Metal sound effects
A unique collection of antique bells of various shapes and sizes.
The library features the House Bell, Hame Bell, Cup Bell and the Crotal Bell.
CINEMATIC SHORT IMPACTS is a selection of 22 stereo 24bit/48khz powerful impacts sounds with a cinematic taste for your trailers and video productions.
All sounds are on-shot and very short, ready to be easily arranged on the timeline or inside a sample player to make a drum kit.
NDUSTRIAL TERROR – Textures is a third and the last installment of Industrial Terror series.
It is a collection of dark, industrial textures, evolving metallic whooshes and textural hits.
The collection consists of 66 carefully designed and rendered sound effects with baked-in Soundminer’s metadata.
All soundscapes/textures loop seamlessly for quick and painless game audio integration.
Unique processing of organic field recordings combined with modular processing makes it both grounded in reality and creepy.
This collection is a perfect choice for any kind of horror genre.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060 + DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10, Reaktor, EOS2, Eventide, iZotope, Discord4, Modular
An audio library for which metal was kicked, hammered, bowed and… induced to vibrate through feedback loops?! The collection features 346 unique sounds recorded through field trips in US, UK and Italy.
This library is the result of tinkering with shotgun mics recording inside of different tube structures. When our initial tests produced a wide range of sonic colors, we went all in.
The tubes used include organic and man-made materials, some rigid, some flexible, some dense, some light, all with varying lengths, diameters, and thicknesses. They consist of bamboo, PVC, 2 variations of vinyl, thin plastic, copper, tin, rubber, dense foam, and a steel-coiled membrane. Each material has a different effect on the sounds passing through them. We generated turbulent drones, thick strikes, resonant scrapes, noisy bells, delicate debris, and more. The overarching characteristics are soft, insulated, and misty. Due to the behavior of the waves in the open tubes and the pickup pattern of the shotgun mics, there is a natural frequency modulation that gives the sound a slightly narrowed, hollow timbre. They work very well in simulated settings, enclosed spaces, and when there is a need to exaggerate the magnitude of tiny worlds. But they are equally as useful as raw design fodder, especially when a unique texture is needed.
This is our first library created solely for the sake of experimentation, though based on the results, it may not be the last!
This library was derived entirely from material collected in the Metal Hits, Scrapes and Squeaks library. Each sound was meticulously crafted by hours of experimenting with different processing techniques. I created this library for fun and to in part showcase the flexibility of my metal recordings.
I spent a great deal of time exploring pitch manipulation with this library. Much of it relied on rendered processing to acquire the aesthetic that I wanted. My vision was to make something ethereal and vocal but also a bit vague.
I believe this library will provide excellent source material for a wide variety of applications. Both as stand-alone effects or layered in with other libraries/sounds to help create a dark/spooky aesthetic.
World Of Secrets is a collection inspired by those mysterious and beautiful objects and furniture, meticulously designed by 15th to 19th century’s craftsmen. Those geniuses used their art to protect what had to remain confidential or secret.
One of the mentors of that art was Leonardo Da Vinci, master of inventions, designing incredible mechanisms for his machines. After much research, and a large photo review session, Red Libraries has designed this collection of modules to assemble as you wish.
A bookcase, a desk, a sarcophagus, a hidden door, a statuette, a cane with a retractable blade, a poison ring, an old grimoire.. each of them will reveal its secret mechanism, from the delicate parts assembled by the jeweler, to the smooth slides of hinges designed by the cabinetmaker.
Get the sounds of a hand spinner – or fidget spinner – with this new sound effects library! Separated into 2 folders, Raw recordings and Pre-designed sound effects, you will find your spinning happiness for your projects. With the raw files you can design drones or helix sounds and more… Let your imagination take you away!
SSL15 Metal Workshop Session is a full angle recordings from a metal workshop. All the machines in all the formats and angles. Choose between the close 416 mono mic, with the full power of the engine, or the far or medium surround format recorded 5/20 meters away.
This way we managed to get all the sounds from the visit to the workshop!
Cylindrical Gong is a collection of high quality, 24bit/96kHz stereo recordings from a strange, cylindrical, gong-like sheet metal object I came across once. I use the word gong, but there is none of the cymbal-like sheen in this object. Instead, you get more of a ring-modulated, atonal texture – perhaps more like a broken bell. Definitely not your typical gong sound effect.
