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Home Creature Sound Effects Page 9

Creature Sound Effects

Designed creature sound effects libraries featuring monsters, trolls, dragons, demonic beings, zombies and more

  • Need a classic robot voice? You can build complete robot voice sentences with Fourbit, a typical small-size-robot voice with metallic resonances. It is very intelligible, you can use it for any robot that needs to talk a lot with the listener.

    The Fourbit sound effect library contains more than THREE thousands words, chosen amongst the most common English ones. This allows you to build all the sentences you need for your project with this voice.

    Fourbit comes with a custom audio browser html file to help you quickly locate, preview and drag & drop the files you need to construct complete sentences.

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  • Voices of the Farm captures the vibrant and authentic soundscape of rural life, recorded over several years in barns, stables, fields, and farmyards across Asia, America, Africa, and Europe. From the deep lowing of cattle and the playful bleats of goats to the piercing calls of roosters at dawn and the gentle ambience of open pastures, this collection reveals the true voices and atmosphere of the countryside.

    The library includes over 500 sounds, organized into 122 files:

    • 100 focused recordings of individual animals and groups

    • 22 natural ambiences captured in real working environments such as barns, stables, meadows, chicken coops, and open fields

    All recordings are carefully edited, organized by species, and fully UCS-compliant with detailed metadata, ready for direct use in Soundminer and professional workflows. The clear folder structure makes navigation simple and efficient.

    Whether you need the quiet intimacy of a single goat bleat, the energetic life of a barnyard, or the pastoral calm of rural landscapes, Voices of the Farm offers a versatile sonic palette ideal for film, television, games, and interactive projects.

    Many of these recordings also serve as a great foundation for creature sound design, thanks to their expressive textures and organic tonal qualities.

  • This diverse collection delivers 200 authentic sound effects of rodents, reptiles, and other small creatures in natural environments. From the quick rustles and high-pitched squeaks of rats, mice, and guinea pigs to the distinctive hisses, splashes, and movements of snakes, crocodiles, frogs, and more, Rodents & Reptiles Vol 2 captures a wide range of detailed wildlife recordings.

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  • This second volume delivers 150 professionally recorded sound effects of wolves, coyotes, and other canines, featuring a wide range of natural and expressive performances. From lone howls and group calls to growls, barks, whines, and feeding sounds, each recording offers authentic detail and clarity.

    The collection provides close, medium, and distant perspectives to match various production needs, with clean, broadcast-quality audio suitable for film, television, games, podcasts, and educational projects. All files are provided in high-resolution WAV format for maximum editing flexibility, and are royalty-free for unlimited use in your productions.

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  • The Master Gun East HK G3 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Step into the realm where the lines between human and creature blur, where the echoes of the unknown linger in the shadows. Encounter abstract beings whose presence defies comprehension, alongside humanoid swine and eerie vocal ghosts haunting the depths of imagination. From the guttural groans of zombie-like creatures to the chilling whispers of humanoid evils, each sound embodies the essence of the mysterious and the macabre, inviting listeners to delve deeper into the realms of the uncanny and the enigmatic.

  • Cinematic & Trailer Sound Effects Humanoid Creatures 4 Play Track 1489 sounds included, 89 mins total $55.20

    Give voice to your monsters and undead creatures and level up your audio experiences with Humanoid Creatures Vol 4 – Monstrous and Undead Creature Vocalization Sound Sets. Craft unforgettable, heart-pounding monster character vocalizations effortlessly. Packed with 16 uniquely terrifying creature types, a total of 1,480 bone-chilling sound effects, this collection is the fast and easy way to add horrific sensation and intensity to any creative audio project.

    From monstrous vocalizations and brutal attack cries to visceral death wails and painful grunts, each sound is designed with meticulous care and makes it easy to develop a unique tone of voice for your custom monster characters. With multiple variations for each creature, you’ll have everything you need to create dynamic, immersive gameplay and cinematic audio. For even more creative audio power, try layering and mixing some of the 880 source audio files included in Humanoid Creatures vol. 4.

    Let your imagination run wild (but not too far). If you have monsters or zombies in your project they deserve to have their voices heard. Humanoid Creatures Vol 4 – Monstrous and Undead Creature Vocalization Sound Sets makes it easier than ever.

    • 16 unique creature and monster sound sets from Ghoul to Zombie
    • Each SFX set includes sounds for: dealt damage, pain hits, death wails, alerts, special FX
    • 1489 sound effects / 304 glued files for faster sound design / 880 source sounds
    • 3 GB of creature vocalization sound effects
    • All in 96k 24bit .WAV file format plus 44.1k and MP3 versions
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  • Bundles Horror Bundle Play Track 2022 sounds included, 183 mins total $119

    Unleash the terror with our ultimate Horror Bundle, a spine-chilling collection of music and sound effects designed to make your audience jump. Whether you need the haunting melodies of Hollow Tales, the blood-curdling crunches from Rip & Tear: Gore SFX, the creepy atmosphere of Layered Horror Ambiences, or the terrifying growls and groans of Zombie Voices, this bundle has it all. It’s like having a horror project’s sound crew in your pocket—minus the nightmares! Perfect for games, films, or any project that needs a bit of fright, this bundle has everything spooky in one place.

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  • Ribbiting Sounds for Your Next Project with our “Frogs” sound effects pack!

    This collection of high-quality, professionally recorded sounds captures the unique vocalization of frogs in their natural habitat.

    Ribbits, croaks, and chirps

    Perfect for aquatic or forest environments

    High-quality, 32-bit/192kHz

     

    Get Ready to Make a Splash with Your Next Project!

