Cinematic Trailer Elements 2 is a cinematic toolkit library, packed with 84 minutes of heavy and powerful sounds. It features 53 instruments for Kontakt 5 (full version required – not included), as well as 354 wav files that can be used without Kontakt.
Booms, Long Booms, Braams, Dark Hits , High Hits, Short Metal Hits, Mega Horns, Big Metal Whooshes, Metal Whooshes, Pads, Pianos, Pulsations, Pulse Clocks, Pulse Low, Pulse Mid, Rises, Reverse sounds, Soft Whooshes, Stutter Whooshes, Stutter FX + Epic Vocals by Bulgarian vocalist Vladislava Hristozov
Need electrical sounds? Sparks N Arcs delivers more than 200 files of 12,000 volt sparking electrical arcs, industrial welders, electrical shorts, Taser gun discharges, Van Der Graph Generator and custom-made Jacob’s Ladder for those classic sci-fi lab effects… even the sounds of the electrocution of an innocent pickle.
These hard-to-find sounds of massive power and electricity are perfect for adding sizzle to video games, movie projects and multimedia.
All sounds were recorded at 96k/24 bit with multiple microphones. Embedded with metadata (Soundminer, Broadcast Wav)
From newborns to toddlers, this sound effect library gets you 175 recordings of the cutest babies you will ever find, captured in 24bit/96khz. It features all-original recordings, and gets you sounds such as baby and toddler grunts, burps, whines, coughs, excited screams, giggles, gurgles, laughs, sneezes, babbling, talking, coos, breathing, hiccups, snoring, vocalizations, exclamations and much more.
Hollywood Cameras features 70 HD 24bit/96khz Sound Effects with a large selection of beefy designed camera shutter clicks, group Paparazzi loops and raw source cameras. From Modern SLRs, Mirrorless and Cell Phone cameras. Designed camera clicks and Paparazzi loops are mastered in Stereo and 5.1 surround (L-C-R-Ls-Rr-Lf Embedded .WAV format)
Finding the right door sound can be a pain, thus Abandoned Doors was recorded with that need in mind.
All the 1400+ sounds were recorded in abandoned mansions and houses with unique sonic characteristics, in stereo, usually from two perspectives (inside the room and in the hallway), allowing you a great deal of choice and offering sonic diversity.
Additionally, splitting the stereo tracks into mono will give you two more slightly different perspectives on each sound.
The Abandoned Doors library offers a multitude of door recordings, ranging from heavy wooden doors found in turn of the century mansions to cheap old doors in an abandoned warehouse, being opened, closed, slammed, knocked on, kicked, banged on, and even hit with a bat.
Whilst most door libraries simply name files ‘door open 01’, etc, Abandoned Doors has been carefully tagged with rich SoundMiner metadata and multiple keywords, giving you a clearer image of what a file contains just by reading the title. For more information on what kinds of sounds are present in the library, feel free to consult the metadata file down below.
Also, if you’d like to know more about how I recorded this library, read my blog post here.
Buy Abandoned Doors today and augment your sonic toolbox with over 1400+ door related sound effects, recorded at 24bit/96kHz in unique and inaccessible locations.
Take advantage of 891 MB of high-quality recordings of clothing foley for your latest foley project. Recorded with a Sennheiser MKH-416 and a DPA 4062, this library contains a superb selection of various materials, from denim jeans to wool jackets and more.
Works great with Reformer Pro but if you don’t own the plugin, you can still purchase and use the sounds in this pack separately.
This pack includes a four-channel onboard recording of a real long-tail Asian boat captured in Thailand.
With one microphone on a handheld pole and the other three capturing its diesel engine, the boat goes through a series of maneuvers which it repeats three times. This library covers these maneuvers from different positions every time for sounds of starting, stopping, idling, driving, and constant RPM, which are just as unmistakeable as the boat's characteristic body.
This massive Peterbilt Model 379 from 1988 is the trucker's truck with a “big cam” Cummins engine. The model has been featured in several classic car movies such as The Fast and the Furious, Gone in 60 Seconds, and Black Dog.
Now you can get the 7-channel recordings of this beast for your own projects, which consist of L+R exhausts, L+R interior, two engine channels and one compressor channel. Total driving time is 11:46. The library also contains start, stop, idle, revving without gears, lots of driving and the legendary jakebrake.
