Home Vehicle Sound Effects Page 10
Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
I took out a MZ TS150 2 stroke Motorcycle and recorded approaches, departures, pass bys, circling in a grass parking lot, engine revs, idoling, etc.
I recorded this library with 2x dpa 4060s, 2x ME2, an sm57, sennheiser 416 and a pair of cm3s recorded in an xy pattern. I set up the cm3s on a mic stand, and followed the action with the 416, with 5 onboard microphones capturing sounds on the bike as well.
In the 179 files, there are 8 syncable takes of pass by's at different rpms with the onboards and 2 different exterior perspectives. Everything has been labeled in Soundly with metadata.
You will find what you need to cover any small 2 stroke engine motorcycle in here. With purchase, I offer you to email me at [email protected] and I will send you the protools session that has the sync'd files and original audio if you would like even more coverage of individual microphones (if that is something you are into). Feel free to email me with any inquiries before purchase.
Bluezone Corporation presents 'Cargo – Spaceship Sound Effects', a new sci-fi sample library covering a wide range of elements including cockpit and interior ambiences, interface and beep sounds, reactor rumbles, spaceship passby sounds and more. Created with a large selection of high quality recordings and then meticulously layered, this downloadable sample pack will enhance your creative potential with as many as 138 highly usable sounds.
All sound files are named according to their content and sorted thematically. WAV files are provided as 24 Bit / 96 kHz and sorted in 11 folders. In order to give you ready-to-use sounds for your productions, all samples are royalty-free for all your commercial projects.
Tanks and jet was recorded during a real military drill in Sweden featuring a variety of tanks, and a JAS 39 Gripen.
From the creaking and clanking of the tanks to the glorious and soaring JAS, and all the way to the brutal tank cannon and machine guns. This pack contains all ingredients for nasty machine warfare. All of the files were recorded during a military drill performed in front of a live audience.
All files are meta-data tagged with keywords and a description.
• Tank Driving (18 files, 18:22 in duration)
• Tank Battle (7 files, 04:27 in duration)
• Jas Gripen Flyover (7 files, 12:09 in duration)
Distant Traffic by Badlands Sound puts traffic ambience in a different perspective: The library features over one hour of distant traffic ambience in 23 audio files.
The library includes distant bustling traffic, sparse roadways with everything in between.
Recorded in 96k / 24 bit with Sound Devices 702t – All files are three minutes each.
including:
– External recording
– 4 Spots, 7 mics
– Eng start, idle, maneuvers, drive, shtdwn, passby
– Slow, medium and fast
– 48 KHz, 24 bit
– 7 x schoeps ccm4 (card and omni), sys ORTF, DIN, AB, Zoom F8
– RAW files only
The Motorboat 2 library gets you recordings of a motor boat with a Honda BF 5A 5-HP 4-Stroke engine. Includes starts, idling, forward speeds, false starts, and engine shutoffs.
Looking for car horn sound effects? This library delivers more than 230 sounds in 80 files. It features recordings such as short, medium and long car horn sounds from both exterior and interior perspectives – and includes recordings from cars such as a Jeep Wrangler (2016 and 2004), Honda Pilot (2008), Ford F150 (2016), Volkswagen Beetle (2002), Merzedes Benz E350 (2010), Corvette Stingray (2015), and a Chevy Silverado (2016).
Disclaimer: Music in the audio demo is not included in the product.
Traffic Hush by Badlands Sound offers twenty unique ambience three and a half minute files each of distant traffic hush! This library is perfect for sound editors creating high-quality distant ambiences quickly and easily with several options including very sparse quiet traffic with a few cars driving by to large bustling city roads with semi trucks.
This sound library was recorded in 96 kHz / 24 bit using Sound Devices 702t with a pair of Line Audio CM3’s in ORTF microphone configuration.
In need of some distinct bicycle passbys for a street scene? Missing some handling sounds of a bicycle? This library has the answer with superbly captured exterior recordings in the inner city without traffic.
It includes various types of bicycles from the rattling sounds of a drunken cyclist or the smooth whirring of a nicely maintained bicycle with it’s headlight dynamo or the violent shrieking of a bicycle about to fall apart.
And if that’s not enough you can always add more drama with the various handling effects we recorded, bounces / scrapes / skids / rattles it’s all here.
Everything recorded in XY stereo and well described to make finding that one distinct bike easier.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
Vintage Trams: passes and rides from a number of perspectives.
The bygone sounds of rattly old trams, passing in the street: the rumble of the metal wheels on the tracks, the sound of the pickup rods on the overhead wires, the clang of the bell and the voice of the conductor, all of these are here for your delight. Starts and stops, rides and passes, all lovingly collected in First Order Ambisonic surround and collated in FuMa & ambiX orders and weighting. Full Soundminer metadata and Excel Spreadsheet included.
And there’s more! A bonus collection of sounds in stereo from my extensive archive, with a ride on a San Francisco cable car, more vintage trams and a series of recordings of a Trolley Bus, an electrically powered bus running form overhead cables, but so quiet in operation, it was known as ‘the silent killer’ as pedestrians tended not to be aware when it was approaching.
