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Metal sound effects

  • World Sounds The Bell Collector Play Track 113+ sounds included, 81 mins total $40

    The bell collector sound library is a unique collection of 113 sounds of bells, gong and other metal percussions. These objects have been collected over the years, mainly in Asia, India and Europe.

    All these sounds have been recorded and produced with high quality equipment at 24/96 khz at low noise floor.

    Each bell, sorted by tonality, comes with many variations of intensity and rhythms.

    This sound library offers a wide array of bells, such as:

    -Hand bell
    -Crotal bell
    -Gong bell
    -Hand drum
    -Sleight bell
    -Bicycle bell
    -Singing bowl
    -Chime

    This library provides authentic and interesting sounds, recorded with Neumann and MBHO mics powered by an Aeta 4minX.
    Recorded and edited in high resolution, these sounds are easy to pitch down and time stretch to create unique and surprising sounds.

    All Faunethic tracks includes metadata carefully edited, compatible with Soundminer, Soundly and Basehead.

  • Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.

    Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.

    Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.

  • MOKARPA

    is a bizarre and unique harp for Ni Kontakt based on a custom-made musical instrument by Italy-based guitarist Paolo Balestri.

    He crafted Mokarpa using guitar strings mounted on a Moka, the iconic Italian coffee pot.

    The sounds is harmonically rich, delicate with metallic resonances and with a dreamy flavor.

    It’s suitable for fantasy soundtracks, lo-fi hiphop, R&B, cinematic and chill tracks.

    The Kontakt instrument allows you to adjust the sound with a custom scripted GUI.


    Key Features
    • 48 total wav samples
    • Microphone and Pickup recordings (sources can be mixed in the gui)
    • 2 round robin
    • 3 dynamic velocity sample (soft, medium, hard)
    • 3 convolution with noises: Grain (the noise of coffee grains handling to give a granular and organic feel), Moka (the noise of coffee pot boil to give a sense of motion), Gas (the noise of cooker to give an airy hissing taste)
    • ADSR Envelope
    • Low Pass and Hi pass Filters
    • Drive and Reverb FX

    MOKARPA WORKS ONLY WITH FULL KONTAKT 5.8.1 or ABOVE (NOT COMPATIBLE FREE KONTAKT PLAYER)

  • The Metal Scrap library was recorded at a scrapyard where they do nothing but shredding, cutting, breaking and moving metal of all sorts, all day long.

    Metal Scrap includes:

    • Large metallic objects and metal debris being drooped by huge cranes, into and onto various surfaces.
    • The end of the Conveyer belt, where the smaller pieces of metal junk fall onto a bigger pile af junk.
    • Lots of metallic destruction and impacts, huge and small.

  • This sound library contains a wide variety of creaks, squeaks and squeals. All content was recorded using high-quality, professional equipment, such as Sennheiser MKH-8050, Neumann Kmr81i, Rode NTG3, and Sony PCM-d100.

    This unique sound library contains 145 files with over 1300 high-quality sounds from a wide variety of sources, including materials such as glass, rusty ladders, wicker baskets, vintage leather jackets, and large ovens. These sounds can be used for traditional foley, eerie horror, or for any sound design you can imagine. Metadata is provided.

  • Mechanical Sound Effects Aldbourne Bells Play Track 98 sounds included $16

    A unique collection of antique bells of various shapes and sizes.

    The library features the House Bell, Hame Bell, Cup Bell and the Crotal Bell.

  • Foley Sound Effects Coins Play Track 105 sounds included $15

    ‘Coins’ by Badlands Sound includes 100+ clean and high-quality coin sounds. Everything from one coin, a few, too many coins dropping on various surfaces like wood, water, metal, and other coins. Also, includes Foley sounds of grabbing coins perfect for film and video games.

  • Introducing a bold new take on Wood and Metal Creak SFX that will help you bring your project to the next level.

    As sound enthusiasts, we were keen to bring something new to the table for this category of sound…and so a novel recording approach was created to produce the sounds for this library. Due to the incredibly subtle (and not so subtle!) audio details embedded in creak sounds, a recording environment is required with particularly effective sound isolation. At the same time, a high level of control over the variety of surface type and performances of the creaks themselves is needed. Our MacGyver recording engineer Phil found a solution that produced a setup within which we had isolation, control, and variety… the “Creak Box”.

