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Home Formats Universal Category System (UCS) Page 71

Universal Category System (UCS)

Sound effects libraries where the file names and metadata follow the Universal Category System (UCS), championed by renowned sound supervisor Tim Nielsen & more

  • The Master Gun AK-47 (Type-56) Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Blaser LRS2 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Kel Tek KSG Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the Kel Tek KSG with a suppressor attachment. The suppressed Kel Tek KSG was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun IWI Galil MAR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Beretta M9A3 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the Beretta M9A3 with a suppressor attachment. The suppressed Beretta M9A3 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Materials & Texture Sound Effects Massive Acid Play Track 426 sounds included, 104 mins total $49.99

    MASSIVE ACID – 426 files of Acid sound effects, at varying distances and intensities. From slow growing sears to volatile pops and melting. Massive Acid comes in at over 1 hour and 44 minutes, of acidic chemical noises. Bring a touch of alchemy to your next fantasy scene or a little chemistry to you next science fiction project. Recorded using basic acids and Foley techniques. Includes two variations of each Acid take ‘A’ (Dry Recording) and ‘B’ (Wet with FX). Massive Acid filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of Acid sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

  • Materials & Texture Sound Effects Mini Acid Play Track 40 sounds included, 16 mins total $9.99

    MINI ACID – 40 files of Acid sound effects, at varying distances and intensities. From slow growing sears to volatile pops and melting. Mini Acid comes in at over 16 minutes, of acidic chemical noises. Bring a touch of alchemy to your next fantasy scene or a little chemistry to you next science fiction project. Recorded using basic acids and Foley techniques. Includes two variations of each Acid take ‘A’ (Dry Recording) and ‘B’ (Wet with FX). Mini Acid filenames are in the Universal Category System format with additional Metadata baked-in.

    Looking for a Massive amount of Acid sound effects? We offer ‘Massive’ sound effect libraries as companions for all of our ‘Mini’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

  • Cinematic & Trailer Sound Effects Futurescapes Play Track 115 sounds included, 241 mins total $75

    Futurescapes is a collection of ten highly stylized 5.1 surround soundscapes, as well as a toolkit of the elements used throughout.  These 4 hours of audio are perfect for sci-fi, horror, and thriller settings – anytime you need some deep tension.  Whether you need ready-to-go soundscapes for your projects, or you want to mix-and-match elements with your own material, this collection is perfect.

  • Environments & Ambiences Wind Textures IV Play Track 78+ sounds included, 530 mins total $70

    Wind Textures IV delivers a new collection of immersive wind sounds recorded over a period of three years in the resonant Guadarrama Mountains, located in Central Spain.

    • You will hear long sweeping gusts in coniferous forests, some of them covered by snow.
    • Violet winds roaring in grasslands and more forests.
    • Turbulent winds constantly buffeting in high mountain summits.
    • Tonal interior winds howling and blasting through windows, shutters and a couple of cars.
    • Just wind, no wildlife.
    • Moderate, heavy and turbulent wind, with gusts up to 120 kph.
    • Gear used: Sound Devices MixPre 6-II, Zoom F3, Sennheiser 8040s and 30 in DMS decoded to Quad, Sennheiser 8040s in ORTF, LOM Usis in AB.
    • UCS Compatible Metadata embedded. Fields included CatID, Category, Subcategory, FX Name, Filename, Description, BWDescription, Library, RecType, RecMedium, Microphone, Designer, Manufacturer, Keywords, VendorCategory.
  • Delve into atmospheric depths with our Drones sound effects pack, offering 134 meticulously crafted audio clips. Perfect for filmmakers, game developers, and sound designers, these ambient sounds range from deep, ominous hums to ethereal, otherworldly textures. Ideal for enhancing suspense, creating immersive environments, or adding a haunting backdrop to any project, each drone is designed to evoke a sense of mystery and intrigue. Whether you’re crafting a sci-fi thriller, a chilling horror scene, or a meditative VR experience, this versatile collection provides the atmospheric depth and sonic richness needed to captivate your audience. Elevate your sound design with our comprehensive library of evocative drone sounds and transport your listeners to new dimensions of audio immersion.