The 27 different gong sound recordings included provide loads of nuance of sound from this object – I used mallets, knuckles and fingernails to play it! Load them into different velocity ranges on your favorite sampler, pitch them up and down, add effects, etc.
Use them for musical effects, for layering with other sounds, or perhaps mangle them beyond recognition.
This sound library delivers a composite and very versatile collections of sounds of all kinds of things that can be opened and/or closed.
Obviously there are several doors, hatches and drawers but also lots of other opening and closing sound effects that will come in handy in your everydays sound design work, especially for Cartoon productions and Game Audio. You will also find, Roller Shutters, Boiling Pot Lids, Umbrellas, Water Boilers, Boxes – most with several variations.
You can use the sounds as they are or use them for intense sound design.
Open & Close is available in three versions:
Rummage is a collaborative sound library from SoundBits and Glitchedtones with a focus on unsystematic searches through everyday items.
Created especially for projects calling for careful, hasty or frantic rummaging, these 733 files offer up plenty of variation to cover a wide range of scenarios. Featuring searches through paper, pockets, trash, wallets, retro media, wood, tools, bags, wardrobes, metal and lots more… your movie scene, game environment or even music production in need of some Rummage, is covered, or more appropriately, uncovered!”.
FINAL IMPACT is an extremely detailed and comprehensive collection of 300 designed impacts, smashes and hits. Carefully layered and designed with game audio, animators and filmmakers in mind, we believe that this could be the last impact sound collection you will ever need.
Each impact has been layered multiple times to create rich, full sounds, composed of recorded hits and synthetic blasts. This collection contains a wide variety of sounds to accent every possible on-screen action imaginable: from simple knock sounds and small hits, to massive wide impacts designed with 50+ layers of material.
This collection is divided into 10 folders, according the type of sound:
– Animated Impacts (45): Big, colorful, super-real impacts.
– Deep Impacts (22): Low end, dark and bassy impacts.
– Designed Knocks (10): Simple designed knock sounds.
– Dry Impacts (29): Hard hits, multi-layered, with no processing.
– Hard Impacts (24): Designed for maximum destruction.
– Junk (43): Imagine piles of junk falling from the sky.
– Layered Material Hits (93): Multi-layered with dry and processed hits.
– Metal Hits (8): Metal based hits.
– Other (9): Various materials, including plastic and water.
– Synthetic Wrecks (17): Synthesized, chaotic impacts.
The 3Maze ‘IMPACTUS’ collection is included free in this package. An additional 423 designed and recorded impacts, bringing this collection to 723 impacts!
Included formats: 24-bit / 96kHz wav, 16-bit / 44.1kHz and 320k Mp3.
All sounds were designed, processed and edited at 24-bit / 96kHz, with embedded meta data and accompanying spreadsheet.
Rhythmical, wobbly percussive strikes from a range of liquid-filled jars and mallets.
Vaeyan IV delivers a massive set of assorted sound design ingredients for your audio alchemy. It includes assets captured from natural ambiances, vehicles, tools, cameras, slingshots, scissors, clay whistles, flutes, ceramic jars, dumpsters, kitchen appliances, deconstructed fans, toys, doors, windows, vintage furniture, fountains, projectors, and even a slap bracelet. That's right, a slap bracelet.
As with Vaeyan I, II, and III, this is a huddling of field recordings and sound designs that do not quite form a library on their own. However, together they make up an audio FX treasure chest gleaming with gold and silver audio loot!
A massive collection of 423 impacts, smashes, hits and explosions.
24-bit impacts, recorded and designed with ice, glass, metal, water, wood and other sources. Clean and processed, from small wood knocks to massive designed bomb blasts and deep pulses.
All sounds were recorded or designed at 24-bit 96kHz, with embedded meta data.
The doors are very kind, but don’t make them angry. They could lose their temper resulting in a very noisy bang.
This library enriches the sfx world with new door and gate objects, both source and designed, with variety of expressive actions and perspectives. The everyday usual noises along with fantasy stimulating sounds – e.g. deep “dungeon” metal door, high pitch squeaking wire-netting gate, heavy church gate and so on. To make the slams and smashes even more hard, heavy and dirty, wildly designed “Angry” versions have been added.
