Home Sound Effects
Loading Sounds is a collection of various VCRs, CDs, Cassettes and Game console recordings focused on their mechanical requirements to play music or movies. There are even Printers loading paper and car CD players loading damaged CDs. The sounds are useful for the beginning of tracks, youtube video or sound effects for a movie, game or multimedia project.
Aotearoa New Zealand. A slice of heaven. This library is an amazing collection of the sweetness New Zealand has to offer. From the broad meadows of the Waikato basin, to the dawn chorus of the magical Marlborough Sounds, and thick bush of Wainuiamata. The library was pieced together between 2016-18 through all seasons with some of the most diverse sounds coming out of Summer. Hear the enchanted Tui, Bellbird and the melodic New Zealand Magpie in dawn chorus, as well as a swarm of Green & Gold Bell Frogs in the Hora Hora Wetlands.
Aotearoa New Zealand gives you a definitive cross-section of the country’s aural beauty in 372 minutes of metadata tagged ambience recordings. The majority of this library was recorded in; Mistletoe Bay, Matapouri, Ōtaki, Hora Hora, Remutaka Range, Mount Holdsworth, and Island Bay.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
Gear Used:
Sound Devices 744T + MixPre-D
Sennheiser MKH30 + MKH50 (M/S)
Sennheiser MKH8040 Pair (ORTF)
Rycote Windjammers + Blimps
A hand-picked variety collection of designed sounds and field recordings covering numerous categories. Each volume brings you 1,000 general sound effects at 44.1kHz and 16/24-bit stereo recordings, or you can grab both volumes at once for a discounted bundle! Here are some sound categories that can be found in each volume:
Also included in the “2018 InspectorJ Bundle” for 50% off!
Also included in the “2019 InspectorJ Bundle” for 50% off!
This library is hilarious. In the best way possible.
Acquired from some very, very good people with the confidence to step in front of a TLM 107, this library encompasses all manners and methods of laughing. Smirks, snorts, puffs, chuckles, giggles, guffaws, hees, haws, roars, cries, and belly laughs. Some are playful, some are unenthusiastic, some are raucous, while others are uncomfortable. Detailed and precise, all of the tiniest nuances are captured from soft breaths to rapid mouth clicks to gravelly throat catches.
Voices are special. Voices are unique. While you may get lucky and be able to pin these joyful laughs nicely to a particular character or voice in your project, they are most powerful when used creatively as layers, one-off events, and definitive signatures in a product, scene, or design. All recordings are captured at 192 kHz to give you the utmost flexibility when stretching and modulating these assets, and we most definitely recommend that you do!
We understand. This is a specialized library that you may not need to frequently call upon in your everyday sound work. But suddenly, when you really can use a good laugh, it will be there, chock full of chuckles, ready to rock.
Enormous in size and intricate in detail, this library provides you with all of the tea, coffee, and various drink sound effects you very well may ever need. Good pick. The sounds herein are rich and filling, striking chords of warmth and refreshment while stirring tantalizing thoughts of supple beverage creation. From hand utensils, and preparation vessels to automated units, unique devices, and heavy machinery, you get it all.
Many of the subjects in this library are captured from a variety of perspectives and with a multitude of takes so you can just as easily drop them into containers and events within a dynamic game environment, or choose from a wide variety of performances to perfectly fit in a one-off film scene. The vast majority of the library (99%) is recorded in 96kHz resolution, with a small chunk (1%) captured in 48kHz. This was done to save you some disk space regarding some of the longer and larger recordings. This is a truly comprehensive exploration of the sonic depths emanating from the wonderful world of tea and coffee.
When working with WakeyWakey, be sure to keep some of the above-mentioned drink on hand as well. You’re gonna want a cup (or eight).
Don’t be afraid to jump off the deep end and explore those murky depths.
Carefully recorded and designed, Unfathomed brings you rich sonic audio assets to compliment your underwater and ambient textural projects. A wide assortment of performances await, comprised of impacts, raking, scraping, bursts, bubbles, pressure, suction, and many more all enacted underwater in various vessels of different sizes and materials.
