Sound effects and recordings of various surfaces, textures, objects and elements – soft, hard, organic, wooden, stone, metallic and lots more
Transfer Sound Pro is a collection of cinematic futuristic sound effects. It includes massive cinematic impacts, hi-tech blasts, adrenalinic risers, articulated transitions and whoosh, matter morphs, robotic stutters and sidereal outer space atmospheres.
It includes 300+ royalty-free sounds plus 36 Kontakt Instruments with a custom UI to creatively manipulate the original sounds.
FULL version of Kontakt 5.8.1 or above is required
Transmission apparatus is a construction kit designed to create a broad range of communication sounds, from real to “alien” broadcasting signals.
The library contains more than 2 GB of data, delivered in 373 files of unique sound material. It’s catalogued in five elements: AM (amplitude modulation), FM (frequency modulation), SSB (single side band – aka ham radio), KYMA (synthesised noises) and VOCAL (unintelligible speeches).
The first three bands were recorded from the output of different radio receivers at 96 kHz via a Crane Song HEDD (Harmonically Enhanced Digital Device) to add warmth and tube/analog sonic color to the recordings. All the samples have been carefully selected from these recording sessions, with the addition of just a little dsp processing to widen the stereo field.
The Kyma folder also contains unique audio files entirely synthesised in the SSC Kyma+Paca(rana) environment. A group of SFX called Vocal is the result of “destroyed” dialogues and vocal sources via spectral processing.
Transmission Apparatus is available in two versions:
96 kHz .WAV version• Audio Format: Broadcast Wave Files (.wav)
• Bit Depth: 24-bit Size: 2.49 GB
• Download size is 1.82 GB (compressed .rar archive)
Native Instruments Kontakt 5 version• Audio Format: NI Instruments File (.nki)
• Sample Rate: 96 kHz
• Bit Depth: 24-bit Size: 1.66 GB
• Download size is 1.64 GB (compressed .rar archive)
• Full version of NI Kontakt 5 required
This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.
The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.
This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!
Carma Studio is excited to bring you a new library of over 260 metallic textures! Starting with low-end dark atmospheres to high brittle sizzle.
Hits, Bangs, Rattles, Screams, Moans, Contact Scrapes, Iced Contractions, Stretching, Cracking and Metal Movement.
These clean recordings of metal tones are left raw and unprocessed for your own creative designing.
Solo or layer these intense sounds for instant metallic mayhem. These are the tortured metal sounds you have been looking for!
44k/24bit BWAV files, All files are Soundminer metadata enabled.
Twisted universe gets you a multitude of designed sounds: impacts, whooshes, loops, soundscapes, alarms, tension layers, zaps and much more. These sounds are all designed with synths and raw materials and processed with distortion, fuzz or deconstruction gears. You can use them dry or as layers to add a crispy effect to your sound, and they are perfect for radio effects, electric elements or music productions.
Twisted Zither features recordings of an old zither being plucked, scraped, hit, and shaken. The library includes string hits, wood hits, tones, and different resonant sounds using a number of props such as mallets, african shakers, keys, coins, a metal beam, and fingers.
If you're looking for organic, wooden – and eerie – sounds, this one's not to be missed.
UI DESIGNER is an advanced soundset dedicated to the interaction between human and machines. The library is suitable for modern sci-fi movies, sound for apps, futuristic sound logos and any projects where sound design is needed to improve the users's experience and make it more pleasant.
Essential metadata has been included in the filenames. This was done to facilitate users that do not own a library management tool to access the informations and to navigate the library more efficiently.
UI DESIGNER covers sounds in 14 categories:• Elements Appear
• Elements Flying
• Window Open – Hologram
• Window Close
• Data Stream
• Bad Data Crunching
• Confirmation – Notifications – Navigation
• Text Typing – Warning Text
• Access Denied
• Buttons – Selections
• Screen Noise
• Notifications – Navigation
Ultrasonic Dry Ice is a library containing over 600 sounds themed metal resonances, scrapes and all sorts of weird.
All the content has been recorded at 192KHz with a Sanken CO100K, a couple of Sennheiser MKH8040 and a MKH416.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Welcome to the sonic world of electromagnetic fields – sounds that are everywhere but rarely heard!
This library consists of a collection of 82 sounds, with each sound ranging from 6 seconds in length up to almost 7 minutes, exploring the buzzing, clicking, and general weirdness that is found to be emitted in the electromagnetic fields of 21 devices. These include a washing machine, guitar effects pedal, Ford Focus, and a factory Security System.
These recordings range from a variety of straight buzzes and hums to sounds the morph and change over time. They are be great for something as simple as adding a hum to a refrigerator, to creating more complex soundscapes for your sci-fi projects, or to use as samples for music. This collection has been put together using little-to-no processing so as to give you sounds that can be manipulated however you may need.
This sound collection contains 119 abstract ambiences, most of them as seamless loopable files. Their moods range from deep mysterious over science-fiction to chaotic glitches and weird noise.