For recordings of a hot-tempered ATV (All-terrain vehicle) with a two-stroke engine, check out this sound pack. It consists of a two and a half minute 4-channel recording with two mics on the engine and two on the exhaust. Great for your zipping, sputtering, and revving needs of a fun ride.
Get the sounds of an Aston Martin DB9 with a 5.9 litres V12 engine and 456 hps. The recording consists of eight channels, interior left and right, exhausts left and right and four engine channels.
It contains start, stop, idle, blipping, revving on constant rpms without gear, accelerations, decelerations and driving. Full surround drive away and drive by added in the end. The recording length is 11 min 59 s.
The Ural M72 1943 is 750 cc Soviet WWII motorcycle that is bleeding with class. This sound pack captures this hog with a 4-channel that is nearly six minutes in length. With two mics on its exhaust, one on the engine and one onboard, you get the engine starting, stopping, revving, driving and a surround pass by. This motorcycle sounds just as it looks—beefy!
This library features a beautiful Cessna from the '70s with a 6 cylinder engine. With one mic close-up on the engine, another on the propeller, one channel from a distant VCR, and one in the cockpit.
Get the authentic sound of a Mini Cooper S with a turbocharged 1.6 litres inline 4 engine.
The recording consists of eight channels, interior left and right, exhaust left and right, three engine and one turbo air intake channel.
It contains start, stop, idle, revving, constant rpms without gear, driving, horn and a full surround driveby. The recording length is 13 min 58 s.
This is a recording of the unmistakeable 1943 military Dodge pickup with its six cylinder and 72 horsepower engine. This eight-minute recording consists of engine starts, idling, revving, and engine stops, a stereo drive-by and driving at various speeds and on different road surfaces. In this sound pack you get four channels: left and right interior, engine and exhaust for detailed recordings of this WWII treasure.
This sound pack of the WWII Willys Jeep will bring historical accuracy to your soundscape. You get four channels with all the characteristics of the vehicle from the cockpit left, right and rear and the exhaust. Also contained in this seven and a half minute recording is the vehicle starting, stopping, idling, driving, free revving, gear sounds and more. Few vehicles are more iconic from the WWII era!
This beauty was built in 1943 and is equipped with a 130 hp, 4-cylinder Gipsy Major 1F engine. The recordings consist of five channels including two engine channels, one exhaust channel and two distance channels recorded from different directions. It contains startups, stops, the engine running at different RPMs, and a surround fly-by at the very end. Enjoy!
Get authentic vintage car sounds with these recordings from a nice, original Ford 1932. This is the first year with Ford's famous sideoiler V8. The car has three gears of which 2nd and 3rd are synchronized. The recording includes engine start, idle and driving at different speeds. At the end of the recording there is also some revving and different rpm's without any gear. The channels are left and right interior surround, engine and exhausts. The recording length is 10 min 20 s.
Authentic recordings of a Swedish tank, the Leopard 2 or Stridsvagn 122, fitted with a 1500 hp´s diesel V12 during a sharp shooting exercise. The recording is done in two takes. Take one (7 mins 37 s) consists of three channels, engine, exhaust and the aggregates with snow-feet. It covers several starts and stops, idle and lots of driving.
Take two (5 mins 45 s) consists of four channels, inside left and right, closeup on the machine gun muzzle and a distant microphone on the shootings. This take contains driving with lots of rumble and machine gun shooting. The recording length is 7 min 37 s.
A collection of extremely rare jet fighter recordings from a JAS 39 Gripen jet fighter, containing Auxiliary Power Unit (APU) startup and shutdown, take offs with and without afterburner, hood opening and closing, fly bys and cockpit during flight. Various microphones and positions.
Get the real Harley Davidson sound from two recording sessions of a Harley Davidson Fat Boy with a 1449 cc V2 engine. The first recording consists of five channels, two exhaust, one engine, one intake and one from a microphone in the sidepocket. It contains start, stop, idle, driving, accelerations, decelerations and more. A surround driveby is added in the end. The recording length is 19 min 23 s.
