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A massive 496 Audio Files of detailed and balanced recordings of handwriting performances. Scribbles, erasing, check marks, blackouts, colouring, circles and crosshatches for each writing tool are in this complete Foley library.
You get mechanical pen and pencil clicks, cap pop-offs and snap-ons, squeaky pens and thick markers, crayons, ball point pens, felt pens, erasers, highlighters and sharpies.
Capturing the detail of the subtle sound with zero background noise is an art in itself! For these recordings, we found that the best results were achieved using an LCR configuration. A tightly positioned Rode NTG3 shotgun mic for the centre was used, along with a pair of slightly pulled back Sennheiser MKH 8040s to provide a gentle stereo image. The environment we used was our “dead room”, completely silent and reverb-free for this type of recording (this neat little room approaches a mini anechoic chamber) Reliably transparent and highly recommended, a Sound Devices Mix-Pre-6 was used to capture the final recordings.
Looking for some new and different background tracks? Create more movement within your BG’s tracks with dynamic files. These tracks might be just what you’re looking for. With an average of 4 min. per track, and as long as 10 min., the days of repetitive copy/paste are behind you.
The advantage to long tracks is that it will never sound looped, and thus, no listener fatigue.
This library consists of urban and city traffic ambiences and dins, high desert amb, small town amb, busy and calm ambiences. There are both day and night time scenarios.
Add this collection, “Essential Sound Urban Background Ambience & Traffic PART 1” and it’s counterpart, “Essential Sound Urban Background Ambience & Traffic PART 2“, to your library and see what all the noise is about.
All sounds captured with Zoom H6 and Zoom F6 recorders
Mastered in Pro Tools.
Introducing the Scream Collection (A Tribute To Wilhelm). This library pays homage to the infamous Wilhelm Scream first heard in the film Distant Drums as well as dozens, if not hundreds, of other films. This compilation includes 441 vocal effects ranging from startled gasps to all out screams.
Bowed cymbals are one of those sound effects that just never get old.
Perhaps it's the chilling sound of bow on bronze that puts us on the edge of our seat that we love so much. Or maybe it's the hauntingly beautiful tones that ring from a large ride cymbal with a large bow.
Add some real bronze to your project today:
Introducing Artillery, a new powerful sound library covering a wide range of elements including cannon shots, electric systems, mechanical parts, distant artillery barrage, impacts, whooshes, grenade launchers and more.
• Artillery: Falling rubble, explosion impacts
• Beeps
• Grenade Launchers
• Howitzer: Electric System Background
• Howitzer: Falling rubble, explosion impacts
• Howitzer: Mechanical Parts Handling
• Howitzer: Shot Metallic Parts
• Howitzer: Shot Distant Explosions
• Shell Trajectories
Get the sounds of 12 authentic weapons from both World War 1 and World War 2, captured by recording specialist Watson Wu. A total of 587 files are included – 107 foley sounds and 480 firing sounds.
Enfield • M1 Carbine • M1 Garand • Mauser • Mosin Nagant – long • Mosin Nagant – short
Pistols & revolvers:
British Webley Revolver • Colt 1911 Pistol • German Luger Pistol • Smith & Wesson 1915 Revolver • Smith & Wesson 1917 Revolver • Walther PKK Pistol
All the weapons are authentic, the gunpowder is real and 100s of rounds were sent downrange to get you these powerful weapon sounds from the World Wars.
[Now Updated with Metadata]
The Porsche 911 GT3 is not a typical race car.
With engine, transmission, air intake and exhaust all situated in the rear of the vehicle under a large wing, this pure driving machine has sonic characteristics very different from many familiar racing vehicles. Its exhaust note is deep and throaty and the transmission is snappy at speed.
The Porsche 911 GT3 library is a series of recordings that were made on a track just outside of Houston on media day for the Effort race team. These are 2014 Porsche 911 GT3 Rs that race on the Pirelli World Challenge series. Each car has a naturally aspirated, water cooled, four valve 4.0 liter flat six cylinder Porsche engine. These cars create 500 horse power from the factory and race with E10 fuel. The transmission is a Porsche six gear racing box with sequential shift mechanism.
With full access to the vehicles and the track, we recorded up to 13 channels on every movement.