There are two types of content in this library: raw hydrophone recordings and designed assets created solely from those recordings. The raw recordings are only lightly and carefully edited, to be mindful of and preserve the ultra- and sub-sonics captured by the hydrophone. This is so that when wielding and rending these assets, you can push them to the extreme and get the widest possible range of results.
Whether you want cacophonous noise, or deep calming drones, Unfathomed is sure to be a boon companion on your submariner adventures.
Thousands of high quality sound effects (48-192kHz 24Bit) from PMSFX recorded with top tier gear (Sennheiser, DPA, Sound Devices, Ambient, Sony etc) and processed with some of the best plugins and outboard on the market.
All SFX have baked-in Soundminer’s meta data.
Included packs:
FORGOTTEN NEONS (96KHZ 24BIT | 1.1GB | 415 FILES | META DATA)
LOFI TERMINAL (96KHZ 24BIT | 157.7MB | 195 FILES | STEREO | META DATA)
BLURRY DREAMS (96KHZ 24BIT | 616.3MB | 203 FILES | STEREO | META DATA)
OBSCURE FREQUENCIES (96KHZ 24BIT | 3.4GB | 336 FILES | STEREO + MONO | META DATA)
CineDrop (96KHZ 24BIT | 414.5MB | 57 FILES | STEREO | META DATA)
Cinescapes II (96KHZ 24BIT | 962.75MB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Cinescapes (96KHZ 24BIT | 741.5MB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Cinenergy (96KHZ 24BIT | 550.4MB | 130 FILES | STEREO | META DATA)
FOUNDATION SERIES: SCI-FI (96KHZ 24BIT | 739.8MB | 164 FILES | META DATA)
SCIFI ATMOS (96KHZ 24BIT | 1.32GB | 30 FILES | 38MIN | STEREO | META DATA)
Industrial Terror – Hits & Transitions (96KHZ 24BIT | 804.5MB | 145 FILES | STEREO | META DATA)
Industrial Terror – Textures (96KHZ 24BIT | 731.1MB | 66 FILES | STEREO | LOOPS SEAMLESSLY | META DATA)
Industrial Terror (96KHZ 24BIT | 690MB | 210 FILES | STEREO | META DATA)
DARKSCAPES (96KHZ 24BIT | 1.24GB | 30 FILES | 35MIN | STEREO | META DATA)
MicroBots (96-192KHZ 24BIT | 187.7MB | 293 FILES | STEREO + MONO | META DATA)
IN MOTION (96KHZ 24BIT | 1.59GB | 40 FILES | META DATA)
CYBERSPHERE (96KHZ 24BIT | 1.14GB | 340 FILES | META DATA)
BLOODBATH (96-192KHZ 24BIT | 959.9MB | 360 FILES | META DATA)
GHOSTLY AIR (96KHZ 24BIT | 311.9MB | 33 FILES | STEREO | META DATA)
SCI-FI MECHANICS (96KHZ 24BIT | 636.6MB | 301 FILES | META DATA)
SYNTHASSAULT (96KHZ 24BIT | 1.18GB | 320 FILES | META DATA)
BONE BREAKS (192KHZ 24BIT | 56.1MB | 57 FILES | META DATA)
HI-TECH ELEMENTS (96KHZ 24BIT | 25.2MB |35 FILES | META DATA)
MONSTRUM (96KHZ 24BIT | 38.1MB | 38 FILES | MONO | META DATA)
RESOSCAPES (48KHZ24BIT | 235.5MB | 10 FILES | 13M30S | META DATA | LOOPS SEAMLESSLY)
EERIE LFE PULSE (48KHZ 24BIT | 47.71MB | 5 FILES | META DATA | LOOPS SEAMLESSLY)
Haunted Doors [DESIGNED & SOURCE] (96-192KHZ 24BIT | 420MB | 209 FILES | MONO&STEREO | META DATA)
Books Alive (192KHZ 24BIT | 488.4MB | 434 FILES | MONO | META DATA)
Point and Shoot (96KHZ 24BIT | 94.3MB | 200 FILES | MONO | META DATA)
Kitchen Foley (96KHZ 24BIT | 240MB | 241 FILES | MONO | META DATA)
Mediterránia (96KHZ 24BIT | 2.18GB | 30 FILES | 62 MINUTES | META DATA)
Tactical Backpack (96KHZ 24BIT | 42.4MB | 72 FILES | MONO | META DATA)
Back Alley Rain (192KHZ 24BIT | 1.1GB | 20 FILES | STEREO | META DATA | LOOPS SEAMLESSLY)
