Home Genres Sci-Fi Sound Effects Page 7
Spectacular sci-fi sound effects, from robot sounds, spacecraft and lasers to other futuristic sounds
TEXTROBOT is a NI Kontakt instrument designed to help you in the sound design of UI sounds and to produce retriggered samples for VFX text animations.
All 165 sounds are easily accessible using a MIDI master keyboard from the first octave. You can choose a category to load a set of samples and play it manually, or in the retriggered way (if active) by holding down the note. The full version of NI Kontakt is required to use this library.
• Click (10 samples): very tight, clicky sounds for UI interface usage or small text VFX
• Bleeps (16 samples): it contains bleeping sounds, tones, and alerts for telemetrics and sci-fisound design
• Big Size (16 samples): a collection of low frequency sounds for big title animation
• Percussive (22 samples): organic and processed percussive sounds like shakers, maracas, and woods for multimedia apps or menu sound design
• Fun (30 samples): a collection of funny sounds for cartoonish motion graphics
• Digital (20 samples): glitches and lo-fi sounds for experimental videos
• Keys (28 samples): keyboards, typewriters, and mouse sounds
• Mechanical (23 samples): switches, clangs, squeaks, and metal impact sounds for mechanic motion graphics
This library features recordings of a Moog analog synthesizer. The sounds range from raw lo-fi zaps, buzzes and glitches, to more futuristic high-tech robot movements, morphs, vocalizations and drones.
Both source recordings, and designed sound effects are included for further sound manipulation.
Dr. Daniels is the only dentist I’ve ever known and he was gracious enough to let me roam around his office after hours collecting these sounds.
The intent was to gather source material for hi-tech gadgetry so the library contains a nice selection of tools and equipment including drills, a mouth vacuum, an ultrasonic water sprayer, dental lathe, dental kiln, a creepy sounding dentist chair and a wicked cool CEREC machine (diamond tipped milling machine that cuts dental implants).
The handheld tools are “performed” so as to create movement, pass by’s and simulate power fluctuations.
MicroBots is a collection of 293 carefully recorded and designed robotic sound effects.
Micro movements, ones shots, transformations, tonal sequences and more
MicroBots consist of two main categories Designed (main folder) and Source files (X SOURCE folder).
Designed: 96KHZ 24BIT | 180 Files
Mechanical movements, one shots, sequences etc.
Perfect for designing all kinds of sci-fi future tech.
Source: 192KHZ 24BIT | 113 Files
Organic source sounds.
Perfect for adding extra organic layers.
RECORDED WITH: Sound Devices MixPre 6 + Sennheiser MKH 8060, DPA 4060
CREATED AND EDITED WITH: Pro Tools, Live 10.
This package contains 287 high quality Sci-Fi sound effects. Covering ambiences, general sounds and weapons.
Plus an additional 645 bonus sounds effects covering guns, 8bit sci-fi and general sounds to help make this a must have collection for everyone working on Sci-Fi projects.
ALL sounds from this entire package are included in our complete sound collection Pro Sound Collection. So if you need more sound be sure to check it out before purchase.
(Please note that all sounds are in 24bit/96k, except for the bonus 8bit sci-fi sounds they are in 16bit/44.1k)
Do you want to make a robot or some other mechanical object sound unique? Or do you need high class heavy mechanical motor or servo sounds for layering purposes?
The 3D Printer library is a collection of high quality motor, servo and mechanical movement sounds that can help you make a nice looking robot sound like a mean killing machine. The library is also a great and affordable way to add uniqueness to your sound effects.
The library was recorded with two sets of microphones: A stereo pair of JrF C-series contact microphones were used to capture the more delicate inner sounds of the printer while a stereo pair of Sennheiser MKH8040 microphones recorded the more raw outer sound of the mechanical motor movements.
You get the sounds in two formats: 96 KHz 24 bit and in 44.1 KHz 16 bit, for more convenient ways of utilizing the sounds in games and other media.
Explosive Energy is a sound design toolkit built for creating next-gen sci-fi explosions.
This library is divided into 3 modular categories (transient, body, tails), allowing you to mix and match layers and build your own unique explosion designs.
UI DESIGNER is an advanced soundset dedicated to the interaction between human and machines. The library is suitable for modern sci-fi movies, sound for apps, futuristic sound logos and any projects where sound design is needed to improve the users’s experience and make it more pleasant.
