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“Helinä” can be translated as “the tinkling sound made by the shaking of tiny bells”. These may be wind chimes, and some are quite large, but the meaning of the name still rings true. Beautiful, glorious, and entrancing wind chimes, all stirred up for your designing and listening pleasure.
We’ve meticulously recorded and only very lightly edited 15 different sets of wind chimes composed of varying materials, shapes, and sizes. The result is a stirring array of shimmering textures from the soft dull knock of bamboo to the brilliant crystalline sparkle of obsidian.
The chimes sets and performances include:
Chimes: Bamboo, Glass Shards, Porcelain Bell, Cast iron Bell, Glass Bell, Stoneware, Obsidian, Buoy, Paper/Mixed, Copper, Aluminum, Bronze, Agate, Shells, Capiz
Performances: Flowing (Short, Med, Long), Breeze (Light), Windy (Moderate), Stormy (Heavy), Quaking, Plops, Gusts, Strikes, Grabbing, Releasing
You’ll get incredible tonal depth, preciously sustained tails, and conveniently isolated strikes and “gusts” resulting in a natural representation of each chime. All of the chime-work was recorded in 192 kHz so you can bend, stretch, and twist with the comfort of the extended harmonic content of each chime. The majority of the stereo content is presented in Mid-Side format (noted in tracklist and metadata) such that the stereo width can be dialed in as desired and a clean mono track can be had without any added processing or summing. All of the performances resulted in 50 separate files for each of the 15 chimes, making layering and matching performances a breeze. In addition to the chime sets, we’ve included four stereo wind captures, in different capacities and locations, for adding context and ambiance to any wind chime-appropriate environment you may find yourself working on.
Robotic Lifeforms Lite Edition features 800+ robot sound effects – from small bots to massive automatons. It includes transforms, morphs & servos – essentials from our larger Robotic Lifeforms Soundpack.
Robotic Lifeforms Lite Edition features:
• 475+ designed sound effects
• 325+ source recordings
• 60+ transforming sound layers
• 100+ morphing and mechanism layers
• 200+ servos, drills, metal, & industrial layers
– all meticulously embedded with Soundminer & Basehead metadata
Sound Mind Heavy Industry sound effects library is a massive collection of over 600 sound files of unique and hard to access machines and industrial ambiences, recorded both interior and exterior. To create this 45+ GB pack we went underground and climbed on constructions, we have been in both very hot and cold, humid and smelly places, wearing funky protective clothing, helmets and glasses.
You will find large, heavy machines sounds in it, industrial vehicles, as well as pneumatic, electric, diesel or even antique steam engines sounds and many metal, wooden, debris and also liquid textures.
During our searches we found many unusual sounds with great potential for sound design.
Sounds were recorded multi-mic and from different perspectives, giving large variety for designing purposes. We used microphones with extended frequency range (Schoeps CMC6XT MS kit, Sanken CO-100k) recording on 192kHz sample rate, shotgun mics (Sennheiser MKH-8060, MKH-815T, Neumann KMR81/KM120 MS kit) as well as Trance Audio Inducer stereo contact microphone (which was very useful in noisy environments and which also has very wide frequency range). We used Sound Devices 702, 744 recorders with MixPre, plus Zoom F8 and Sony PCM D-50.
This library is loaded with some beefy, old-school, mechanical interfacing: buttons, switches, knobs and levers.
ROBOTICS SOUND DESIGN TOOLKIT
The Industrial Robot sound collection contains many recordings and performances of an ABB industrial robot. Robot sounds like these are perfect for designing pneumatic doors, sci-fi weapons or robots, futuristic engines and vehicles, hydraulics, spaceships and more.
RECORDINGS OF A REAL ROBOT
Industrial robots perform many different tasks and create, thanks to their flexible movement abilities, a lot of interesting sounds. In order to capture all these sound possibilities, the company we worked with prepared and programmed the robot especially for our recording sessions.
THE RECORDING PROCESS
The robot’s six axes and a sound-proof room provided us with a perfect recording base. We recorded each of the six axes at three speeds from different perspectives in mono and stereo, giving you a fundamental collection that you can use to design all sorts of robot and servo sounds. You also get more specific sounds resulting from different work performances, leading to pitch-modulated movements such as fast and slow acceleration. In addition to the robot recordings, you will receive various snapping sounds, clicks and tool handlings to round off the sound package.
