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Home Plug-Ins Page 4

Plug-Ins

Plug-Ins and Standalone tools for all of you mixing and sound design needs

  • MAC OSX – WINDOWS

     

    Multi-Sampler Software Revolutionized

    Interakt is a reinvented, game-changing standalone software

    Developed for the purpose of creating high quality sound effects that can be used in interactive media such as video games, animations, apps, films, music, and other multimedia productions. Get ahead of any production timeline by creating your own sound bank that will cover all your unique production needs.

    Designed with an easy-to-use interface, users can create limitless sounds combinations by melding preexisting SFX with sampling sections to blend into new and optimized sound effects. Achieve ultimate customization by altering sound precisely to your own unique production needs with Interakt.

    Interakt is an interactive sound library software that is compatible with midi keyboards and computer keys. Utilize batch exporting, real-time playback, and more streamlined functionality for a faster workflow that will accelerate any production time.

  • FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!

    Vintage filters and creative effects
    The stereo delay signal is routed through five unique effects and up to six analog-sounding filters, and then routed back to the input with adjustable feedback. Easily program your own delays using the well laid-out controls and interactive delay and filter displays.

    Easy drag-and-drop modulation
    Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless’s unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.

    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more.

  • FabFilter is proud to announce the immediate availability of FabFilter Volcano 3, the latest version of its award-winning filter plug-in. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. With its smooth workflow, no-limits flexibility and dazzlingly authentic analogue sound, it’s the first-call plugin for creative filtering.

    *FabFilter Volcano 3 upgrade from Volcano 2*

    PREVIOUS VERSION REQUIRED FOR UPGRADE.

  • FabFilter is proud to announce the immediate availability of FabFilter Volcano 3, the latest version of its award-winning filter plug-in. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. With its smooth workflow, no-limits flexibility and dazzlingly authentic analogue sound, it’s the first-call plugin for creative filtering.

    [Already own Volcano 2? An upgrade is available here]

  • Covering the essential aspects of sound design, our critically acclaimed audio plug-ins feature outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.
    Power Suite 6 plug-ins run within most MacOS (AU/VST3/AAX) or Windows (VST3/AAX) based music production or audio editing application.

    Power Suite 6 consists of the following plug-ins:
    TrackPlug 6 – The ultimate channel strip plug-in
    FinalPlug 6 – Professional peak limiter and volume maximizer
    MasterVerb 6 – Silky smooth multi-algorithm reverb
    Panorama 6 – Go beyond the limitations of conventional stereo, without using a surround system!
    MultiDynamics 6 – Powerful multi-band dynamics control

  • – Remove unwanted noise from recordings

    Master Restoration Suite is a comprehensive set of restoration plug-ins for cleaning up tape, vinyl, and acoustic recordings. The tools give extremely high quality results with minimal tweaking, hence they sound great and are easy to use.
    These plug-ins run within any Mac OS X (AU/VST/MAS/RTAS) or Windows (DX/VST/RTAS) based music production or audio editing application.

    The MR Suite consists of 5 plug-ins:

    MR Noise – Stellar sounding broadband noise reduction
    MR Click – Click and crackle filter for vinyl or digital sources
    MR Hum – Precise hum and buzz removal
    MR Gate – Expander/gate for quick and simple background attenuation

  • – Exquisitely Accurate Tube Amp Model

    Tube Saturator 2 is a super accurate circuit simulation of a tube pre-amp with analog EQ, which can be overdriven gently for warming effects, or cranked for fat distortion. Like its predecessor, Tube Saturator, TS-2 is based on circuit simulation technology to capture every nuance of an analog circuit. The circuit consisting of the individual tubes, resistors, and capacitors is converted into a mathematical system of equations which is numerically solved to produce the exact same sound as a real circuit.

    But while the original consumed large amounts of CPU power, TS-2 is now super-efficient. The Saturation section of TS-2 runs about 7x faster than the original and yet the modeling is even more accurate. TS-2 includes the original circuit simulation of the three-band Baxandall type EQ as found in many guitar amplifiers.

    In addition to this breakthrough improvement in speed, TS-2 has many new features. You can switch between 12AX7 and 12AU7 tubes for different harmonic characteristics. The EQ can be switched to run pre or post-saturation. Saturation and EQ are separately switchable. Also, there is a 2x oversampling mode using a very high-quality resampler algorithm. Use 2x mode to attenuate aliased distortion harmonics. Also new is a mix control to blend the processed sound with the original. And finally, TS-2 has a gorgeous new interface.