Just Coins (192KHZ 24BIT | 289.2MB | 287 FILES | MONO | META DATA)
Old Drawers (192KHZ 24BIT | 209.35MB | 151 FILES | MONO | META DATA)
Along The Grid (48KHZ 24BIT | 321MB | 8 THEMES | 54 LOOPS | META DATA | LOOPS SEAMLESSLY)
SynthRunner (96KHZ 24BIT | 107.5MB | 3 FILES 1 MIN EACH | META DATA | LOOPS SEAMLESSLY)
DIGITAL ILLUSIONS (48KHZ 24BIT | 313MB | 5 THEMES | 35 FILES | META DATA | LOOPS SEAMLESSLY)
INFECTED (48KHZ 24BIT | 44.1MB | 1 THEMES | 10 LOOPS 14s EACH | META DATA | LOOPS SEAMLESSLY)
STEPS: Dirt & Gravel (96KHZ 24BIT | 120.5MB | 96 FILES | MONO + STEREO | META DATA)
WASHER (96KHZ 24BIT | 2GB | 121 FILES | MONO + STEREO | 56m 35s | META DATA)
Empty City Rain (96KHZ 24BIT | 437MB | 12 FILES | STEREO | META DATA)
Costal Spain (96KHZ 24BIT | 2.57GB | 21 FILES | STEREO | 74m 04s | META DATA)
Point and Shoot Fuji Cam (192KHZ 24BIT | 357MB | 346 FILES | META DATA)
Abstract Guns (96KHZ 24BIT | 86MB | 165 FILES | META DATA)
Shattering Bricks (192KHZ 24BIT | 647MB | 232FILES | META DATA)
Rocky Impacts (192KHZ 24BIT | 647MB | 262FILES | META DATA)
Glitchy Circuits (96KHZ 24BIT | 613MB | 220FILES | META DATA)
STEPS: Dry Grass & Shrubs (192KHZ 24BIT | 202MB | 226FILES | META DATA)
Ancient Sea Ruins (192KHZ 24BIT | 3.7GB | 10FILES | META DATA)
Foundation Series SCI-FI 2 (96KHZ 24BIT | 1.1GB | 627FILES | META DATA)
Mini Printer (192KHZ 24BIT | 328MB | 178FILES | META DATA)
NanoTech (96KHZ 24BIT | 180MB | 226FILES | META DATA)
Back Alley Rain II (192KHZ 24BIT | 1.1GB | 12FILES | META DATA)
Phone Foley (192KHZ 24BIT | 85MB | 76FILES | META DATA)
Windy Hill (192KHZ 24BIT | 1.7GB | 8FILES | META DATA)
Magic Metal (96KHZ 24BIT | 1.1GB | 160FILES | META DATA)
Lethal Blow (96-192KHZ 24BIT | 0.5GB | 983FILES | META DATA)
Rain Designer (96-192KHZ 24BIT | 7GB | 396FILES | META DATA)
Sci-fi Gunnery (96KHZ 24BIT | 404MB | 580FILES | META DATA)
Bullet Bys & Impacts (96KHZ 24BIT | 3.7GB | 130FILES | META DATA)
Timeless SLR’s (192KHZ 24BIT | 2.12GB | 1392FILES | META DATA)
Mechanical Morphs & Mutationss (96KHZ 24BIT | 1GB | 336FILES | META DATA)
SCIFI PASS BY [DESIGNER SRIES] (96KHZ 24BIT | 6.8GB | 742FILES | META DATA)
Citroen C2 (192KHZ 24BIT | 7.8GB | 443FILES | META DATA)
Erika Typewriter (192KHZ 24BIT | 217GB | 166FILES | META DATA)
Continental Wanderer Typewriter (192KHZ 24BIT | 882MB | 681FILES | META DATA)
Dark Future (96KHZ 24BIT | 1.74GB | 414FILES | META DATA)
Steps: Snow & Ice (192KHZ 24BIT | 110MB | 119FILES | META DATA)
Microbots 2 (96KHZ 24BIT | 720MB | 922FILES | META DATA)
Glitchy Circuits 2 (96KHZ 24BIT | 2.7GB | 1494FILES | META DATA)
Rocky Impacts 2 (96KHZ 24BIT | 669MB | 585FILES | META DATA)
CEM RIVER (192KHZ 24BIT | 3.8GB | 32FILES | META DATA)
LAKE SKADAR (192KHZ 24BIT | 10.6GB | 52FILES | META DATA)
MOUNTAIN RAIN (192KHZ 24BIT | 11.95GB | 75FILES | META DATA)
OLD WOOD FLOOR (192KHZ 24BIT | 214MB | 310FILES | META DATA)
METAL FRICTION (96KHZ 24BIT | 1.28GB | 272FILES | META DATA)
ANIME MOTION (96KHZ 24BIT | 343MB | 100FILES | META DATA)
MOUNTAIN AIR (192KHZ 24BIT | 20GB | 87FILES | META DATA)
CINEMATIC HORROR IMAPCTS (96KHZ 24BIT | 1GB | 216FILES | META DATA)
CINEMATIC SYNTH MOVEMENTS (96KHZ 24BIT | 658MB | 367FILES | META DATA)
