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Home Plug-Ins Page 4

Plug-Ins

Plug-Ins and Standalone tools for all of you mixing and sound design needs

  •
    Distortion Saturn 2 Upgrade $60.75

    Upgrade to Saturn 2 from Saturn 1

    A crush on music

    Distortion and saturation play a very important role in music production. From subtle, clean and warm tube or tape saturation to the wildest multiband guitar amp effects: FabFilter Saturn 2 delivers.

    Saturn 2 introduces a host of new features such as a redesigned interface with modulation visualization, new subtle saturation and linear phase processing for mastering, many new distortion styles, and more.

    Warmth, harmonics, color and dynamics

    FabFilter Saturn 2 offers a range of different high quality distortion models, inspired by the vintage sound of tubes, tape, transformers and guitar amps. In addition, you get five creative FX distortion styles to mangle your sounds in weird and unexpected ways.

    With its multiband design and per-band feedback, dynamics, drive, tone and modulation options, Saturn 2 will bring a unique flavor to your music.

    Bring your sounds to life

    Add life and depth to your music using the extensive modulation section. By applying subtle modulation to crossover frequencies, dynamics, band levels or tone controls, great warmth and definition can be achieved.

    With all the XLFOs, EGs, XY controllers/sliders, envelope followers and MIDI sources you will ever need, you get practically unlimited modulation possibilities. Creating new modulation connections could not be easier: just drag and drop. And Saturn 2 visualizes all modulation in real-time to show exactly what’s going on.

    FabFilter goodies

    Finally, FabFilter Saturn 2 contains all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, interface resizing and full screen mode, support for Avid control surfaces, GPU-powered graphics acceleration, extensive help with interactive help hints, SSE optimization, and much more.

    Add to cart
  • Equalizer & Filter Pro-Q3 Upgrade $78.50

    Upgrade to Pro-Q3 from Pro-Q1 or 2

    An equalizer is probably the tool you use most while mixing and mastering, so you need the best of the best. With FabFilter Pro-Q 3, you get the highest possible sound quality, a very extensive feature set, and a gorgeous, innovative interface with unrivalled ease of use.

    Mixing and mastering features
    Pro-Q 3 offers everything that a demanding engineer could wish for: top-quality linear phase operation in addition to the zero latency and unique Natural Phase modes, smooth dynamic EQ, per-band mid/side processing, full surround support (up to Dolby Atmos 7.1.2), an intelligent solo feature, optional Auto Gain and a built-in, fully customizable spectrum analyzer.

    Effortlessly sculpt your sound
    FabFilter Pro-Q 3 is designed to help you achieve your sound in the quickest way possible. Via the large interactive EQ display, you can create bands where you need them, enable dynamic EQ for any band, and select and edit multiple bands at once.
    Unique features like Spectrum Grab, Full Screen mode and EQ Match will speed up your workflow even more. Try it yourself!

    FabFilter goodies
    Of course, you also get all the usual FabFilter goodies: perfectly tuned knobs, interactive MIDI Learn, undo/redo and A/B switch, Smart Parameter Interpolation for smooth parameter transitions, an extensive help file with interactive help hints, sample-accurate automation, advanced optimization and much more.

    Add to cart
  • Equalizer & Filter Twin 3 Upgrade $60.75

    Upgrade to Twin 3 from Twin 2

    Beautiful new interface and improved workflow

    FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.

    Improved oscillators and filters

    It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away

    Massive FX section and new Arpeggiator

    Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.

    Full-featured preset browser

    Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.
    Vintage phatness, out of the box
    Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.

    Easy drag-and-drop modulation

    With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.
    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

    Add to cart
  • Equalizer & Filter Twin 3 $119.24

    Beautiful new interface and improved workflow

    FabFilter has completely redesigned Twin 3’s interface and workflow, making it more immediately accessible, visually informative, and speedy to navigate than ever, and adding new scaling options and a luxurious Full Screen mode for taking its synth programming environment to the spatial extreme. Individual oscillators and filters can now be added and removed as required, every aspect of the filters is accessed and manipulated within a stunning interactive EQ-style display, and the darker color scheme is less tiring on the eyes over long sessions. Responsive per-oscillator oscilloscopes, a beautiful spectrogram, and full visualization of modulation signals throughout the signal path let users see everything they hear, while the floating slot panels group active modulation sources at each target control for collective tweaking.