  • – Channel Strip Plug-in

    TrackPlug is an all-in-one channel strip which features a 10-band EQ, brickwall filters, spectrum analyzer, dual multi-mode compressors, gate/expander, extensive sidechain options, and a peak limiter. It also boasts Wave Arts’ outstanding sound quality and impressive CPU efficiency.

    TrackPlug’s interface has been meticulously designed for visual clarity and ease of use. For example, the EQ interface lets you add a new EQ band by double-clicking, then you drag the control point to change frequency and height, right-click (shift-click on Mac) to change the width. Right-clicking on a meter or display axis gives a popup menu of display ranges. Right-click a knob drag to get fine-tune adjustment, double-click a knob to revert to the default value. And so on.

    Our preset manager lets you A/B compare two different presets or undo the last change. TrackPlug also features preset managers per section so for example you can quickly combine an EQ preset with a compressor preset. Super handy.

    Like all Wave Arts’ plugs, TrackPlug only consumes CPU for features that are enabled, so if you just need a few bands of EQ and some compression, TrackPlug has a negligible CPU load. Even with everything turned on, TrackPlug is very light on CPU. We’ve had users report using over 100 TrackPlugs in a single project.

    The applications for TrackPlug are virtually endless: shape the tone of an instrument, fix sonic problems, bring dynamics under control, clean up noise problems, add some punch or vintage warmth to a track, de-ess a vocal track, and much more… The outstanding user interface puts the power of TrackPlug under your control.

  • – 3-D processor with room panning

    Panorama is a specialized tool for creating stunningly realistic 3-D audio scenes using regular stereo sound. The DSP technology in Panorama reproduces psychoacoustic sound localization and distance cues, allowing you to pan sounds in three dimensions: not just left and right, but up, down, front, back, near, and far. Panorama combines HRTF-based audio panning with acoustic environment modeling, including wall reflections, reverberation, distance modeling, and the Doppler pitch effect.
    Panorama sounds amazing when heard on headphones. Anyone producing podcasts or music specifically intended for mobile devices should definitely check out Panorama. Panorama also includes a crosstalk canceller to format the output for playback over conventional stereo loudspeakers. In this mode, Panorama can make sounds appear to come from outside the normal stereo soundstage.

  • – Great Sounding Noise Reduction Processor

    MR Noise is a broadband noise reduction processor. It distinguishes itself by being both great sounding and incredibly easy to use. Like most noise reduction systems, MR noise works in the frequency domain, and requires that the noise spectrum be learned before noise reduction can commence. If your track starts with a bit of silence then MR Noise will work right out of the box, since by default MR Noise has the Learn parameter enabled, then when you hit play, MR Noise will learn the noise profile and start noise reduction. The default parameters work extremely well for most cases. One of our reviewers thought something was wrong because they opened up MR Noise and the noise vanished – and they didn’t have to do anything.

    When designing MR Noise, we spent considerable effort researching and experimenting with existing noise reduction algorithms. MR Noise combines the best of these with some new innovations, especially our Auto Dynamics mode. This mode automatically adjusts the attack and release times of the noise reduction processor based upon the amount of transients in the input signal. This minimizes artifacts in the noise reduction processing while maintaining sharp transients that would normally be smeared by other methods.
    The user interface makes it a snap to see and hear what is going on. The frequency response display shows the spectrum of the input signal, noise floor, and output signal so you can see at a glance what frequencies are being reduced. A monitor feature allows you to hear the noise that is being removed (with separate volume control). For most cases you simply have to select a preset and hit play, MR Noise will learn the floor and start reduction. Then you can simply adjust the Amount control to set the amount of reduction. For super fine tweaking, the noise floor and all the reduction parameters can be edited as a function of frequency by dragging control points on the frequency response display.

  • – Hum & Buzz Removal & Brickwall Filtering

    Combining hum removal, buzz removal, brickwall filtering, and spectrum analysis into one easy to use plug-in, MR Hum is the perfect tool to clean up recordings with any sort of hum or nasty buzz.