The second is the older of our two Fat Boy recordings. The classic Harley sound, delivered to you on three channels, two exhaust and one engine. The recording contains several starts, stops, revs, driving and horn. The recording length is 16 min 32 s.
This library features onboard recordings of a powerful Volvo F12 firetruck which is often used at airports. With its diesel V6 and open exhausts to get some extra horsepower, it can reach the place of fire quicker. The recordings consist of two engine and two exhaust channels, and contains startups, stops, idling, driving, as well as the vehicle's sirens and horns.
Equipped with two Mercury 496 engines, this mean machine takes us for a 60 knots ride! This library contains one exhaust channel and three engine channels for a 4-channel recording that is just under 14 minutes long.
This Baby Tiger SFX library delivers a great collection of Bengal baby tiger recordings from our sound recordists in Thailand, presented in 192 khz, 24-bit WAV format. It offers a wide range of vocalisations in the unique timbre of a younger animal. This maintains the classic sound and aggression of the bengal tiger, but in a ‘bite-sized’ package!
Tigers are the largest members of the cat family and are renowned for their power and strength. They live alone and aggressively scent-mark large territories to keep their rivals away. They are powerful nocturnal hunters that travel many miles to find buffalo, deer, wild pigs, and other large mammals.
These recordings are an ideal starting point for creature sound design, with a huge range of growls, cries and moans.
This sound collection covers a wide range of sounds produced by many different steam engines. In addition to the real engines there's also a wide variety of Foley sounds which can be layered to make funny (steam) engines for cartoons for example. All sounds recorded with high end equipment – 24 bit and 96KHz (some in 48KHz)
The 'MAIN' demo gives a good taste of what's inside. The 'POTENTIAL KONTAKT demo gives a glimpse of what you can do with the FREE BONUS Kontakt Instruments. So the latter is just a demonstration, these sounds are not included as such!
Recorder / Interface
Field Recording Mics
Choose from 3.57GB high-quality concrete, hand rub, gravel, grass, leaf, twig, plywood, shoe and wood recordings for your latest Foley project.
Recorded with a Sennheiser MKH 60-1 and a DPA 4060 in pristine quality (192kHz), this library contains a superb selection of materials being slid, rubbed, rustled, rolled and stepped on.
Works great with Reformer Pro but if you don’t own the plugin, you can still purchase and use the sounds in this pack separately.
Our sound designers and creative engineers have been on an epic journey across the fields of Rohan to the great Misty Mountains to discover and create the perfect alchemy of Quest Game. An entirely new collection of game ready audio assets for building your own immersive world of fantasy gameplay, action and adventure.
In mere moments you’ll be able to muster a hoard of orcs, create the soundscapes of village life or outfit fantasy character actions with ease. With more than 1300 mix and master ready SFX, you are instantly rewarded with a king’s ransom of premium quality AAA game ready audio assets for adding to your project in 96k 24bit, 44.1k 16bit and MP3 formats.
Sound the call of eminent victory with loot crates and treasures chests to reward your players, an empowering allotment of sliding and moving gears and mechanisms, character equipment pickups and placements, menu selects, unlocks, positive rewards and achievements, footstep and foley sound effects on cobblestone road, forest grass, brick walkway, tavern wood floor.
The deep selection of ambient background and nature loops, over an hour of sound by themselves, make this collection a powerful tool for completing your project on time and a certifiable best value. Quest Game – Fantasy Adventure Sound Effects Library is well equipped with undead magic, elemental spell sounds, game action effects like crafting, harvesting, jumps, gear bags, books and scrolls plus scene setting and environmental sounds for haunted crypts, dungeon wind, undead city, royal chambers and elven outpost custom backgrounds.
All nature ambiences recorded on location in Finland, Tennessee and Illinois USA. Over 6 Months in the making.