All in all this library contains 142 files with more than 500 individual sounds.
Jon Lipman
Sound Designer, Sony Pictures
“I’m not sure where you found this robot but it’s just amazing for technical, sci-fi and gadget design. I’m normally pitching down household appliances or car doors to achieve these sort of sounds – thank you for going out and recording the actual thing!!”
Hollywood Cameras features 70 HD 24bit/96khz Sound Effects with a large selection of beefy designed camera shutter clicks, group Paparazzi loops and raw source cameras. From Modern SLRs, Mirrorless and Cell Phone cameras. Designed camera clicks and Paparazzi loops are mastered in Stereo and 5.1 surround (L-C-R-Ls-Rr-Lf Embedded .WAV format)
Quadcopter Drone CX10 is a small radio controlled toy with a feisty character that could be described as a robotic version of an angry bee.
This library covers in detail everything you can do with this little neat quadcopter drone. You get sounds of acceleration, deceleration, steady engine fly loops of various speeds, engine revs, fast turns, ground hoppings and takeoffs. In case you need them I also recorded collisions and landings on various surfaces like carpet, metal, rock, plastic etc. Surprisingly these sounds are quite suitable for user interface sounds too.
The steady engine fly loop sounds are really useful when you want to create your own flyby / passby sounds. I can also imagine using this library to add some unique flavour to winged insecty characters in a game or just to richen otherwise bland engine sounds.
The whole library was recorded in 96KHz 24bit quality so these sounds are really flexible if you want to experiment with pitch, stretch and other audio tools.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Gun Mechanics – UK Police Issue contains 254 individual mechanical sounds with several performances for each action.
Guns Included: Glock 17 Pistol, H&K MP5K, H&K G36K, H&K L104A Grenade Launcher, Tikka T3 Hunter Bolt Action Rifle and a Bennelli 12 Gauge Pump Action Shotgun.
Boilers, turbines, recycle pumps! Desulphurisation flues, electrostatic precipitators, and solar photovoltaic arrays! We don’t entirely know what these things do – but we know for certain they sound amazing!
Last year we were granted access to one of the UK’s largest coal-fuelled power stations. With hard hats, steel toes, and a swag of mics we recorded every space and machine we could. The result is a highly comprehensive collection of industrial recordings that describe heavy 20th century industry.
We’re talking about the archetypal power station too, not something dumbed down for 2020. This place was the real deal! Great big looming cooling towers, massive halls of turbine engines, coal mills, rumbling underground passages, rooms full of electrical gadgets, pumps of all types, oh and a coal train unloading a 100 ton hopper. It’s a hell of a library.
We recorded in a quad setup using a pair of Sanken CO-100ks, a pair of Sennheiser 8020s. We also had a Schoeps CMXY nearby getting an independent perspective. The recordings are versatile, pitch like crazy, and are useful for hundreds of applications.
These power stations won’t be around much longer – so we’re glad we got a chance to record this beast of industry while we could.
Enjoy!
“There’s a lot of great stuff in here. A nice variety of steadies for sci-fi and industrial use. There’s also tracks with just the right amount of activity (not TOO busy). Authentic scale is hard to fake so this is a great pack of sounds to have for large mechanical spaces. Great steam/air releases too, and a large servo motor startup that is a real gem.” -Dave Farmer
“It is always a handy to have a library from these guys. Well recorded and full of interest, Power Station is a great library and full of never before heard sounds. It’s sometimes difficult to visualise a space from a recording, but definitely not with this collection. They’re huge and real. Most of the time drones and tones can feel synthetic, but they have really managed to capture a true real industrial soundscape. They are definitely colossal.” – Ben Meechan
Designed Sci-Fi features 546 cinematic sci-fi sound effects, alien textures, ambiences, drones, space cities, deserted crystalline caverns, vast hives of digital insects, distressed metal impacts, abstract user interface sounds, transitions, and more.
Created with modular synth equipment (Mutable Instruments, Intellijel, Doepfer, Erica Synths, Make Noise, Arturia, Expert Sleepers, 2hp, Ladik) recorded into an Emu E5000Ultra Sampler, then processed digitally using a variety of techniques and high-end effects.
