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The Crows library includes 30 stereo tracks of nothing but crow sound effects, perfect for single isolated effects, but also for ambience track layering.
Every sound is recorded inside forests, and close to crows’ nests with younger birds being fed and calling out, and next to natural habitats where bigger flocks gather in trees. It also has a variety of up-close caw sounds from the only tame albino crow in Scandinavia, recorded in a bird’s zoo.
The crow has quite a large vocabulary, and the classic calling usually is a little different from bird to bird. Some are more round when sounding out, while others are just plain hoarse and rusty-sounding.
The library includes both untreated tracks, and noise reduction-processed tracks in two separate folders. Noise reduction-processed tracks have been cleaned up with a CEDAR NR system.
Equipment used: Telinga Stereo Microphone and Flexible dish, and Sound devices 702 Recorder.
All tracks are 96K/24 bit apx. 1 Gb big when unzipped. All meta data tagged.
This library has an unmistakable Orcish character! And with over 50 vocalizations, this library caters to all the expressions needed for your Orc characters. Designed specifically with game audio use in mind.
Dakota Crickets by Badlands Sound features seven ambience files in high quality of 192k Hz. All files are three minutes long and are loopable that allows for easy editing ambiences for your projects. You will hear this library has almost no wind in the recordings allowing you to layer your ambiences. Great file names and metadata makes these a breeze to use and find.
Impacts, friction, and destruction of large objects on wood, various metals, dirt, leaves, glass, plastic, brick, and concrete! There’s no shortage of destruction and debris in this library with over 350 sounds to choose from.
These files were recorded at a destination of a heaping pile of debris waiting to be hauled to a landfill. Whether you need smashes, thuds, heavy falls, glass breaking, shingles scraping, shovels digging, wood and metal bending and creaking, and hoisting large objects followed by destruction this library has got your back. Combine these files to create the most epic destructions or use them by themselves for direct impacts or friction of materials. Enjoy You Me & Debris!
The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.
This is a collection of snowy, icy, slushy, crunchy winter traffic. Single car passes, busy city roads, distant skylines, village roads, highways. All files are 96khz 24bit with metadata, and recorded with 2 x Sennheiser mkh 8040, mkh 416, Audio Technica BP4025 and Sony D100.
We’ve dug deep into the circuit paths of electronic equipment using signal tracers to scan and record electronic noise and electromagnetic fields (EMF) emanating from electronic equipment.
This first in a series of three sound libraries focus on the feel of clocking, ticking, pulses, crystal oscillator timing and other cyclic repetition to provide a rhythmic element to the sound effect. Includes sounds of data flow with beeps, tones, glitch, pops, snaps, crackles, static noise & interference.
Say Hello to Particles the new sonic weapon for creative sound designers, video makers, filmmakers and motion designers.
A must-have sound effect library to give a sense of organic and hyper-realistic to your projects in a fast and creative way.
Hyper- Realistic Textures (104 sounds)
These are hyper close-up recordings of various kinds of props (food, fabrics, materials).
Since they are really rough, they’ll inspire you to create something cool using them as sound sources.
Their proximity allows you to use them for macro-shots, CGI and motion pieces, hyper-detailed images.
Granular Whooshes (76 sounds)
From sci-fi granular to totally organic, a large number of whooshes, passbys, dopplers to give a natural sense of motion to your project.
Minimal One Shots (62 sounds)
This is the category of short and tiny sounds: small collapsing, fractures, all with a premium high-end sonic detail.
You can make your organic foley drumkit using them as a sample into your electronic music project.
Organic Impacts (17 sounds)
Powerful, organic, natural-sounding with a big low end, these impacts are ready for your earth’s destruction shots.
Granular Atmospheres (16 sounds)
Abstract but generated from organic recordings, these atmospheres will help you to get the right “other world” dimension to your project
Low End Rumbles (12 sounds)
Last but not least, do you need more power in the low end? You can layer these sounds to enforce subsonic frequencies giving a new taste to other existing sounds.