    Visit our full range of SFX packs at www.amplar.io

  • Elevate your productions with our Cinematic Risers sound effects pack, featuring 120 meticulously crafted audio clips. From suspenseful builds to epic crescendos, each riser is designed to enhance the tension and excitement in your films, trailers, and video games. Ideal for composers, sound designers, and filmmakers, this versatile collection offers a variety of textures and intensities to suit any dramatic sequence. Whether you’re creating a gripping action scene, a haunting thriller, or an emotional climax, these dynamic risers provide the perfect sonic backdrop. Elevate your sound design with seamless transitions and dramatic swells that captivate audiences and amplify the impact of your storytelling.

    Visit our full range of SFX packs at www.amplar.io

  • Immersive surround recordings of Washington, D.C., recorded in 5.1 (surround sound) featuring authentic city ambiences—crowds, traffic, walla, footsteps, and everyday urban life.
    Perfect for film, TV, and spatial audio projects.

    Day Ambience
    Washington Day Ambience
    Night Ambience
    Washington Night Ambience

     

  • Foley Sound Effects Knives Play Track 72 sounds included, -1 mins total $29

    Unleash the power of precision with our Kitchen Knives Sound Effects Pack. This expertly curated collection features high-quality recordings of chopping, slicing, and dicing sounds, perfect for bringing your culinary scenes to life. Ideal for filmmakers, game developers, and podcasters, these realistic audio effects create an immersive atmosphere, whether you’re setting the mood for a cooking show or a dramatic kitchen scene. Elevate your projects with the sharp, authentic sounds of kitchen knives, and make your audio experience unforgettable!

    Visit our full range of SFX packs at www.amplar.io

  • City Life Sound Effects Telephone Booths Play Track 54 sounds included, 103 mins total $19.99

    Telephone Booths features the sounds of indoor wooden and outdoor aluminum telephone booths. From the early 20th century until the last decade, these booths could be found inside hotels, restaurants, offices, state capitol buildings, highways and rest areas throughout the United States. In addition, the library includes sounds of pay telephones that would have been used inside these booths. These include hand crank, 3-slot rotary and 1-slot push-button Touch-Tone telephones.

    I used a variety of microphones along with several miking techniques (X/Y, OFTF, and binaural). You’ll hear bi-fold doors sliding open and closed in stereo, sometimes accompanied by an annoying squeal. You’ll listen to coins being dropped into the phone and receivers being picked up and placed back on their cradles. And of course, you’ll hear numbers being dialed. On a rotary phone, each number takes slightly longer to circle the dial, with one being the shortest and zero being the longest. 

  • Explosion Sound Effects Massive Fireworks Play Track 815 sounds included, 350 mins total $49.99

    Massive Fireworks – 815 files of Commercial Fireworks sound effects, at varying distances and intensities. From small pops and sparkles in the distance to screeches and bombastic mortar fire front and center. Massive Fireworks comes in at over 5 hours and 50 minutes of short and long displays of fireworks for every occasion. Recorded during several New Years and Holiday Celebrations. Massive Fireworks’ filenames are in the Universal Category System format with additional Metadata baked-in.

    Don’t need a Massive amount of Fireworks sound effects? We offer ‘Mini’ sound effect libraries as companions for all of our ‘Massive’ sound effect libraries. All recordings are unique to each library with no overlap. Go Mini today, and upgrade to the corresponding Massive library later, when you need more of that particular sound effect.

    Visit Us At: www.MassiveSoundFX.com

  • Introducing Immersive Wallas on Set vol.3 – Experience authentic cinematic ambiances with Wallas On Set Vol. 3. This third edition features genuine walla recordings captured on movie and series sets, as well as real-life locations from projects we worked on this past year. Recorded in first-order ambisonics, this collection delivers immersive and realistic crowd and environmental sounds, perfect for enriching your sound design.

    At Blacktone Studio, we understand the vital role sound plays in storytelling. Wallas, the ambient background chatter found in diverse locations, provides the foundation for creating realistic atmospheres in film and television. As always, we’ve taken our commitment to authenticity a step further by recording in ambisonic format.