    The Creak Box is able to capture the most detailed essence of most resonant surface types, and has multiple stages of tension with which the performer of the creaks can play with. Happy with the source sounds that were being created – which is always the most important stage from beginning to end – we found that a multi mic rig was needed. To really get the depth and detail of these creaks we found that the best results were achieved by using a spatially tweaked-up microphone setup using the contact mic LOM Geophon, a pair of cardioid Sennheiser Mkh8040s, and a shotgun Rode NTG3. The best recordings always come from testing multiple mic positions, and experimenting with input levels and mic positions; this sound library brings you only our best takes.

    As sound designers, we always need new, better, varied material. We want to feel excited by and connected to the sounds we use – enjoy and make it yours!

    Wood: Old wood stairs, doors, floors, ships, houses, twisting and bending wood, chairs, tables, fences, and more.

    Metal: Big and small doors, small squeaks, huge resonant duct and convector surfaces, chairs, benches, wires, bedsprings, and more.

    (The video bellow contains added room tone to show some of the sounds in context.)

  • Bowed cymbals are one of those sound effects that just never get old.

    Perhaps it's the chilling sound of bow on bronze that puts us on the edge of our seat that we love so much. Or maybe it's the hauntingly beautiful tones that ring from a large ride cymbal with a large bow.

    Add some real bronze to your project today:

  • Introducing the ultimate roller coaster sound library: Roller Coaster Sound Builder includes high-quality recordings from 5 different roller coasters, from classic steel coasters to aggressive impulse coaster. This huge collection includes clean roller coaster passbys, onboard recordings, and classic roller coaster screams.

    Roller coaster pass by sounds were recorded without background noise in an amusement park that was closed to the public. A great amount of natural screams with different intensities is also included, recorded during a regular summer day in the amusement park.

    Roller Coasters included:

    – Big Steel Coaster (inverted steel coaster with high speed and loops)
    – Small Steel Coaster (classic-sounding sit-down coaster)
    – Flying Coaster (with a more metallic and rumbly sound)
    – Impulse Coaster (unique-sounding coaster with electro-magnetic propulsion)
    – Motorbike Coaster (fast flywheel launch)

    This collection provides unique, hard-to-access source material in high-quality, with a large amount of takes for creative sound design. We worked hard to capture as much useful material as we could when we had full access to the rides. All sounds were recorded in Särkänniemi amusement park, Tampere, Finland. Also available in the special Complete Amusement Park Sound Bundle.

  • Get 100+ sound effects of chain mail, plate armor, leather armor getting impacted in three different intensity layers (glancing, weak, hard) – ready for implementaion. It also includes shield impacts in two variants (weak, hard), as well as weapon parry and gory weapon impacts.

    This pack also includes footsteps and movement sounds/rustles of chain mail, leather armor and plate armor.

    The Medieval Armor Impacts and Movement SFX library includes:
    Shield – Impacts (weak, hard).
    Chain Mail – Footsteps, impacts (glancing, weak, hard), rustles/movement.
    Leather Armor – Footsteps, impacts (glancing, weak, hard), rustles/movement.
    Plate Armor – Footsteps, impacts (glancing, weak, hard), rustles/movement.
    Weapon Impact – Gory hit, parry.
  • Foley Sound Effects Touching Everything Play Track 2926 sounds included, 56 mins total $50

    The sounds of touching various objects are among the most frequently used in post-production. Over many years of work, we’ve recorded an extensive library of touch sounds, and now we’ve compiled it all together to share this invaluable material with you!

    In this library you will find:

    • Sounds of touches to metal, plastic, glass, wood, leather, human skin, clothing, and much more;
    • 223 files, each with multiple takes, amounting to 2,926 takes in total;
    • The touches are also categorized by intensity – soft, medium, and hard; and by type, such as fingers, palms, fists, and more;
    • Each file is named according to the UCS (Universal Category System), making it easy to understand its contents just by reading the name!

    The majority of the recordings were made in studio conditions, but you’ll also find recordings created in natural room acoustics.

  • Metal Sound Effects Metal Resonances Play Track 77+ sounds included, 83 mins total $50

    Metal Resonances is a pack full of resonating metal that was made resonant with contact from dry ice. This creates otherworldly metallic tones which we carefully recorded and crafted into this product.

    The pack contains everything needed to create all sorts of creaks and cranks and can be used to sound design everything from robots, bridges, hatches, hinges, cars, horror SFX, UI. There are also a very expressive trait to some of the sounds, and can probably be made into weird creatures and other unexpected things.