FIERY MOVEMENTS (96KHZ 24BIT | 547MB | 297FILES | META DATA)
Data Processing is a sound effects library that emulates the movement of data and adds digital texture to your sound design.
Use these effects as building blocks to build digital, robotic, harsh, abstract and glitchy sound design or music. Also great as user interface elements.
We recorded and designed data transfer from 5G, WIFI, Solid State Drives, USB-C and more, as well as using analogue synthesizers, guitar pedals and raw data files to enhance the library.
Get the sounds of a 2003 Suzuki GSXR 750 sports motorcycle. The 105 files included are divided into External static sounds, External following sounds, Foley sounds, and Onboard sounds.
The combined recorded driving time is more than 40 minutes long.
The Onboard recordings are in 2 separate mono wave files, channel one for engine and channel two for exhaust. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo, one MS (Mid-Side) for following (tracking) and the other MS at a fixed (static) position.
Vehicle Type: Motorcycle
Brand: Suzuki
Model: GSXR 750
Year: 2003
Specification: modified with Level One Racing aftermarket exhaust, 750cc, in-line 4 cylinder 4
stroke, liquid cooled, manual 6 speed, fuel injection double over cam/twin cam.
Onboard Settings:
Channel 1 = Engine, Channel 2 = Exhaust
External Settings:
Following (MS Stereo in Left & Right Channels tracking the moving vehicle)Static (MS Stereo in Left & Right Channels from a fixed position)
Definitions & FAQs:
Onboard: Sounds heard from driver and passenger perspectives (in or on the vehicle)
External: Sounds heard from bystander’s point of view.
This Suzuki motorcycle was modified with a Level One Racing aftermarket exhaust.
ReCenter automatically repairs off-center stereo recordings while keeping the original stereo width which makes it an invaluable time-saver and a perfect tool for professional post-production. Fix off-centered stereo field recordings, dynamically center vocal artists or musicians that moved around the stage or center hard directional effects like drive-bys and stereo whooshes. ReCenter makes tedious panning automation obsolete so you can focus on your creative flow.
What is RECENTER?
ReCenter is a stereo processor that rotates an incoming stereo signal to the center or a given angle without altering the stereo width. Having the incoming signal centered, you can narrow or widen the stereo image within ReCenter. For a better low frequency control you can mono the original signal below a set frequency. A multiband processing option intelligently shifts more complicated signals.
DYNAMICALLY CORRECT STEREO IMAGES
Have you ever worked with stereo material that was not centered correctly? Pointing a stereo microphone a hundred percent accurately onto a sound source gets harder the further away the source is. As a result, you get a recording with a constantly shifting center that would require you to manually adjust and automate the panning over the whole recording. ReCenter continuously analyzes the directionality of a stereo or M/S signal and rotates it to a given target angle in real-time – without narrowing the stereo image.
