Home Sound Effects
Who doesn't love the sounds of speed? In this library, you'll hear the fast, harsh sounds of a drift car skidding on tarmac. The library contains skidding with engine running, skidding with engine switching off, skidding on wet tarmac, roll bys on wet and dry tarmac, spinning in circles, rolling with flat tire and much more. Both onboard and exterior perspectives are covered, and several microphones were positioned at each wheel, inside the car, and along the skidding path.
Some additional material is included, such as a supercharged Chevy -57 burnout, handbrake skids from a Skoda, and more.
A must-have collection for winter sounds, this library consists of many years' recordings of snow and ice, skiing, textures, ambiences, foley and so on. It contains lots of skiing, jumping, rails, freezing cold winds, ski resort ambiences, lifts, walking in snow and on ice, texture details such as snow spray, tires driving, skidding and spinning on ice and snow, drilling in ice and much more.
This library consists of two different sessions where we dropped cars from a crane onto other cars and onto the ground. The first session contains lots of windows being smashed and sounds of car body debris from two hanging cars scratching against each other. During this session, microphones were positioned inside the vehicles as they were dropped from the crane as well. The left side of the onboard recorder comes and goes, but we decided to leave it in the library since it has some very nice bits in it.
This F1 Williams FW29 was driven by Nico Rosberg in the 2007 Formula 1 World Championship. It has a Cosworth V8 engine with 650 hps. The recording consists of both onboard and exterior material, and covers acceleration through gears, driving at steady rpms, ramps, passbys, approaches and aways, startup, idle, blips and shutdown. The onboard channels are two exhaust, two cockpit, intake, rear wing and two in the engine.
The package also includes 6 bonus mixes of the onboard and exterior perspectives, 18+ fields of Soundminer, BWAV, iXML, and MacOS Finder embedded metadata, and Reaper and Pro Tools mixing sessions with all effects pre-alligned for easy access.
A stone and sand sound library with over 1300 takes of drops, slides, scrapes, trickles, debris and more from gravel, stones, tiles, rock flakes, boulders, and other varied props.
The Gun Acoustics sound fx library features various automatic guns firing single shots and bursts in different environments such as big open area, forest road, container camp and more.
Includes uzi sounds, AK47 sound effects, as well as AK4, MP5, and other sounds of weapons firing outdoors.
A collection of extremely rare jet fighter recordings from a JAS 39 Gripen jet fighter, containing Auxiliary Power Unit (APU) startup and shutdown, take offs with and without afterburner, hood opening and closing, fly bys and cockpit during flight. Various microphones and positions.
Get the sounds of actual industrial robots – and more – in this special sound effects library. In addition to industrial robot SFX, it delivers hydraulic and pneumatic sounds from various machines at different speeds, such as lathes, plastic molding machines, tank turrets and other sources. Various microphones have been used such as lavs, shotguns, contact and induction microphones etc.
Recording of a wooden summer cottage burning down to the ground. Interior and exterior perspective.
Includes fire sound effects and burning sounds of an inferno, complete with crackling and sizzling sounds.
The Warfare Sound FX Library very unique and exciting library recorded during a three day military exercise, using several Combat Vehicle 90 performing live firing exercises with 40mm cannons and 7.62 machine guns.
The Black Hawk UH-60M sound fx collection features 1,145 sound clips in 44.39 GB from an American military helicopter performing during a military exercise. This bundle gathers 44 takes of tandem maneuvers from two General Electric T700-GE-701D engines with cowling.
This sound library includes both onboard and exterior field recordings. The onboard recordings include 3 perspectives of the vehicle idling with rotors and turbine at low, high, and medium speeds, including an Ambisonic take. The 22 exterior perspectives include 49 channels of the chopper starting, taking off, passing by, landing, and shutting off. There are also a wide selection of stationary idles from close, medium, and distant perspectives in front, behind, and to the side of the Black Hawk at high to low RPMs. Ambisonic, surround, and double MS perspectives join stereo and mono takes. The collection is complimented by a wide variety of cockpit instrument performed effects, doors, and more.
Bonus: Pro Tools and Reaper session files align each take for easy editing and mixing. Over 18 fields of professional metadata embedded in every clip.
This library contains a number of gun acoustics sound effects from many weapons: AK4, AK5, AK47, MP5, Walther PPK and Sig Sauer, being fired in a number of acoustically different indoor locations, a big stone hall, a cafeteria, a catacomb-like area, and a long corridor.
Recording of an Italian Lamborghini Aventador from 2014 with a 690 horsepower 6.5 L L539 V12 engine with 7-speed ISR semi-automatic transmission.
The Lamborghini Aventador sound library 366 field recordings from a 2014 luxury Italian vehicle totaling 27.48 gigabytes. The clips capture the sound of the 690 horsepower 6.5 L L539 V12 engine with 7-speed ISR semi-automatic transmission.
The collection features 19 synchronized takes of onboard and exterior perspectives. The onboard channels (12 channels) offer 11 perspectives of fast, medium, and slow driving from microphones placed at the exhaust, in the engine, and inside the cabin. The 10 exterior perspectives collect 21 channels of the sports car starting, departing, passing, arriving, and stopping. Performances include driving at steady RPMs, with gearshifts, and with ramps. There are also tracks of steady idling, with blips, and steadies in neutral.
Every track is embedded with 18+ fields of detailed metadata. The collection includes Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately, as well as custom mixes of onboard and exterior perspectives.
The Junkyard Metal sound library includes 3183 clips in 98.49 GB. It collects the sound of metal hits, drops, pick ups, rattles and clatters, rumbles and rummaging, rocking, rolling, and scraping.
