Atmospheric drones and ambiences – light and dark, beautiful and eerie, lively and serene
Thunder Tube offers you an extensive collection of sounds from a unique resonant source, ideal for any sound design purpose.
Tibetan Singing Bowls – The ancient brain entrainment methodology for healing and meditation. Tibetan Singing Bowls have been used for centuries for healing and meditation purposes. They create a range of sounds to restore the normal vibratory frequencies of diseased and out-of-harmony parts of the body, mind and soul. They are also used for sound baths, which is when participants lay on the floor and let the waves of sound from the Tibetan Singing Bowls wash over them.
9 total bowls were recorded. Notes C, D, D#, E, F, G, A, A one octave up and B. A variety of bowl sizes were used from 8 to 12 inches.
30 ear piercing samples created from organic recordings which were then stretched and manipulated using various professional plugins.
Recorded using the Sennheiser MKH 8020 Stereo Pair and Sound Devices Mix-Pre 6, this library is delivered to you at 24bit/96khz for all your sound design needs.
Sounds of a tortured, tormented and ultimately destroyed vintage piano.
Utilising tools including sledgehammers, axes, hand saws, screwdrivers, pliers, hammers & mallets, this library features the eerie sounds of distressed wires as well as huge impacts with musical tails.
Multiple microphones were used to capture various perspectives of the destruction including; Jez Riley French C-Series contact stereo pair, Sennheiser 8020 stereo pair, Schoeps CCM4/CCM8 MS and the Sennheiser 416. The Sound Devices 788T was utilised as the recorder.
Trailer Instruments Designed contains a variety of effects captured from abstract instruments and manipulated into impacts, drones, stingers, risers and more by our award-winning Sound Designers. We recorded our custom-built Waterphone, Dulcimer, Thunder Tube, Hand Drum, Bells, Violin, Guitar, Chimes and more.
These sounds are perfect for accentuating music tracks and adding a cinematic edge to trailers or full film scenes. All effects were recorded in 24Bit 96kHz, allowing for further sonic manipulation.
If you need some designed effects with a natural, abstract tone, this library is for you! Trailer Instruments Designed is ideal for use in Film, TV and Game projects, and will make a perfect addition to your sound design arsenal.
Here are the included folders:
Drones: Build tension with airy and tonal drones that blend well with music and effects.
Impacts: Huge trailer impacts made from natural recordings.
LFE Rumbles: Extended recordings were manipulated to bring huge rumbles to your tracklay.
Risers: Unique and edgy riser effects will heighten the builds and drops in your project.
Stingers: A great way to add strange, tonal elements to your mix.
Sub Drops: Huge low end drops, perfect for layering with impacts and other sounds.
Find more of our sound effects in the store: 344audio.com/store
Over 500 sound design broadcast, interruption, noise, buzz, and hum sound clips in almost 2 GB of audio. Includes tones, drones, and accents crafted to simulate transmissions and interference for science fiction and terrestrial projects.
This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.
The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.
This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!
Twisted Reality – Drones & Other Worlds, brings you 50 dark, twisted, ominous and magical drones / underscores for all your sound design needs. Perfect to create that unworldly atmosphere in your theatre show, film or game. Made from original field recordings and twisted into something quite different, the styles vary from monotone drone to full soundscape. All styles covered from, the condemned man’s last walk, to the Snow Queen’s, Ice Palace, and with most of the files over 3 mins, there should be plenty there to cover your scene.
Twisted Zither features recordings of an old zither being plucked, scraped, hit, and shaken. The library includes string hits, wood hits, tones, and different resonant sounds using a number of props such as mallets, african shakers, keys, coins, a metal beam, and fingers.
If you're looking for organic, wooden – and eerie – sounds, this one's not to be missed.
UnEarthy Ambience features 74 designed ambiences ranging from eerie organic textures, thick industrial machine rooms, and futuristic sci-fi atmospheres.
Add a polished layer of subtle tension, evolving textures, otherworldly roomtones, complex soundscapes or natural environments twisted into new spaces. UnEarthy Ambience gets you 2.8 GB of dark, futuristic, organic, designed drones and soundscapes from original field recordings and modular synth sampling in total.
This sound collection contains 119 abstract ambiences, most of them as seamless loopable files. Their moods range from deep mysterious over science-fiction to chaotic glitches and weird noise.
Additionally, the Shepard Ambiences' 2×44 files are included.
Electromagnetic informations are invisible and omnipresent. In every city, especially the big ones, an infinite number of electromagnetic waves is hidden: we can’t hear them, but they’re everywhere! Unseen Noises explores the “invisible” noise pollution transducing electromagnetic fields into audio signals with a telephone pickup: it acts like a radio antenna for hum and weird electromagnetic noises.
“We used telephone tap coils that receive electromagnetic signals around us and convert them into audible information to discover invisible and surprising aspects of the environment in which we live in.
To widen our sound palette, we explored cell phones, tablets, light systems, automated teller machines, wireless communication systems, anti-theft security devices, surveillance cameras, computers, navigation systems, wireless Internet routers, neon advertisings, public transportation networks.
We just used the system of electromagnetic induction as way of amplifying musical sounds. Our efforts were focused on finding “articulated” behaviours and other musical qualities in them.
Note that the files contained in “Unseen Noises” are real performances executed on different devices without editing.” – Matteo Milani
Need to create suspense, tension and mystery in your production? “UNSOLVED” is great for you.
Inspired by crime/investigation movies and series, this pack contains 141 Sound Effects (Wav, 24 Bit / 96 kHz) aimed to enhance the tension and drama of movies, games, series and trailers.
You will find atmospheric and musical elements with a powerful cinematic feel that can be used in musical context too, making this library a great addition to your collection.
