Home Vehicle Sound Effects
Vehicle sound effects and recordings – cars, helicopters, motorcycles, airplanes, ships, trains and sci-fi
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Toy Quadcopter is a focused mini library capturing the playful and high-pitched character of a toy drone in motion. Perfect for film, TV, games, and interactive media, it offers a variety of flight sounds, close fast pass-bys, slow passes, motor modulations, and essential electronic signals.
This collection includes take-off and landing sequences, beeps for syncing, calibration and low battery warnings, as well as servo engine textures and detailed proximity recordings. Recorded with precision and clarity, it’s a compact but rich toolset for designing scenes that call for small UAVs, gadgets, or sci-fi elements.
Quietsub FX Complete Bundle
Quietsub FX is a library of 15,055 sound effects at 24 bit 96,000 BWF. The library is organized into a number of collections related to specific categories, and a large miscellaneous category. The library was recorded to be as comprehensive as possible with an emphasis on quality and choice for users.
The Complete Bundle includes the following parts:
Quietsub FX gives you a wide ranging library of sound effects. Production of the library focused on creating high quality and choice for users, which ultimately is what creators want. This package is ideal for film, video, radio, podcast, and wherever sound effects are used.
All files include metadata.
Quietsub FX Transportation
An extensive collection of 1,321 Transportation sounds. If it has means of movement to carry people or goods, whether by engine or human propulsion, you’ll likely find it here.
This collection comes in two parts. The transportation portion, and Transit Chimes.
Transit Chimes: Transit Chimes are the sounds you hear all the time on public transportation. Dings, dongs, attention getters. This collection of 70 sound effects gives everything you need to satisfy your craving for these noises. Use them in your productions, or start your own transit system.
Transportation: People are always going somewhere. And they sure make lots of noise doing it. Just about anything that moves people or freight can be found here.
Recording for this category is outside the studio affair. A tremendous amount of time driving and walking around, as well as planting yourself in strategic locations where vehicles do their thing.
This extensive collection touches all the bases.
Files are 24-96000 BWF with metadata.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Quietsub FX Construction
A large collection of 1,097 Construction sound effects. This contains the sounds made fixing around the home and noises made by professionals, as loud as they may be.
It seems people are always building something. They also make a lot of noise doing it. From home building, workshops, public works projects, home renovation and plumbing, even Blacksmiths! This collection covers all the bases.
Production of this collection was challenging. Although recording stationary sounds like hammers and saws is relatively simple, they still have to be located and gain permission to record items. Also, large construction equipment has be recorded on-site. Getting close enough can be difficult. Being polite and respectable to workers always helps. It can be dusty, dirty, and you deal with conflicting background sounds such as road traffic.
Sounds in this collection:
Everything you need for your next construction project!
Files are 24-96000 BWF with metadata.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
Sounds from a Transit System on Pause.
Underground Ambiences and Mechanical Atmospheres for Cinematic and Abstract Soundscapes.
The Still Line is a 139-minute sound effects library capturing the rare stillness and quiet pulse of an underground rail network paused in time. Recorded during a period of minimal traffic, as public life slowly returned after lockdowns, it spans resonant tunnels, hushed platforms, and moving trains, with subtle human presence woven throughout—footsteps, luggage wheels, and distant voices—adding life without disrupting the pervasive stillness. These recordings offer rich ambiences and precise mechanical textures, perfect for grounding a scene in reality, providing unique sonic textures, or reimagining it for something entirely new.
Step into an underground transit system where empty platforms, echoing tunnels, the mechanical heartbeat of infrastructure, and sparse human touches all coexist to create a cinematic soundscape.
This mini-library offers over two hours of recordings from quiet platforms, long tunnels, ticket halls, train interiors, and the subtle machinery that sustains the network. Freed from the usual crowd noise, every detail emerges: the tonal hum of escalators, the metallic sigh of air brakes, distant trains rolling through silent tunnels, and the layered resonance of vast, reflective chambers.
What’s Inside
Whether you’re building a dystopian future, crafting cinematic tension, or repurposing urban textures for abstract sound design, The Still Line offers a unique palette grounded in reality yet open to transformation.
Step into the soundscape of a real commuter journey across Yogyakarta to Central Java. This album captures the authentic atmosphere of Indonesia’s bustling railway life, featuring immersive recordings from station platforms, lively passenger coaches, and the powerful rush of trains passing by.
From the anticipation of waiting at Wates Station, the layered chatter of commuters and footsteps on the platform, to the rhythmic hum inside the train as it glides through villages, towns, and open landscapes toward Palur Station in Solo, each track transports you directly into the experience of daily rail travel.
Perfect for filmmakers, sound designers, game developers, or anyone seeking the genuine ambience of Indonesian commuter trains, this collection blends urban life with the natural rhythms of movement, creating a versatile library of transport soundscapes.