    The hum removal section works by applying a set of notch filters spaced at multiples of the fundamental hum frequency, usually 60 Hz or 50 Hz. You select the fundamental frequency, the number of harmonics you want to eliminate (up to 10), and the width of the notches (the default works fine). There are presets for the usual cases of 60 Hz hum and 50 Hz hum. You can also select any fundamental frequency continuously from 20 to 200 Hz. Sometimes it’s necessary to use a slightly different frequency in cases where the hum has been recorded on analog tape and played back on a different machine, which will cause the hum frequency to change.

    The high resolution spectrum display makes it easy to see the hum frequency and the number of harmonics that are required. The spectrum display can run before processing, to see the input signal spectrum, or after processing, to see the output signal spectrum. The monitor feature allows you to hear the signal being removed, offering another way to set the parameters.

    MR Hum contains a separate processor for buzz. Buzz is a periodic signal with frequency harmonics through the entire audible spectrum, which would require hundreds of notch filters to eliminate. The buzz algorithm uses a different approach which is far more efficient. Often buzz is a nasty case of hum, and hence is at 50 or 60 Hz, but sometime buzz is caused by a motor or some other kind of interference, hence the buzz processor allows any frequency from 20 to 200 Hz.
    Finally MR Hum also provides brickwall filters to eliminate low or high frequency interference.

  • – Noise Reduction Plug-in

    MR Gate is a full featured expander/gate that can be used to gate noise during quiet sections. It’s a very comprehensive gate implementation with adjustable lookahead, variable ratio, attack and decay times, etc. In addition, it has a scrolling time display that shows the level of the input signal and the gate attenuation, very handy for setting up the parameters. Also, it has a monitor feature that lets you hear the gated signal which is kind of cool for listening to the background without the foreground.

  • – Noise Reduction Plug-in

    MR Click combines click and crackle filtering for cleanup of phonograph recordings or other impulsive contamination. MR Click has separate processors for clicks and crackles because of the different nature of the contaminants. We use the term “click” to mean a large disturbance, such as caused by a phonograph scratch or a splice in a digital signal. The click processor automatically detects clicks and reconstructs the audio signal in the neighborhood of the click to eliminate it. We use the term “crackle” to mean the high frequency scratchiness you get from dust or wear in the grooves of a phonograph. The crackle processor automatically detects crackle and eliminates it by smoothing the signal in the neighborhood of the crackle event. The crackle processor also contains an onset detector that will inhibit de-crackling the onset of events like snare hits or cymbal crashes.
    MR Click has a scrolling time display that shows all the click and crackle events detected, so you can easily adjust the detection thresholds. There is also a monitor feature to hear the removed clicks and crackles.

  • – Superb Reverb Plugin with Stunning GUI

    The rooms sound natural and spacious. The plates are extremely dense. The decays are silky smooth without annoying artifacts. The reverb is clearly audible without being muddy. When applied to stereo inputs, the stereo soundstage is maintained with proper balance.

    It can reproduce a range of spaces. MasterVerb contains two different algorithms to generate the dense late reverberation: a hall algorithm and a plate algorithm. Each of these algorithms has independently adjustable size and decay time controls, so they can be morphed across a wide range of characteristics. The hall algorithm is intended for acoustic spaces, e.g. rooms, chambers, studios, halls, while the plate algorithms is for, well, plate reverbs. An early reflection section allows for various early reflection patterns, again with adjustable size. Wet and dry delays allow for pre-delay and other delay effects. Two three-band EQs are provided: the early EQ shapes the overall tonality of the reverb response and the late EQ shapes the frequency dependent decay. On top of that there is a triggered amplitude envelope which can generate gated and reverse reverb effects. So, there is a ton of flexibility here. MasterVerb ships with 60 presets which cover a wide range of reverbs and serve as starting points for further exploration
    It’s easy to use. The interface allows you to quickly visualize the changes you are making. A reverb time response lets you see the reverb decay, early reflections, amplitude envelope, and delay settings. A 3-D frequency response plot shows the reverb decay as a function of frequency. There are graphical frequency response controls for both EQs.

    It’s CPU efficient. Considerable effort went into designing the low level algorithms so they could be fully automatable and also extremely CPU efficient. The result is that MasterVerb takes far less CPU than other reverb plug-ins.

  • – Voice and Speech Post Production Tool

    Dialog 2 combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast.
    Dialog 2 includes brickwall filters, de-hum, and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast.
    The brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar-sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.

