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Metal sound effects

  • The Junkyard Metal sound library includes 3183 clips in 98.49 GB. It collects the sound of metal hits, drops, pick ups, rattles and clatters, rumbles and rummaging, rocking, rolling, and scraping.

    Featuring diverse props ranging from large metal storage containers, diesel tanks, shopping carts, and tractor buckets to to smaller propane tanks, crates, shopping carts, and bolts, nails, and ammunition, the collection provides multiple performances in each clip.

    The sounds were performed from light to heavy intensities and captured at 192 kHz, 24-bit resolution with Sanken, Sennheiser, Neumann, and Schoeps microphones.

    The bundle is delivered with Pro Tools and Reaper mixing sessions, full professional embedded metadata, and metadata keyword import files in 7 languages.

  • The Body Pack 01: Humanoid contains over 80 minutes (554 files) of high quality body falls, impacts & lands on multiple surface types.

    The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.

    The included basic construction kit / original recordings enables further body fall details to be created for more granular focus.

    All assets have been recorded & produced at 96kHz/24bit.
    Included in this pack:

    • Individual Body Fall, Lands and Impacts designed assets
    • Designed assets feature between 2>5 armour types: Chain-mail, Cloth, Leather, No Armour & Segmented
    • Sets of individual body designed assets (3>10 of the individual designed assets in one file)
    • Surface types: Concrete, Grass, Gravel, Leaves, Metal, Pebbles, Rock, Sand, Snow, Undergrowth, Wood & Water
    • Basic construction kits of the original body fall recording with 2 microphone versions (further creation detail can be added with our Armour Pack 01: Humanoid)
    • Bonus content – Surface texture pack: Grass, Leaves, Metal, Pebbles, Sand, Snow & Undergrowth, with various sweetener actions including 2 different mic tracks for each texture listed (excluding metal)
  • Destruction & Impact Sounds IMPACTUS Play Track 423 sounds included $17.40

    A massive collection of 423 impacts, smashes, hits and explosions.

    24-bit impacts, recorded and designed with ice, glass, metal, water, wood and other sources. Clean and processed, from small wood knocks to massive designed bomb blasts and deep pulses.

    All sounds were recorded or designed at 24-bit 96kHz, with embedded meta data.

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  • Horror Sound Effects Squeaks and Creaks Two Play Track 1000+ sounds included, 113 mins total $40

    A big new collection of squeaking and creaking sounds – nearly two hours in total, from a wide range of sources.

    Includes sounds from sources such as:

    Shower glass, metal hinges, garage doors, office chairs, plastic handles, rusty ladders, wooden doors, styrofoam, running shoes, bottle corks, plastic containers, medicine cabinets, rubber gloves, plastic bottles, metal coathangers, rusty pipes, wood deckboard, metal springs, plastic straws, wooden baskets, small metal doors, roll-up curtains, large wooden gates, wood floors, metal wheels, screen doors, sliding doors, metal locker doors, rubber extension cords and more.

  • This library features recordings created using a “Knas Ekdahl Moisturizer”, a boutique spring reverb effects unit where three reverb springs are exposed, allowing them to be hit, played, and manipulated in real time.

    The unit also includes a multi-mode analog filter, and when combined with the playability of the springs, opens up many sound creation options.

    The result is a unique sound effect library of massive metallic hits, clangs, scrapes, plucks, bounces, and rattles. The springs were played like a percussion instrument, using a collection of found objects, such as hammers, mallets, allen wrenches, forks, and plastic / metal rods. The springs were also stretched to alter the pitch, and objects were placed on the springs, much like a prepared piano, to alter the sound.

    No other effects were applied other than the built-in multimode filter (high pass, low pass, band pass, and resonance) on certain sounds. These include sub-sonic hits, sweeping filtered metallic scrapes, and drones that round out the collection.

  • Bundles Beautiful Bells Bundle Play Track 2000+ sounds included, 358 mins total $200

    Discover one of the biggest collections of bells ever recorded with nearly 6 hours of sound.

    Beautiful Bells BUNDLE contains the solo ringing of 76 swinging bells and 135 stationary bells, captured in 62 bell towers, carillons, chapels, churches, cathedrals, basilicas and clock towers across France, with unprecedented quality. Most of the sounds were recorded inside bell towers.

    Swinging bells are struck by a hanging clapper. They have a natural pitch modulation due to the Doppler effect, and a timbre modulation due to varying orientation. They produce a deep and lively sound and are mostly used to announce masses, religious holidays, weddings and funerals.

    Stationary bells are struck by external hammers. They have a steady and rich tone, with a long sustain. They are mostly used as musical instruments in carillons, to indicate the hour in clock chimes or to alert the population in tocsins.