More than 120 room tones in 5.1 surround sound (7 GB)
• Living room, bath, kitchen, office, heating, fans, clocks
• Cleaning, working, natural noise, humming, buzz, soundscapes and more
• Recorded with INA 5 surround microphone array
• Compatible with ITU-R BS.775 recommendation
• Realistic room impression and sound location, true to original sound color
• Perfect balanced surround sounds for drag and drop integration in Cinematics, games, radio plays
• 24 Bit / 96 kHz / low noise recording
• Interleaved surround sound file (L/R/C/LFE/LS/RS), simply drop into your DAW
• EBU/BWF and WAV-Metadata made with Soundminer for use in any DAW
• Equipment: INA 5 surround microphone array, RME UCX, RME Quadmic 2
Surround At the Show 2 features 54 24bit / 96 kHz 5.1 Surround Sound Crowd Effects with a large selection of mostly female audience cheers and swells. Recorded in 3 premier locations in Los Angeles: Staples Arena, a Traveling Circus and a large Political Rally. Recorded with discrete Quad microphones, and mastered in 5.1 surround (L-C-R-Ls-Rr-Lf Embedded .WAV format). Recording locations are all from center of the crowd to create the widest possible sound.
A stereo version of each cue is included, as well as embedded metadata. All new, original recordings.
Want a taste of what's included? Download the 5.1 Surround Demo file here and try it out on your own system!
This library contains more than 200 natural ambience clips with embedded metadata. They´re mixed and cut into: loops, transitions and variations to be ready to use inside your project.
The metadata precisely points out any bird species, the specific environment and acoustic properties, the current day-cycle, weather conditions and any foreground or background events that are audible in the clip. To enhance the ease of use, I decided to structure the library as a modular toolbox for ambience sound design.
It has been recorded in some of the oldest, quietest and most pristine forests all over Germany and offers a large collection of active and quiet nature ambiences featuring a variety of different natural environments and wildlife.
The Heads Up Display Sound Design Toolkit is a special version of the regular Heads Up Display sound effects library: Not only does it feature the regular SFX library – it also contains a special Sound Design Toolkit version.
Boom Box Library’s sound design toolkits allow you to create endless variations, tailoring sounds specifically to the needs of your project. All sound effects are pre-mapped to the sampler Kontakt by Native Instruments, and can be triggered with a MIDI keyboard or further manipulated with a tablet via our custom TouchOSC layouts.
Together, these tools give you the hands on experience of performing live changes such as pitch and time alteration as well as playing back multiple layers of sounds at once. Our Toolkits take you beyond simple editorial, giving you everything you need to design your own unique take on the Boom Box Library sound.
Features the internal tech sounds that you would hear within each distinctive robot’s heads up display, such as:
150+ interface beeps • 80+ success beeps • 70+ fail beeps • 50+ data readouts • 45+ countdowns • 15+ alarms • 100+ power ups • 95+ power downs
A collection of over 530 96k/24bit HD Gore sound effects that comes with an additional 262 48k/24bit sounds FREE! Come and get your body damage galore. Punches, bone, blood, intestines, goops, splats, flesh movement, chewing, tearing, snapping, breaking, blade sounds… It’s BLOODY CARNAGE!
We all know what central London sounds like. It’s noisy, crowded, and full of people trying to sell you watches. Ok, maybe that last point wasn’t that relevant, but have you ever wondered what lies beyond?
A short drive towards the suburbs will reveal a world filled with warm beer, cricket, and endless parks, where deer roam free.
When planning this library, the intention was to capture the quieter side of the metropolis, all year round! As a result, this library will receive multiple updates over the coming months. There will be one more summer update soon, along with an autumn update, winter update, and spring update.
So far, the first version of the library contains 15 .WAV stereo files at 96kHz/24 bit, recorded with a Sony PCM-D100/1, and contains approximately 35 minutes of summer ambiances in different locations throughout suburban London. Over the following months, I’ll keep traveling around the suburbs, collecting more and more ambiances, each update representing its own season.
Each file has been carefully edited in iZotope RX in order to remove as much unwanted noise as possible, such as random shouting, barking, etc. This will provide you with clean ambiences that will add character to your projects, without distracting the audience. That being said, do please note that the recordings contain some amount of traffic noise, and some also contain airplane noise. This is, of course, unavoidable when recording in a city such as London.
In addition to that, each file has been filled to the brim with SoundMiner metadata, allowing you to quickly search through the files, waste less time and dedicate more time to what you love doing!
20 libraries of production elements and soundscapes suited to all forms of broadcast media. From glitched-out future computers to dark, ominous atmospheres, these libraries feature organic elements, analogue source material and extreme digital processing for a blend of the familiar and the experimental side of sound design.