• Onboards including Sanken CUB01, Crown PZM and Sanken COS11 mics
• Interiors captured with a Sure VP-88
• An ORTF array of Line Audio CM3s at pit row
• An array of MKH60s and a Shoeps MS rig at another straightaway on a balcony
• An ORTF array of Line Audio CM3s at a long slow turn
• A roving handheld MKH70 rig
After a full day of recording we had material ranging from idles and slow starts to whip bys and burnouts. We also got a wide variety of foley and ambient recordings that happened organically throughout the day.
Get the sounds of a real, modern-day hospital – the equipment as well as various locations. These are recordings that are not easy to access and took a lot of negotiation to capture.
Anaesthetic Machine • Automated Instrument Rinse System • Beckman Coulter Access 2 Analyzer • CT Scanner • Cardiac Monitor • Coagulation Analyzer • Dialysis Machine • Dialysis Machine • Draeger Oxylog 3000 Plus • Full Blood Count Analyzer • Geiger Counter (Berthold LB 124) • Haemoglobin A1C Analyzer • Heater Fan • Helium Cooler For MRI Scanner • Infusion Pump (Alaris Plus) • Lee Silverman Voice Treatment • METI HPS Mannequin • METI Human Patient Simulator • METI Human Patient Simulator • MRI Scanner • Ophthalmology • Orthopantomograph OP 2000 • Phacoemulsifier • Pharmacy Label Printer • SimMan Essential Mannequin • Sysmex SP1000i Automated Slide Maker • Ultrasound Scanner • Wall Mounted Suction Unit
As well as location recordings from the Robotic Pharmacy, an AGV (Automatic Guided Vehicle), the Operating Theatre and the Automated Mailroom (OPEX Mail Matrix).
Get a collection of 134 impulse responses – recorded in the forest.
What if, instead of going to the forest to record the sound, we can find a way to bring the characteristics of the forest to us? Say, for example, we have recorded a sound in the studio like the sound of chopping wood or foley footsteps, but we want them to sound like they are in the forest?
There is a way to emulate this. To make our source sound like it is, in fact, in a forest. The answer is to use the impulse response of the forest and one of the convolution reverb plugins for your DAW.
An impulse response of the forest (or “forest IR”), is the sum of reflections from trees, foliage and the ground by very short signal at high volume. For this sound library, I recorded different impulses in a stereo at different locations of the forest with perfect conditions. Also, the library includes alternate versions of these impulses for use in the processing of the sounds that are far away from the listener.
For using these impulse responses, you need a convolution reverb plugin (not included). The library can be used with the built-in convolution plugins in many DAWs like ProTools, FL Studio amd Sony Vegas, and there are other commercial options on the market, but costs can be high. For starters, you can use a free convolution reverb from the following
LiquidSonics’ Reverberate LE (Win)
SIR by Christian Knufinke (Win)
A wide choice of IR’s will allow you to choose the most appropriate nuanced impulse response for your material. As you gain more experience with this forest IR, you will find that you can quickly adjust the ratio and volume level for wet and dry channels and effectively use other options of convolution reverb. This powerful forest reverb emulation will be incredibly effective for your sounds.
This library features nearly 100 vocalizations from a recording session with a VO artist that has mastered the art of weird utterances and creature voices.
You will find violent growls, grunts, sounds of pain, moans and groans, breaths, whispers, gargling, hisses, choking, growls and everything else you'd expect from a zombie, humanoid monster or demon.
These sounds are also dry overall, with only minimal editing, and recorded at 96 kHz to allow you to continue to play around with them. The library features dual mono recordings with a set of two different microphones—one crispier and one warmer. If combined and panned, some create a stereo feel.
Ambient/Breath • Choking • Gargle • Growls • Hiss • Moans • Panting • Snarl • Word / Phrase / Gibberish / Latin • Yell / Scream
In High Desert Ambiences 1: Miniature, get a mini-nature collection of desolately beautiful sounds of the American southwest as the sun brings to life the songs of desert wildlife. This collection features sounds that will make you fall in love with the desert with the trickling of distant rivers, smooth cricket chirps, echoey caws from ravens so close you can hear the details in their wings flaps, snorts from a cautious yet curious mule deer, choruses of birds at dawn, and much more. Most recordings are well over 4 minutes, with one half-hour night-time track that will make you want to take out your tent immediately. For a mini-nature collection of lush, peaceful nature sounds from the heart of the American Southwest, here’s High Desert Ambiences 1: Miniature.
