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Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
Sonomar Collection: Speed Machine contains 266 rich vehicle recordings of the legendary 2006 Campagna T-Rex. Featuring pass bys, gear grinds, accelerations and more, this collection contains lively vehicle sound effects and maneuvers that are full of character.
The Campagna T-Rex is a powerful three-wheeled vehicle with the ability to go from 0-60 in a staggering 4.1 seconds and reach a high speed of 140 mph. To create this library, recordist and sound designer Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the Sonomar team utilized top-notch recording techniques to capture aggressive, expertly-handled driving maneuvers on a closed course.
Use the purring hum of a 155-horsepower engine as a stand-in for Japanese motorcycles and other high-powered vehicles. Let the distinct tone of a 1200 cc engine act as a punchy sweetener to existing vehicle sounds. Or pitch and process to create the engine quality that your project requires. Groups of synced recordings provide a variety of perspectives to maximize your optionality and adapt to your specific editing needs.
Each sound file is embedded with comprehensive metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording and their specific sonic qualities. Advanced metadata fields include additional info to ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.
All files are recorded 32bit, 192 kHz and 24bit, 96kHz, with RØDE NTG1, RØDELink Lav, Shure VP88 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.
We're proud to offer our inaugural bundle package, which includes the first four VSCRL libraries- The Park, The Road, The Snow, and The Beach. This collection comes at an incredible deal, and is the ultimate showcase of the immersive and VISCERAL quality of our ambisonics.
Recorded with the stunning Sennheiser Ambeo microphone, each ambience is delivered in both AmbiX and FuMa formats, as well as Stereo, 5.1, and 7.1.
What’s more- a 360 video reference is provided to offer a fully immersive image of the sound effect being captured!
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Need electric vehicle sounds? This Ford Mustang Mach-E library extensively covers onboard, exterior, and foley performances. Perfect for your next film, game, or commercial. Hear what the raw electric power of 480 horsepower and 634 lb-ft of torque from a 2021 Ford Mustang Mach-E GT can bring to your library.
This is a definitive sound library for the legendary Soviet automobile: the original Lada. The Flysound team procured an old model of this retro series, with a charmingly worse-for-wear engine and a battered exhaust, and set to the task of recording the unique sounds of starting, idling, various engine speeds, acceleration, cruising and braking.
Externally the microphone set was a Neumann U 87, a Schoeps CMC6/MK4, and a Sennheiser MKH 416. Neumann U 87s were also used for recording the engine and exhaust, and wheel recordings were done by a Sennheiser MKH 416. The car’s interior was captured by a Neumann U 69.
We cataloged everything from quiet and calm sounds to the loud and crazy! Truly feel the retro atmosphere with our collection of Lada sounds.
Prepare to be transported back to Soviet times, with the Russian legend on wheels that is the Volga 21. Here in our library, you will find authentic engine sounds, how it starts up, revs, accelerates, how the brakes brake and how the car comes to a thundering halt.
In terms of microphones, externally we rigged a Neumann U 87, a Schoeps CMC6/MK4, and a Sennheiser MKH 416. Two other Neumann U 87 mics specially captured the engine and exhaust respectively, and wheel recordings were done by a Sennheiser MKH 416. We’ve also captured the sound of the doors, the wipers, gear shifts, and the iconic horn blast, using a Neumann KM 184 microphone for the interior takes.
If your project needs the authentic sound of motoring in the USSR, this library will breathe vitality into your sound design. Everything you need to bring bygone times back to life with our unique sound library is here, Comrade!
Unlock the power of high-quality audio with our Electric Bike Flight Risk Sound Effects Pack. This collection features 39 meticulously recorded sounds at 24-bit, 96kHz for stunning clarity. Each sound is tagged with UCS metadata for seamless integration into your projects. Perfect for enhancing electric bike simulations, video games, or multimedia applications, these sounds capture every detail of the ride. Elevate your audio with professional-grade, immersive effects designed for realistic and dynamic experiences.
This sound library has been captured during an open-access day at a motorbike racetrack. The recordings deliver the raw energy of motorcycles pushed to their limits in a real-world setting.
Multiple sessions were recorded from various perspectives: the final corner, the main straight, and a distant position capturing the broader soundscape. The library features a mix of stereo setups for close passbys, a mono microphone for focused character, and an ambisonic rig offering an ambient perspective. A wide range of engine types are represented, from small-displacement bikes to high-performance machines.
From sharp corner entries to high-speed flybys, this library offers a dynamic range of passbys, approaches, and ambiences ideal for motorsport scenes, racing games, or high-energy sound design.