Essential metadata has been included in the filenames. This was done to facilitate users that do not own a library management tool to access the informations and to navigate the library more efficiently.
UI DESIGNER covers sounds in 14 categories:• Elements Appear
• Elements Flying
• Window Open – Hologram
• Window Close
• Data Stream
• Bad Data Crunching
• Confirmation – Notifications – Navigation
• Text Typing – Warning Text
• Access Denied
• Buttons – Selections
• Screen Noise
• Warnings
• StandBy
• Notifications – Navigation
FORGOTTEN NEONS is a collection of 415 carefully designed, mastered and rendered, game audio sound effects. Mono compatible and meta-tagged.
Power Ups, Level Ups, Portals, Teleports, Healing, Robots, Doors, Items, Weapons, Menus, UIs and more!
FORGOTTEN NEONS consist of a few main “bucket” categories, organized in a way to spark your creativity.
OBJECTS, ITEMS, INTERACTIONS, MENUS …
Interacting with objects and items such as: Menus, UIs, Doors, Boxes, Buttons, Items, Mechanical elements and more.
EVENTS, ACHIEVEMENTS, LEVEL UPS, POWER UPS, HEALING …
Multi-layered sound effects for all game events such as: Achievements, Power Ups, Level Ups, Healing and more.
WEAPONS
Multi-layered sound effects of abstract, imaginary and sci-fi weapons. Each sound effect is delivered in two/three versions (A,B and C) that varies in pitch (+/- 0.2 semitone) ring outs and gun behavior. Very subtle changes just so to trick your brain into perceiving them differently.
SPAWNS, PORTALS, TELEPORTS …
Multi-layered sound effects for: Creature/NPC spawns, Teleports, Portals, Magic and more.
On top of that, library comes packed with IMPACT, DASH, FIGHT, GLITCH, FOOTSTEPS sound effects and seamlessly looping DRONES, SOUNDSCAPES and MUSICAL LOOPS.
RECORDED WITH: Sound Devices MixPre 6, Sennheiser MKH8060 and Sony PCM D100 at 192kHZ.
DESIGNED & EDITED WITH: Pro Tools, iZotope RX, Sound Particles, Reaktor, MAX
550 purely analog synthesized sounds covering all aspects of UI / UX plus more. You’ll find click, button, send, receive, confirm, achievement, alert, collection, notification, open menu, close menu, connect, disconnect, engage, lock on, whoosh, power on, power off, and swipe to just name a handful but so much more! Great for projects requiring true analog warmth and soul.
Music is only heard in the demo. Downloads are high resolution and without background music.
Supercharge your projects with over 400 transitions, whoosh-to-hit accents, rises, impacts, and more. Listen to glitches, energy accents, shimmering, swirling, crashes, and other textures.
Each clip is trimmed and carefully organized in folders and with extensive metadata.
With its second official release ‘’Sci-Fi Weapons’’ Sound Response brings you a cutting edge, hi-tech weapon sound FX library ready for unleashing cybernetic hell! Months of field recording and sound design yielded 400+ high quality futuristic weapon sound effects. A must have for anyone working on a video game, movie or any other project containing futuristic combat action scenes. With Sci-Fi Weapons at your disposal you’ll have one of the most powerful and advanced sci-fi audio arsenals out there!
Sci-Fi Weapons soundpack features 588MB of high definition 24bit/96khz sounds, embedded with metadata to speed up your workflow and separated into following categories: 1. Assault Rifles 2. Sniper Rifles 3. Machine Guns 4. Submachine Guns 5. Rocket Launchers 6. Loading FX 7. Scanners and Shields 8. Source Sound Accessories.
NOTE: As a result of collaboration between Sound Response and Soundmorph this library is also a part of Soundmorph’s Future Weapons 3 library. If you have Future Weapons 3 library then you already have the included Sci-Fi Weapons sound library.
If you like the sound of Sci-Fi Weapons then be sure to check out much anticipated second installment Sci-Fi Weapons 2 for a second round of high quality cybernetic audio mayhem!
• Assault Rifles
• Sniper Rifles
• Machine Guns
• Submachine Guns
• Rocket Launchers
• Loading FX
• Scanners and Shields
•Source Sound Accessories
Metal Core Alliance is a library created to bring colossal machines, futuristic metallic environments, and large-scale robots to life. Ideal for video games, film, or any project requiring high-impact mechanical sound design.