    The entire pack has unique descriptive meta data for each file to make it easy to navigate between the different sounds.

    The pack was captured in 96khz and 192khz and some sounds have two different perspectives to choose from. The 96khz version is usually from a close-up handheld perspective or in direct contact with the material, where 192kHz comes from carefully miced up static positions.

    Recorded with two Oktava MK 012 in spaced stereo configuration and a Sony PCM m-10

  • The MicroTone: Doors library contains 133 everyday filing cabinet drawer open and closes at various distances and speeds.

    Two filing cabinets, one metal and one wood, recorded at close and medium perspectives. Performances of all the drawers at fast, medium and slow speeds.

    Contains sounds which will work for all your drawer and door effect cutting needs. Slowed down they make great rattling, creaking doors as well. The metal cabinet sounds particularly big and slamming at lower pitches!

    MicroTone is a series of smaller, less expensive libraries from Tone Manufacture for those times when you need a small injection of fresh sounds for a project and don’t have time to record your own.

  • Sci-Fi Sound Effects Sci-Fi Mechanics Play Track 301 sounds included, 17 mins total $19.99

    SCI FI MECHANICS is a collection of 301mechanical/robotic sound effects.

    SFM is a contraction-kit, that allows you to created, heavily synthesized robotic and mechanical sound effects.
    Packed with high quality robotic sequences, one-shots, transformations, impacts and experimental mechanical sounds.

    Perfect for crafting sound for all sorts of sci-fi/future-tech.

    RECORDED WITH: NTG3
    CREATED WITH: Pro Tools, Live, Reaktor, Kontakt.

  • Destruction & Impact Sounds You Me & Debris Play Track 369 sounds included, 11 mins total $25

    Impacts, friction, and destruction of large objects on wood, various metals, dirt, leaves, glass, plastic, brick, and concrete! There’s no shortage of destruction and debris in this library with over 350 sounds to choose from.

    These files were recorded at a destination of a heaping pile of debris waiting to be hauled to a landfill. Whether you need smashes, thuds, heavy falls, glass breaking, shingles scraping, shovels digging, wood and metal bending and creaking, and hoisting large objects followed by destruction this library has got your back. Combine these files to create the most epic destructions or use them by themselves for direct impacts or friction of materials. Enjoy You Me & Debris!

    ​The sounds were recorded in stereo at 96 kHz 24 bit. The equipment used was a Sony PCM-M10 and the files were processed, edited, and mastered in Reaper.

  • Get a huge variety of simple or complex lockdown mechanism sounds with a wide array of different latches and impacts with Lockdown, a performable Kontakt instrument and sound effects library.

    We brought in dozens of props big and small to generate a massive array of source material recorded at 24 bit 192kHz. These included cameras, carabiners, wrenches, rack cases, knives, can openers, tongs, crimpers, solder suckers, file cabinet doors, vehicle doors and servos and much more – all with multiple unique performances per set.

    Great care was taken to record each performance with the highest sonic quality and detail. We chose a pair of MKH50s in XY as our primary setup, creating a big, clean stereo image on every sound.

    Lockdown is divided into two parts –
    elements and designed:

    The elements collection has all of the source recordings in their unaltered states. Each sound is edited, cleaned, volume matched and carefully metadata tagged.


    The designed collection uses samples based on the elements recordings that have been transformed into entirely new and different sounds using heavy processing and layering. It was created to produce interesting design and transition sounds quickly and easily. Lockdown includes over 500 fully lockdowns of all sizes and scales.

    Lockdown highlights

    • more than 1700 elements files
    • 192 kHz source recordings
    • 500 heavily designed sounds
    • 96kHz designed collection
    • 2 full kontakt instruments (full version of Kontakt 5.5 required)
    • soundminer and bwav metadata

    Note: Can be used without Kontakt too!
    All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.

  • This gold-themed sound effects pack covers a lot of ground for any game genre that requires quality coins, nuggets, and golden bar sounds. Perfect for realistic and non-realistic scenarios in video games, podcasts, documentaries, animations and more.

  • Carma Studio is excited to bring you a library of over 260 metallic textures!

    Startling you with low-end dark atmospheres to high brittle sizzle, this collection of hits & bangs, flutters & rattles, screams & moans, contact scrapes, iced fizzles, contractions, stretching, cracking and more covers the sounds of metal stressed out.

  • CINEMATIC SHORT IMPACTS is a selection of 22 stereo 24bit/48khz powerful impacts sounds with a cinematic taste for your trailers and video productions.