• 18 door and gate objects, recorded in old, gloomy houses and a church
• 6.29 GB, 645 files, several takes for each action
• “Close-Up”, “Near”, “Middle” and “Behind” perspectives in selected cases, plus mix of them
• 192khz/24 bit including ultrasonic information- the greatest resolution for next design processes
• Sound Devices MixPre6, Sanken CO100K, Sennheiser MKH30, DPA 4007, DPA 4060, Schertler Dyn Uni P48
• Photo reference for each object
The MicroTone: Doors library contains 133 everyday filing cabinet drawer open and closes at various distances and speeds.
Two filing cabinets, one metal and one wood, recorded at close and medium perspectives. Performances of all the drawers at fast, medium and slow speeds.
Contains sounds which will work for all your drawer and door effect cutting needs. Slowed down they make great rattling, creaking doors as well. The metal cabinet sounds particularly big and slamming at lower pitches!
MicroTone is a series of smaller, less expensive libraries from Tone Manufacture for those times when you need a small injection of fresh sounds for a project and don’t have time to record your own.
Sound Mind Heavy Industry sound effects library is a massive collection of over 600 sound files of unique and hard to access machines and industrial ambiences, recorded both interior and exterior. To create this 45+ GB pack we went underground and climbed on constructions, we have been in both very hot and cold, humid and smelly places, wearing funky protective clothing, helmets and glasses.
You will find large, heavy machines sounds in it, industrial vehicles, as well as pneumatic, electric, diesel or even antique steam engines sounds and many metal, wooden, debris and also liquid textures.
During our searches we found many unusual sounds with great potential for sound design.
Sounds were recorded multi-mic and from different perspectives, giving large variety for designing purposes. We used microphones with extended frequency range (Schoeps CMC6XT MS kit, Sanken CO-100k) recording on 192kHz sample rate, shotgun mics (Sennheiser MKH-8060, MKH-815T, Neumann KMR81/KM120 MS kit) as well as Trance Audio Inducer stereo contact microphone (which was very useful in noisy environments and which also has very wide frequency range). We used Sound Devices 702, 744 recorders with MixPre, plus Zoom F8 and Sony PCM D-50.
This library features recordings created using a “Knas Ekdahl Moisturizer”, a boutique spring reverb effects unit where three reverb springs are exposed, allowing them to be hit, played, and manipulated in real time.
The unit also includes a multi-mode analog filter, and when combined with the playability of the springs, opens up many sound creation options.
The result is a unique sound effect library of massive metallic hits, clangs, scrapes, plucks, bounces, and rattles. The springs were played like a percussion instrument, using a collection of found objects, such as hammers, mallets, allen wrenches, forks, and plastic / metal rods. The springs were also stretched to alter the pitch, and objects were placed on the springs, much like a prepared piano, to alter the sound.
No other effects were applied other than the built-in multimode filter (high pass, low pass, band pass, and resonance) on certain sounds. These include sub-sonic hits, sweeping filtered metallic scrapes, and drones that round out the collection.
Singing Bowl features a variety of sounds captured directly from a small Tibetan singing bowl.
The library was meticulously recorded in stereo using a mixture of contact microphones and a Sony PCM D100 recorder. Strikes in a variety of styles, from wood, rubber, fingering, plastic, and metal were recorded, as well as rotation resonances, drops and scrapes. In addition to allowing the bowl to fully ring out, the recordings also include dampened hits.
Also included are a unique set of designed sounds. Utilising a variety of sound processing techniques, the results include user interface effects, abstract drones and moving tones. This sound set was also produced dry so that you can apply your own reverb to taste if required.
The G4F SFX09 – Metal soundbank is comprised entirely of metallic sounds generated by many different objects.
The soundbank contains high-quality recordings made at the Foley’Torium studio. The recordings are 96 kHz/24 bit, with a Class A setup (Sound Devices recorder with DPA and Neumann mics).
Foley: Julien Billeau
Sound Engineer: Arnaud Roy
Sound Designers: Benjamin Michenaud and Alexandre Bobe
Impacts, friction, rolling, sliding, engines/motors with metal resonators providing a very rich texture.
The Body Pack 01: Humanoid contains over 80 minutes (554 files) of high quality body falls, impacts & lands on multiple surface types.
The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.
The included basic construction kit / original recordings enables further body fall details to be created for more granular focus.
All assets have been recorded & produced at 96kHz/24bit.
Included in this pack:
The Blacksmith Sound Effects Library gets you the ringing, banging sounds of hammer impacts on an anvil, as well as the sounds of a large blacksmith's bellows.
The Metal Hits, Scrapes and Squeaks library contains a variety of small to medium sized metal props with each material type including multiple performance variations.