Additionally, the Shepard Ambiences' 2×44 files are included.
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
This Sound Effects library contains 633 files that feature over 1000 sounds of unsettling and unpleasant squeaking and creaking elements. It's a great starting point for designing a vast number of different soundscapes in various genres – from just using the sounds as general Hard Effects, to Science Fiction and Horror.
All sounds are production ready: Cleaned, Edited, levelled, and come with embedded BWF Metadata.
You get heavy doors and furniture creaks, screaming dry ice, creaking leather, rubber and balloons, forks on ceramic tablets, disturbing metal squeaks and much more.
Unsettling Creaks and Squeaks – Extension I is the first extension to the very popular “Unsettling Creaks and Squeaks” sound library.
It delivers door and furniture creaks and squeaks, creaking leather, rubber and balloons, door handles, disturbing metal on metal squeaks and much more.
This sound effects library is a composite collection of 345 files with even more single sounds of unsettling and and unpleasant squeaking and creaking elements. It’s a great starting point for designing a vast number of different soundscapes in various genres – from just using the sounds as general Hard Effects, through Science Fiction to Horror. All sounds are production ready: Cleaned, edited and leveled, and all with with embedded BWF Metadata.
Need to create suspense, tension and mystery in your production? “UNSOLVED” is great for you.
Inspired by crime/investigation movies and series, this pack contains 141 Sound Effects (Wav, 24 Bit / 96 kHz) aimed to enhance the tension and drama of movies, games, series and trailers.
You will find atmospheric and musical elements with a powerful cinematic feel that can be used in musical context too, making this library a great addition to your collection.
This is a special assortment of design fragments from Eiravaein Works. Libraries in the Vaeyan series will be produced over time as new assorted concepts are explored and designed. A welcome addition of flavor for any sound designer's archive!
The second volume of assorted recording sessions and design fragments from Eiravaein Works.
Libraries in the Vaeyan series will be produced over time as new library concepts are explored and researched.
A second helping of intriguing sonic flavor for any sound designer's archive!
A collection of sounds gathered from conceptual designs and audio experiments. While not centered around a specific theme or topic, Vaeyan III will surely add unique and dynamic flavors to your sound vault.
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
Announcing VARIETY01 – a grab-bag of useful, high-quality sound effects that are often required in FX lays for modern-day film and television projects. From interesting room sweeteners and essential domestic doors, to overhead aircraft and residential atmos elements, this collection has been crafted to bolster the most-used areas of your library.
This collection focuses on modern-day domestic sounds and rural/residential environment elements. We take pride in assuring that whilst there is a high level of variety, we make sure that each sound is as versatile to use as possible.
For a list of all sounds within the collection please take a look at our data sheet below.
Vibration is 40 minutes/676 MB of vibrating, rattling and resonating metal and plastic panels in 96 separate files – recorded in 24bit/96kHz using contact microphones.
This is a collection of sounds that rattle, clatter, vibrate, buzz, hum and oscillate. Think huge cargo vehicles, passenger ferries or mechanical installations with loose metal panels, resonating generators and such. The vibrating was done with a 100 watt tactile transducer (like a bass speaker with no cone) hooked up to an amplifier, and getting it's signal from a modular synth. Frequencies from LFO's and VCO's were mixed, to get interesting vibrations in both sub-audio and audio range.
Holding the transducer by hand allowed me to move it around and find the sweet spots on the various objects (a steel filing cabinet, a steel suitcase and a spring reverb tank come to mind). Depending on the amplitude of the input signal, different sounds would emerge from the same waveforms. Now and again, the transducer would get too hot to handle, and on one or two occasions, the thermo-relay on the amp would kick in. Excitement in the studio!
Contact microphones allow us to record vibrations and resonances in solid objects
The resulting spectrum is rich in low-end and has impressive dynamics. This could easily expand your sound toolkit with a great number of interesting elements and textures for any kind of SFX production: Movies, TV, trailers, game audio, electronic music and so on.
I picked up lots of wood, metal, plastic and many other objects (including bats on old attic) to record this library, which is divided into categories, like: bow, brush, debris, hit, hum, metal, ratchet, scrape, spin, water and etc.
All recordings were made at 96 kHz sample rate for further manipulation, and they’re categorized by source objects and contain metadata.
If you are looking for nice addition to your SFX production arsenal – this library is for you!
Vintage Film Tech Effects features Slate claps, Beeps, Bloops, Film leader tone, Static, 2 Pops, digital dropouts, record player noise and much more. We’ve collected these vintage sounds from old Hollywood dailies reels, and film stock. 206 tracks that recreate the sound of the lost art of classic Film, TV and radio production.
Vintage Telephones SFX library contains 244 sounds extracted from 10 historic, rotary dial devices designed between the 1880s and 1980s. Inside, you’ll find three common ringing patterns (used in the USA, Australia, and Europe) for each telephone type, handset pickups/set downs, number dials 1-0, hook toggles, as well as single ringings with natural long ring decays to design your own ring timings according to your project needs.