    Every bell size and pitch is represented in this library, from huge 10 ton bourdon to tiny carillon bells weighing a few kilograms. You will find bells founded from 14th to 21st century with a great variety of timbres and tunings, over a range of more than 5 octaves. The sounds are sorted by note from D2 to G7.

    The library contains 2 carillons with 54 bells and 10 bells, available as sound files and virtual instruments (NI Kontakt and EXS24 with round robin).

    You will also get 15 peals of multiple bells, called plenum.

    By sorting the solo sounds by location, you can recreate authentic bell combinations. You also have the freedom to create any custom combination or use the sounds as instruments in musical scores.

    All the sounds in this library were recorded in bell towers or as close as possible to provide great sonic precision and optimal signal-to-noise ratio.

    Over 12,000 kilometers were traveled during six months to get you one of the most exhaustive swinging bell collection ever recorded.


    SUMMARY:

    • Contains BEAUTIFUL BELLS Vol 1 & BEAUTIFUL BELLS Vol 2
    • A total of 227 sounds recorded in 62 locations
    • Wide variety of bells (size, age, tuning)
    • Contains the ringing of 10 bourdons
    • 2 carillons virtual instruments
    • Contains peals of multiple bells
    • Contains a collection of 10 small ancient bells
    All notes from D2 to G7
    • Metadata with detailed information about each bell


    SPECS:

    • 96KHz/24bit
    • Very low noise
    • Metadata UCS-compliant
    • Mainly recorded with Sennheiser MKH 8040

  • Fine Sand Debris is a collection of fine sand being poured, dropped, thrown and cascaded across metal, plastic, and wood materials. The high sample rate of 192k makes these sounds great source material to be twisted and stretched to the heart’s desire.

  • The All Metal sound effects library features 765 sounds of metal clashing, clanging and resonating as metal pieces are rummaged through, dropped, and tossed. Create with the various distinct sonic properties of metal objects — from squeaky gates, rattley wires, ringing wrenches, warbling sheet metal, clattering swords and more.

    Each sound was pristinely recorded at 192kHz with lots of variations for more creative freedom. Uncover the sonic treasures that await as you pitch and process the squeals, squeaks and moans of the metallic debris for limitless sound design opportunities. Strengthen your projects with the distinct buzzing, scraping and reverberation of metal impacts for both literal use and creative implementation as layers for intense sound design.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 765 sound effects (2GB)
    • 24 bit/96k, 24 bit/192k broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    • Saro Sahihi
  • Glass and Metal Clouds are the result of experimenting with the tonal and noise elements of a glass or metal impact via granular processing. Various household objects were struck and recorded, ranging from metal shovels, desk legs and brass ornaments to glass and crystal objects – basically anything that would ring after it was struck.

    The recordings were then sent through ‘Clouds’ and processed with gentle, chaotic modulation by a combination of sloth chaos modules and standard cyclic modulation resulting in drones that gently sweep between musical tonal sounds and the random noise produced by the strike and are ever evolving; some more than others.

    Sometimes some surprising sounds came out of the drones and I let them run, some were kept quite constant with only a subtle amount of modulation so there is a lot of variation in the pack.
    The sounds came from my need as a sound designer to embed strange mood, emotion and feeling of uncertainty into everyday ambience.

  • The Machine Factory library delivers 265 unique impact & foley sounds with over 26 minutes of playtime – including sounds such as metal doors, stairway, wood impacts and many other like metal impacts or thundering metal. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.

  • Metal Sound Effects Metal Contact Play Track 136+ sounds included, 230 mins total $24

    The Metal Contact sound library features the recordings of various metal surfaces tortured with different tools. From touching things with fingers, through hitting with metal bars and up to using blenders or magnets to cause the materials to resonate.

    While recording this library my goal was to cover different needs, not only for sound designers but also editors. Scrapes and squeaks were recorded with different intensity and speeds, just like the impacts. From soft and quiet, through medium up to loud and reverberant ones.

    In addition to the regular approach of just touching, hitting and scraping metal parts, I’ve decided to record few experimental sound effects. Listening to the tons of water flowing through a dam, by sticking the microphones to the building’s wall? You got it. Messing with guitar strings using a blender and magnets? It’s here. Throwing coins and different metal parts inside cast iron cooking dish? No problem!

    Includes recordings such as:

    Different lids, cast iron dishes, metal pots, baking forms and sheets, bullet catcher, different boxes, cooking oven, sinks, fan, pans, grills, coins, small tools, different jugs, electric guitar, buckets, washing machine, metal parts, old doors and walls, road sign, handrails, cages and much more.

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  • Fully over 6 tons of metal was pummelled during the making of this sound library. Prepare for some serious metal impact recordings with this massive SFX collection that will be the go-to for game sound design, trailers, and film. Recorded over several months with precision recording techniques and discerning ears, this hard-hitting, vast library will serve any serious sound designer well for years to come.