Props include objects such as sheet metal, sledgehammers, paint cans, metal buckets, metal grating, metal marbles, cups, pots and pans, dry ice (contributing squeaks and squeals), metal bars, metal stands, chains and more.
All recordings were made in a studio or iso booth environment to produce a very clean sounding library. The library works perfectly as a construction or foley kit. Files included were recorded at 24bit/96kHz.
To build the range and palate of character that we needed for this collection, we transformed community park and green-way bridges into large-scale percussive instruments. We sought out 12 very special bridges in particular locations and sampled many different performances on them to elicit the right sorts of impacts that we were looking for. Each performed impact has 3 layers, 2 mono and 1 stereo, all with different perspectives due to mic placement. These sounds are highly dynamic, containing an artful blend of the locale they were captured in, and can add some very rich color to any explosion, impact, or crushing event in your editing mix. Go ahead and do your best (or worst)!
These sounds can take a beating. Enjoy!
Dumpster Truck (Skiploader) delivers the sounds of a DAF CF 75.310 mid-size truck that delivers open steel containers. They are mostly used to collect debris, junk or discarded furnishings. Once these containers filled up, the truck picks them up again to bring them to the suburban garbage dump.
The library delivers 103 files in 5 categories:
Container Handling, Driving Activities, Engine, Foley and Props, Underneath Truck
This includes sounds of container dumps, noises from load chains and their locking mechanisms as well as sound from the truck itself (interior, door slaps, air pressure system, wheel noises, 7.5l 310hp diesel engine, exhaust and much more).
Nothing slaps a smile on a face like the sweet sound of destruction and mayhem. Designing sound for such complex events as a collapsing building or an earthquake requires a diverse and comprehensive palette of chaos. To create such havoc, one must be equipped with the ultimate destruction sound library.
We stopped at nothing to put together this library of utter mayhem. BROKEN boasts over 9 GB of HD quality content spread across 1940 construction kit sounds and 326 designed sounds. From car crashes, explosions, crumbling buildings, earthquakes, ripping earth and metal, to debris, BROKEN features all elements of destruction.
Recorded in the field and on the Paramount Pictures Foley stage, this library equips sound designers for film, games, and web with the tools for creating a ruckus.
Get wrecked. Get BROKEN.
Metal Bars & Bells: 49 shimmering, oscillating bell-like sounds from various metal objects.
No actual bells were harmed in the making of these sounds – but several other metal objects were. Crow bars and stainless steel soap trays are some of the sources of these beautiful, resonant sounds; ranging from clear, distinct glockenspiel-ish, to shimmering, modulated otherworldliness. If you've ever wanted to add square tubular bells or wrought-iron percussion to your mix, then this is your thing.
• Clean, high quality sounds
• All files trimmed to start, for ease of use in samplers
• Several variations per recorded object = organic and expressive productions
• Metadata included in CSV and ODS (OpenOffice) formats
• Add delay & reverb, put on headphones and…Heaven…
Metal Resonances is a pack full of resonating metal that was made resonant with contact from dry ice. This creates otherworldly metallic tones which we carefully recorded and crafted into this product.
The pack contains everything needed to create all sorts of creaks and cranks and can be used to sound design everything from robots, bridges, hatches, hinges, cars, horror SFX, UI. There are also a very expressive trait to some of the sounds, and can probably be made into weird creatures and other unexpected things.
The entire pack has unique descriptive meta data for each file to make it easy to navigate between the different sounds.
The pack was captured in 96khz and 192khz and some sounds have two different perspectives to choose from. The 96khz version is usually from a close-up handheld perspective or in direct contact with the material, where 192kHz comes from carefully miced up static positions.
Recorded with two Oktava MK 012 in spaced stereo configuration and a Sony PCM m-10
This library is all about the small insignificant sounds that occur everyday in any small office along with some very special sounds made from those items. All sounds are recorded cleanly with many variations to choose from and named meticulously. They´ve also been noise treated and edited carefully to make the use a seamless experience.
Since a lot of the sounds very recorded very closely, they open up new possibilities to sound designer. Some of the sounds could easily be used for weapon or impact and other kinds of sound design.
Some of the categories used in this library are: paperclips, hole punchers, staplers, fax-machine, printers, shredders, lots and lots of paper variations, drawers, file cabinets, ringbinders, post-its, books, keyboards and more.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.