2% for the Planet:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Sounds in this library are NOT included in High Desert Ambiences 2 and 3.
• This library contains a small selection of both “active” and “quiet” nature sounds from the high deserts of West Texas.
• If you need more “active” or “quiet” nature sounds check out: High Desert Ambiences 2: Active Nature or High Desert Ambiences 3: Quiet Nature.
• Featured on Designing Sound: “Our Favorite Sounds of 2016”
• Desert dawn and evening choruses
• Distant flowing river, songbirds, and insects
• Ravens soaring and squawking in a stark and resonant valley
• Lengthy night-time cricket chorus
• Partially audible and ultrasonic bat clicks up to 70kHz
• Ghostly distant animal calls
• Mule deer warning snorts and jumping movement
• Files ranging from 31 seconds to 30 minutes
• Rio Grande dawn chorus along the Texas/Mexico river border
• Locations: Near Marfa, Texas (in a mountain valley at an altitude of 6,000 ft) and Big Bend National Park along the Rio Grande River, Texas/Mexico border.
• These desert ambiences are extremely quiet, so I have included descriptive markers to signal interesting events in an otherwise featureless waveform. These markers can be read in programs such as RX, Reaper, and Soundminer. The markers are also included as .txt files in the sound files folder.
Looking for sounds that make you want to grab a warm blanket and stay inside? This collection has thunder and rain recordings collected during window-shaking storms from 2012 to 2015.
Most sounds are recorded in Helsinki, where summers contain a few weeks of hot weather accompanied by dramatic thunderstorms.
It also features a hot, violent storm captured in France that lasted several hours.
With recordings that last from 13 seconds to over a half hour, you're sure to get all the drizzling and cracking thunderclaps you're looking for!
This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.
The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.
This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!
When it comes to audio projects, having a collection of readymade sounds makes a big difference. Not only does is speed up the process for sound editors, but it makes engineering simpler and more seamless. With our Tinnitus Sound Library, you can take advantage of 20 different high-quality audio sounds specifically designed to embrace some of the most bold and unique sounds you can find in today’s film and gaming industries.
It’s fast and simple with our sound library. Each sound is carefully crafted by real sound engineers who know how to produce a high-quality audio experience. It’s time for you to simplify your process and take advantage of what Badlands Sounds has to offer.
Disclaimer: Music in the audio demo is not included in the product.
Spain and Portugal represent two countries with truly vibrant and distinct cultures. At anytime, day or night, you can expect an abundance of ambient sounds and vocalisations on every corner, except for during the afternoon siesta of course.
We roamed the streets of Seville, Granada, Lisbon, Coimbra, Porto and beyond recording everyday life in tapas bars, restaurants, markets, public transport, universities, local football matches, cultural and religious events and more to bring you an accurate sonic representation of these great countries
All tracks were recorded in high definition by Evan Buist, sound engineer and field recordist (National Geographic, DreamWorks, Paramount Pictures).
RADIO IMAGING SELECTION is a collection of 50 stereo 24-bit 44.1Khz radio ready imaging elements for CHR and HOT AC radio Jingles, StationID, Liners and Dj Drops.
All sounds are royalty free and ready to be included in your radio productions.
This collection features 150 wolf and coyote sound effects. This library includes howls, roars, barks and more from single and multiple coyotes and wolves.
These sounds have been handpicked from the Sound Ideas General HD collections, Series 6000, Series 1000, Just Birds & Animals and Wild World of Animals libraries, as well as the Digiffects Library and the Hollywood Edge Animal Trax, The Edge 1 & 2, Premiere Edition and Animal Planet libraries.
This sound effects library delivers the sounds of a 2017 Subaru Crosstrek SUV. Metadata is included, with over 35 minutes of recording time split into 90 ready to use wave files. There are onboard, external, and foley sounds, all in high quality 24 bit resolution, 96khz sample rate. This is the right library when you need stock sounds of a common Subaru vehicle.