GOOD-BYE CORRECTIVE PANNING
Correct poorly aimed or moving stereo recordings while skipping the time-consuming and most often ineffective pan automation process. All you need to do ist tell ReCenter how hard, fast and precisely it should adjust your signal.
KEY FEATURES
• Dynamically create convenient stereo images
• Once the center is restored, precisely alter the stereo image
• Input stereo or M/S signals
• Mono filter below certain frequencies
• Multiband mode for heavy-duty applications
• Widen or narrow the centered stereo image
• Shift the output angle to left or right
USE CASES
• Easily correct any stereo recording, where the microphone angle was off
• Dynamically center a vocal artist that moved around the stage while performing
• Center stereo whooshes, drive- or fly-bys and other hard directional effects
• Widen instrument recordings while keeping a perfect stereophonic balance
“Special Double Bass Fx” is a unique mini-library of interesting textured sounds recorded with a double-bass.
At the frontier of music and sound design, those samples are great resources for creating monsters, drones, or any special experimentation.
The sounds are delivered raw, exempt of any extra-treatment, or sound glitches. View our Quality Charter.
Metadata populated by The AudioVille
Sounds created by Vincent Fliniaux
This sound collection covers a wide range of sounds produced by this unique racing (kit)car from 1991. The engine is custom built and is a combination of elements of a Citroën 2CV engine and a Citroën Visa engine. Not only extensive driving sounds but also foley (doors open close, window knocks, body tapping, gear lever, blinkers…), horn blasts and engine loops. All in high quality 48/24 BWAV-files, recorded with high end equipment. All sounds include extensive metadata.
The recordings are multitrack. For the onboard recordings you’ll find synchronized recordings of engine, exhaust, cabin (back seat and front seat for open roof and back seat only for closed roof). For the roadside recordings you’ll find an ortf stereo pair (on a stand) and a long shotgun mic (handheld, tracking movement)
Recorder
Onboard Mics
Exterior Mics
STEPS Dirt & Gravel is a collection of 96 footstep sound effects.
Collection consists of 85 single, mono footsteps,
6 mono sequences and 5 designed sound effects such as stereo walk and group walk.
All footsteps were recorded outdoors.
All SFX have baked-in Soundminer’s meta data
Download includes additional 44.1kHz 16Bit version for Unreal Engine.
RECORDED WITH: Sound Devices MixPre-6 + DPA 4060
EDITED WITH: iZotope RX7, Pro Tools
Cars In Motion Wet Asphalt sound library is a go to pack for any scene with vehicles driving on snowy / wet roads – featuring a total of 126 files & 150 minutes of audio.
Inside you’ll find single sound effects with different passes on wet and snowy / slushy asphalt roads.
In addition to that there are stereo ambience recordings from different high speed roads with intense and low traffic recorded from normal perspective, and from the ground to capture more tyres friction sound.
Additionally there are recordings of the roads from car interior perspective. Most of the files are stereo recordings.
Sounds included:
• 55 files with slush passes
• 50 files with wet asphalt passes
• 21 files with ambient location recordings
Drops ‘n’ Braams brings to the table 137 new sounds of hybrid cinematic Braams and Drops to boost your production with time-bending elements and sonic manipulation brought to the max. The SFX library is produced from scratch by Alessandro Romeo, owner and lead sound designer at SampleTraxx.
With Drops ’n’ Braams you can create massive stingers, deep impacts, trailer and score elements, morphing bass, transition woosh and much more.
A great addition for trailer cue creators, score composers and cutting-edge electronic music producers.
The library includes:
• 86 Braams _ Design, Elephant, Granular, Larsen, Raw, Textures
• 51 Hi Tech Drops/Downers/Sting/Power Down
• In Great Lakes: Active Nature, get a collection of energetic ambiences from some of the largest freshwater lakes in the world. Hear the calming hiss of aspen leaves fluttering and the piercing call of summer cicadas. Hear the long slow flaps of huge wings as Trumpeter Swans struggle to take flight and deep thunk as Belted Kingfishers plunge head first into the water in search of dinner.