    Capturing Intense Metal Impacts

    After recording a few dozen metal impact sounds with a standard close-mic recording setup, we were just not getting the next-level quality we wanted for this library. The recordings had an overbearing proximity feel and the sharpness of the transients was fatiguing our ears. With time, experimentation and a lot of listening we found a formula which changed the game completely. We want to share some of our findings with you!

    Microphone Setup Positioning 1

    Using a stereo pair of Sennheiser mkh 8040s feeding into a Mix Pre 6, the first step was to change up the mic positions into some balanced but unusually placed, more distanced configurations. For the sound pressure levels (SPL) that the impacts were throwing out, mid-distance recording positions were providing a broader frequency, more balanced overall feel. It might be obvious, but taking the time to position the mics and find where the nodes of sound waves are most interesting is key. At this point in our setup, the captures of the old metal cabinet we were pounding already started producing some very interesting results.

    Microphone Setup Positioning 2

    Getting within striking distance of the quality target, we still found that the recordings were not celebrating that resonant bass personality that is particular to metal objects and surfaces. To address this, we brought in a LOM Geophon contact mic which we do recommend to pick up low end frequencies beautifully. Positioning the Geophon at different nodal points on the metal surface – which was entirely different for each surface used – we started getting some well balanced low end into the recordings. The captures were really starting to get to where they needed to be; the bass was there, the frequency range was there, and above all, the complex personality of the metal impacts was really pouring through the headsets. Almost there, some truly fantastic audio captures.

    Microphone Setup Positioning 3

    The final touch was added to the recording setup when a fourth microphone, a shotgun Rode NTG2, was added to the mix. The shotgun mic was pointed directly at the source of the impact with mid-low input gain to bring in a present but balanced transient into the impact recordings. Absolute magic – the quality target was achieved and even surpassed. For recordings like these we can definitely recommend multiple microphone positions, and a high quality contact mic is essential. For each object and surface used in this Metal Impacts SFX Library, either one of the recording formula described above was used to capture the best sounding metal impacts, shakes, resonances, rattles and rings you will ever own.

  • The Tool Pack 01: Drops contains over 90 minutes ( 350 files) of a variety of tools and decorating items drops, impacts, rolls & slides, allowing for a huge array of custom variations to be created.

    The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.

    The included basic construction kit / original recordings enables further custom asset details to be created for more granular focus.

    All assets have been recorded & produced at 96kHz/24bit.

    Included in this pack:

      • • Individual Designed full sequence drops (Impacts, Rests, Rolls, Slides, etc…) Ready to use

     

      • • Basic construction kits of the original recording, Including Bounce, Rests, Rolls & Slides, with multiple variations.

     

      • • 20 unique tools / items types each with their own characteristics

     

      • 4 main surface types: Concrete, Metal, Rubber Foam, Wood.
  • Carma Studio is excited to bring you a library of over 260 metallic textures!

    Startling you with low-end dark atmospheres to high brittle sizzle, this collection of hits & bangs, flutters & rattles, screams & moans, contact scrapes, iced fizzles, contractions, stretching, cracking and more covers the sounds of metal stressed out.

  • Mechanical Sound Effects Lifts & Elevators (EA) Play Track 350+ sounds included, 140 minutes mins total $50

    This library contains a collection of sounds sourced from 22 different elevators found in the following locations:

    • Apartments
    • Car Parks
    • Libraries
    • Offices
    • Theatres
    • Universities
    • Warehouses

    Each elevator has its own unique characteristics featuring creaks, groans, impacts & rattles. All elevators feature roomtones, buttons, doors opening & closing (both interior & exterior perspective) and in motion using the Sound Devices Mix-Pre 6, Sennheiser MKH 416 and Sennheiser MKH 8020 stereo pair at 24bit/96khz for all your sound design needs.

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

  • Metal Sound Effects Ilmarinen Play Track 302+ sounds included $20

    This collection encompasses the foundations of a blacksmith audio library.  Hits, grinds, machinery, tools, and squelches are all included.

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  • Here’s lots of dragging, sliding, scraping and friction sounds of different objects made of wood, plastic, metal on various surfaces. Find the true sound of it with Vadi Sound Library.

     

    About Drag & Slide

    477 files that are clean, impactful and capture pretty much every material, surface and action.

     

    The sounds are broadly grouped as:

    Action: Drag, Scrape, Roll, Impact, Rattle, Swirl, Fall, Drop, Friction

    Material: Rock, Wood, Metal, Plastic, Cloth, Ceramic, Stone and more

    Object: Household Objects, Furniture, Tools, Kitchenware, Office Objects, Clothes and more

    Surface: Stone, Glass, Ceramic, Metal and more

    Style: Fast, Hard, Medium, Slow, Soft, In Intervals, Tonal, Squeaky

    What makes this collection handy is the clarity and diversity of the sounds. These meticulously recorded sounds have both practical usability and room for further sound design.