Whether you need the energy of crowded platforms, the calm of steady train motion, or the thrill of locomotives rushing past, Commuter Line Ambience delivers an inspiring set of authentic recordings that bring realism and depth to any project.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
A very flavourful and expressive vintage single-seater race car from the late 1950s !
This car has been recorded on a private circuit. It has a very peculiar peculiarness : its engine had issues and emitted a specific staccato/typewriter type of sound. So, if you’re looking for a car with some character, look no further my good person. We at Big Pizza Sniffers always strive to deliver you something functionally broken in the best quality possible. It’s obviously not broken to the point of not working. This is a very very fast car that did very fast laps. It’s just peculiar. Listen to the demo attached.
We’ve recorded a couple laps with 3 onboards mics, as well as exteriors with a Schoeps MS setup : a startup to drive away, an arrival to stop, and some idle on the track.
It’s a short little library that can cover your many needs if you have a vintage/flavourful race car scene. It can also function as asmr if you’re a really big fan of the madmax movies.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
Need electric vehicle sounds? This Ford Mustang Mach-E library extensively covers onboard, exterior, and foley performances. Perfect for your next film, game, or commercial. Hear what the raw electric power of 480 horsepower and 634 lb-ft of torque from a 2021 Ford Mustang Mach-E GT can bring to your library.
Onboard perspective sounds are from 4 separate channels.
Cabin Stereo, Engine and Exhaust
External perspective sounds are from one MS (mid side) handheld stereo mic and one XY stereo mic (in fixed positions).
Sound Designers and Editors can use mid channel from MS if mono is needed.
Onboard perspective sounds are from 4 separate channels.
Cabin Stereo, Engine and Exhaust
External perspective sounds are from one MS (mid side) handheld stereo mic and one XY stereo
mic (in fixed positions).
Sound Designers and Editors can use mid channel from MS if mono is needed.
Blacktone Studio is a boutique post-production studio and a leader in sound design for film and television, with a track record of over ten years dedicated to creating soundscapes that enrich the narrative of the stories we work on.
Based in Madrid, our studio features advanced facilities, including a Dolby Atmos mixing stage equipped for cutting-edge post-production, designed to deliver the highest quality in every project. From our earliest productions to our work on major international films and series, our passion for sound, pursuit of technical perfection, and commitment to storytelling have established us as one of the most prominent studios in the industry.
“Blacktone Studio Master Collection Vol. 1” marks this decade of excellence in sound design and field recording by the Blacktone team, representing our sonic legacy—a collection that encapsulates the essence of our work over the years. This generalist library, with over 250 GB and more than 5,000 high-quality files, offers an immense variety of sounds, organized into more than 300 categories and subcategories under the international UCS classification system. Each file is meticulously cataloged and includes metadata in both English and Spanish, optimized for seamless integration into international projects and aligned with industry standards.
For the release of this library, Blacktone Studio has partnered with Surround Sound Lab, our label specializing in field recordings and sound library distribution, to ensure that every file is fully prepared for professional use. With over 50 sound libraries already in its catalog, Surround Sound Lab brings not only experience in editing, mastering, and distribution but also a shared commitment to quality and innovation. This collaboration allows the “Blacktone Studio Master Collection Vol. 1” to reach the market through Surround Sound Lab’s infrastructure, offering professionals a unique, trusted tool used daily in our own studio.
This collection is a unique and special collaboration, created specifically to capture and share the essence and legacy of our sonic work over the past ten years.
Although it is not part of the “SSL Complete Collection” bundle, which includes the full catalog of SSL series libraries, current bundle users will receive access to this exclusive edition at a special price as a token of our appreciation for their continued support.
“Blacktone Studio Master Collection Vol. 1” is a sonic celebration combining the best of Blacktone Studio with Surround Sound Lab’s expertise in distribution, available to those seeking quality and authenticity in their sound design.
Explore an impressive collection of sounds from the Soviet VAZ car. In this library you will find the sounds of starting, idling, various accelerations, maneuvers, and braking, Comrade!
Externally the microphone set-up comprised a Neumann U 87, a Schoeps CMC6/MK4, and a Sennheiser MKH 416. The engine and exhaust were captured by a Neumann U 87 each, and wheel recordings were done by a Sennheiser MKH 416. We also recorded details such as the doors, the horn, switches, windshield wipers, and gear shifts, with a Neumann U 69 deployed to the interior.
From quiet and slow, to loud and wild, it’s all here. If your project requires an auditory trip down Soviet memory lane, look no further. Immerse yourself in the atmosphere of an icon of automotive history with our library of VAZ sounds!
You say Fiat, I say VAZ. Listen to this while I step on the gas!
A rough, tractor-like rumble of the engine with pronounced low-note vibrations, while on the outside you hear the mealy, rolling sound of a reliable vehicle, especially from a standing start. This is the successor of the legendary UAZ-469, and the engine finds itself sonically as one that aims for the eternal compromise between military reliability and civilian comfort. The sound is rough, with an iron accent, as if the modern system is assembled from the hardy parts of yore.
