Home Instruments Page 3
Various musical instruments
Mind States is an experimental sound library that includes different types of tones known for altering the state of mind of the listener
The thoughts and emotions of an individual are communicated by neurons within the brain. The interaction of neurons causes brainwaves and these vary according to the mental state of the individual. With an external stimulus like audio, we can synchronize brainwaves to the frequency of the audio and attain a desired mental state. This is achieved using Binaural Beats, Monaural Beats, or Isochronic Tones, where the difference between two tones is perceived as a pulsating ‘Beat’ which synchronizes with Brainwaves.
This library is created by our specialist team who have designed sound and music for some of the world’s most respected spa/relaxation companies. Our Audio Craftsmen have researched and experimented, creating different tones in different frequency ranges to trigger different psychological responses. The files were created using the purest tone generators available so that the brain will not be disturbed by additional harmonics of the waveforms.
These are categorized into Delta waves (0.1Hz to 4Hz), associated with deep sleep and relaxation; Theta waves (4Hz to 8Hz), linked to REM sleep, meditation, and relaxation; Alpha waves (8Hz to 13Hz), which are responsible for positivity, anxiety, fast learning, etc; Beta waves (13Hz to 30Hz), linked to increased concentration, alertness; Gamma waves (30hz and above), when we are in peak awareness, tension, etc.
Our library consists of Binaural Beats, Monoaural Beats, Isochronic Tones, and Solfeggio Frequencies which are said to alter brainwaves. Each of these includes tones covering the full spectrum of brainwave categories. All files are in 24Bit 96KHz, totaling 7.2GB.
This bundle is a perfect choice for Spa and meditation centers. Also, these tones can be used for experimental music, films, ASMR, and even for self listening. No doubt, you will be getting an exceptional audio experience in your projects with this library. Try combining our tones to build your own unique experiences!
Here are the included folders:
⦁ Binaural Beats: Two pure tones of slightly different frequencies are played together (one tone per ear).
⦁ Monaural Beats: Similar to Binaural Beats, except the two tones are played in mono, and the resulting difference in the tones are perceived as a separate tone in our brain. Monaural Beats are considered to be more effective than Binaural Beats and can be played through one speaker.
⦁ Isochronic Tones: These are single tones turning on and off at regular intervals, which results in a rhythmic pulse. These are widely used for Brainwave Entertainment.
⦁ Solfeggio Frequencies: These frequencies were used in the ancient 6-tone scale and believed to be used in several ancient sacred music styles. These tones are said to have capabilities in promoting various aspects of physical and mental health.
⦁ Pads: An additional folder that includes a variety of soft and focussed pads, perfect for layering with the included tonal elements.
We did recordings of interferences, hums, buzzs, dc noise and statics, using an electromagnetic sensor as microphone.
All recordings have been imported into Serum Noise Oscillator and Wavetable Oscillators to achieve a collection of organic sounding presets.
The “AR_K Facility” is a collection of libraries, comprised of several volumes, each of which has a single or multiple Kontakt instruments. The entire series is centered on unusual percussion sounds with a lot of editing possibilities and several onboard effects. Each Volume (called “Level n”) has a distinctive set of basic sounds that can be used for composing and producing purposes – like a drum machine – as well as for soundtrack composition and sound design in films, videogames and any other multimedia product.
The second volume (called “Level 2”) is a collection of five different instruments with several percussion sounds and a lot of sound manipulation possibilities each.
The instruments in the library are:
– Crushing Anvil
– Deep Space Craze
– Devil’s Forge
– Iron Screeches
– Robotik Breakdown
Explore the Vibrant Soundscape of South Africa with Our “Vuvuzela” sound effects library!
Dive into the rhythmic echoes of culture and celebration with our collection of Vuvuzela sounds, a truly iconic symbol of South African spirit. This library features an assortment of Vuvuzela recordings, captured from an array of distances and intensities, ensuring you have the perfect blast of sound for any project.
Whether you’re after the raw energy of a stadium atmosphere or a subtle hint of the bustling streets our mono and stereo recordings offer flexibility for your sound design needs.
Unlock the heartbeat of South Africa with these dynamic sounds that are sure to captivate and inspire!
Also available as part of the “South African Bundle” collection.
Notre Dame de Paris and other monuments large bell rings hours and mass – close recording
Melodic – Single Hit – Multiple Bells
The charming & quirky digital sound of the OP-Z is now coming to the most popular DAWs and samplers. All 62 patches from my previous OP-Z patch dump MPC Expansions have been converted one-by-one into industry standard SoundFont files and other formats that are supported by a wide variety of samplers and DAWs.
I’ve been going through the samples of the original expansions one by one, cleaning them up and finding the perfect loop points so that all of them (save for some percussive patches) now offer infinite sustain. All samples are completely free of noise, recorded at 24bit / 44.1 kHz and stored as simple WAV files which makes them easily usable outside of the pre-mapped patches.
