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Metal sound effects
Clink gets you the sound of of clicks, latches and whirrs generated from a little found Herschede Starville clock mechanism.
Each take is loaded up with unique performances that explore the mechanism’s unique character from up-close.
Recorded in a quiet space with an MKH50 through a John Hardy preamp, this libary is small but mighty. Also included is a NI Battery 4 kit that is programmed to enhance the best characteristics of the source material by doing transient enhancement, eq, delay and compression that can be dialed in to taste.
Note: NI Battery 4 is required to use the kit – not included. You don’t need any version of Battery to use the audio files as a standalone sample library.
These recordings are excellent for adding character and complexity to your next mechanical element design.
SCI FI MECHANICSÂ is a collection of 301mechanical/robotic sound effects.
SFM is a contraction-kit, that allows you to created, heavily synthesized robotic and mechanical sound effects.
Packed with high quality robotic sequences, one-shots, transformations, impacts and experimental mechanical sounds.
Perfect for crafting sound for all sorts of sci-fi/future-tech.
RECORDED WITH: NTG3
CREATED WITH: Pro Tools, Live, Reaktor, Kontakt.
is a bizarre and unique harp for Ni Kontakt based on a custom-made musical instrument by Italy-based guitarist Paolo Balestri.
He crafted Mokarpa using guitar strings mounted on a Moka, the iconic Italian coffee pot.
The sounds is harmonically rich, delicate with metallic resonances and with a dreamy flavor.
It’s suitable for fantasy soundtracks, lo-fi hiphop, R&B, cinematic and chill tracks.
The Kontakt instrument allows you to adjust the sound with a custom scripted GUI.
MOKARPA WORKS ONLY WITHÂ FULL KONTAKT 5.8.1Â or ABOVE (NOT COMPATIBLE FREE KONTAKT PLAYER)
CINEMATIC SHORT IMPACTSÂ is a selection of 22 stereo 24bit/48khz powerful impacts sounds with a cinematic taste for your trailers and video productions.
All sounds are on-shot and very short, ready to be easily arranged on the timeline or inside a sample player to make a drum kit.
SSL15 Metal Workshop Session is a full angle recordings from a metal workshop. All the machines in all the formats and angles. Choose between the close 416 mono mic, with the full power of the engine, or the far or medium surround format recorded 5/20 meters away.
This way we managed to get all the sounds from the visit to the workshop!
170 sounds of Clocks & Bells, striking, chiming, and ticking.
No longer do you need to fall back on those old BBC recordings of Cambridge College clock chimes with this vast collection of chiming clocks from various obscure churches throughout the UK, many with sets of quarter-hour chimes, with one and twelve hour strikes. Added to that, there are two beautiful 18th century chiming mantle clocks, a couple of sweet carillons and clocks from Amsterdam, Greek Orthodox Church bells from a small island and some distinctly dodgy bell ringing practice from a couple of English churches. Throw in some domestic clocks ticking and chiming and one very snappy cuckoo clock, and you have a collection that should serve most of your clock-related needs.
170 files, some at 48/24 and some at 96/24, representing many years of collecting these sounds from analog tape, DAT and the latest recording technology.
Impacts, friction, and destruction of large objects on wood, various metals, dirt, leaves, glass, plastic, brick, and concrete! There’s no shortage of destruction and debris in this library with over 350 sounds to choose from.
These files were recorded at a destination of a heaping pile of debris waiting to be hauled to a landfill. Whether you need smashes, thuds, heavy falls, glass breaking, shingles scraping, shovels digging, wood and metal bending and creaking, and hoisting large objects followed by destruction this library has got your back. Combine these files to create the most epic destructions or use them by themselves for direct impacts or friction of materials. Enjoy You Me & Debris!
​The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.
This library features high quality studio recordings of real police handcuffs!
The various sequences included in this library make it easy to integrate audio files into Reformer Pro!
Activities were recorded such as:
INDUSTRIALÂ TERROR is a collection of dark, distorted, rumbling, ear-piercing, evolving industrial impacts and whooshes, designed to unsettle.
Collection consists of 108 designed sound effects and 102 source field recordings.
Unique processing of organic field recordings makes it sound rooted in reality and fits perfectly into horror genre.
