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Home Formats Universal Category System (UCS) Page 74

Universal Category System (UCS)

Sound effects libraries where the file names and metadata follow the Universal Category System (UCS), championed by renowned sound supervisor Tim Nielsen & more

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • From woodland logging to horrifying killers, this collection of chainsaws will help build any scene you need.

  • City Life Sound Effects FRL. Ultimate. Stereo Play Track 786 sounds included, 2160 mins total $250

    Field Recording Library proudly presents Ultimate – a collection that combines the finest recordings from the Kaleidoscope, Vol. 1, and Vol. 2 libraries. This comprehensive archive spans three years of dedicated work, capturing the rich and diverse soundscapes of Russia – from the awakening of nature in spring to the crisp chill of autumn.

    Kaleidoscope offers an extensive selection of atmospheric recordings made between 2022 and 2023. The library takes you to various locations, from serene forests and quiet courtyards to bustling highways and vibrant city squares. These recordings, presented in 48kHz, provide a versatile foundation for any audiovisual project, delivering vivid and realistic soundscapes.

    Vol. 1 raises the bar in sound quality, featuring recordings in 96kHz, 24Bit for unmatched detail. Dedicated to the sounds of Russia and St. Petersburg from early spring to late summer, this library introduces extended ambient recordings up to 20 minutes. These long-form tracks offer greater flexibility in selecting and combining textures, making it easier to create custom atmospheres.

    Vol. 2 focuses on the autumn soundscapes of St. Petersburg and its surroundings. From the warm days of September to the damp chill of November, this library showcases urban and natural soundscapes in various weather and time conditions. The highlight of this collection is the addition of extra channels, synchronized with the main recordings. These channels reveal new dimensions, such as underwater waves captured with a hydrophone or hidden textures recorded with contact microphones and geophones. Like Vol. 1, these recordings are presented in 96kHz, 24Bit, making them a professional-grade tool for sound design.

    Ultimate combines variety and versatility in one package. This collection is perfect for any project – from crafting immersive atmospheres for films, games, and advertisements to developing unique sound layers. It’s the ideal choice for anyone looking to dive into the world of Field Recording Library and gain access to the full spectrum of soundscapes in one comprehensive set.

  • City Life Sound Effects FRL. Vol. 2. Stereo Play Track 236 sounds included, 660 mins total $100

    Field Recording Library proudly presents Vol. 2 – a sound library entirely dedicated to the autumn soundscapes of St. Petersburg and its surroundings. From the golden warmth of early September to the damp chill of late November, this collection captures the full spectrum of autumn’s auditory landscapes.

    The library includes urban soundscapes recorded in diverse conditions: bustling streets under the rain, quiet parks with the rustle of fallen leaves, echoes of conversations in autumn courtyards, and much more. Each recording immerses you in the heart of the moment, bringing the character of the season to life.

    What sets Vol. 2 apart are the unique recordings that didn’t make it into the first two libraries. These exclusive materials enrich and expand the collection, making it even more versatile and inspiring.

    The main microphone, the Nevaton MC50, ensures pristine and detailed sound quality, while the recordings’ 96kHz and 24Bit format meet the highest professional standards.

    A major innovation in Vol. 2 is the addition of extra channels. These synchronized recordings provide new dimensions to the sound. For example, alongside the sound of river waves, you can hear their underwater counterpart captured with a hydrophone or feel the earth’s subtle vibrations through a geophone. Contact microphones and other specialized devices reveal hidden textures and details that were previously inaudible.

    Vol. 2 is more than a sound library – it’s a tool for creating atmospheres that truly come alive, drawing you into every sound. Perfect for films, games, sound design, and any project that requires rich, immersive audio. New horizons of autumn sound are here!

  • City Life Sound Effects FRL. Vol. 2. Surround Play Track 236 sounds included, 660 mins total $200

    Field Recording Library proudly presents Vol. 2 – a sound library entirely dedicated to the autumn soundscapes of St. Petersburg and its surroundings. From the golden warmth of early September to the damp chill of late November, this collection captures the full spectrum of autumn’s auditory landscapes.