    Improved oscillators and filters

    It all starts at the oscillators, and Twin 3 provides four of them — up from Twin 2’s three — with which to build synth sounds of limitless depth and intricacy. Completely overhauled and featuring analog-modelled drift for subtle random pitch and phase fluctuation, as well as pulse width modulation, hard sync, and phase sync, Twin 3’s oscillators are flawless in their analog authenticity. Polyphony has been given a boost, too, with an upgraded maximum of 64 voices — double the 32 of Twin 2 — and the Per Oscillator polyphony mode, which steps through the oscillators with each incoming note. Twin 3’s filters have been doubled in number from two to four and similarly enhanced, with new vintage-style Bell, Shelf, and Notch types delivering characterful non-linear distortion, and the 6dB/octave slope option and modulatable Cutoff/Peak Offset knobs opening up even more sound design possibilities. And for anyone demanding the absolute best from their Twin 3 patches, the new 4x oversampling High Quality mode is just a click away

    Massive FX section and new Arpeggiator

    Twin 3 introduces a supercharged new FX section, comprising six colorful processing modules for transforming and polishing signals. Shape dynamics and apply saturation with Compressor and Drive effects; create space and generate rhythmic echoes with Reverb and Delay; and thicken and widen the sound with Chorus and Phaser. Needless to say, every FX parameter is available as a modulation target, so users can really bring them to life using Twin 3’s Envelope Generators/Followers, XLFOs, XY controllers, Sliders, and MIDI sources. The new Arpeggiator, meanwhile, provides endless creative inspiration, with host sync, Groove/Legato, and Rate Offset controls, and the gamut of note value and order options.

    Full-featured preset browser

    Replacing the simple menu of previous versions, Twin 3’s slick new preset browser makes navigation and management of factory and user patches quick and easy. Within the browser’s streamlined interface, presets can be assigned freely editable tags for filtering within the Search engine, set as favorites, and given author names and text descriptions. If anyone has Twin 1 and/or 2 installed, then all of their presets will appear in Twin 3 as well.
    Vintage phatness, out of the box
    Twin 3 is very easy to program. With its four vintage-sounding oscillators, versatile filters and built-in, high quality effects section, it’s a breeze to create unique sounds. Using the new preset browser, you can type to search, tag presets and mark them as favorite, making it easy to find the sound you need.

    Easy drag-and-drop modulation

    With all the XLFOs, EGs, XY controllers, envelope followers and MIDI sources you will ever need, Twin 3 offers practically unlimited modulation possibilities. Even the built-in effects can all be modulated! Creating new modulation connections could not be easier: just drag and drop.
    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned controls, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, NEON and SSE optimization, and much more.

    Add to cart
  • Cinematic/Trailer Instruments Cinematic Cyberwave Play Track 260 sounds included $79

    CINEMATIC CYBERWAVE contains over 20 GB of state-of-the-art audio samples that meticulously capture the dark and futuristic sound of the cyberpunk and synthwave genres. With an impressive collection of over 260 patches, this instrument is a one-stop-shop for all your production needs. From dynamic synth leads to rumbling basses, hypnotic arpeggios, mind-bending effects, punchy drums, ethereal pads, and immersive soundscapes, you’ll find everything you need to create dark & gritty, as well as neon & futuristic soundscapes that will transport your audience to a mesmerizing, dystopian new world.

    Noizefield Instruments CINEMATIC CYBERWAVE Trailer

    The modern user interface offers intuitive control with a 3-layer mixer, LFO-synchronized modulation of volume, pan, filter or any combination thereof, 2 sequencable “Motion FX Slots” and 4 versatile effect options with delay, reverb, chorus, flanger that add depth and dimension to your compositions. Furthermore, the advanced arpeggiator and editable filter, volume and pitch curves (all ADSR curves) empower you to create your own unique and dynamic sounds that will set your music apart.