In this collection, you’ll find 613 high-resolution (192 kHz / 24-bit) sounds carefully designed and organized into categories for easy creative use:
🔹Auto Deployment Unit
🔹Biotitan
🔹Bionic Spike Rotator
🔹Brutal Metal Assembly
🔹Malfunctioning Unit
🔹Mech (robots, mechas, and more)
🔹Mechanical Shrinking Gear
🔹Mechanical Shrinking Pillar
🔹Sci-Fi Doors (locks, heavy, sliding…)
🔹Turrets
🔹 Whoosh (cyber, mech, robotic…)
🔹Bonus 🎁
Each category was created with those gigantic mechanisms we see in so many science fiction movies and video games in mind. To achieve this, we used real recordings of heavy machinery, metals, and industrial textures that add authenticity and power.
All sounds have been recorded and edited at 192 kHz – 96 kHz / 32-24 bits, and are delivered in 192 kHz / 24 bits, allowing them to be stretched, distorted, slowed down, or manipulated without losing quality or detail.
Metal Core Alliance is not just a library: it’s a versatile, creative, and brutally powerful sound design kit, designed to shape mechanical worlds with their own unique personality.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding Robots, Machines, Gears, etc…[Use them again & again]
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 613 sounds
– Number of Audio Waves: 613
– Format: 192KHz / 24 bits
– Do Sound FX loop: Yes
– Win/Mac: Yes
– Minutes of audio provided: 25 minutes
SCI-FI BUNDLE consists of 4982 high-quality futuristic sound effects and was created with game devs, animators and sounds designers in mind.
Bundle covers a broad range of sound effects: UI/HUD, Robotics, Ambiences, Drones, Weapons, Doors, Objects, Misc and more.
Sound effects from this bundle were used on projects like: Archer Season 10/11/12, Robot Will Protect You, Encodya, Final Space, Soul Tolerance, Ancient Aliens and many more.
PMSFX SCI-FI Bundle consist of following libraries:
FOUNDATION SERIES SCI-FI VOL2
1.1GB • 627 FILES • MONO + STEREO • META DATA (96/24 + 44.1/16)
FOUNDATION SERIES SCI-FI VOL1
739.8MB • 164 FILES • META DATA (96/24 + 44.1/16)
FORGOTTEN NEONS
1.1GB • 415 FILES • META DATA (96/24 + 44.1/16)
ABSTRACT GUNS
86MB • 165 FILES • STEREO • META DATA (96/24 + 44.1/16)
LOFI TERMINAL
157.7MB • 195 FILES • STEREO • META DATA (96/24 + 44.1/16)
SCI-FI ATMOS
1.32GB • 30 FILES • 38MIN • STEREO • META DATA • LOOPS ↻ (96/24 + 44.1/16)
NANO TECH
180MB • 226 FILES • STEREO • META DATA (96/24 + 44.1/16)
MICROBOTS
187MB • 293 FILES • STEREO + MONO • META DATA (96-192/24 + 44.1/16)
CYBERSPHERE
1.14GB • 340 FILES • META DATA (96/24)
SCI-FI MECHANICS
636.6MB • 301 FILES • META DATA (96/24)
SCIFI PASSBY
6.8GB • 742 FILES • META DATA (96/24)
Microbots 2
720MB • 922 FILES • META DATA (96/24)
SCIFI Gunnery
404MB • 580 FILES • META DATA (96/24)
“Mutation” is a collection of 200 mutation sound effects aimed to be used in horror/sic-fi productions.
The pack is focused on bloody and creepy transformations where you can hear how the flesh, blood and bones of the subject are being transformed and reshaping into something else.
Uncommon sources like plastic and scrap movements, dry leaves and metallic guitar picks were used to create this collection.
The library contains 20 files (WAV, 24 Bit / 96 kHz), 10 variations each, summing a total of 200 sfx.
As a bonus I included the sources (32 sfx) used to create the sounds in the library.
Cinematic Whooshes are heavy hitting transition elements perfect for TV, Film, Game, or your latest mainstage performance. Ranging from light Fly-Bys to seriously intense sonic mayhem, these whoosh effects are up to the task!
CineDrop is the second installment of CINE series.
It is a modern, ultra cinematic, take on classic slowmo/downer sound effects with a dark twist.