Introducing part 2 of the ‘Open & Close’ sound effects library. It brings you even more versatile sounds of various things that can be opened and/or closed. Obviously there are again several doors, hatches and drawers – but also lots of other opening and closing sound effects that will come in handy in your everyday sound design work, most with several variations. Be sure to check out the sound list below.
You can use the sounds as they are or use them for intense sound design. All sounds were cleaned, edited and filled with BWF-Metadata for instant use in your projects.
Sources include:
Ashtray Lid • Backpack • Handbag • Bag Suitcase • Beltbag • Blanket • Box Plastic • Cabinet Door • Cardboard Box • Cardboard Tube • Carryall • Clasp • Coffee Machine Lid • Cooking Pot Lid • Cupboard Door • Curtain Shower • Dishwasher Hatch • Door, Apartment • Door, Balcony •
Door Basement • Door, Bathroom • Door, Glass • Door, Metal • Door, Squeaks • Door, Wood • Drawer, Cardboard • Drawer, Cloth • Drawer, Construction Plans • Drawer, Dishwasher • Drawer, Kitchen • Drawer, Metal • Drawer, Oven Baking Plates • Drawer, Plastic • Drawer, Wood • Drawer, Wood Cutlery • Elevator • Hand Drill Battery Slot • Handbag Leather • Hatch,_Bread Box • Hatch, Metal • Hatch, Oven • Hatch, Plastic Freezer • Hatch, Plastic Lose • Hatch, Plastic Printer • Hatch, Plastic Tape • Hatch, Plastic Tiny • Hatch, Plastic Vacuum Cleaner • Hatch, Plastic Vacuum Cleaner Hose • Hatch, Washing Machine • Jar Nutella • Lock_Combination Suitcase • Lock Basement Door • Lock Old Door • Microwave • Notebook Bag • Pedal Bin Lid • Plastic Bag • Plastic Sachet • Plastic Tube Small • Refridgerator Door • Rolling Shutter Garage • Safe • Schoolbag • Shirt Button • Sliding Door Cupboard • Sliding Door Shower • Sliding Door Wood • Sports Bag • Stapler Gun • Tin Box Lid • Tin Flask • Tin Lunch Box • Toilet Seat • Toolbox • Trashcan Lid • Vacuum Cleaner Battery • Vacuum Cleaner Dust Tank • Vacuum Cleaner Filter • Velcro • Waterboiler Lid • Window • Window Roller Shutter • Window Tilt • Zipper •
This is a unique bicycle library that captures road surfaces from the perspective of super quiet bicycle. These are clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The Extra Surfaces library provides 162 sounds captured on the following road types Large Bricks, Gravel, Grit, Icy Asphalt.
The four additional ‘onboard road’ surfaces are the perfect extension for your other ‘City Bicycle’ library of taste. Just add it as a layer, mix it and voila your bicycle can move from gravel to bricks to grit or from large bricks to slippery icy asphalt roads.
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently brakes to smooth departures.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene & Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
Welcome to the first comprehensive collection of BMX extreme sport riding sound effects. Diverse environments, surfaces, obstacles and bikes are at your fingertips now.
Captured at 192 kHz 24 bit high resolution with a gear such as ultra-bandwidth Sanken CO100K microphone, the files are ideal source for awesome slow motions, as well as for realistic and creative sound design in general.
Library highlights:
• rides, pass bys, jumps, bumps, lands, crashes, tricks, grinds, squeaks, skids and other effects
• divided into Big Ramps and Street Freestyle folders
• both indoor hall and outdoor street locations
• gravel to smooth surfaces
• usually several variations in each file
• natural dynamic range
• professional gear used – Sanken CO100K, Sennheiser MKH 416, MKH 30, Sound Devices 788T, Zoom F8
Huge Hidden Passages takes you from the depths of the jungle, to the entrance of a temple, and behind the thick walls of a castle to discover a buried pyramid – and beyond. Some of passages will be hidden to your eyes, but we offer you the sonic keys of those closed passages. The library is the final installment in the World Of Secrets series.
Available in two versions, and a bundle:
Specs: 187 .WAV files, 1.07 GB
Recorded with: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • DPA 4060 • Barcus berry contact mic
An incredible toolbox, issued from a year of recording and sound design. Versatile, dense, pitchable.