    The carefully curated sound library included in this instrument is tailored to capture the authentic cyberpunk aesthetic. It features a vast range of samples sourced from analog synths and guitars, real drums, and electronic drum kits, alongside glitch effects, whooshes, impacts, explosions, and deeply sampled digital and analog hardware synthesizers. The attention to detail ensures that whether you’re producing cyberwave or any other genre that calls for a futuristic edge, the Cinematic Cyberwave Kontakt Instrument equips you with the tools to elevate your music to the next level.

    Embrace this opportunity to elevate your production game and unleash your creativity with the Cinematic Cyberwave Kontakt Instrument from Noizefield Instruments and CB Sounddesign. Immerse your audience in a neon-lit, gritty, and futuristic world, where your music sets the stage for an unforgettable experience. Don’t miss out on this powerful instrument that will inspire you to create captivating cyberpunk soundscapes like never before. Get your hands on the Cinematic Cyberwave Kontakt Instrument today and redefine the boundaries of your musical journey.

    ** Note that CINEMATIC CYBERWAVE requires the full version 5.8.1 or above of Native Instruments KONTAKT

    https://www.youtube.com/watch?v=RhyNakHA8qA&t=6s
    https://www.youtube.com/watch?v=4zwI06t1iTI&t=4s

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  • Fabfilter Pro R 2
    Fabfilter Pro R 2
    Reverb Pro-R2 $156.22

    Pro-R 2 brings a raft of new next-gen features to what was already a widely respected reverb plug-in, including comprehensive multichannel compatibility, two brand-new reverb algorithms, IR import and replication, ducking and gating functions, analog-style saturation, and much more. It is a huge technological and functional leap forward for the plug-in, and one made without any compromise to the slick workflow and stellar sound quality that Pro-R users already know and love.

    Full immersive audio support
    Place reverbs in three-dimensional space with support for immersive channel layouts up to 9.1.6 Dolby Atmos. Pro-R 2 configures itself for multichannel formats automatically whenever it is added to a surround channel, and individual Decay Rate and Post EQ bands can be applied to any combination of channels using the new Speakers panel. Meanwhile, the new Surround Settings panel provides straightforward controls for balancing the relative levels of every reverb parameter — Predelay, Character, Decay Rate, etc — between the front and back of the immersive space. A massive amount of work has gone into the implementation of surround cross feeding, delivering an exceptionally convincing sense of space; and with its intuitive approach and liberating flexibility, ProR 2 yields spectacular results without letting complicated channel routing get in the way of creativity.

    All-new Vintage and Plate reverb Styles
    Expanding on the clean, natural sound of Pro-R, Pro-R 2 introduces two new reverb algorithms that bring a diversity of retro flavors to mixes. ‘Vintage’ is inspired by classic digital reverb units of the ’80s and ’90s, and is the go-to for long, bright hyper-real spatial ambiences, while ‘Plate’ serves up the evocative metallic sound of plate reverb — ideal for drums and vocals. Together, the two new styles broaden Pro-R 2’s spatializing remit out from the realistic physical environments for which its predecessor was known into more overtly synthetic textural territory.

    Impulse response (IR) import
    As if tripling the number of reverb styles on offer was not enough, Pro-R 2 also adds the ability to import impulse responses and have them automatically recreated as algorithmic setups — including Decay Rate and Post EQ shaping — that closely match their sonic characteristics. Whether wanting to binge on the vast array of free impulse responses available online, or capture and emulate favorite vocal booth, drum room, or hardware reverb in Pro-R 2, IR import opens up a whole new world of possibilities.

    Extended reverb parameters and controls
    Pro-R 2 provides even more tools with which to design dream reverbs. Set the wet signal level to drop whenever the dry signal is present with the Ducking control; dial in density and saturation with the Thickness knob; get your Phil Collins on with the tempo-syncable Auto Gate; and capture and hold the tail indefinitely with a click of the Freeze button. No matter what anyone’s reverberation goal might be, Pro-R 2 has everything needed to realize it.