Think Dystopian environments, unexplored Science Fiction spaces, unsettling horror ambiences, signals gone awry, abstract textures and harsh walls of noise.
This Parrot SFX library was recorded by our sound recordists in Thailand in 192 khz, 24-bit WAV format. It includes a huge variety of sounds from calls, cries and vocal gestures. A great resource for post-production or game audio sound design.
Woodland Atmosphere is a collection of clean and immersive natural ambiences recorded in forests around Europe by George Vlad. The library is updated with new content on a regular basis, all free for existing users.
Get more than 5 hours of pristine nature recordings and birdsong with this SFX library:
WW2 Aircraft is a collection of recordings of rare World War 2 aircraft. It features icons such as the Supermarine Spitfire, Bucker Bu-131 Jungmann, North American P-51 Mustang, Curtiss P-40 Warhawk, Grumman F8F Bearcat and others. The library consists of 59 recordings ranging from 13 seconds to over 10 minutes in length. The sounds have been recorded with the Sennheiser MKH416, MKH8040 and the Sony PCM D100.
The library covers exterior flybys from slow to very fast, aircraft taxiing by, engines starting up, idling, revving, stopping and a few takeoffs. It also includes an on-board recording of a Bucker Bu-131 biplane as it starts up, taxies, takes off, flies, lands and then stops. The planes have been recorded at a variety of distances, from close to relatively far away. As an added bonus, one of the P-51 Mustangs recorded had had its guns removed, which caused an awesome whistling sound every time it swooped down at a certain angle.
Heavy Metal! is an extensive collection of bangs, chains, scrapes, squeaks, and sawing – all involving an old, large, heavy, metal car door. There is a ton of variation, including timbre, since most of the library was recorded with multiple stereo pairs of microphones.
• Chains: movement, sliding, impacts, & ratcheting across metal
• Impacts: Collins axe, chains, hatchet, machete, rubber mallet
• Scrapes: Hatchet, machete, saws, squeaks, dryer tube – TONS of variation
• Sawing (on metal): Hack saw, machete blade + saw
Glass Smash HD from Soundopolis is a large collection of glass breaking sounds, glass debris, and footsteps on glass. Probably the last time you’ll ever have to buy a glass sound effect!
Whether is be empty pool room tones, busy children pools or calm exterior lap pools this library has you covered. Recorded at 10 different public swimming pools this library contains different spaces (interior and exterior) differentiated by the size, space and number of swimmers.
All sounds were recorded using the DPA 5100 and Sound Devices 788T. This library is available in stereo or 5.0 (5.0 package contains stereo down mixes as well).
Elements: Gears is a collection of small and large gear, ratchet, cogwheel and other mechanical sounds recorded and edited over more than 2 years by George Vlad. The library encompasses more than 4000 individual sounds covering actions such as single clicks, slow movement, fast movement, short turns etc. The objects recorded include ratchet tools, plastic toys, old sewing machines, wagon wheels and ethnic noise making instruments. Some of the larger objects have been recorded using MKH 8040, DPA 4060 and a JrF contact microphone with each perspective included on a separate track.
The sounds can be used for obvious purposes such as ratchet wrenches, cogwheels, drawbridges, steampunk mechanisms, machinery etc.. As is the case with other libraries in the Elements series, these sounds can also be used as building blocks for more complex sounds such as spaceships, vehicles, industrial machinery and others. Additionally, all files are recorded and mastered at 24/96 quality which makes them excellent sound design elements ripe for serious processing.
• 212 .wav files; more than 4000 sounds in total
• recorded and presented as 24 bit/96 kHz mono files
• 3 hours and 55 minutes total length
• 3.83 GB uncompressed size – 3.11 GB zip archive
• recorded on Sound Devices 633 with Sennheiser MKH-8040, DPA 4060 and JrF microphones
• comprehensive metadata compatible with Basehead and Soundminer
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
A Sound Effect is a great resource for keeping up on what's out there in the SFX library world. The site is well organized and it's easy to find stuff.
I love the behind the scenes articles - and the ability to purchase directly through the site is super convenient. The process is very straight forward and painless. I recommend it all the time.
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.