Compatible samplers include: exs24, Ableton Sampler, NN-XT, NN-19, Bitwig Studio, UVI Falcon, Sforzando, Halion Sonic.
800+ sounds from one of the most complex and varied sounding instruments that we’ve come across in our junk shop travels. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
This is a fretless German harp zither, which differs in quality significantly from concert zithers, which have several strings with fretted necks beneath them. This version was manufactured by Friederich Menzenhauer, the father of the zither in the US. Zithers of this kind are notoriously difficult to identify because they contain no distinguishing marks on the bodies themselves, and the only branding is on the paper label deteriorating inside the soundhole.
Our version had been worn beyond all repair through decades of age and neglect. Broken strings, creaky wood and a great resonant cavity gave us a massive collection of sounds ready to be bent and twisted.
We did much more than just throw a couple of mics up and pluck – this instrument was recorded with a stethoscope mic, a lav inside the cavity, overhead xy, room mics, and more. We banged, scraped, bowed, ebowed, and thumped every last noise out of this one in three separate sessions. The end result was a collection of about 5 Gb of edited stereo 24 bit 96k sound.
The Kontakt instruments are where the real magic happens with this instrument. There are presets for horror string hits, angelic and demonic pads, old creaks and more. The zither barely survived, but it gave us an array of sounds that are very different from what you’ll get from a properly tuned and maintained instrument. It is the uniqueness of the decay that gives our zither its character.
Cinematic Horn – Over 100 plug-and-play cinematic horn braams and sting sound effects.
The all-time classic ARP 2600 was a synthesizer that was an immediate hit with musicians and sound designers when it was released in 1971. Most famously, it’s the very synth that Ben Burtt used to give R2D2 his unmistakeable voice.
Semi-modular in nature and with many handy features like voltage modifiers, lag control, ring modulation, a comprehensive noise generator, sample & hold, and 3 independent oscillators, it comes equipped with more features than you’ll find in many of today’s analog synthesizers.
Thanks to the Alan R. Pearlman Foundation and the non-profit studio The Record Co. I was able to access an original, mint condition ARP 2600 that is beautifully maintained and lock myself in a studio with it to capture nearly 7 hours worth of raw sound design material.
Putting the 2600’s immense sound design potential to use, I created this library to help you give robots a voice, create otherworldly ambiances, score computers with the obligatory “bleep bloops”, and craft larger than life weapons with a distinct retro SciFi flair. I also captured the physical, mechanical sounds of patching cords and moving faders on the synth using a pair of LOM Uši Pro. These sounds are included in a dedicated subfolder.
The resulting sounds range from droid chatter at various root pitches, impacts, drones, noise, and lots of other sonic source that begs to be pitch-shifted and mangled. In fact, the ARP 2600’s pristine analog circuitry and my high-end recording chain capturing it at 192 kHz means that most of the final material features high-frequency content ranging up to nearly 90 kHz!
This means that you can pitch-shift most of these sounds down by up to 2 octaves and uncover new harmonic content along the way. By recording at 32 Bit with the ultra low-noise Zoom F6 and Rheingold Music cables, these recordings are extremely clean and hold up well to intense processing.
While highly abstract in nature, these sounds are a great basis for building:
Metadata: UCS file naming, SoundMiner, Soundly, BWF
Recording Specs: 24 Bit / 192 kHz for the majority of files. 96 kHz for files with less ultrasonic content, Stereo and Mono recordings.
File Format: WAV
Gear used: Genuine ARP 2600 Model 3620 (1974), LOM Uśi Pro Mics, Zoom F6, Rheingold Music Cables, Radial Pro D2 DI Box
Processing: Level adjustment, crossfades, spectral noise reduction for recordings using built-in spring reverb.
Introducing the Plonk Percussion Hits Collection, a UNIQUE percussion sample package with over 200 files! This collection features samples from the renowned Plonk physical modeling percussion synthesizer. These sounds are perfect for live performance, hardware samplers, or software samplers and drum plugins like Battery.
Epic Stock Media’s Game & Film Logo Transitions collection brings producers and sound designers a carefully handcrafted, versatile and wide ranging catalog of the most useful designed motion graphic sound effects for audio branding, intros, outros, twitch, youtube, explainer videos, audio logos and title screens. Inside you’ll be able to utilize over 400 original audio assets that will help you make polished sonic branding sound types like movements, transitions, reveals, appears, disappears, cinematic’s, and accents especially useful for audiovisual needs and productions.
Unleash the power of the low end with this exclusive sample pack! Packed with 229 meticulously crafted sounds (422 MB), this collection delivers a treasure trove of deep, sub impacts and effects designed to bring weight and intensity to your productions.