Featuring diverse props ranging from large metal storage containers, diesel tanks, shopping carts, and tractor buckets to to smaller propane tanks, crates, shopping carts, and bolts, nails, and ammunition, the collection provides multiple performances in each clip.
The sounds were performed from light to heavy intensities and captured at 192 kHz, 24-bit resolution with Sanken, Sennheiser, Neumann, and Schoeps microphones.
The bundle is delivered with Pro Tools and Reaper mixing sessions, full professional embedded metadata, and metadata keyword import files in 7 languages.
The Panzer IV Ausf. G medium tank sound fx collection of a Maybach HL 120 TRM 12-cylinder gasoline engine with 296 hp.
A sound library featuring the sounds of war: grenade launchers and cannons firing, RPGs, assault rifles, and pistols firing at an armor plate, and a mix of claymore, grenade, and various mine explosions.
The Warfare 2 Library sound bundle showcases 627 field recordings in 19.82 GB from a genuine military exercise.
A total of 22 perspectives arrayed around the location capture recordings from dozens of microphones at close, medium, and distant positions as well as from inside a bunker in 37 exterior and 4 interior channels.
The field recordings gather sounds of grenade launchers and cannons firing and reloading, troop mines, vehicle mines, and tank mines detonating and exploding, as well as artillery grenade and C-4 plastic explosive blasts. Many takes depict exploding wood and stone with extended debris settling. Assault rifles, RPGs, and pistols firing at a metal plate as well as skirmish shooting share long, clean tails.
Also included are 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper mixing sessions.
This library features a Soviet tank BMP-1 with a 6 cylinder water cooled diesel engine. The recordings consist of 13 channels, 7 interior (front and rear), 2 exhaust, 1 track, 1 air intake and 2 from the turret pointing forward. It contains startups, stops, idling, blips, driving, as well as exterior surround drive aways, approaching and more. Add a little history to your sound design with this Eurasian AFV.
Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
The Feedback sound library and Kontakt instrument features 70 sound clips in 3.6 gigabytes of audio and 6 Kontakt patches. It includes the sound of wailing and screeching in long, sustained tones, swelling drones, and short bursts.
The Feedback sound library and Kontakt instrument features 70 sound clips in 3.6 gigabytes of audio and 6 Kontakt patches. It includes the sound of wailing and screeching in long, sustained tones, swelling drones, and short bursts.
The collection showcases various creative performances of feedback, captured from four perspectives in a stone school hallway: above, behind, in front, off-axis, as well as a standard perspective. A mixture of mono, surround, and stereo microphones were used to capture long tones, short swells, rumbles, and other textured whines and wails.
The package includes Reaper and Pro Tools mixing sessions, Kontakt 5 patches, and 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments.
The Car Destruction sound effects collection contains chassis scrapes, dragging, flipping, road rail scratching, multiple car chassis dropping takes include rolling down a slope, falling onto the ground, and impacting other cars.damaged engine idling and slow to fast driving with gearshifts, ramps, and steady RPMs from both onboard and exterior perspectives both on two cylinders and without oil and more.
Recording of a 105mm Howitzer cannon from World War II firing blanks. The library consists of about 20 channels with distances and perspectives ranging from 0 to 150 meters, and a big variation of microphones and recorders used, such as Sound Devices and Zaxcom. It contains 5 shots and wild foley.
Recording of a Dodge Challenger Hellcat from 2015 with a supercharged V8 6.2 Hemi engine with 707 horsepower and 650 lb/ft of torque.
The Dodge Challenger Hellcat sound fx collection features 196 clips in 15.08 gigabytes of audio from a 2015 version of this American sports car. It depicts the sound of its supercharged V8 6.2 Hemi engine with 707 horsepower and 650 lb/ft of torque.
A total of 12 synchronized takes share exterior and onboard field recordings. The 7 exterior perspectives captured driving from slow to fast speed as the muscle car departs, passes by, and arrives, as well as starts and shuts off, idles, and more. The 10 onboard takes arrange microphones in the cabin, the engine, and at the exhaust as the car drives with steady RPMs, ramps, and gearshifts. Three bonus custom stereo mixes are also available of the onboard perspectives.
The bundle includes Pro Tools and Reaper mixing sessions and 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments embedded in every clip.
The 2015 German MAN Lion’s Coach tourist bus includes 425 clips in 48.1 gigabytes of audio. It features the sound of a 6-cylinder 460 hp Euro 6 diesel engine.
The collection includes a total of 13 synchronized takes from exterior and onboard microphones. The exterior microphones captured departures, passes, arrivals, ignition, shutting off, idles, and doppler horns from 9 microphones at 4 positions. The onboard microphones were placed inside, at the exhaust, in the engine, the luggage hold, and in the washroom in 15 perspectives (including an Ambisonic perspective) as the coach drives at steady RPMs, with gearshifts, and ramps. Also provided are 4 designed mixes of the interior, exhaust, engine, and luggage compartment.
The package comes complete with performed effects of doors, wipers, fans, and more, Pro Tools and Reaper mixing sessions, custom mixes of onboard and exterior perspectives, and full Soundminer, BWAV, and MacOS metadata embedded in every clip.
A sound library recording of cracking, hitting, scraping, sliding, and singing ice on a Swedish frozen lake.
The Frozen Lake collection includes 94 files of wintery performed sound effects in 1.12 GB of field recordings.
Captured on an iced-over lake in Sweden, a total of 5 channels share various isolated performances on the frozen surface: hits, breaks, cracks, groans, grinds, slides, scrapes, and more. Ice debris, metal hits, and rock drops were performed on the solid surface to provide a range of sounds and textures. The recordings were captured with high-resolution CO-100k and MKH 8060 microphones, as well as with dual Aquarian H2a hydrophones positioned beneath the surface.
The collection includes extensive, detailed embedded metadata, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.