Welcome to the first pack in the RSAudio European Car series: This pack focuses on the Renault Clio, one of Europe’s most popular cars.
This pack contains a wide selection of multi-channel synchronous files from up to 8 different perspectives.
We used a number of microphones in the engine bay and at the exhaust so you can balance the sounds to your own taste.
Also featuring over 50 foley files including doors, windows, seatbelts, pedals and much more.
Comes with comprehensive metadata suitable for use with a wide range of sound library software.
Streets and stop signs, freeways and highways, and yes, even a roundabout! This is a massive library featuring traffic ambiences that range from quiet suburb avenues, to downtown rush-hour. Not just urban environments, we also “hit the road” and drove north to sleepy desert towns, and single lane canyons. There's a ton of variety here!
Recorded with the stunning Sennheiser Ambeo microphone, each ambience is delivered in both AmbiX and FuMa formats, as well as Stereo, 5.1, and 7.1.
What’s more- a 360 video reference is provided to offer a fully immersive image of the sound effect being captured!
'District 10 – Mothership Sound Effects' from Bluezone Corporation contains over 178 complex science fiction SFX. This massive sound library was created with meticulously sampled sources and twisted using complex synthesis techniques: organic textures, command center ambiences, interior and machine background sounds, explosions and debris, alarms, beep and interface sounds, alien mothership textures and much more. This sample library comes to you in 24-bit high definition and is licensed to you as royalty-free so you can use it in your commercial projects at no extra cost.
Nolan Sound Library – ALL IN ONE Bundle.
Get 1825+ Files in one bundle: Trains, Norway Nature, Nature Soundscapes, Radio Noises, Motocross, Foley Sounds, Spain Ambiences, Planes, Airports, New York Life, Mountains Winds, Forests and many more…
Also includes the NSL in ATMOS Format for big productions.
Get the powerful sounds of Mustang Dragster Cars in this sound effect library by Watson Wu. It gets you 25 recordings of both classic and modern Ford Mustang passbys at a 1/4 mile race track.Update: Now includes metadata
The Massey-Ferguson 3060E Tractor Sound Effects Library delivers 33 files (External, Foley, OnBoard) with over 30 minutes of driving time on the road. There are two main driving speeds (gears): medium and high – plus one additional external, really slow one.
All sounds were captured at 24-bit, 96 kHz samplerate. Passbys and approach are stereo wave files. Foleys are in mono. OnBoard recordings include 4 different channels: Engine1, Engine2, Exhaust and Backside. You can layer and mix all 4 channels of OnBoard sounds, they will line up nicely in your DAW or audio editor.
Get the sounds of crazy accelerations, drifting, wild breaking, screechy tires and more – captured from several different perspectives on a race track.
Get the sounds of a 2003 Suzuki GSXR 750 sports motorcycle. The 105 files included are divided into External static sounds, External following sounds, Foley sounds, and Onboard sounds.
The combined recorded driving time is more than 40 minutes long.
The Onboard recordings are in 2 separate mono wave files, channel one for engine and channel two for exhaust. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also stereo mix versions of the OnBoard recordings. The External recordings are in stereo, one MS (Mid-Side) for following (tracking) and the other MS at a fixed (static) position.
Vehicle Type: Motorcycle
Brand: Suzuki
Model: GSXR 750
Year: 2003
Specification: modified with Level One Racing aftermarket exhaust, 750cc, in-line 4 cylinder 4
stroke, liquid cooled, manual 6 speed, fuel injection double over cam/twin cam.
Onboard Settings:
Channel 1 = Engine, Channel 2 = Exhaust
External Settings:
Following (MS Stereo in Left & Right Channels tracking the moving vehicle)Static (MS Stereo in Left & Right Channels from a fixed position)
Definitions & FAQs:
Onboard: Sounds heard from driver and passenger perspectives (in or on the vehicle)
External: Sounds heard from bystander’s point of view.
This Suzuki motorcycle was modified with a Level One Racing aftermarket exhaust.
The Indy Cars race car sound effects library delivers an action-packed day at the races. Craft exciting and authentic racing scenes in your projects with immersive interior driving sequences, expansive racetrack ambiences, lively pit crew sounds, and roaring race car pass-bys.
Recorded by iconic sound designer and composer Alan Howarth (Army of Darkness, Total Recall) at various indy car tracks including the Mid-Ohio Sports Car Course, the street circuit of Long Beach, and the Laguna Seca Raceway, these racecar recordings will transport your projects straight into the excitement of race day. Create a genuine racetrack atmosphere with the energetic crowd and booming PA announcements, and utilize the thrilling energy of indy car engine sounds for vehicles in your films and games.
Each sound file is embedded with detailed metadata to help you find the exact sound you need with quick, intuitive search.
including:
– Internal recording
– 2 Spots, 4 mics
– Eng start, idle, maneuvers, drive, shtdwn, doors, wipers, hood, windows, signal and other
– Slow, medium and fast
– 48 KHz, 24 bit
– 4 x schoeps ccm (card and omni), sys AB, Zoom F8
– RAW files only
P.S. See more car exterior sounds for SUBARU WRX STi2 2005 in our products
An eclectic collection from my extensive archive: Jumbo Jets, Military Fighters, War-birds, Helicopters and Bi-Planes. From an F-16 to a Tiger Moth – it’s all here.