    The library includes urban soundscapes recorded in diverse conditions: bustling streets under the rain, quiet parks with the rustle of fallen leaves, echoes of conversations in autumn courtyards, and much more. Each recording immerses you in the heart of the moment, bringing the character of the season to life.

    What sets Vol. 2 apart are the unique recordings that didn’t make it into the first two libraries. These exclusive materials enrich and expand the collection, making it even more versatile and inspiring.

    The main microphone, the Nevaton MC50, ensures pristine and detailed sound quality, while the recordings’ 96kHz and 24Bit format meet the highest professional standards.

    A major innovation in Vol. 2 is the addition of extra channels. These synchronized recordings provide new dimensions to the sound. For example, alongside the sound of river waves, you can hear their underwater counterpart captured with a hydrophone or feel the earth’s subtle vibrations through a geophone. Contact microphones and other specialized devices reveal hidden textures and details that were previously inaudible.

    Vol. 2 is more than a sound library – it’s a tool for creating atmospheres that truly come alive, drawing you into every sound. Perfect for films, games, sound design, and any project that requires rich, immersive audio. New horizons of autumn sound are here!

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF CSeries Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • Experience the vibrant soundscape of the Brazilian Pantanal, one of the world’s largest tropical wetlands.

  • Car Sound Effects Fiat Panda 2003 city car Play Track 247 sounds included, 54 mins total $65
    All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • THE LEGACY OF BLACKTONE STUDIO

    Blacktone Studio is a boutique post-production studio and a leader in sound design for film and television, with a track record of over ten years dedicated to creating soundscapes that enrich the narrative of the stories we work on.

    Based in Madrid, our studio features advanced facilities, including a Dolby Atmos mixing stage equipped for cutting-edge post-production, designed to deliver the highest quality in every project. From our earliest productions to our work on major international films and series, our passion for sound, pursuit of technical perfection, and commitment to storytelling have established us as one of the most prominent studios in the industry.

    “Blacktone Studio Master Collection Vol. 1” marks this decade of excellence in sound design and field recording by the Blacktone team, representing our sonic legacy—a collection that encapsulates the essence of our work over the years. This generalist library, with over 250 GB and more than 5,000 high-quality files, offers an immense variety of sounds, organized into more than 300 categories and subcategories under the international UCS classification system. Each file is meticulously cataloged and includes metadata in both English and Spanish, optimized for seamless integration into international projects and aligned with industry standards.

    For the release of this library, Blacktone Studio has partnered with Surround Sound Lab, our label specializing in field recordings and sound library distribution, to ensure that every file is fully prepared for professional use. With over 50 sound libraries already in its catalog, Surround Sound Lab brings not only experience in editing, mastering, and distribution but also a shared commitment to quality and innovation. This collaboration allows the “Blacktone Studio Master Collection Vol. 1” to reach the market through Surround Sound Lab’s infrastructure, offering professionals a unique, trusted tool used daily in our own studio.

    This collection is a unique and special collaboration, created specifically to capture and share the essence and legacy of our sonic work over the past ten years.

    Although it is not part of the “SSL Complete Collection” bundle, which includes the full catalog of SSL series libraries, current bundle users will receive access to this exclusive edition at a special price as a token of our appreciation for their continued support.

    “Blacktone Studio Master Collection Vol. 1” is a sonic celebration combining the best of Blacktone Studio with Surround Sound Lab’s expertise in distribution, available to those seeking quality and authenticity in their sound design.

    KEY FEATURES:

    • 🎚️ Extensive Collection: Over 250 GB of high-quality sounds, carefully selected and optimized for professional use.
    • 📂 Unmatched Variety: More than 5,000 files organized into over 300 categories and subcategories, following the UCS classification system for efficient navigation and searchability.
    • 🎙️ Crafted by Professionals: Each sound was captured and produced by Álvaro de Iscar, Barto Alcaine, and the Blacktone Studio sound team, ensuring top-notch quality and authenticity.
    • 🔊 Diverse Formats: The collection includes recordings in Mono, Stereo, Ambisonic, and 5.1, with formats chosen according to the needs and intended use of each recording, ensuring versatility across different project types.
    • 🗂️ Comprehensive Metadata in Soundminer: Files include detailed metadata in both English and Spanish, adapted for Soundminer and optimized for seamless integration into international projects.
    • ⚡ Fast and Easy Distribution: Available for download via Pulse, providing a smooth and speedy download experience for large files.
    • 🏆 Legacy of Blacktone Studio: This collection encapsulates 10 years of excellence in sound design and field recording, making it an essential tool for discerning creators.