229 Sounds: A mix of low-end impacts and FX, perfect for adding cinematic depth, sound design flair, or driving energy to your tracks.
High-Quality Audio: Recorded and processed at 24-bit, 96kHz to ensure pristine clarity and maximum headroom for your mix.
Versatile Applications: Ideal for film scoring, video game sound design, trailer production, or any music genre where you need heavy-hitting low-end textures.
From bone-shaking impacts to atmospheric sub-bass FX, this pack is the perfect toolkit to elevate your sound. Download now and feel the boom!
Please keep in mind that downloads through asoundeffect cannot be free. Therefor a 5$ hosting fee was implemented.
AUDIO SUMMONERS
This is a sound library that contains a wide variety of sounds from bells and chimes.
Features:
Imagine the visceral sensation of particles shifting and evolving, the subtle textures of organic materials swirling and twirling, and the eerie sounds of supernatural change. With “Elemental Mutation,” you’ll have access to this unique collection of SFX loops that capture these experiences in intricate detail. Inside you’ll find over 1000+ designed and organic seamlessly loop-able morphing particles, evolving textures, and organic mutations sound effects perfect for creating soundscapes, ambiences, entropy, high detail or layers in a soundtrack. This comprehensive library captures the subtle nuances of growth and evolution, as well as the uncanny and unsettling sounds of unnatural transformation.
Few companies have shaped the role of drum machines in music quite as significantly as Roland. In the 1980s, they created a set of machines that have since become legendary and are still being used today, be it in hardware form or (most commonly) as samples. The TR-707 is just as recognizable as its siblings, the 808 and 909, and features a set of digitally sampled sounds that’ll be instantly familiar to anyone hearing them. Sonically, it sits somewhere between a LinnDrum and TR-909 with two punchy kicks, two relatively low-pitched snares with snappy transients, a 909 hi-hat and cymbals, a capable clap, nice “woody” toms, and a classic low-pitched cowbell and rim.
With digital memory at a premium at its release, its digital samples were stored in resolutions of 8-bit for drums and percussion, and 6-bit for cymbals. This is no doubt one of the factors contributing to this machine’s crispy sound that is remarkably clear given the limitations of digital audio at the time. A trick that Roland employed to avoid low bitrate dithering artifacts during sample decay was using analog envelope generators that attenuate the individual sounds after the 707’s D/A converters. This is why the 707’s sounds decay much more gracefully than those of some of its digital contemporaries.
With its ability to send and receive MIDI, sync external hardware, and output sounds on dedicated outputs, this drum machine had all the necessary features in place to make it mainstay in many artists’ studios. As such, it can be heard on countless records either providing all drums or often times specifically lending a song its punchy kick and snare.
Of course, I’m aware that there are many 707 sample packs already out there. What makes this pack stand out however is the sheer amount of sample varieties and the clarity of the raw samples. Having recorded a pristine 707 using Rheingold Music cables, a DIYRE Fe2 DI with CineMag transformer, and high-end Antelope Audio converters at 24-Bit / 96 kHz ensures that the raw samples are the cleanest available anywhere.
To create 707+, these samples have then been processed in numerous ways, exploring the full potential of the machine’s 15 sounds. I recorded them to 1/2″ tape using my restored Tascam 58 reel-to-reel multitrack tape machine at 15ips, 18ips, and 12ips to infuse the samples with analog warmth. I then captured these same recordings at different speeds to create the kind of clean re-pitching only tape machines can achieve.
Next, I recorded the sounds onto cassette tape using a 1965 mono tape recorder originally intended for voice memo and PA use. Needless to say, the resulting samples are super grungy yet retain a lot of punch. I captured them at different input gain levels to achieve varying amounts of distortion and saturation.
To further go down the LoFi rabbit hole, I captured the raw samples using a teenage engineering po-33 K.O! sampler that uses really punchy 8-bit A/D & D/A converters and re-pitched them yet again for that ultimate LoRes grit.
Ultimately, I didn’t want to put out this pack without putting a uniquely personal spin on these samples. That’s why I pooled together all of the above mentioned sounds and utilized some sophisticated processing and layering techniques to create a contemporary drum kit with bucketloads of punch. This kit is suitable for anything from trap to lo-fi and is unlike anything you’d expect to come out of the TR-707.
Cinematic Risers created using bells to give an eerie atmosphere
Risers perfect for Sci-Fi and Horror projects OR for Cinematic Trailers!
Recorded and exported in 24/192Khz
So, this pack happened sort of on a whim. Armed with a new field recorder and eager to test its capabilities I recorded some sounds my bike makes. I quickly found that these little samples had a lot of potential and immediately started manipulating, layering, and mangling them into a fully fledged drum kit. This kit covers everything from seat-smacks turned 808s, spoke flicks turned snare drums, and freewheel hubs turned hi-hats.