To capture the sounds of the UAZ Patriot, a carefully selected set of microphones was used to record all the key details of the vehicle. The engine was recorded with a Neumann U 87, while the exhaust was captured using an Electro Voice 868. Inside the cabin, sounds were recorded with two microphones: a Shure 57 and a Neumann KM 184 for the front section, and a Sennheiser SPM 8000 for the rear area. External pass-by recordings were made with Oktava and Sennheiser MKH-416 microphones, and additional external spot recordings (Spot A) were captured using Neumann U 87 and Sennheiser MKH-416. This comprehensive approach allowed us to create a full and vivid sound portrait of the UAZ Patriot, reflecting its character and dynamics.
The sounds of a modern motor that knows its roots!
The recording of this powerful fireball of a race car was performed on a specialist chassis dynamometer system to give you the most realistic and immersive sounds possible. The library includes the characteristic roar of the engine, its start, its revving, idling, dynamic acceleration, and spectacular braking at different speeds, as well as the sounds of gear shifting and engine cut-off.
In our special set-up, we rigged the following microphones to capture the engine, one of each of the following: Electro Voice RE-20, Neumann U 87, Sennheiser MKH 416, Shure SM77, Telefunken M81, and a Violet Design Amethyst Vintage. As for the exhaust system, a Sennheiser MKH 416, Neumann U 87, and Sennheiser SPM 8000 were deployed.
By recording in what can rightly be called laboratory conditions on the whirring dynamometer, we believe that here in the files are possibly the most faithfully accurate recordings of a race car ever captured for sound industry purposes, getting you as close as never before to a Formula-level racer as it really sounds in performance mode. Vroom vroom!
Pole position for audiophiles!
Dawn Vehicle Passing By captures the rich, organic textures of early morning life in a riverside village near the Progo River, Yogyakarta. This immersive field recording album features a dynamic blend of natural ambience and human activity — from the gentle chorus of crickets, birds, and lizards to the rising rhythm of passing vehicles. Dominated by the distinctive sound of motorbikes, with occasional trucks and cars rolling by, each track tells a sonic story of dawn along a quiet village road.
Ideal for sound designers, filmmakers, and ambient audio enthusiasts, this collection offers authentic rural Indonesian atmosphere with layers of nature and movement. Recorded in high quality by Sound Effect Stacks, these soundscapes reflect the calm, yet ever-awakening pulse of village life at first light.
64 Files 96 Khz 24 Bit
126 Files 192 Khz 32 Bit
Hop into this classic and highly sought after stock Mazda Miata NA! It’s a stock vehicle, so no alterations have been made from its original parts. This library includes 168 192 kHz 24 bit high fidelity files including long drives through streets and on the highway. Create your own mixes with multiple recordings of the same instance using different mics strategically placed around the car! Choose from mixing the mono exhaust mic, an exhaust mic plus a mid-side mic in stereo, an engine mic, and a cabin mic! The possibilities are endless with this level of variety and control to choose from. You’ll get stereo drive bys from 10 to 50 MPH from left to right and right to left, accelerations from 10-60 MPH using multiple mic placements, street driving and highway driving up to 80 MPH with multiple mic placements, drive ups, idling, gear shifting, engine revs, some tire screeches, stalling, and various unique sounds around the vehicle like motorized pop up headlights, manual window cranks, a pressurized gas cap, putting up and taking down the top, and more! Relive your peak 90’s self with this classic 1992 Mazda Miata NA Stock sound library!
The independent sound effects community offers you a huge collection of vehicle sound effects libraries - giving you everything from sounds of propeller and jet aircraft & helicopters, bicycle sounds, car sound effects, and motorcycle recordings, to sounds of ships, drones, trains, trucks, busses, and vans. You also get uncommon categories like designed spacecraft sounds, and military-type vehicles.
The vehicles are driven, flown, sailed and handled in all sorts of ways to give you a great selection of sounds to work with. And with so many different vehicle brands available, you'll stand an excellent chance of finding the sound of exactly the one that matches your project.
Acceleration, braking, driving, engine, honk, jet, landing, motor, sailing, skid, speed, takeoff, throttle, transmission
Q: What are some of the most popular vehicle sounds?
A: Click to sort the category by most popular vehicle sound effects libraries
Q: Are there any vehicle sound libraries on sale right now?
A: Click to sort the category by vehicle sound libraries on sale
Q: How do I download the vehicle sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen vehicle SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
Animal Hyperrealism Vol I is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1300 individual sounds in 290 files.
The sounds were partly recorded with animals trained for media production, partly recorded in zoos and wildlife centers. The asset list includes but is not limited to: african lions, bengal tigers, horses, donkeys, cows, exotic birds, owls, bobcats, pumas, dromedaries, wolves, dogs, geese, lemurs, gibbons and many more.
All the content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image. All files are delivered as stereo bounce of these four mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.