In addition to the standard telephone sounds, we captured some experimental ones, which were generated by feeding the devices with random low frequencies, thus producing some really weird mechanical rattles, buzzes, glitches, and unusual bell ringings.
If you want to make a rotary telephone device ring, without any landline nearby, head over to our blog here
Vinyl Record Noise is the first sound library from Oddball Audio. The library features eleven 10” blank records recorded from start to finish at 45rpm. The records were cut and pressed by Lathecuts in Arizona using a myriad of techniques to get the most surface noise, pops, crackles, and hiss for your sound design pleasure. In the cutting process they used four different lathes with varying noise floors and records made from many types of materials.
The library is perfect for use in any project that may need vinyl records to give it that vintage feel! Additionally these samples are great to use in granular processing, music, or to add subtle layers to a burning fire.
At a glance:
Enormous in size and intricate in detail, this library provides you with all of the tea, coffee, and various drink sound effects you very well may ever need. Good pick. The sounds herein are rich and filling, striking chords of warmth and refreshment while stirring tantalizing thoughts of supple beverage creation. From hand utensils, and preparation vessels to automated units, unique devices, and heavy machinery, you get it all.
Many of the subjects in this library are captured from a variety of perspectives and with a multitude of takes so you can just as easily drop them into containers and events within a dynamic game environment, or choose from a wide variety of performances to perfectly fit in a one-off film scene. The vast majority of the library (99%) is recorded in 96kHz resolution, with a small chunk (1%) captured in 48kHz. This was done to save you some disk space regarding some of the longer and larger recordings. This is a truly comprehensive exploration of the sonic depths emanating from the wonderful world of tea and coffee.
When working with WakeyWakey, be sure to keep some of the above-mentioned drink on hand as well. You're gonna want a cup (or eight).
A mini library for the Series 2000 SFX collection featuring water balloons hitting various surfaces, and various handling – from impact splashes, rolls and bounces, to metallic thuds, rubber stretches and dripping.
This sound effects library is all about those bubble sound effects. Water bubble sounds from plastic, metal, ceramic containers – long, short, speedy, slower, distant and close bubble sound effects. More than 500 sounds in total.
The Water Volumes SFX library gets you over 300 sounds of natural hot-springs, bubbles, and liquids of various densities boiling under the effect of dry ice.
A large amount of content was recorded during two weeks spent in the city of Furnas, Azores, where volcanic hot-springs of all kinds are active. Other recordings were gathered with the use of dry ice.
Most recordings will contain energy up to 96 KHz as they were recorded with a Sanken CO-100K at a 192KHz sample rate. Others were gathered with the use of an Acquarian H2A, Sennheiser MKH8040, 416, a Sony D100 and a Tascam DR-05.
The collection was recorded over a trip to Sao Miguel, Azores, and several other recording sessions in the UK.
Sometimes you need that background sound to define the mood: The buzzy insomnia of a flickering light, a lost alien transmission, the lazy spin of a fan above, haunting radio static, the violent rush of air as you free fall into terminal velocity…
With noise sounds recorded from an incredible array of sources, if it goes hum, whir, buzz, or hiss this library has got you covered.
All natural and organic sounding makes this versatile library an outstanding resource for both film and game sound designers.
Generators and Compressors
• Industrial Machinery
• Radio static
• Crackles and glitches
• Ground hum and buzz
• Transportation cabin hums
• Gas leaks, air leaks and bursts
• Air conditioners
• Fans, from tiny to massive
• Force fields
• Sci-Fi Machinery
• and more…
This is the windmills sound effects archive from Morten Green Sound FX
27 soundfiles of totally 62 minutes of sound in 96 kHz 24 bit.
The windmills recorded in this archive are 6 old 45 metre tall windmills, generating electricity on the coast of the small Danish island Orø. They are rather old and worn out, so they generate a lot of interesting noises, especially when you get very close to them.
The structures are from metal, bolted into a concrete foundation with small openings, so you can actually get the microphones underneath the reverberant structure itself, for sounds from inside the windmills. The blades are made from glass fibre and pretty worn, so they give a lot of nice whistling noises.
There are recordings from many different distances to the windmills, ranging from 150 m to right underneath the windmill structure.
Most of the sound files are more than 2 minutes in length.
49 unique winter sounds with over 55 minutes of playtime – including sounds such as footsteps, wind, winter sports and many other like glacier sounds or flowing stream in the snow. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.
WOOD CREAKS is a collection of real recordings of old wood floors, boards, steps, and more – recorded in old (haunted?) houses in Central Ohio. Some of the files are tight on the source for applying your own reverbs to suit your needs, while others feature the space they lived in for maximum realism.
Creaks, Squeaks, Bends, Pulls, Groans, Pops, Rips, Ticks, Door Elements, Weight Shifts for use in Foley, and more.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.