  • ‘Shoot ‘em up’ has never been this exciting! From powerful laser and plasma blasts, to specialised sounds such as fire, rain and laser circles, Sci-Fi Weapons: Bullet Hell adds intensity to virtual battles. With our trusty Vaemi’s El-Ma electromagnetic field mic, we’ve captured some wild electronic shenanigans, blending them with our synthetic sounds to cook up weapon effects that’ll make your players go, “Whoa!”

  • Animal Sound Effects Creatures Monsters Vol. 1 Play Track 300 sounds included, 15 mins total $149.99

    In this library you will find sounds include roars, pacings, growls, attacks, grunts, breaths, eating and others.
    These sounds are perfect for use in movies, games, documentaries, etc.

    These sounds were all designed with plugins.
    After working these sounds in post production, this library comes with 300 incredible creatures and monsters sounds.

  • Flesh, Bones & Gore Vol. 3 is the third in our series of unsettling gore sound effects. This collection focuses on the slurps and growls of a creature eating flesh. General bone cracks and flesh rips have also been included to induce maximum cringe in your audiences.

    Our Audio Craftsmen channelled their inner monster while tearing into various fruit and vegetables. The result is a grotesque collection of sounds ideal for unsettling viewers and users in your horror Game, TV & Film productions.

    All sounds have been kept raw and are delivered in 24Bit 192kHz format, so you can drop them as-is into your timeline, or design your own monstrous creations. This library has also been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.

    The library contains four folders:

    Bone Cracks: Heavy crunches and cracks.

    Creature Slurps: Munches, slurps and chews of a creature digging into its prey.

    Guts & Blood: Wet crushing of flesh, guts and bones.

    Ripping Flesh: Brutal tearing and sawing of flesh.

  • A collection of vocalizations and emotes from evil creatures aimed for game audio use.

    The library is UCS compliant and includes full metadata to help you find the right sounds with less browsing.

  • Gain a new female hero in your next production with AAA Game Character Female Rogue Villain – a game-ready collection of human voice over sound files created for fantasy & sci-fi games. This voice-over sound library features a female protagonist character with an edge and a knack for sarcasm. Inspired by games like Fallout, Halo & Apex, these 96k24bit voice-over SFX give you the highest quality audio, ready to use right out of the box. Dive into this pack filled with 264 professionally designed voice-over sounds and elevate your game production today!

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  • Awaken a bloodthirsty creature of the night in your next audio production with AAA Game Character Vampire. Brooding and edgy, this collection of choice vampiric voiceover sounds, phrases, and vocalizations are created for fantasy and adventure games, film, video, and trailers of the same. AAA Game Character Vampire sound effects library features a male antagonist game character inspired by Skyrim, & Elder Scrolls. Easy to use, drag and drop into your project, all royalty-free from Epic Stock Media.

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  • Need a gangster or hitman? No worries… hire a charismatic mobster voice in your next game & film audio production with AAA Game Character Henchman, a smooth & criminally great collection of choice bad guy human voice-over sound files created for crime & investigation games, film & trailers. This voice-over sound effects library features a male antagonist game character inspired by Grand Theft Auto, Mafia III, & Saints Row.

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  • Sound Boosters – Affordable, Premium-Quality Libraries to Elevate Your Creative Workflow!

    Sticky, Fishy, Slimy, SUSHI GORE! Boost your sound palette with a grotesquely fresh selection of sticky slashes, bone-crushing hits, and squelchy splats. Perfect for horror, action, combat or dark comedy. These sounds can be pitched, layered, and mangled into a buffet of auditory brutality. From skull-cracking crunches to gut-squeezing squelches, every file is packed with cinematic detail and seafood-inspired savagery. Sushi Gore delivers the wet texture and disturbing flavor your project demands.

    This pack includes:

    169 hyper-detailed gore and blood sound effects
    Unique blend of sushi inspired squelches, crunches and slashes
    Build a SUSHI MONSTER with bone breaks, flesh rips, weapon impacts, footsteps and vocalization
    Perfect for horror, action, cinematic, monster, zombie and survival games
    Fully UCS-standardized filenames, with rich metadata

    With a minimum of 8 variations per action, this library is perfectly suited for both game audio and film, offering the versatility and depth required for high-quality production!

    Sushi Gore 🍣 - Creative Gore and Blood Sound Effects

  • Creature Sound Effects Rainforest Insects Play Track 5+ sounds included, 9 mins total $9

    Rainforest Insects, a richly detailed audio library capturing the vibrant soundscape of jungle life.

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  • Animal Sound Effects Creature Voices Sound Effects Play Track 116 sounds included, 4 mins total $14.99

    Dive into a world of fantasy with our Creature/Monster Voices sound effects pack, designed to bring an authentic, “real” sounding experience to your project. Crafted specifically for fantasy scenarios, this collection features a wide range of terrifying and otherworldly creature vocalizations, from growls to roars, screams, and more. Perfect for games, films, or interactive media, these high-quality sound effects will add depth, tension, and immersion to your creatures, ensuring they truly come to life in the most fantastical of worlds.

    Features:

    •  Roars
    •  Breaths
    •  Screams
  • The Master Gun Browning M2-HB Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 26 channels including 12 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun RPK-74 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the RPK-74 with a suppressor attachment. The suppressed RPK-74 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Bundles MASTERGUN – MK48 Play Track 1673 sounds included $90

    The Master Gun MK14 Mod 0 EBR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the MK48 with a suppressor attachment. The suppressed MK48 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun HK MP5A2 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the HK MP5A2 with a suppressor attachment. The suppressed HK MP5A2 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun HK MP5 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

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