  • – Includes all D16’s acclaimed emulations of classic vintage boxes

    Nepheton
    Emulates the famous 808 drum machine. All the nuances and details of the instruments sounds are captured perfectly. The instruments models are equipped with additional controls giving you possibility to tweak the sound much better.

    Drumazon
    Emulates the famous 909 drum machine. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls.

    Nithonat
    Fully synthesized drum machine which emulates classic 606 box. This perfect emulation is enhanced with extra functionality taking the little pocket drum machine to the new dimension.

    Phoscyon
    Taking the classic analogue sound of the legendary 303 silver box into the future. It offers an unmatched sound together with many advanced features.

  • – All appreciated by the public SilverLine effect plug-ins bundled

    Spacerek
    Compact and intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

    Syntorus 2
    Syntorus represents evocative, characterful sound through painstakingly accurate modelling of a high quality analog BBD delay line in triple delay line Chorus unit.

    Godfazer
    Godfazer is a combination of few modulation effects in single device; chorus, phasing, filtering, rotary speaker emulation and much more.

    Redoptor 2
    Distortion with an exact emulation of a tube’s circuits.

    Fazortan 2
    Phaser created with the most advanced analog modelling techniques.

    Toraverb 2
    Concept algorithm reverb. It allows the user to create practically ANY type of reverb.

    Tekturon
    Tekturon is a tap-delay effect with 16 independent high quality delay lines, where the taps are arranged in a sequence of taps equally delayed from each other, whereby working with the plug-in strongly resembles using a step sequencer.

    Decimort 2
    Premium grade bit crusher with complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter.

    Devastor 2
    Remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit from our famous Phoscyon synthesizer.

    Antresol
    An iconic stomp box flanger resurrected with exquisite attention to sonic detail and so much more!

  • – All D16 has plug-ins ever made

    Gathers all D16 has plug-ins ever made; vintage Roland’s classic emulations, SilverLines effects, Sigmund and Repeater quality delay units and their flagship syntesizer; the LuSH-101

    Spacerek
    Compact and intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

    Syntorus 2
    Syntorus represents evocative, characterful sound through painstakingly accurate modelling of a high quality analog BBD delay line in triple delay line Chorus unit.

    Godfazer
    Godfazer is a combination of few modulation effects in single device; chorus, phasing, filtering, rotary speaker emulation and much more.

    Redoptor 2
    Distortion with an exact emulation of a tube’s circuits.

    Fazortan 2
    Phaser created with the most advanced analog modelling techniques.

    Toraverb 2
    Concept algorithm reverb. It allows the user to create practically ANY type of reverb.

    Tekturon
    Tekturon is a tap-delay effect with 16 independent high quality delay lines, where the taps are arranged in a sequence of taps equally delayed from each other, whereby working with the plug-in strongly resembles using a step sequencer.

    Repeater
    The delay, which add space, depth, and excitement to your music. A dual delay powerhouse that features 23 unique authentically modeled devices.

    PunchBOX
    PunchBOX is a virtual instrument designed for creating high-quality kick drum sounds including vast and exquisite factory content delivered by industry-standard sound designers Sounds of Revolution and CFA-Sound.

    Lush-101
    Synthesizer, which basic simplicity combined with its multilayer architecture turns it into an easy-to-use but extremely powerful instrument that can be programmed and tweaked quickly, almost effortlessly leveraging its maximum potential

    Nepheton
    Emulates the famous 808 drum machine. All the nuances and details of the instruments sounds are captured perfectly. The instruments models are equipped with additional controls giving you possibility to tweak the sound much better.

    Decimort 2
    Premium grade bit crusher with complex and advanced signal processing algorithms within Decimort simulate the behaviour of the whole sampling path which exists in every AD/DA converter.

    Drumazon
    Emulates the famous 909 drum machine. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls.

    Devastor 2
    Remarkable Multiband Distortion Unit. It is an enhanced version of the distortion unit from our famous Phoscyon synthesizer.

    Nithonat
    Fully synthesized drum machine which emulates classic 606 box. This perfect emulation is enhanced with extra functionality taking the little pocket drum machine to the new dimension.

    Phoscyon
    Taking the classic analogue sound of the legendary 303 silver box into the future. It offers an unmatched sound together with many advanced features.

    Antresol
    An iconic stomp box flanger resurrected with exquisite attention to sonic detail and so much more!

    SigMund
    Far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom.