So here it is, “SPØKES”, a super off-the wall drum kit that is 100% original, 100% bike sounds, yet 100% musical at the same time. This kit was a blast to make and I hope you’ll be having just as much fun using it in your productions.
Important: These are not the kind of bicycle sound effects you’d want if you’re looking add believable sound to a bike onscreen. This is a set of samples specifically targeted at music makers and as source for more experimental sound design.
The DX7 is a synth of near unmatched significance to music history as it essentially defined the sound of music in the 1980s. Being the first affordable digital FM (frequency modulation) synthesizer, it quickly found its way into the arsenals of everyone from hobbyists to superstars alike. The immense potential of FM synthesis stems from its complex algorithms defining how different oscillators can interact, while being very light on computing resources. These made it possible to recreate lots of different acoustic instruments somewhat convincingly but also to create sonic tapestries and sound effects that had been unheard of at the time. Pair this with velocity sensitivity and 16 voice polyphony and you can see that the DX7 made for one seriously capable performance synth.
Throughout its life, the DX7 had several VOICE ROM cartridges released for it which gave users access to new sounds both from Yamaha and third-party sources. For this library, I sampled the VOICE ROM 3 cartridge which contains 64 recreations of band and orchestral instruments. As always, these samples have been sampled meticulously using high-end converters, several samples per octave, and multiple velocity layers where appropriate.
KING OF STRINGS is the first Octobass sample library for Ni Kontakt.
Featuring the sampling of the unique custom made “Bohr-Moneta” Octobass.
There are only 4 octobasses in the world, this instrument is the perfect way to add the power of a rare bass instrument to your music compositions, giving an organic flavor without sacrificing the natural rough sound of a string instrument.
NOTE: KING OF STRINGS is an instrument for Ni Kontakt, it requires full version of Kontakt 5.8 or highter versions
With extreme low-end depth and sonic clarity, BOOM features 130 boom sound effects spanning from abstract, resonant tones to signature, impactful hits, offering full coverage of the low-end spectrum.
The range spans from dark, obscure tones to low-end booms layered with signature sounds, degraded low-end textures and long tails of bass frequencies. All sounds are labeled with key information.
For cinematic projects and a variety of media where low-end sound is key, BOOM is a valuable addition to your sonic palette, delivering bold, atmospheric depth and precision to your audio.
Create dramatic tension, immersive environments and impactful sound design.
Eastern Instruments Designed Bundle Vol. 1 features an array of unique sounds inspired by a wide range of cultures. Travel to a distant Eastern land shrouded in mystery and intrigue, where history, culture, and innovation fuse into an unforgettable sonic experience.
Experience the rich soundscapes of Eastern traditions brought to life in this stunning library series, inspired by iconic worlds like Ghost of Tsushima and Shogun alongside influences from the rich musical heritage of India and China. Capturing an authentic performance by a traditional Eastern instrumentalist trained by a Master of Japanese Arts in Tokyo. Featuring the Tsugaru Shamisen, Kanun Harp, Ocarina, Den Den Daiko, Flutes and many more. This 6.17GB collection includes 3 volumes:
Eastern Instruments Designed Vol. 1:
A collection of 30+ unique and abstract ambiences.
Eastern Instruments Designed Vol. 2:
A collection of 30+ cinematic stingers.
Eastern Instruments Designed Vol. 3:
A collection of 30+ musical phrases and decorations.
Each recording has been meticulously crafted, edited, and manipulated to form a unique series of risers with a wide variety of intensity that blending tradition with modern sonic exploration. This library is a perfect for adding depth and authenticity to your Film, TV & Game trailers, projects, or productions that take place in an eastern setting. Use these sounds to inject cinematic elements with a musical edge and eastern influence into your sound design.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
Chaotic precision and intensity, crafted for maximum impact. DESERT TRASH brings 170 WAV sounds to the table, ranging from subtle signatures and call-response elements to brutal, hard-hitting sound design.
From intimate signature sounds perfect for intros to brutal bursts and head-spinning tones, these samples combine modern design with rich tonal complexity.
For sci-fi futuristic trailers, otherworldly atmospheres, and when you need dramatic accents or want to add extra punch to your arrangements, DESERT TRASH has you covered.
Each sound is crafted for maximum impact and ease of use and ready to add an alien tone to your projects with no further processing required.
Signature Sound Collection
Introducing Devils Bane Trailer, a chilling symphony of horror encapsulated in 533 meticulously crafted sound files, ready to unleash terror upon your audience. Dive into a nightmare realm where every creak, whisper, and shriek is meticulously designed to send shivers down your spine.
This soundlibrary arises from recordings in the city with the LOM Géofon microphone on metals such as traffic lights, signs, road separators, mailboxes, among others.
After working these sounds in post production, this library comes with 40 incredible drone sounds that will bring your vídeo, trailer or movie to life.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.