Beef up your creature sound design with the deep intensity of the Wildlife Collection: Grizzly Bear sound effects library. With 146 expressive bear sound effects and vocalizations, these high-quality recordings contain a wide variety of grunts, roars, sniffs, mouth smacks, and purrs that are ready for naturalistic use or manipulation for sound design applications.
Recorded at 24-bit/192kHz using multiple microphones including the Sanken CO-100K, which captures and maintains up to 100kHz (rather than 20kHz from other microphones), field recordist and sound designer Chris Diebold (Spider-Man: Homecoming, Transformers: The Last Knight) captured the unique vocalizations and slimy mouth-noises of an old aged male Grizzly bear. Use the natural and characteristic recordings of deep groans, slimy chews, and heavy breaths for pitch processing and control over your sound design, to design your beasts, creatures, monsters and more.
In addition to these raw bear recordings, this collection also contains 41 designed and “hyped” sounds, ready to drag-and-drop directly into your monstrous designs and animalistic scenes. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.
Packed with over 750 high-quality recordings, the Useful Interface sound library delivers a diverse collection of tastefully crafted user interface sound effects for your UI needs. Featuring menu actions, expressive gestures, beeps, whooshes, transitions loops and more, this library covers all the bases with subtlety and style. Boost the interactive user experience your game or app UI with practical, satisfying tones. Enhance your films with a unique synthetic edge for sci-fi projects and beyond.
The Useful Interface library was recorded and produced by Jason Strawley and Andrew Garraway, employing both synthesized and organic sounds to create their ideal UI toolset:
Flame whooshes, musical instruments and 8-bit chip sounds are among the tools utilized to create the source recordings. They were then ripped apart, layered and modulated, resulting in a wide variety of textures and moods. Additionally, all sounds have been play-tested in Wwise to ensure responsiveness and usability. With 12 expressions in each set, Useful Interface contains no shortage of workable options to bolster your UI and enhance the experience of your project. Useful Interface is also included in Pro Sound Effects’ CORE: Standard.
Key Features:
OH LA LA LA is the new singing presets pack for Xfer Serum.
All presets are crafted using vocal samples as an oscillator source to achieve presets with a vocal taste.
This pack is suitable for music composers and producers of various genres (Lo-fi hiphop, trap, future bass, ambient, future soul, electro)
41 total presets divided into 5 categories:
40 recordings from a VW Passat B5 3B.
Different sound effects like the turn signal, windshield wipers, doors opening and closing, handling with the seat belts or the steering wheel and much more.
Also foley movements on the car seats and seven interior driving ambiences (including start, stop and idle) recorded in NOS Stereo.
A collection of rail sounds captured in Italy, including sounds of trams (cable cars), trains and subways.
The library contains sounds like arrivals, departures, pass-bys and on-board recordings. Metallic wheel sounds, pneumatic doors opening and closing, crowds / passengers, and engine sounds are also captured.
Both interior and exterior recordings are included, as well as PA announcements in Italian.
Each sound file has been carefully named and tagged for easy search in Soundminer and is Universal Category System (UCS) compliant.
(see the full track list below).
Get the sounds of the Hindustan Contessa Classic, a sedan built by Hindustan Motors in the eighties.
The Hindustan Contessa Classic featured is a 1985 model, and the library includes everything from pull ups, pull aways, revs, breaking, ignition sounds, engine idle, pass-by's, onboard driving, doors, windows, interior and exterior perspectives. More than an hour of recordings are included for a great range of car sounds.
In films and documentaries there are often images of people in spaces speaking to other people, who are listening attentively.
The recordings of the person doing the talking are pristine from the set. The recordings of the rest of the room don’t exist. Room tones of empty spaces don’t possess movement and life that your soundtracks require for these situations.