    Our team meticulously captured the essence of real-life film sets, from the energetic buzz of big scenes to the subtle whispers on quiet real locations. These recordings are a testament to our industry knowledge and commitment to delivering high-quality audio content.

    Whether you’re working on a feature film, a documentary, or a video game, our Immersive Wallas on Set vol.3 provides the versatility you need to enhance your project. Easily searchable and expertly categorized, this collection ensures you find the perfect background atmosphere effortlessly.

    All the recordings include metadata in English and Spanish, and they are compatible with software of sound library management like Soundminnner.

    We have decoded all the First Order Ambisonic recordings with HarpeX plugin into 7.1.2 Dolby ATMOS bed configuration, using the top channel to create totally outstanding ambiences tracks ready to use!

    All our libraries are UCS compliant (universalcategorysystem.com). In this new category system all files contain extensive metadata like file description, Category & Subcategory. Metadata can be read and processed by the most common audio libraries management tools . Starting with Full support from Soundminer and more audio tools adopting this system, we are adopting metadata UCS system in our files!

    dolbys

     

    Ambisonics allows you to transcode the B-format files into a a lot of formats, (by using the free RODE DECODER plugin, the amazing Harpex B Converter , NoiseMakers tools or the new AudioBrewers plugins) – including stereo, 5.0, 5.1, 6.0, 6.1, 7.0 or 7.1 surround and higher immersive formats!.

     

    ambiX First Order Ambisonic, Dolby ATMOS 7.12, 5.1 and ST files have been mastered with Pro Tools Ultimate system, and are included in the purchase.

  • 80 beeps – 30 long and 50 short, recorded on various devices and machines and designed for this library. Don’t play them too loud! The library is also available in UCS.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • From woodland logging to horrifying killers, this collection of chainsaws will help build any scene you need.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
  • City Life Sound Effects FRL. Ultimate. Surround Play Track 679 sounds included, 2042 mins total $500

    Field Recording Library proudly presents Ultimate – a collection that combines the finest recordings from the Kaleidoscope, Vol. 1, and Vol. 2 libraries. This comprehensive archive spans three years of dedicated work, capturing the rich and diverse soundscapes of Russia – from the awakening of nature in spring to the crisp chill of autumn.

    Kaleidoscope offers an extensive selection of atmospheric recordings made between 2022 and 2023. The library takes you to various locations, from serene forests and quiet courtyards to bustling highways and vibrant city squares. These recordings, presented in 48kHz, provide a versatile foundation for any audiovisual project, delivering vivid and realistic soundscapes.

    Vol. 1 raises the bar in sound quality, featuring recordings in 96kHz, 24Bit for unmatched detail. Dedicated to the sounds of Russia and St. Petersburg from early spring to late summer, this library introduces extended ambient recordings up to 20 minutes. These long-form tracks offer greater flexibility in selecting and combining textures, making it easier to create custom atmospheres.

    Vol. 2 focuses on the autumn soundscapes of St. Petersburg and its surroundings. From the warm days of September to the damp chill of November, this library showcases urban and natural soundscapes in various weather and time conditions. The highlight of this collection is the addition of extra channels, synchronized with the main recordings. These channels reveal new dimensions, such as underwater waves captured with a hydrophone or hidden textures recorded with contact microphones and geophones. Like Vol. 1, these recordings are presented in 96kHz, 24Bit, making them a professional-grade tool for sound design.

    Ultimate combines variety and versatility in one package. This collection is perfect for any project – from crafting immersive atmospheres for films, games, and advertisements to developing unique sound layers. It’s the ideal choice for anyone looking to dive into the world of Field Recording Library and gain access to the full spectrum of soundscapes in one comprehensive set.

  • Step into the heart of Bulgaria’s Borovets Ski Resort with a sound library that transports you to a snowy paradise teeming with life and adventure. As you arrive in Borovets, the energy builds with the mechanical whir of chairlifts, the crunch of snow underfoot, and the lively buzz of skiers and snowboarders carving their way through powdery slopes.