Specs: 1540 .WAV files, 10.43 GB
Recorded with: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • Sennheiser MD 441 • DPA 4060 • Barcus berry contact mic
Specs: 1727 .WAV files, 11.05 GB
Recorded with: 744T + EAA Micromix • Schoeps MS Couple • KM 82i Neuman • 2 KM 184 Neuman • DPA 4060 • Sennheiser MD 441 • Barcus berry contact mic
All packs contain stereo & mono, 192 / 96 kHz, 24 bit files.
The Keys & Locks SFX library gets you a useful collection of several sets of keys and locks used in different combinations.
There are typical lock/key sounds, as well as so also non-typical usage, as a gnash and a scratches. The library features more than 550 sounds in 93 files, recorded in 24 bit/48 kHz. Gear Used: Oktava 012, Oktava 319, Tascam 16×08, Reaper.
The Hard Drives sound effects library features recordings of four hard disk drives (3.5 inch – 5400 & 7200 RPM). All essential hard drive sounds are included (boot up, read/write/copy/delete, power down) that will work great for general computer sounds and ambience.
Each hard drive was opened up, manipulated, and ultimately destroyed to create a collection of raw, abstract and unique sounds. Found materials such as metal, cardboard, plastic, and tools were used to control the hard drive's motor, platter, and head actuator. These sounds work especially well for creating the sounds of mechanical robot movements, electric motors, and futuristic machinery.
This library is a small “utility” collection of sounds great for use as Robot/Machines but also great for UI and Weapon design elements. Servos, various metal objects and analog synths were recorded as source material to create this library. The library includes raw servo recordings and meticulously performed or designed robotic/machine-like sounds.
If you own the Forge Sound Design Toolkit this library also comes with a specially curated sample map. The sample map can be loaded into the sampler for randomization and the creation of more complex sounds.
This library gets you the sounds of record players, a gramophone, tape decks, a VCR, a movie projector, a TV and more. All bespoke recordings that I have just captured especially for this sound pack. May be just the thing you need to help you create the sound for that next John Le Carre TV or movie adaptation.
It’s Coffee time! This release includes every step, from pulling that perfect espresso shot, to steaming milk or just playing around with the awesome steam wand! (If hissing pressure wooshes is what you like)
Featuring a popular home espresso machine built with professional grade parts, making the sounds applicable for café situations as well as at home. From start to finish: filling water tank, filling beans, grinding, tamping, wiping, placing portafilter, placing a cup, pulling a shot, pouring milk, frothing milk, combining liquids and more – in mono and stereo versions – close up and distanced.
So that you can have detail, but also general café or home barista atmosphere from a far.
– Steamy wooshes and whirring coffee beans -
Also there is plenty of foley stuff you can pick up in the longer recordings where the whole process from start to finish is portrayed; like picking up cups and dumping grounds or just general coffee making clatter.
Techniques: Stereo ORTF and Mono – Equipment used: Sennheiser MKH8040ST, RME UC(preamp), Sony PCM D50(recorder).
Metallitronic is sound designer Nathan Moody’s latest collection of intense textures, a library of nearly three hours’ worth of metallic membranes and objects excited by electronic signals.
Metallitronic was created using advanced synthesis techniques played back through various transducers into cymbals, gongs, bowls, steel plates, prefab metal buildings, and other resonant metallic objects, close-miked in stereo with extended-frequency-range microphones. This collection radically expands a sound designer’s palette of stressed-metal sounds, horror and tension elements, crystalline creaks and groans, unsettling background atmospheres, rattling vehicular interiors, creature sound sweeteners, the sound of massive machinery, earth-shaking rumbles, and stochastic, complex rhythms.
Some textures let the complex synthesizer textures shine through – intense on their own, even if they weren’t amplified through metal – but the primary focus is on metallic drones, hits, pings, stresses, groans, wails, resonances, rattles, and unique timbres that can be layered into almost any project. The scale of the sounds ranges from detailed to overwhelmingly massive. The sounds invite aggressive filtering and extreme pitch shifting.