    All sounds are on-shot and very short, ready to be easily arranged on the timeline or inside a sample player to make a drum kit.

  • The All Metal sound effects library features 765 sounds of metal clashing, clanging and resonating as metal pieces are rummaged through, dropped, and tossed. Create with the various distinct sonic properties of metal objects — from squeaky gates, rattley wires, ringing wrenches, warbling sheet metal, clattering swords and more.

    Each sound was pristinely recorded at 192kHz with lots of variations for more creative freedom. Uncover the sonic treasures that await as you pitch and process the squeals, squeaks and moans of the metallic debris for limitless sound design opportunities. Strengthen your projects with the distinct buzzing, scraping and reverberation of metal impacts for both literal use and creative implementation as layers for intense sound design.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 765 sound effects (2GB)
    • 24 bit/96k, 24 bit/192k broadcast .wav files
    • Descriptive embedded metadata
    • 100% Royalty-Free

    Credits:

    • Saro Sahihi
  • Clink gets you the sound of of clicks, latches and whirrs generated from a little found Herschede Starville clock mechanism.

    Each take is loaded up with unique performances that explore the mechanism’s unique character from up-close.

    Recorded in a quiet space with an MKH50 through a John Hardy preamp, this libary is small but mighty. Also included is a NI Battery 4 kit that is programmed to enhance the best characteristics of the source material by doing transient enhancement, eq, delay and compression that can be dialed in to taste.

    Note: NI Battery 4 is required to use the kit – not included. You don’t need any version of Battery to use the audio files as a standalone sample library.

    These recordings are excellent for adding character and complexity to your next mechanical element design.

  • INDUSTRIAL TERROR is a collection of dark, distorted, rumbling, ear-piercing, evolving industrial impacts and whooshes, designed to unsettle.

    Collection consists of 108 designed sound effects and 102 source field recordings.

    Unique processing of organic field recordings makes it sound rooted in reality and fits perfectly into horror genre.
    Ready to be used on their own or as a part of a more complex sound design.

    RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
    CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Discord4

  • Fully over 6 tons of metal was pummelled during the making of this sound library. Prepare for some serious metal impact recordings with this massive SFX collection that will be the go-to for game sound design, trailers, and film. Recorded over several months with precision recording techniques and discerning ears, this hard-hitting, vast library will serve any serious sound designer well for years to come.

    Capturing Intense Metal Impacts

    After recording a few dozen metal impact sounds with a standard close-mic recording setup, we were just not getting the next-level quality we wanted for this library. The recordings had an overbearing proximity feel and the sharpness of the transients was fatiguing our ears. With time, experimentation and a lot of listening we found a formula which changed the game completely. We want to share some of our findings with you!

    Microphone Setup Positioning 1

    Using a stereo pair of Sennheiser mkh 8040s feeding into a Mix Pre 6, the first step was to change up the mic positions into some balanced but unusually placed, more distanced configurations. For the sound pressure levels (SPL) that the impacts were throwing out, mid-distance recording positions were providing a broader frequency, more balanced overall feel. It might be obvious, but taking the time to position the mics and find where the nodes of sound waves are most interesting is key. At this point in our setup, the captures of the old metal cabinet we were pounding already started producing some very interesting results.

    Microphone Setup Positioning 2

    Getting within striking distance of the quality target, we still found that the recordings were not celebrating that resonant bass personality that is particular to metal objects and surfaces. To address this, we brought in a LOM Geophon contact mic which we do recommend to pick up low end frequencies beautifully. Positioning the Geophon at different nodal points on the metal surface – which was entirely different for each surface used – we started getting some well balanced low end into the recordings. The captures were really starting to get to where they needed to be; the bass was there, the frequency range was there, and above all, the complex personality of the metal impacts was really pouring through the headsets. Almost there, some truly fantastic audio captures.

    Microphone Setup Positioning 3

    The final touch was added to the recording setup when a fourth microphone, a shotgun Rode NTG2, was added to the mix. The shotgun mic was pointed directly at the source of the impact with mid-low input gain to bring in a present but balanced transient into the impact recordings. Absolute magic – the quality target was achieved and even surpassed. For recordings like these we can definitely recommend multiple microphone positions, and a high quality contact mic is essential. For each object and surface used in this Metal Impacts SFX Library, either one of the recording formula described above was used to capture the best sounding metal impacts, shakes, resonances, rattles and rings you will ever own.

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