• This library offers you an extensive collection of ambiances brimming with wildlife from the pristine lakes of the Upper Peninsula of Michigan. Hear the lively energy of summers near the Great Lakes of North America.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
Unheard Sounds releases their first sound pack titled ‘MAGIC: Organic Twinkles and Shimmers’!
This extensive library of organic, unprocessed, ‘magic-sounding’ props and textures can be a go-to for any sound design that needs some raw, magical character to it!
Beautiful, unique materials on mobiles, interesting whooshes, bowed cymbals with vibrating textures… and all recorded with a Sennheiser 8040ST pair and a Sanken CO-100K for pristine quality! See sound list below for details.
• In Great Lakes: Quiet Nature, get a collection of tranquil ambiences from some of the largest freshwater lakes in the world. Hear the soothing rush of coniferous wind as is sings across still water and delicate fluttering of deciduous foliage. Hear the lonesome hoots of Barred Owls as they sing their haunting nighttime song and Common Loons yodeling with endless echoes.
• This library offers you an extensive collection of ambiences with sparse flora and fauna from the pristine lakes of the Upper Peninsula of Michigan. Hear the majestic sparseness of summers near the Great Lakes of North America.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
• In Great Lakes: Sandhill Cranes, get a collection of ambiences from some of the largest freshwater lakes in the world. Hear the calming openness of still water and the magical echoes of regal waterbirds. Hear the startled alarm cries of Ospreys and the prehistoric calls of Sandhill Cranes so visceral you’ll think pterodactyls are still alive.
• This library offers you an extensive collection of Sandhill Crane ambiences from the pristine lakes of the Upper Peninsula of Michigan. Hear these majestic birds and feel the power of their intense calls as they sing across the Great Lakes of North America.
2% FOR THE ENVIRONMENT & CARBON NEUTRAL:
• Two percent of the price of this library is donated to an environmental cause, as an “artist royalty” for the planet!
• Carbon offset credits were purchased to offset my field recording travel for this library.
Get a rich collection of Italian ambiences captured in legendary Venice / Venezia. The library features lots of pedestrian ambiences
Digital Dust delivers 128 tracks of pure digital bit-crushing distortion, deep atmospheric drones, and ear-piercing interface sounds.
Digital Dust is not your usual clean and modern computer command sound effects library. All sounds have been designed from real world electrical or organic recorded sounds.
Granulated, stretched, pitched and mangled in endless chains of plugins and hardware, for very different and almost apocalyptic kinds of rogue computer command sounds. The samples can easily be stretched or processed even more, for even weirder sound fx.
‘Alarms & Warnings Designed’ is a collection of 52 alarm sounds suitable for the science fiction genre. This library includes ‘one-shot’ audio files that are ready to be placed in a sampler as well as 30 second loops of those same files. All sounds are ‘dry’ and ready to be processed.
This library goes well with ‘Fully Charged Vol.1’
Please note that my sound libraries do not go on sale (this is so prices are fair all year round), and they are sold exclusively on asoundeffect. :-)
This library contains a collection of sounds sourced from 22 different elevators found in the following locations:
Each elevator has its own unique characteristics featuring creaks, groans, impacts & rattles. All elevators feature roomtones, buttons, doors opening & closing (both interior & exterior perspective) and in motion using the Sound Devices Mix-Pre 6, Sennheiser MKH 416 and Sennheiser MKH 8020 stereo pair at 24bit/96khz for all your sound design needs.
Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.
The Renault Master 2.3 dci diesel van sound library is a go-to pack for many transportation-related scenes. It features 102 96kHz files, more than 130 minutes of audio covering different aspects of using the van. Inside you’ll find engine sounds recorded under the hood, stereo recordings from the cabin during driving, exterior passes and different maneuvers and foley recordings.
The library contains:
• 6 engine under-the-hood onboard recordings while driving (38 minutes)
• 10 interior cabin recordings, 6 in sync with engine (54 minutes)
• 70 exterior passby / driving files
• 18 foley sound effects
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.