Onboard multi-track recordings are in 4 separate mono wave files. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo wave files. The combined recorded driving time is more than 35 minutes long.
External Settings:
Stereo in Left and Right Channels
Bonjour! Welcome to the Sounds of France. This collection features a collection of high quality sounds recorded on location all around the beautiful regions of France.
From traditional bistros and cafes, to the famous Paris Metro, authentic crowds and accents, airports, church bells and so much more. Please see the tracklist below for more detailed track information.
Sounds of France was recorded with the intention to be particularly useful in post-production environments with a range of genuine and rare sounds you can genuinely expect to hear in France.
We really hope you enjoy this extensive, high-quality sound pack.
All tracks recorded by Evan Buist, sound engineer and field recordist (National Geographic, DreamWorks, Paramount Pictures).
Unheard Sounds releases their first sound pack titled ‘MAGIC: Organic Twinkles and Shimmers’!
This extensive library of organic, unprocessed, ‘magic-sounding’ props and textures can be a go-to for any sound design that needs some raw, magical character to it!
Beautiful, unique materials on mobiles, interesting whooshes, bowed cymbals with vibrating textures… and all recorded with a Sennheiser 8040ST pair and a Sanken CO-100K for pristine quality! See sound list below for details.
This sound collection covers a wide range of sounds produced by this unique vintage car from 1954, 4CC and 63HP. Not only extensive driving sounds but also some foley and horn blasts. All in high quality 96/24 BWAV-files, recorded with high end equipment. All sounds include metadata.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin. For the roadside recordings you’ll find an ortf stereo pair.
Recorder
Onboard Mics
Exterior Mics
We did recordings of interferences, hums, buzzs, dc noise and statics, using an electromagnetic sensor as microphone.
All recordings have been imported into Serum Noise Oscillator and Wavetable Oscillators to achieve a collection of organic sounding presets.
The Audio Hero Medieval Times collection features 99 professionally recorded sound effects, ready for use in your productions. Included in this library are catapults, ballistas, war hammers, castle doors, sword impacts and stabs and much more! These sounds are all hand-picked from the Sound Ideas Series 6000, Thrillers Fantasies and Hauntings and Series 9000 libraries.
Orbital Emitter proudly presents The Engine Room – a comprehensive sci-fi environment sound-set giving you a rich palette of sounds to design your own authentic sci-fi environments!
…In Science Fiction, interstellar vessels travel the galaxy at great speeds. In the heart of all these ships are massive engine rooms outputting incredible power… But what would such a space sound like? Read on for more!
The Engine Room sound-set contains 8 long playing audio-scenes and 29 isolated audio-stems which break down to a total of 78 sounds- which played in real time, is over 65 minutes of Royalty Free sci-fi sound!
The 8 long playing audio-scenes capture this engine room environment in various states of activity, from average speeds to faster than light cruising speeds, then back down to average power output and there’s even a separate night shift scene which is relaxed and atmospheric. Two more scenes feature the sounds of a fusion reactor in different states of operation adding another rich group of sounds to this exciting sound-set!
Each scene plays in real time and is perfect for editors and sound editors who want convincing sound environments on the quick for their productions.
And for more creative control, our audio-stems offer the complete sound palette used in all the audio-scenes!
The 29 audio-stem files are listed below.
And many of our audio-stems files contain multiple versions of a title giving you nuanced control with those sounds. Some of the multi-version audio-stems feature different perspectives or feature different modes of a sound.
If we break down our audio-stems by category we have:
And the best part about our sound-sets is that they are so easy to use! Just drag and drop our stems or scenes into any DAW or NLE have fun creating your own fantastic environments!
Orbital Emitter’s sound effects are designed to be at home in any motion picture, television show, video game or whatever sci-fi multimedia you wish to create!
The Engine Room Sound-Set is part of our Star Cruiser Environments Anthology Collection and delivers industry ready at 24 bit/48k WAV and each sound file contains simple meta-data to make our sound files easy to organize & find.
All of our sounds are 100% original, created in our sound-labs and designed to boldly explore the universe of sci-fi sound!
Thank you for reading and watch for more sci-fi sound from Orbital Emitter coming soon!
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.