     

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1, FEL Clippy XLR EM272 and Sonorous Objects SO.3 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • City Life Sound Effects Trip To Japan Play Track 229 sounds included, 958 mins total $119

    Experience the sounds of the daily life in Japan, captured discreetly with a pocket recorder. A sonic journey from spring to summer across diverse cities.

    All files are embedded with extensive UCS compliant metadata.

  • Explore the captivating sounds of Greece Thassos in July, meticulously captured during a SUPER hot holiday where cicadas abound!  The ambient noises from the hotel balcony and the serene beach come to life. This auditory journey underscores our commitment to transforming your film’s sound from AAF to final WAV, ensuring every project resonates with authenticity and precision. Trust Luminol Audio to deliver unparalleled soundscapes that truly transport your audience.

    GEAR
    Zoom F3 with Audio Technica SP4025 Stereo mic
    Zoom F3 with Sonorous SO.103 Stereo mics (for covert recordings)
    Zoom H6 built in mics / Audio Technica SP4025 Stereo mic
    Zoom H1n built in mics

  • Train Sound Effects Trains and Related Play Track 17 sounds included, 7 mins total $13

    I’ve got a killer sound library here, including recordings of the electric train I hop on for my daily commute (London South Eastern) and some cool platform sounds from Charing Cross Station, complete with tannoy announcements. These real-life sounds can add a unique vibe to your projects, keeping in line with our promise to deliver top-notch audio. Let us spruce up your film’s sound with our expertly crafted soundscapes.
    GEAR
    Zoom F3 with Sonorous SO.103 Stereo mics (for covert recordings)
    Zoom H1n built in mics

  • This audio collection offers a library of aircraft and train passes and bys (and a random helicopter) , captured over two nights in my garden which is under the London Gatwick Airport flighpath and a nearby railway line. Designed for professionals seeking authentic and high-fidelity audio, this collection provides a rich tapestry of sonic experiences.

    Aircraft Recordings:

    Commercial Jet Traffic: Recorded overnight under the Gatwick flight path at night to minimize extraneous noise, these recordings capture the distinct sounds of various commercial jetliners operating at approximately 5,000 feet. The collection encompasses a range of aircraft types, offering a nuanced perspective on the acoustic signatures of modern aviation.
    Private and Light Aircraft: Complementing the commercial jet recordings, this mini collection also features a variety of smaller private jets and a propeller plane operating around 2,500 feet. These recordings provide valuable insight into the sonic characteristics of lighter aircraft, further diversifying the collection’s offerings.
    Altitude Data: Each aircraft recording is accompanied by approx altitude data, verified by a reliable flight tracking application. This metadata adds another layer of information for sound designers and editors, enabling them to select recordings that accurately reflect specific aircraft types and flight operations.
    Train Recordings:

    Commuter Train Variety: Captured approximately 20 feet from the railway line, these recordings showcase the diverse soundscape of commuter rail traffic. The collection features an array of train types, each with unique sonic characteristics defined by varying speeds, weights, and configurations. This diversity ensures that sound professionals have access to a comprehensive palette of authentic train sounds. For these I used an Audio-Technica BP4025 microphone renowned for its ability to capture realistic and immersive soundscapes, these recordings transport listeners to the heart of the railway environment. The microphone placement, carefully chosen to optimize sonic clarity and detail, ensures that each recording faithfully represents the dynamic energy of passing trains.
    Technical Excellence:

    Professional-Grade Equipment: All recordings were captured using state-of-the-art equipment, including Zoom H2n (for the overnight recordings) and F3 recorders, 
    This meticulously crafted collection provides an invaluable resource for sound designers, filmmakers, game developers, and any creative professional seeking authentic and high-quality aircraft and train audio. Its diverse range of recordings, coupled with precise metadata and technical precision, makes it an indispensable tool for enriching any audio project.