Gear used
Zoom F6 • MixPre-6 II • 722 • Usi Pro • MKH30 • MKH8040 • Kmr81i • NT-SF1
Metadata
This sound library is UCS compliant and comes with fully embedded metadata compatible with Soundly, Soundminer and Basehead.
A high-octane collection of sci-fi engine sounds designed to power futuristic vehicles, starships, drones, and advanced machinery. With layered boosts, charged accelerations, and energetic propulsion, this pack delivers cinematic engine sounds with punch and scale—perfect for games, trailers, film, and sci-fi storytelling. Give your machines the roar of tomorrow.
🚀 What’s Inside?
✔️ Engine Boosts: Aggressive power surges, acceleration bursts, energy charges, and propulsion blasts.
✔️ Sci-Fi Motions: High-velocity thrusts, futuristic drives, and stylized engine pulses.
Useful for films, video content, and games, this pack provides ready-to-use, professionally designed sound effects, tailored for creators who need polished sounds without extra processing. The Ultra High Resolution version may contain more variations and audio files than the High Resolution pack, with pristine 192 kHz quality that ensures excellent flexibility for projects requiring additional processing.
Recorded in Tamil Nadu, India, this library captures the distinctive sound of a 2005 petrol autorickshaw. Includes isolated engine starts, idles, fast and slow passbys, revs, and detailed interior ambiences. Perfect for films, documentaries, or games set in South Asia or urban India.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Transform your game environments with this collection of futuristic soundscapes, designed to elevate the user experience. These high-quality soundscapes are perfect for adding depth and immersion to your sci-fi, cyberpunk, or high-tech themed environments. In addition, enjoy a bonus folder featuring 9 Digital Data Text Sound Effects, perfect for adding an extra layer of authenticity and futuristic flair. Whether you’re crafting a virtual world or enhancing interactive elements, this sound pack will help you bring your futuristic vision to life.
Features:
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
“Ambisonic Sounds – Inside Passenger Jet Vol.2” is a collection of immersive sounds for multimedia content creators, computer game developers and those who like to experiment with sound.
The sound pack includes 31 files in Ambix.wav format and 31 files in wav format that can be used to create ambience sound inside a passenger plane.
All recordings were made with a Zoom H3-VR recorder in the Ambisonics A format (96 kHz 24 Bit) and then converted to the AmbiX and Stereo formats (96 kHz 24 Bit), which are located in different folders of this sound pack.
Old Opel from the 1980s. With a real rattly exhaust feel that fits to any 80s european car.
Recorded with Sennheiser, DPA and Line Audio microphones.
A retro consumer sports car from the 70s.
Recorded with Sound Devices recorders; Sennheiser, DPA, Schoeps and Line Audio microphones.
Exterior recordings (2-3 different ext spot mics) and onboard recordings (engine, exhaust and interior mics).
Check out the PDF – there are many variations of driving action.
This is a sound library with a variety of road traffic ambiences, from quiet rural roads to busy highways.
Features:
Aston Martin DB11 captured on B roads of Wales. The car has an interesting low-frequency rumble type of sound produced by a 4.0 litre V8 typical for Aston Martin models.
The car was rigged with a stereo exhaust rig (one mic per exhaust), airbox/engine mic and a stereo interior mic setup.
The onboard runs consisted of a variety of takes covering various accelerations but never going too fast (over 70mph).
Pass-bys were recorded with a mono shotgun mic, and a stereo cardioid setup. Passes include various speeds and also skidding/drifting on corners with some tyre squeals.
Full metadata compliant with UCS. Enjoy.
The independent sound effects community offers you a huge collection of vehicle sound effects libraries - giving you everything from sounds of propeller and jet aircraft & helicopters, bicycle sounds, car sound effects, and motorcycle recordings, to sounds of ships, drones, trains, trucks, busses, and vans. You also get uncommon categories like designed spacecraft sounds, and military-type vehicles.
The vehicles are driven, flown, sailed and handled in all sorts of ways to give you a great selection of sounds to work with. And with so many different vehicle brands available, you'll stand an excellent chance of finding the sound of exactly the one that matches your project.
Acceleration, braking, driving, engine, honk, jet, landing, motor, sailing, skid, speed, takeoff, throttle, transmission
Q: What are some of the most popular vehicle sounds?
A: Click to sort the category by most popular vehicle sound effects libraries
Q: Are there any vehicle sound libraries on sale right now?
A: Click to sort the category by vehicle sound libraries on sale
Q: How do I download the vehicle sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen vehicle SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
A pack of 20 courthouse crowd sound clips: halls, atriums, courtrooms, & corridors. 1.5 GB.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
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