  • – A concept ‘verb, come alive

    Toraverb was never meant to be an emulation, approximation, or recreation. We did not implement any “off-the-shelf” algorithm or impulse response. Unlike a classic unit such as spring, room, hall, or plate, Toraverb is a concept in its own right. Using a set of easily accessible parameters, allows the user to create practically ANY type of algorithmic reverb. Our goal was to create something which would sound beautiful no matter where the knobs are.

    Reverb is a critical effect in a mix. A good digital reverb depends on the algorithms used and their implementation quality. Usually, reverb is used as a send effect in which many channels in a mix are routed to it. If a poorly designed plug-in or hardware unit is used, the end result is tinnier/muddier mixes, with reverb tails sounding like they’re being torn off inhumanely.

  • – Start thinking of delay as part of your arrangement

    Tekturon is a multitap-delay effect with 16 independent, high-quality delay lines. What really sets it apart from other, similar products, however, is the way it’s controlled and the unique topology into which the taps are arranged: The Delay Matrix. In fact, Tekuron can’t be thought of as a tap-delay effect in the strictest sense, but more of a sequence of taps equally delayed from each other, whereby working with the plugin strongly resembles using a step sequencer. This rather unusual design should give your creativity just the kick it needs!

  • – Evocative, characterful sound through painstakingly accurate modelling of a high quality analog BBD delay line

    With that in mind, we set out to create the ultimate analog chorus emulation, inspired by the revered effects found in classic synthesizers such as the Solina String Ensemble, Elka Synthex and Roland Juno-106. This fruit of our labor is Syntorus 2, the newest addition to the Silver Line series of plugins.

    Syntorus 2’s unique analog sound enriches any instrument routed into it, bringing life and movement to synth basses and leads, and adding depth and lushness to guitars and other electric/acoustic instruments.

  • – Our compact, intuitive reverb plugin creates amazingly authentic real-world spaces without bogging you down in complex parameters.

    The hybrid algorithm at the heart of Spacerek fuses modeled virtual spaces to a dynamic delay network, generating reverb tails with supremely realistic early reflections, dense, colorful late reflections, and separately adjustable ER and LR pre-delay times. Dozens of emulated room types take in halls, towers, chambers, tunnels, and much more, and each one integrates a variety of preset stereo microphone and speaker setups.

    Spacerek also makes balancing the Direct signal, Early Reflections, and Late reflections easy with its three-channel mixer; while the highly musical Tilt EQ and Low Cut filter modules provide effortless shaping of the overall tail. And as each Reverb Model is pre-configured for left-right or mid-side stereo operation, tweaking width and spatialization is a snap.

    Spacerek doesn’t put the squeeze on your system, either – indeed, when you hear it, you can’t fail to be impressed by its CPU-friendliness (compared with typical audio simulation techniques).

  • – Incredible degree of sound-shaping freedom

    Sigmund is far from just another delay: it consists of four discrete delay units, each with its own, independent set of parameters offering an incredible degree of sound-shaping freedom. There’s an ancient saying, often attributed to Aristotle: The whole is greater than the sum of its parts. With Sigmund, this is especially true: each of the delay lines has complementary modules built-in, independent from the feedback loop:

    But that’s not all: Sigmund has two general-purpose Modulators which can be used to auto-modulate some of the delay lines’ internal parameters. There are three different modes a Modulator can operate in:

    LFO – Used subtly on-time parameter can delicately bring a sound to life, to add gently flowing, modulated warmth reminiscent of the analog delays of yesteryear. At extreme settings, the LFO is capable of twisting the input signal utterly beyond recognition and into what you might expect transmissions from an alien civilization to sound like!

    Envelope – In combination with built-in Transient Detector gives you a very powerful tool; when applied on amplitude allows to freely shape sound’s dynamics to control how it blends in the whole mix.

    Peak follower – It’s a must-have for a Modulator; nothing else will do such expressive wah-wah effect, when filter cutoff is influenced by. Surely in the hands of skilled sound designer it will have many other applications beyond that.

    This all adds up to an immensely powerful architecture, the potential of which can be explored nearly endlessly and often with hardly predictable outcomes.

  • – The Delay is the ultimate creative tool for adding space, depth, and excitement to music

    There have been many incredible delay units created over the past 70 years, from tape delays to oil cans to modern digital circuits. So when D16 Group and our friends at Slate Digital got together to create a new delay plugin, it was obvious which we would model: all of them!

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