CineDrop (Cinematic Drop) is a library created with sound designers and gamedevs in mind.
Control pace of your project, add suspense and drama and make those subwoofers hot.
The collection consists of 57 carefully designed and rendered sound effects with baked-in Soundminer metadata.
All sounds have been created and processed using top tier gear in order to deliver crisp, modern, error free sound.
Find out what Euro Rack Synths morphed with modern digital synths and foley field recordings sound like.
RECORDED WITH: Sound Devices MixPre 6 + Senhheiser MKH8060
CREATED AND EDITED WITH: Modular, DBX 120A, TC Finalizer 96k, Reaktor, Serum, Live, Pro Tools.
CINE series explained:
Cinenergy: Dark, energetic, Impacts, whooshes and transitions
CineDrop: Slow-motion impacts, downers and bass drops
Cinescapes: Seamlessly looping, modern cinematic soundscapes
If you're after electromagnetic sounds, this library delivers: Captured with The LOM Elektrosluch 3+ throughout 2015. The sounds heard with this special piece of equipment are other-worldly, ghostly and oftentimes, scary. If you haven't managed to get your hands on one yet, or missed out while pre-orders we're presenting this library as the definitive Elektrosluch 3+ sound. Hear the analog and digital: screaming whirls of electronic servo motors, the intense hum and whoosh of new and old transformers, and the pained glitching of processors and data paths of a circuit-bent Furby.
We have designed this library to be as useful and versatile as possible to be used in every application, from television, music sampling, theatre, to film. We recorded, edited and hand-picked a selection of science fiction-inspired electrical props in order to obtain the best sound sources for this library. All sounds have not been processed through special effects processors, they are simply the sounds of Electromagnetic Fields, recorded with a LOM Elektrosluch 3+.
Full: The complete library.
Micro: A cut down library featuring some of our favourite sounds from the complete collection.
Transformers, Televisions, Motors, Servos, Hard Drives, Vintage and New Electrical Technologies, Circuit Bent Props, Cameras, Telephones, Computers, Disk Drives, Remote Controls, Toys, Power Supply Units, Fairy Lights, and Vacuum Cleaners.
When you need Electric Typewriters Sounds, this composite SFX collection of 4 and half (yes half, one machine was broken) (old) electric typewriters delivers. You will find sounds ranging from opening/closing covers, pressing keys, random typing, electric motor movements of the writing head, mechanic-hammering of the letters, small mechanical levers and more.
Of course the sounds can be used for interfaces (and, well, electric typewriters!) – but they could also easily be mangled and mutilated for some great robotic and futuristic stuff. Try it yourself. All sounds were recorded with a Sennheiser MKH8050 through a UA Apollo 8 and a RODE NTG-3 through a Sound Devices 744T. All sounds are royalty free.
• Panasonic R300
• Olivetti Lettera E501
• Sharp PA-4000
• Triumph+Adler Gabriele 100
• Erika 3006
If you're looking for cinematic SFX, here's the follow-up to the wildly popular Sinematic sound library from SoundMorph: This Neon Expansion pack focuses on avant-garde cinematic sounds including synthesized impacts, static glitched hits, mechanical mechanisms, cyber & biotech hits, motion graphic sound glitches and passbys, organic slams and electronic punches. Perfect for adding punch to your projects – and a heads up: These sounds go extremely well with visuals!
Analogue Ordnance is a massive construction kit for science fiction weapon sounds, made entirely with hardware synthesizers, mastered entirely in the analogue domain, and with more variations per sound than any library of its kind. Absolutely no software plug-ins of any kind were used in its creation, except for its collection of ready-to-use designed sounds to show what can be done with the library’s constituent parts.
Masterminded by sound designer Nathan Moody, this library’s unique sonic language delivers about five hours of material, pushed hard through op amps, transistors, tubes, and transformers. Boutique and unique, customized synthesizer modules were used in conjunction with mastering-grade studio hardware to create sounds that range from retro and cute to modern and devastating.
Sounds are organized into mechanical, thump, body, tail, and charge-up groups for truly modular weapon construction. Each group has six to eight “banks” of related sounds, many with intensity (light, heavy) and duration (short, medium, and long) options. Nearly all sounds include 16 variations. In addition to the construction kit elements, some fully-designed weapon sounds are provided (using only the sounds from the construction kit), designed by Nathan Moody, Chase Steele, Axel Steichen, and Sergio Ronchetti.