    GEAR
    Recorded with H2n and ZoomF3 with Audio Technica BP4025

  • While on a family trip to the beautiful island of Crete in 2022, I couldn’t resist grabbing a bunch of recordings of the local vibe (like I always do, of course!!). These recordings wonderfully capture the lively atmosphere of Hersonissos, with its bustling roads full of energetic crowds, the serene and relaxing sounds of the waves gently hitting the shore, and the unmistakable, classic chorus of cicadas that add an authentic touch to the environment. These effects can effortlessly blend these rich, genuine, and vibrant sounds into your film, enhancing its overall sensory experience. Let Luminol Audio bring your project to life by skilfully turning your AAF files into final WAVs with incredible depth, unparalleled clarity, and vivid realism that will truly resonate with your audience.

    GEAR
    Zoom F3 with Audio Technica SP4025 Stereo mic
    Zoom F3 with Sonorous SO.103 Stereo mics (for covert recordings)
    Zoom H6 built in mics / Audio Technica SP4025 Stereo mic
    Zoom H1n built in mics

  • City Life Sound Effects Greece Crete Panormos Play Track 74 sounds included, 165 mins total $40

    Panormos is this awesome little village on the island of Crete. It’s got these quaint Greek alleys where you can really soak up the authentic vibe. I checked it out both during the day (super hot!) and at night (still crazy hot!). With nearly 30 years in audio post-production, I can make sure your film sounds genuinely amazing. I literally explored every nook and cranny of this beautiful spot to capture a wide range of sounds. At Luminol Audio, we take your project from AAF to final WAV, delivering super immersive audio experiences.

  • All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272 and Sonorous Objects SO.3 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272, Sonorous Objects SO.3 and JrF C-Series Pro+ microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • All files are recorded 32bit, 192 kHz, with Shure KSM 137, Line Audio Omni1, FEL Clippy XLR EM272 and Sonorous Objects SO.3 microphones, Sound Devices MixPre-6 II & Zoom F3 recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
  • Mechanical Sound Effects Bowling Play Track 34+ sounds included, 44 mins total $24.99

    Bowling features a wide variety of high-quality stereo sounds from the sport of 10-pin bowling, captured from multiple micing perspectives at three different bowling alleys across the United States.

    I visited a 40-lane, a 24-lane and an 8-lane alley, all at different times of day and night to capture sounds during league practice (with no music) and sounds with no one in the house besides myself and the manager. I was given fantastic access, allowing me to record from various perspectives. These include from above, behind and beside the mechanical pinsetter machines and next to the pin deck at the far end of the lanes. I also set my mics down next to the foul line, the ball return behind the approach, behind the settee area (where bowlers sit), the concourse area (where bowlers find the snack machines and bar) and halfway down the service aisle beside the first lane. I followed a robot-like lane machine as it traveled back and forth along the lanes, laying down oil at just the right spots. It works a lot like an inkjet printer putting words onto a page.

    ​​I was permitted to turn pinsetter machines off and on at the back of the house, which was pretty fun. Each one has a switch in the back. Who knew? This allowed me to record just one machine in isolation, or several working at once. I rolled (delivered is the term used by the United States Bowling Congress) a few frames down an alley with no machines running. Machine noise can mask the woosh of a ball passing by. Rolling with the machines turned off allowed me to get this delicate sound like I wanted.

    So get yourself an oat soda and a limitless bowl of pretzels. Slip on a pair of two-toned suede bowling shoes, you know, those kind with their size stamped on the heel for all to see, and enjoy Bowling.

  • FiatPanda – 2023 – 1.0 Hybrid contains well edited and well recorded sounds for your projects! Recorded on a Sound Devices MixPre6II, a Sanken CO100K, a lom Geofon and a matched pair of lom BasicUchos. Recorded at 192/24.

  • Malaga Airport – Airbus Airplane A321 contains well edited and well recorded sounds for your projects! Recorded on a Sound Devices MixPre6II, a pair of SoundMan, a lom Geofon and a matched pair of lom BasicUchos. Recorded at 192/24.

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