    Feel the pulse of the resort as visitors enjoy slopes, and the air fills with the harmonious blend of nature and lift machinery. The bustling heart of Borovets comes alive in this collection, from the lively village streets lined with rental shops and retail stores to the unique charm of a horse-drawn carriage jingling its way past. Each sound captures the essence of winter wonder, from the serene moments of skiers gliding down quiet pistes to the lively gates of the Sitnyakovo lift, where eager adventurers prepare for their next run.

    The journey doesn’t end there. Drift into the softer, tranquil sounds of a snowy forest, or find yourself amidst the quiet elegance of a mountain chalet. This library is perfect for film, games, or any creative project, this sound library offers an immersive escape into the magic and energy of a ski resort.

  • Experience the vibrant soundscape of the Brazilian Pantanal, one of the world’s largest tropical wetlands.

  • THE LEGACY OF BLACKTONE STUDIO

    Blacktone Studio is a boutique post-production studio and a leader in sound design for film and television, with a track record of over ten years dedicated to creating soundscapes that enrich the narrative of the stories we work on.

    Based in Madrid, our studio features advanced facilities, including a Dolby Atmos mixing stage equipped for cutting-edge post-production, designed to deliver the highest quality in every project. From our earliest productions to our work on major international films and series, our passion for sound, pursuit of technical perfection, and commitment to storytelling have established us as one of the most prominent studios in the industry.

    “Blacktone Studio Master Collection Vol. 1” marks this decade of excellence in sound design and field recording by the Blacktone team, representing our sonic legacy—a collection that encapsulates the essence of our work over the years. This generalist library, with over 250 GB and more than 5,000 high-quality files, offers an immense variety of sounds, organized into more than 300 categories and subcategories under the international UCS classification system. Each file is meticulously cataloged and includes metadata in both English and Spanish, optimized for seamless integration into international projects and aligned with industry standards.

    For the release of this library, Blacktone Studio has partnered with Surround Sound Lab, our label specializing in field recordings and sound library distribution, to ensure that every file is fully prepared for professional use. With over 50 sound libraries already in its catalog, Surround Sound Lab brings not only experience in editing, mastering, and distribution but also a shared commitment to quality and innovation. This collaboration allows the “Blacktone Studio Master Collection Vol. 1” to reach the market through Surround Sound Lab’s infrastructure, offering professionals a unique, trusted tool used daily in our own studio.

    This collection is a unique and special collaboration, created specifically to capture and share the essence and legacy of our sonic work over the past ten years.

    Although it is not part of the “SSL Complete Collection” bundle, which includes the full catalog of SSL series libraries, current bundle users will receive access to this exclusive edition at a special price as a token of our appreciation for their continued support.

    “Blacktone Studio Master Collection Vol. 1” is a sonic celebration combining the best of Blacktone Studio with Surround Sound Lab’s expertise in distribution, available to those seeking quality and authenticity in their sound design.

    KEY FEATURES:

    • 🎚️ Extensive Collection: Over 250 GB of high-quality sounds, carefully selected and optimized for professional use.
    • 📂 Unmatched Variety: More than 5,000 files organized into over 300 categories and subcategories, following the UCS classification system for efficient navigation and searchability.
    • 🎙️ Crafted by Professionals: Each sound was captured and produced by Álvaro de Iscar, Barto Alcaine, and the Blacktone Studio sound team, ensuring top-notch quality and authenticity.
    • 🔊 Diverse Formats: The collection includes recordings in Mono, Stereo, Ambisonic, and 5.1, with formats chosen according to the needs and intended use of each recording, ensuring versatility across different project types.
    • 🗂️ Comprehensive Metadata in Soundminer: Files include detailed metadata in both English and Spanish, adapted for Soundminer and optimized for seamless integration into international projects.
    • ⚡ Fast and Easy Distribution: Available for download via Pulse, providing a smooth and speedy download experience for large files.
    • 🏆 Legacy of Blacktone Studio: This collection encapsulates 10 years of excellence in sound design and field recording, making it an essential tool for discerning creators.

     

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