Ready to be used on their own or as a part of a more complex sound design.
RECORDED WITH:Â Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4
Carma Studio is excited to bring you a library of over 260 metallic textures!
Startling you with low-end dark atmospheres to high brittle sizzle, this collection of hits & bangs, flutters & rattles, screams & moans, contact scrapes, iced fizzles, contractions, stretching, cracking and more covers the sounds of metal stressed out.
The Blacksmith Sound Effects Library gets you the ringing, banging sounds of hammer impacts on an anvil, as well as the sounds of a large blacksmith's bellows.
Bluezone presents ‘Cinematic Metal Impacts’, a massive selection of meticulously edited and layered impact sound effects. Created with a large selection of high quality recordings, this sample library is perfect for composers and sound designers. This downloadable sample pack contains 109 WAV files in 24 bit / 96 kHz. Backed with complex, loud and heavy metal hit SFX, this sound library is perfect for film and movie music compositions, trailers, advertising, multi-media presentations, video games and more.
The sample pack comes to you in 24-bit high definition and is licensed to you as royalty-free so you can use it in your commercial compositions at no extra cost. Please note : ambience sounds in the demo come from ‘Cinematic Dark Sound Effects’.
Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.
Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.
Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.
This Double Bass & Violin sound effects library not only includes weird low double bass bow strokes, stabs, vibrating strings, drones, harsh harmonics, string scrapes, bow stroke voices, and bright violin tones and screams. It also includes the opportunity to open up a whole new set of sonic adventures.
Why? All double bass sounds have been recorded at 192K/24 bit, with an amazing stereo set of close up Sanken CO100K microphones, and a stereo set of Sennheiser Mkh 8020 microphones, capturing low end and room. All violin sounds have been recorded with a single Sanken CO100K microphone.
Common for all Sanken files is that you're able to either extreme time stretch/time compress, or pitch up and down the files, and by this discover a whole new world of sounds – without adding nasty degenerating artifacts or muffling the sound. The ultra-high frequency range of the Sanken microphones does really make a great difference!
Recordings these sounds was a pure blast. The amount of versatile organic material in the set is great. The bass instrument has been played in a very innovative way, using both regular bow on strings and bass body, but also finger cymbals attached to specific places for a vibrating ring or rattle noise, creating some really other-worldly sound effects, and almost vocal-like patterns.
While the double bass material produces a massive low end without any further processing, the violin recordings really benefit from being stretched and pitched. This makes all the non-audible bright sounds captured by the Sanken microphones come through.
Nolan Sound Library – ALL IN ONE Bundle.
Get 1825+ Files in one bundle: Trains, Norway Nature, Nature Soundscapes, Radio Noises, Motocross, Foley Sounds, Spain Ambiences, Planes, Airports, New York Life, Mountains Winds, Forests and many more…
Also includes the NSL in ATMOS Format for big productions.
KLAP Sound took a piano and tortured it, dismembered it and finally destroyed it—and recorded the whole process. For the making of this library, they used several tools such as hammers, screwdrivers, knives, and saws, as well as props like dirt, send, gravel, forks and other sharp objects. The results are raw sounds of foley with musical rings, harmonic tails and creepy vibes that are dry yet barely edited for your own enjoyment.
INDUSTRIAL TERROR – Hits & Transitions is a second installment of Industrial Terror series.
It is a collection of dark, distorted, ear-piercing, industrial hits, impacts, crashes and transitions.
IT Hits & Transitions is an expansion pack that focuses in single, sharp hits and transitions rather than evolving, textural impacts and whooshes (as heard in Industrial Terror).
Collection consists of 145 carefully designed and rendered sound effects.
Unique processing of organic field recordings combined with modular processing makes it both grounded in reality and creepy. This collection is a perfect choice for any kind of horror genre.
RECORDED WITH:Â Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4, Modular
The Metal Scrap library was recorded at a scrapyard where they do nothing but shredding, cutting, breaking and moving metal of all sorts, all day long.
• Large metallic objects and metal debris being drooped by huge cranes, into and onto various surfaces.
• The end of the Conveyer belt, where the smaller pieces of metal junk fall onto a bigger pile af junk.
• Lots of metallic destruction and impacts, huge and small.