Boeing 747 • BAC 1-11 • Cessna • Douglas C-47 • F-16 • F-86 • Fennec T-28 • Lancaster Bomber • P51 Mustang • RAF Tornado • Spitfire Mk IX • Tiger Moth
Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.
Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.
Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.
High quality unprocessed drone/quadcopter recorded using both binaural and mid-side microphone techniques. 4 different types of quadcopters were used in this sound library.
Gear: Neumann KU-100 binaural dummy head microphone, Schoeps mid-side setup (Schoeps CMC6 MK8, Schoeps, CCM M4, Sound Devices Mix-Pre 6)
This is a unique bicycle library that captures this characteristic bike in clean, quiet, nicely performed true exterior rides. Including multiple perspectives, speeds and actions. From fast passbys on asphalt to slow onboard recordings and smooth stops.
The UglyBike is a typical old bicycle that’s working fine, but needs some TLC. It is a bicycle that’s just average, a little rattle a gentle scrape, a bike that everyone has had but got traded in for a newer one. A story of unrequited love.. :)
Speeds and actions:
Three speeds. Departures from slow, medium to fast getaways. Arrivals from slow stops with gently squeaking handbrakes to heavy stuttering skids.
Overview of perspectives and mic placement:
Onboard recordings are 2-3 minutes long depending on speed. Higher speeds > shorter duration.
All 3 onboard mics are edited in sync with one another to make layering easy.
All Passbys, Arrivals and Departures move from Left to Right.
Metadata & Markers:
Because we know how important metadata is for your sound libraries we have created a consistent and intuitive description method that adheres to the Universal Category System. This allows you to find the sound you need easily, whether you work in a database like Soundminer/Basehead/PT Workspace work, or a Exporer/Finder window. We made a video that helps you navigate the library ans find your best bicycle sounds faster and easier.
CategoryFull
A quick way to filter out sounds you don’t need: like handling sounds or vice versa bicycle onboards.
UserCategory
Fastest way to find the type of action you need for all bicycles. Passby needed, just click and voila.
OpenTier
Once you’ve selected the bike you can open up OpenTier and audition and select the perspective you want to use.
Scene &Â Performer
This field contains the type of bicycle or other sound. So you can find the bike you like fast.
iXMLTrackLayout
This is a neat little identifier you will find in the Waveform displays and you can see in a glance what Listening position you are.
MicPerspective
We have another way to find perspectives but it is more limited to distance to the recorded subject.
So passbys are MED – EXT and handling are CU – EXT. Exterior? Of course: we recorded everything outside!
UserComments
We used this field to create the UserData and give you the minimal set of information about the recording in the filename.
Additionally, we added Markers to some wave files, so specific sound events are easy to spot in Soundminer and other apps.
If you have any questions about this, please contact us [email protected]!
Need more?
The GoodBike library is a part of the ‘City Bicycles – Complete Bundle‘ available here in the A Sound Effect store. It consists of all 4 bicycles and includes additional surfaces and extras ranging from one-off bicycle passes captured in the city and bounces and rattles. If you buy the complete bundle you get 1 package for free!
Here’s a handy comparison table:
344 AUDIO: ‘City Bicycles has a plethora of content, for a great price. The perfect balance between a great concept, great presentation and outstanding execution, lands them an almost perfect score of 4.9..‘
The Audio Spotlight: City Bicycles is worth getting if you are in need of great sounding and well edited bicycle sounds.
Watch a video created by Zdravko Djordjevic.
The independent sound effects community offers you a huge collection of vehicle sound effects libraries - giving you everything from sounds of propeller and jet aircraft & helicopters, bicycle sounds, car sound effects, and motorcycle recordings, to sounds of ships, drones, trains, trucks, busses, and vans. You also get uncommon categories like designed spacecraft sounds, and military-type vehicles.
The vehicles are driven, flown, sailed and handled in all sorts of ways to give you a great selection of sounds to work with. And with so many different vehicle brands available, you'll stand an excellent chance of finding the sound of exactly the one that matches your project.
Acceleration, braking, driving, engine, honk, jet, landing, motor, sailing, skid, speed, takeoff, throttle, transmission
Q: What are some of the most popular vehicle sounds?
A: Click to sort the category by most popular vehicle sound effects libraries
Q: Are there any vehicle sound libraries on sale right now?
A: Click to sort the category by vehicle sound libraries on sale
Q: How do I download the vehicle sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen vehicle SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
Animal Hyperrealism Vol I is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1300 individual sounds in 290 files.
The sounds were partly recorded with animals trained for media production, partly recorded in zoos and wildlife centers. The asset list includes but is not limited to: african lions, bengal tigers, horses, donkeys, cows, exotic birds, owls, bobcats, pumas, dromedaries, wolves, dogs, geese, lemurs, gibbons and many more.
All the content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image. All files are delivered as stereo bounce of these four mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.