But the flexibility doesn’t stop there. Reversing the sounds suddenly turns charge-ups into body elements, and vice versa. Each group has some frequency overlap with the others, so they can be mixed interchangeably outside of their labeled or intended uses with filtering and time/pitch manipulation. While the sounds are designed to be layered with themselves, this library plays very well with others, providing thousands of sweeteners to “tech up” any near-future gun or projectile-based firearm, magical attacks, superhuman abilities, or even user interface elements.
Add some hardware to your warfare. From concealable stun pistols to orbital artillery, Analogue Ordnance provides a fresh injection of new source material for your sci-fi weapon designs.
BEAMS is a comprehensive toolkit for beam sound design. Sounds are separated into activation oneshot, activation/deactivation mechanism, and active loop categories. Each category contains subcategories for small, medium, and large beams. You can design anything from the smallest spy-watch laser cutter to a planet destroying column of chaos. As a bonus, you’ll also get a diverse collection of burning ignition sounds as source for beam environmental destruction.
NANOTECH is a library created with sound designer, game devs and animators in mind.
It consists of 226 high quality sound effects, optimized for game devs and mastered to sound good on all sets of speakers and headphones.
The Library features:
• Complex micro robotic movements
• Reversed and Rising micro robotic movements
• One-shot bursts
• One-shot short movements
• One-shot servos
• One-shot beeps and more
More details: SFX LIST
All SFX have baked-in Soundminer’s meta data.
Download includes:
96KHZ 24BIT version (180MB)
44.1KHZ 16BIT version for Unreal Engine (75MB)
RECORDED WITH: Sennheiser MKH8060, MKH8040, DPA4060
EDITED AND MASTERED WITH: Pro Tools, FabFilter, Reaktor, FM8, Soundtoys, McDSP, Zynaptiq
If you understand BRAAAM then you know exactly what inspires this epic sound library. Hollywood blockbuster movies like Inception, A Dark Knight and Transformers were the birthplace for BRAAAM and today we proudly present to you an all new and epic collection of these scene making sounds.
Within you’ll find 100 unprecedented ultra high quality 96k 24bit .WAV files, all new and original recordings, filled with some authentic sonic hot sauce for your custom productions.
Make your futuristic projects shine with sci-fi sounds crafted by some of the finest sound designers in the world and, quite likely, the galaxy. Whether you're looking for sounds of spaceships, futuristic weapons and laser blasters, alien interfaces, advanced science and technology, otherworldly engine pass-bys, powerful robotic sound elements or many other types of sounds from the future, the 1000s of custom-designed science fiction sound effects from the independent sound community give you targeted collections to maximize the sonic impact of your futuristic projects.
Alien voices, blaster shot, computer voice, drone engine, force field, futuristic door, glitch, hover engine, laser beam, morphed metal, pulse, quantum leap, robotic voice, sci-fi alarm, space ship, teleportation, time warp, tractor beam, warp drive, whoosh.
Q: What are some of the most popular sci-fi sounds?
A: Click to sort the category by most popular sci-fi sound effects libraries
Q: Are there any sci-fi sound libraries on sale right now?
A: Click to sort the category by sci-fi sound libraries on sale
Q: How do I download the sci-fi sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen sci-fi SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Spell Variations Vol. 4 marks the grand finale of our magical sound series, delivering a diverse and powerful collection of spell effects. Inside, you’ll find summonings, blood spells, petrifications, healing spells, dark incantations, and much more!
This volume includes 255 high-quality sound effects, organized into 27 distinct spell types, each with multiple variations (3 to 17) to ensure no spell sounds the same, even when reused across your project.
Each spell type is carefully named and sorted into individual folders, giving you intuitive navigation and maximum flexibility for magical scenes, game effects, or cinematic transitions.
Recorded, edited, and mastered in 192 kHz / 24-bit, these sounds deliver exceptional clarity and full adaptability for pitching, layering, or creative processing.
A must-have library for professional sound designers seeking drag-and-drop magical sounds for video games, trailers, animations, or any audiovisual production.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding magical sounds [Use them again & again
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 255 spell sounds
– Number of Audio Waves: 255
– Format: 192KHz / 24 bits
– Win/Mac: Yes
– Minutes of audio provided: 19:21
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
If you need a wider selection of interior gun recordings please check out our first library – The London Warehouse Firearms library
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.