Sonic Transmission is a unique collection of 257 sounds recorded and produced with high-quality equipment at 24 bit /96 Khz. Recorded in a 0 acoustic fields with a large range of piezo, contact, suction and hydrophone microphones, this sound library offer original audio textures ready to use or to design.
Plenty of material has been recorded over many months to provide a wide range of variety, such as:-Metal: small to big, hollow to thin, resonating, heavy, soft
-Plastic: hit, impact, scrape, squeak
-Glass: brillant to low and deep, saturated, bouncing
-Water: oxygen, bubbles and movements into resonant containers
-Wood: low and long creaks, hit and movements
-Servo motors: clean, low, accidented, revs
-Spring: creaky and tonal
-String: cello and bass
-And much more
This collection comes in two section:
-Raw material: construction kit to create and design your own effects. Most of the sounds comes with many variations.
-Designed: ready to use sound effects, tonal, scifi, bassy, whoosh, saturated, modulated, drone, impacts
Recorded and edited in high resolution, these sounds are easy to pitch down and time stretch to create unique and surprising sounds. All Faunethic tracks include metadata tags filled with Soundminer.
This sound library contains a multitude of coins on different surfaces with a wide variety of performances. The coins come from different countries and some are no longer minted. I also used heavy centenary coins to simulate old world coins for your gaming audio needs.
All content was recorded using high-quality, professional equipment – Neumann KMR81i and Sound Devices. All files were recorded at: 24bit, 96 kHz in an acoustically treated room. Meta Data is also included.
The All Metal sound effects library features 765 sounds of metal clashing, clanging and resonating as metal pieces are rummaged through, dropped, and tossed. Create with the various distinct sonic properties of metal objects — from squeaky gates, rattley wires, ringing wrenches, warbling sheet metal, clattering swords and more.
Each sound was pristinely recorded at 192kHz with lots of variations for more creative freedom. Uncover the sonic treasures that await as you pitch and process the squeals, squeaks and moans of the metallic debris for limitless sound design opportunities. Strengthen your projects with the distinct buzzing, scraping and reverberation of metal impacts for both literal use and creative implementation as layers for intense sound design.
Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.
NDUSTRIAL TERROR – Textures is a third and the last installment of Industrial Terror series.
It is a collection of dark, industrial textures, evolving metallic whooshes and textural hits.
The collection consists of 66 carefully designed and rendered sound effects with baked-in Soundminer’s metadata.
All soundscapes/textures loop seamlessly for quick and painless game audio integration.
Unique processing of organic field recordings combined with modular processing makes it both grounded in reality and creepy.
This collection is a perfect choice for any kind of horror genre.
RECORDED WITH:Â Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Eventide, iZotope, Discord4, Modular
A unique collection of antique bells of various shapes and sizes.
The library features the House Bell, Hame Bell, Cup Bell and the Crotal Bell.
HARMONICS is a new designed sound collection that explores the inner beauty of resonating metals to create an extensive set of inspiring sonic material for sound design and film scoring – proudly presented by SampleTraxx.
Metal happens to have the right combination of speed of sound and decay. Different metal shapes produce a broad spectrum of soundscapes and tones.
HARMONICS investigates this hidden magic by designing and layering these unique timbres.
The result is an extensive set of designed evolving textures and designed metal elements which are great to create sound cues in minutes, metal hits, passby-reverses and evolving drones.
The nature of this soundpack doesn’t call for compressor or maximizer. Close attention has been paid to preserve the original dynamic excursion of each sound and fully enjoy its natural vibration and evolution.
Having a wide dynamic range guarantees more freedom in layering and arranging different elements to create endless variations.
The sonic material contained in the pack is all presented in a designed fashion and different levels of design are provided: from simple elements to evolving multilayered soundscapes and textures, all based on metallic sources. No external sounds apart from metals have been added to the mix.
Features:
86 Designed Textures and Elements (dur. up to 1’10″)
37 Hits (Hi and Low Designed Hits)
10 Drones
26 Pass-by Reverse
9 Tibetan Bowl (Raw Recordings)
9 Kontakt Instruments -Kontakt 5.5 full required for these (free player not supported)
Note: the WAV themselves files can be used without Kontakt
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