Every sound is recorded in stereo at 24 bits, 192 kHz, and many sounds have ultrasonic frequencies. This library includes nearly three hours of recordings, all fully tagged with metadata. Multiple articulations are ganged into single files for convenience and organization.
This collection of sounds, include a variety of ambiences, machines, and foley sounds recorded for one of my latest TV post project in a small gym.
59 tracks recorded for my last Spanish TV project in a few Spanish gyms. 96Khz and 24 bits HD Audio. Room Tones, Designed Ambiences and Machines noises, including elliptical trainers, running machines, pilates balls, punches, weights machines, treadmills, vibrating platforms and more!
All the files have metadata embedded for Soundminer and similar programs. They both include Spanish and English description.
This collection includes 59 files, 96/24 HD Audio quality.
Machine Hall delivers all the right sounds for designing sounds for robots, industrial environments and other machines.
This pack was recorded in a car building factory and therefore has a lot of industrial robots, air compressors, small rotors and motors, servos and general heavy industry ambiances. Perfect for creating robots, giant mechanical stuff with loads of moving gears and parts and little tinkering bots. Every machine is counted for, big and small!
Be it steampunk or modern sci-fi, this pack is sure to be a great fit for anything mechanical and robot-y!
All sounds included are meta data tagged(keywords+description) for use in soundminer/basehead etc.
Machine Emanation is a contact microphone and drone sound effects library focused on machines. It contains multiple recordings and designed drones sourced from band saw to ceiling fan; table saw to dishwasher, thickness planer to paper shredder; bench grinder to refrigerator. Machines were recorded turning on and off, running, and at any available speeds.
Also included are drones designed from each machine. Power tools and appliances are re-imagined as dark rumbling drones and unique atmospheres. A small glimpse of what can be created with Machine Emanation.
In need of some distinct bicycle passbys for a street scene? Missing some handling sounds of a bicycle? This library has the answer with superbly captured exterior recordings in the inner city without traffic.
It includes various types of bicycles from the rattling sounds of a drunken cyclist or the smooth whirring of a nicely maintained bicycle with it’s headlight dynamo or the violent shrieking of a bicycle about to fall apart.
And if that’s not enough you can always add more drama with the various handling effects we recorded, bounces / scrapes / skids / rattles it’s all here.
Everything recorded in XY stereo and well described to make finding that one distinct bike easier.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene & Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
Want sounds of buttons, switches, levers or gears - and other mechanical sound elements that clink, clank, whir, squeak and grind? These mechanical sound effects libraries offer you an extraordinary toolbox of recordings - from the tiniest gears to gigantic bucket-wheels, and everything in between. Recorded from a wide range of perspectives and featuring both construction kit elements and designed sounds, these sound libraries come in handy for any project that calls for mechanical sounds, or as sonic building blocks when designing robots, motors, machines and other contraptions that call for that mechanical sound.
Clank, whir, beep, click, hiss, buzz, hum, rattle, screech, thud, squeak, crackle, pop, sizzle, grind, roar, bang, snap, creak, chime
Q: What are some of the most popular mechanical sounds?
A: Click to sort the category by most popular mechanical sound effects libraries
Q: Are there any mechanical sound libraries on sale right now?
A: Click to sort the category by mechanical sound libraries on sale
Q: How do I download the mechanical sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen mechanical SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Spell Variations Vol. 4 marks the grand finale of our magical sound series, delivering a diverse and powerful collection of spell effects. Inside, you’ll find summonings, blood spells, petrifications, healing spells, dark incantations, and much more!
This volume includes 255 high-quality sound effects, organized into 27 distinct spell types, each with multiple variations (3 to 17) to ensure no spell sounds the same, even when reused across your project.
Each spell type is carefully named and sorted into individual folders, giving you intuitive navigation and maximum flexibility for magical scenes, game effects, or cinematic transitions.
Recorded, edited, and mastered in 192 kHz / 24-bit, these sounds deliver exceptional clarity and full adaptability for pitching, layering, or creative processing.
A must-have library for professional sound designers seeking drag-and-drop magical sounds for video games, trailers, animations, or any audiovisual production.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding magical sounds [Use them again & again
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 255 spell sounds
– Number of Audio Waves: 255
– Format: 192KHz / 24 bits
– Win/Mac: Yes
– Minutes of audio provided: 19:21
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.