Quiet Spaces is a collection of recordings of people gathered in rooms of various sizes and not talking
Libraries are a natural place to capture these environments, and so a high quality stealth kit made from a pair of Sanken CUB 01s discreetly placed from a backpack onto empty tables in various libraries. We also got access to a university campus right at the end of finals week where we recorded out in the open with a pair of MKH50s in ORTF. We captured an entire class taking a test, as well as various other lightly and sparsely populated spaces in and around campus.
The end result is a beautiful set of recordings of quiet spaces that are still filled with texture and movement.
Available in two versions:
Get the sounds of New York City, as captured by sound designer and recordist Rusty Dunn. The Essential New York City library includes recordings from locations like Manhattan, Coney Island, Brooklyn and more – and it packs recordings like ambiences from Times Square, Playgrounds, Central Park, the Subway, Sidewalks and streets around NYC and more. More than 2 hours of recordings are included.
SPACES delivers high definition ambience recordings and designed backgrounds, and is the perfect addition for your workflow or mood-inducing production. Utilizing only the best microphones, design processes, and tones, SPACES is a well-rounded collection of atmospheric quality. While excellent in the genres of Sci-Fi and Horror, SPACES would also be well suited in many other situations where film standard sound is required.
Perfect for a sound designer or musician looking to sculpt the mood and soundscape, SPACES will aid you in creating your key base layer of setting and emotion. Created in collaboration with Sebastain Emling, SPACES contains a whopping 4.84GB worth of 24bit/ 96khz .WAV files and over 120+ files, embedded with both Soundminer and Basehead metadata.
Get a collection of 134 impulse responses – recorded in the forest.
What if, instead of going to the forest to record the sound, we can find a way to bring the characteristics of the forest to us? Say, for example, we have recorded a sound in the studio like the sound of chopping wood or foley footsteps, but we want them to sound like they are in the forest?
There is a way to emulate this. To make our source sound like it is, in fact, in a forest. The answer is to use the impulse response of the forest and one of the convolution reverb plugins for your DAW.
An impulse response of the forest (or “forest IR”), is the sum of reflections from trees, foliage and the ground by very short signal at high volume. For this sound library, I recorded different impulses in a stereo at different locations of the forest with perfect conditions. Also, the library includes alternate versions of these impulses for use in the processing of the sounds that are far away from the listener.
For using these impulse responses, you need a convolution reverb plugin (not included). The library can be used with the built-in convolution plugins in many DAWs like ProTools, FL Studio amd Sony Vegas, and there are other commercial options on the market, but costs can be high. For starters, you can use a free convolution reverb from the following
LiquidSonics’ Reverberate LE (Win)
SIR by Christian Knufinke (Win)
A wide choice of IR’s will allow you to choose the most appropriate nuanced impulse response for your material. As you gain more experience with this forest IR, you will find that you can quickly adjust the ratio and volume level for wet and dry channels and effectively use other options of convolution reverb. This powerful forest reverb emulation will be incredibly effective for your sounds.
This library features nearly 100 vocalizations from a recording session with a VO artist that has mastered the art of weird utterances and creature voices.
You will find violent growls, grunts, sounds of pain, moans and groans, breaths, whispers, gargling, hisses, choking, growls and everything else you'd expect from a zombie, humanoid monster or demon.
These sounds are also dry overall, with only minimal editing, and recorded at 96 kHz to allow you to continue to play around with them. The library features dual mono recordings with a set of two different microphones—one crispier and one warmer. If combined and panned, some create a stereo feel.
Ambient/Breath • Choking • Gargle • Growls • Hiss • Moans • Panting • Snarl • Word / Phrase / Gibberish / Latin • Yell / Scream
Get ready for Christmas with this X-Mas audio package featuring sleighbell loops, bells, swoosh, oneshots, twinkle and christmas ornament sound effects. With different mix-outs in a total of 175 sound files.