This surreal time of COVID-19 and global lockdowns has inspired me to experiment with previously recorded urban soundscapes.
City streetscapes have been stretched and manipulated to create eerie, foreboding drones and a sense of desolation.
Stay healthy and stay safe.
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
TH Studio Production presents VANDRIA, an epic cinematic vocal library, featuring the voice of the singer Megi Angelova.
Born in Bulgaria, Megi Angelova is a singer/songwriter based in London, UK. Coming from a background of musicians and artists she always has been fascinated by art and music which inspires her to look beyond the frames and to experiment with different styles of music, vocals, lyrics, musical instruments and sound effects .
The library includes a version for the full Kontakt 5.8.1+, and a .wav version:17 Kontakt 5 instruments:
• 2 Types Vocal Legato
• 2 Types Vocal Legato Portamento
• 2 Types Vocal Legato Sustain
• Vocal Music Phrases : Cm , C#m, G#m, Hm .
• Vocal Whispers Phrases
• Vandria Pad
+ WAV version
Contact microphones allow us to record vibrations and resonances in solid objects
The resulting spectrum is rich in low-end and has impressive dynamics. This could easily expand your sound toolkit with a great number of interesting elements and textures for any kind of SFX production: Movies, TV, trailers, game audio, electronic music and so on.
I picked up lots of wood, metal, plastic and many other objects (including bats on old attic) to record this library, which is divided into categories, like: bow, brush, debris, hit, hum, metal, ratchet, scrape, spin, water and etc.
All recordings were made at 96 kHz sample rate for further manipulation, and they’re categorized by source objects and contain metadata.
If you are looking for nice addition to your SFX production arsenal – this library is for you!
Vinyl Record Noise is the first sound library from Oddball Audio. The library features eleven 10” blank records recorded from start to finish at 45rpm. The records were cut and pressed by Lathecuts in Arizona using a myriad of techniques to get the most surface noise, pops, crackles, and hiss for your sound design pleasure. In the cutting process they used four different lathes with varying noise floors and records made from many types of materials.
The library is perfect for use in any project that may need vinyl records to give it that vintage feel! Additionally these samples are great to use in granular processing, music, or to add subtle layers to a burning fire.
At a glance:
A filmic sound construction kit for teasers, trailers & promos
‘Warped Choir’ is the latest state-of-the-art sound effects library from U.S.O. which continues to cross the border between music and sound design.
Warped Choir provides a wide range of meticulously crafted stereo and 5.1 surround sound elements ready to be pumped in your trailer, video game or other audiovisual projects.
Warped Choir contains more than 200 massive dynamic impacts, transitions, soundscapes, epic vocal rises and whooshes, all designed from scratch using a choir concert recording as the unique waveform source in the Symbolic Sound Kyma workstation (many thanks to La Coral Salvé – Laredo, Cantabria | www.coralsalve.com).
When it comes to creating new musical ideas, video and sound editors, sound designers, but also composers, can find inspiration in this intriguing must-have collection.
Mix of ambience recordings, both with and close-ups of wind turbines in a wind farm.
With every purchase there are some free extra files, linked to some ambience ones, recorded with shotgun microphones, to get an even closer close-up, ideal also for SFX and sound design.
• In Wind Harp, get an expansive collection of musical winds from the mountains of the American Southwest. Hear singing wires brought to life by 30 mph gusts and desert winds meshing perfectly with musical drones. Hear blustery blasts whipping through mountain valleys and scrappy desert foliage rustling frantically. Hear dancing grasses strike fretboard strings, pinging rich melodies with each swaying stalk.
• To record this library an acoustic guitar was transformed into an aeolian harp. I hope this library gives you a chance to hear the wind in a way you haven’t heard it before. Enjoy listening to the natural music of the wind as it sings on long thin wires
2% FOR THE ENVIRONMENT:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
The Wind Turbines library introduces the sounds of fizzling propeller blades, rotating nacelles, humming transformer stations, mysterious drones and other mechanic noises gathered from inside wind turbine towers.
All these specific sounds are complemented by large-field wind farm ambiences.
The library is organised into 7 themes that include takes with a length from 19 seconds to more than 2 minutes.
Blade Noises • Drones • Nacelle Rotation • Tower Sounds • Transformer Stations • Ventilation • Wind Farm Ambiences
'Wobble' by Badlands Sound includes 30 high-quality unnerving wobbly drone sounds perfect for your projects. Each sound file is two minutes long with high quality 96k 24 bit including metadata.
A massive electro-acoustic drone SFX library reft from a custom designed and hand-built instrument! These drones were coaxed from a unique instrument using the power of air. No harsh picking or plucking, just assorted techniques for moving air deftly across the strings.
The guitar, Yvaine, was recorded simultaneously via two tracks (one direct and another amped and mic'd) and was set to 23 different tunings to encompass the full spectrum of her voice, character, and soul. The tunings are as follows:
All5ths | B6th | Capo12th | CassianoPereiraViana | CrossnoteF | Cuba | DADGAD | DropB | Hawaiian | Koto | OpenA | OpenC | OpenD | OpenE | OpenF | OpenG | OpenPage | Orkney | Ostrich | Pentatonic | “Spira” | Standard | TheEdge
The files range from uber clean and harmonic to gritty, crackling, and distorted. For some of the overdriven amped recordings, we even experimented with creative NR settings for the modulation of artificial harmonics…and kept some of the more colorful results! Between the two different tracks, multiple takes were made per strength, per position, per recording. Depending on which takes were best, some of the DI and amped captures matched, while others were physically different. This offers unique layering capabilities for some sets while allowing for variety in others. Some of the sets are missing particular strength recordings at specific positions. But if a capture wasn't appropriate, we didn't include it.
This is a bountiful collection of droning goodness. Use it for good.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.