day in jungle, forest, swamp, pond, lake and meadow | Nature night in Asia and Europe | Ocean waves | Rain inside a tent or behind windows | Heavy rain outdoors | Roomtones and quiet places | Trains passing by and inside | Craftsmen workshops with power and hand tools
Recorded at one of India’s Premium race circuits, this library features pull aways, pull ups, pass bys, revs, ambiences in the pit, commentaries, crowd and almost anything you can think of on a typical day at the races. There is a big selection of cars ranging from formula 4 cars, Rotax cars, Stunt and safety vehicles.
European Sirens is a large collection of 320+ European siren sound effects – captured from ambulances, firefighter trucks and police cars in up to 6 different perspectives.
It features drive-by’s, aways, and arriving sirens shot in different perspectives. In-depth recordings of eight different police sirens, three firefighter sirens and three ambulance sirens are included. All sounds are Soundminer metadata embedded.
Haunting Ambiences Bundle includes three of our fastest selling Horror Sound Effects Libraries to date. With a total size of 29.5 GB and 236+ files (690 mins approx.), this product includes 39 dense, multi-layered construction kits, everything you need to build a world around your horror scenes with separated stems.
The team in collaboration with Georgi Valchev from West Wolf Audio captured creepy ambiences and sounds from different countries across Eastern Europe, various vocalisations, instruments and synthesizers. We even recorded sounds from the cellblock where a couple of notorious killers (The Moors Murderers) were held at The Old Courthouse, Manchester.
Our Audio Craftsman meticulously edited the sounds and designed them to make menacing shipyards, abandoned mansions, forgotten forests, mental asylums, gas chambers, underground prisons, experimental labs, haunted sewers, haunted houses, zombie apocalypse and much, much more.
These dense ambiences include split stems with the same running length to encourage experimentation, allowing you to add or subtract certain elements, balance them or combine them with sounds from other construction kits in the pack. In addition all of the files are tagged with extensive metadata to integrate seamlessly with your workflow.
You will be more than 15% of the total cost of the individual libraries when purchasing this bundle, an excellent value for money addition to your films, documentaries, video games, escape room/live experiences and other horror/sci-fi projects.
Included libraries:
Haunting Ambiences Vol.1
Haunting Ambiences Vol.2
Haunting Ambiences Vol.3
Get the sound of sheer power with the Jeep Grand Cherokee 4.7 litre engine, V8 with magnaflow sound library. It features 85 files recorded with a Sound Devices 702, Zoom F8, Sony PCM-M10, two Senneheisers MKH 8040, two DPA 4061 microphones and Rode NTG3. The engine was recorded under the hood with two microphones, on the exhaust and inside drivers cabin at the same time.
Exterior passes were also recorded with different gear and different perspectives. The mono file was recorded with 8040 following a car all the time, one static perspective with 8040 and stereo with Sony PCM-M10. Additional foley files were captured with one 8040.
This library includes sound effects like regular driving, accelerations, engine on/idle/off, rpm ramps, reverse, slow and fast pass-by, stopping and driving away sounds and more.
The independent sound effects community offers you a huge collection of vehicle sound effects libraries - giving you everything from sounds of propeller and jet aircraft & helicopters, bicycle sounds, car sound effects, and motorcycle recordings, to sounds of ships, drones, trains, trucks, busses, and vans. You also get uncommon categories like designed spacecraft sounds, and military-type vehicles.
The vehicles are driven, flown, sailed and handled in all sorts of ways to give you a great selection of sounds to work with. And with so many different vehicle brands available, you'll stand an excellent chance of finding the sound of exactly the one that matches your project.
Acceleration, braking, driving, engine, honk, jet, landing, motor, sailing, skid, speed, takeoff, throttle, transmission
Q: What are some of the most popular vehicle sounds?
A: Click to sort the category by most popular vehicle sound effects libraries
Q: Are there any vehicle sound libraries on sale right now?
A: Click to sort the category by vehicle sound libraries on sale
Q: How do I download the vehicle sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen vehicle SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
Animal Hyperrealism Vol I is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1300 individual sounds in 290 files.
The sounds were partly recorded with animals trained for media production, partly recorded in zoos and wildlife centers. The asset list includes but is not limited to: african lions, bengal tigers, horses, donkeys, cows, exotic birds, owls, bobcats, pumas, dromedaries, wolves, dogs, geese, lemurs, gibbons and many more.
All the content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image. All files are delivered as stereo bounce of these four mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.