    You will get intuitive, detailed naming, UCS compatibility and the usual Vadi Sound craft and attention to detail in 477 pristine sounds. Recorded in 24bit-96kHz.WAV format on our favorite Sennheiser MKH 8040 stereo pair in A/B and ORTF.

     

    What else you may need

    You may also want to check out Lots Of Chains Sound Effects Pack for 450+ sounds in 150 SFX files that capture pretty much every material and action of the chain, and our bestseller Crafting and Survival Sound Effects Pack for 1000+ survival, gathering, movement and crafting sounds.

  • This sound library introduces reverberant aggressive metal rampage with just a hint of subtlety right before the enormous sound rushes to deliver a piercing brutal blow.

    Featuring creeping evolving metal pressure and resonating rattle, gritty friction and massive rumble, explosive impacts and fierce slams, vicious screeches and nerve-racking squeaks.

    Explore and layer meticulously edited source material or drag and drop high-end detailed sound effects designed for instant devastating damage.

    With plenty of experimentation and unique processing, this library introduces a fresh sound palette for action adventure and horror genre, trailers and in-game cinematics.

    This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.

    WHAT SOUND PROFESSIONALS SAY:

    Victor Mercader – AAA Sound Designer (Apex Legends)
    “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”

    Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
    “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”

    Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
    “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”

    Ginno Legaspi – SoundBytes Music Magazine‎
    “Slava is back with another aggressive and energetic sample library called Resonating Metal Force – a 680 strong collection of modern metal effects captured using various tools and high-end studio equipment. The source material was edited and processed professionally for instant use. These sounds are primed for experimentation – whether you add your unique processing, layer several WAV samples or slice and dice to your heart’s content, the sky’s the limit. This sound pack is another winner.”

    Yarron Katz – AAA Composer and Sound Designer
    “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”

  • The Car Destruction sound effects collection contains chassis scrapes, dragging, flipping, road rail scratching, multiple car chassis dropping takes include rolling down a slope, falling onto the ground, and impacting other cars.damaged engine idling and slow to fast driving with gearshifts, ramps, and steady RPMs from both onboard and exterior perspectives both on two cylinders and without oil and more.

  • This sound library contains a wide variety of creaks, squeaks and squeals. All content was recorded using high-quality, professional equipment, such as Sennheiser MKH-8050, Neumann Kmr81i, Rode NTG3, and Sony PCM-d100.

    This unique sound library contains 145 files with over 1300 high-quality sounds from a wide variety of sources, including materials such as glass, rusty ladders, wicker baskets, vintage leather jackets, and large ovens. These sounds can be used for traditional foley, eerie horror, or for any sound design you can imagine. Metadata is provided.

  • Environments & Ambiences Wind Born Movement Play Track 97 sounds included, 245 mins total $15

    A collection of various objects moved by varying strengths of wind.

    Textured and tonal friction, scrapes and squeaks, erratic rattles, knocks, taps and vibrations.

    Perfect or adding background elements to eerie, deserted, abandoned environments and atmospheres.

    Recorded at various locations with Sound Devices Mix Pre recorders and microphones include LOM Geofon and Usi’s / Stille and Klang Contact Mics / DPA 4060’s / Sennheiser MKH 8000 series mic’s

    Files are stamped in Soundminer with detailed UCS compliant metadata.

  • Metal elements is a metal, iron, steel bonanza of hits, impacts, slams as well as mechanical sounds, levers, clicks, drops and drags. This library is especially suited for anyone looking to design sounds that are metallic in nature. The sounds contained in this library will also work fantastic as foley pieces to spice up fights, robot movement, crashes or any action scene for that matter.

    Some of the sounds found in the library make use of a contact microphone to add to the lower end frequency that would simply not translate using just a shotgun microphone.

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  • The ultimate metal sound toolbox with all the sounds you need for your metallic cravings!

    METAL PHYSICS IMPACTS & MOVEMENT SOURCE contains 4265 sounds in 104 categories weighing in at 14.6 GB!
    This library includes impacts with 3 velocity layers, drops, slides, rolls, tumbles, with multiple speeds (all looping).
    Most sounds have been recorded with both a close and wide perspective for maximum flexibility.

    All sounds are tagged with metadata

  • Ice Sound Effects Ronks Play Track 92+ sounds included, 11 mins total $18

    Ronks is a collection of metal screaming, groaning, and resonating. This library primarily features dry ice resonating a large air duct in a variety of ways, but also covers a variety of smaller metal objects like cans, spoons, and small bits of metal.

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