04 Oneshots FX
21 Sleighbell Loops
14 Swoosh Sounds
10 X-Mas Bell Theme Sounds (81 total)
09 X-Mas Oneshots
10 X-Mas Ornament Bell Sounds
10 X-Mas Ornament FX Sounds
05 Sleighbell Sounds
04 X-Mas Swoosh
17 X-Mas Twinkle Sounds
Get an extensive collection of South African nature ambiences (average duration: 5 minutes), from places like the Mhkaya Jungle, Kruger National Park, The Wetlands and more. Locations include jungles, swamps, ponds, rivers and towns. Featuring all sorts of crickets and cicades, of course – but there’s also plenty of other South African wildlife, like mosquitoes, birds, fighting baboons and snorting hippos The sounds were captured during various times of both day and night and give you a huge variety of ambiences to work with.
In High Desert Ambiences 3, get a large collection of the desolate and beautiful sounds of the American southwest. As the sun sets, hear how nocturnal wildlife comes alive as the day fades away. This collection features sounds that will make you fall in love with desert nights as you discover sounds ranging from soft owl hoots to lonely night songbirds to keening crickets. This library also includes Javelina (wild pig) snorts and teeth clicks, humming trains off in the distance, coyote howls and yips so close you’ll want to run for cover, and much more. While most recordings are between 3 to 6 minutes, this collection also includes a few 15-25 minute nocturnal soundscapes. A rare gem to find in the continental United States! For the third installment of my lush, peaceful nature sounds from the heart of the American Southwest, here’s High Desert Ambiences 3: Quiet Nature.
2% FOR THE PLANET:
Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Marker text included in the Soundminer description and BWAV description fields.
• *Note – I self-identified all birds using several iOS apps and bird identification websites, so I cannot guarantee 100% accuracy on species identification.
• In Northern Rockies: Quiet Nature, get a collection of the most serene ambiences from the mountains of Montana. Hear the massive sparseness of glacial valleys and still water. Hear majestic swaying of old growth forest and naked trunks left by wildfire. Hear Lodgepole pines creaking and Douglas fir slamming to the forest floor. This library is packed full of “quiet nature” tracks from the continental divide of North America, the crown of the continent where glacial meltwaters flow all the way to the Pacific, the Gulf of Mexico, and to the Hudson Bay. Perfect for use as the foundation of your designed environment, some stretches of rare natural silence are up to 35 minutes!
• Only 26 glaciers (of the 150 in 1850) remain in Glacier National Park and all are predicted to melt within 30 years. Hear the sounds of this stunning natural cathedral while the glaciers remain. The ecosystem won’t sound the same when they’re gone.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause. I view it as an “artist royalty” for the planet!
• Carbon offset credits were purchased for the Northern Rockies Series. Field Recording travel for this library was carbon neutral!
Make room for our groundbreaking Impulse Responses library! Yes, we are serious, it’s the high quality collection of experimental convolution samples that could easily, if unchecked, contradict the laws of physics and nature. These impulses were recorded and deeply-processed to create reverb tails with unique characteristics as well as creative effects that are not accessible or easily simulated in any other way. Prepare yourself for an immersive experience of sonic trickery applied throughout the included material.
We dive right into additive synthesis, to generate chord and tonal effects, then we throw away the rulebook for pitch-shifting and time-stretching, then we go even further with glitch-like effects; finally, we manipulated the timbres in combination with custom rhythmic-noise generation tools to create the extraterrestrial atmospheres that will let you turn any material into a completely unique experience.
These samples, are designed to be user-friendly, no unwanted resonances; but in the hands of the professionals, these deep impulses can be the new edge for mixing and sound design. Creating Hollywood-style cinematic-effects, futuristic-glitches and ambience goodness, was never so easy. Just drag, drop and feel the air shake.
An library of elevators! From your standard elevator to EWP, platform elevator, large industrial lifts, one of the largest elevators in Europe and an old elevator from the early 1900s. Hear them pass by, listen to room tones, button presses, door movements and more! Everything recorded in Stereo, 96 kHz 24 Bits with Neumann KM184, DPA 4017 and Sennheiser MKH50 on a Sound Devices 633. Total 46 files in 625 Mb.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.