    Full-featured preset browser
    A great improvement on the simple hierarchical menu of Pro-R, Pro-R 2’s streamlined new preset browser makes it easier than ever to navigate and manage the factory library and user presets. Assign editable tags for filtered searching, set presets as favorites for one-click filtering, and add author names and text descriptions. And if the original Pro-R is installed then all its presets appear in Pro-R 2’s library as well.

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  • Bundles Interakt – Interactive Sound Library Play Track From: $99.95

    MAC OSX – WINDOWS

     

    Multi-Sampler Software Revolutionized

    Interakt is a reinvented, game-changing standalone software

    Developed for the purpose of creating high quality sound effects that can be used in interactive media such as video games, animations, apps, films, music, and other multimedia productions. Get ahead of any production timeline by creating your own sound bank that will cover all your unique production needs.

    Designed with an easy-to-use interface, users can create limitless sounds combinations by melding preexisting SFX with sampling sections to blend into new and optimized sound effects. Achieve ultimate customization by altering sound precisely to your own unique production needs with Interakt.

    Interakt is an interactive sound library software that is compatible with midi keyboards and computer keys. Utilize batch exporting, real-time playback, and more streamlined functionality for a faster workflow that will accelerate any production time.

    Select options
  • Delay Timeless 3 $100.76

    FabFilter Timeless 3 is a versatile, vintage-sounding tape delay, which will fully satisfy your everyday delay needs. And with its unique effects, filters, tap patterns and unlimited modulation options, you can just as easily turn it into the ultimate sound-mangling machine!

    Vintage filters and creative effects
    The stereo delay signal is routed through five unique effects and up to six analog-sounding filters, and then routed back to the input with adjustable feedback. Easily program your own delays using the well laid-out controls and interactive delay and filter displays.

    Easy drag-and-drop modulation
    Easily setup ducking, wow and flutter, dynamic diffusion or more creative effects, using Timeless’s unique and versatile modulation system. Creating new modulation connections could not be easier: just drag and drop.

    FabFilter goodies
    Finally, you get all the usual FabFilter goodies: perfectly tuned knobs, MIDI Learn, Smart Parameter Interpolation for smooth parameter transitions, extensive help with interactive help hints, CPU optimization, and much more.

    Add to cart
  • Equalizer & Filter FabFilter Volcano 3 Upgrade $52.69

    FabFilter is proud to announce the immediate availability of FabFilter Volcano 3, the latest version of its award-winning filter plug-in. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. With its smooth workflow, no-limits flexibility and dazzlingly authentic analogue sound, it’s the first-call plugin for creative filtering.

    *FabFilter Volcano 3 upgrade from Volcano 2*

    PREVIOUS VERSION REQUIRED FOR UPGRADE.

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  • Equalizer & Filter FabFilter Volcano 3 $100.76

    FabFilter is proud to announce the immediate availability of FabFilter Volcano 3, the latest version of its award-winning filter plug-in. Volcano 3 sees the introduction of a completely reimagined interface, a raft of new vintage-style filter shapes, per-filter saturation control, full visualization of modulation sources and targets, and much more. With its smooth workflow, no-limits flexibility and dazzlingly authentic analogue sound, it’s the first-call plugin for creative filtering.

    [Already own Volcano 2? An upgrade is available here]

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  • Bundles Wave Arts Power Suite 6 $399

    Covering the essential aspects of sound design, our critically acclaimed audio plug-ins feature outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.
    Power Suite 6 plug-ins run within most MacOS (AU/VST3/AAX) or Windows (VST3/AAX) based music production or audio editing application.

    Power Suite 6 consists of the following plug-ins:
    • TrackPlug 6 – The ultimate channel strip plug-in
    • FinalPlug 6 – Professional peak limiter and volume maximizer
    • MasterVerb 6 – Silky smooth multi-algorithm reverb
    • Panorama 6 – Go beyond the limitations of conventional stereo, without using a surround system!
    • MultiDynamics 6 – Powerful multi-band dynamics control

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  • Bundles Wave Arts Master Restoration Suite $159

    – Remove unwanted noise from recordings

    Master Restoration Suite is a comprehensive set of restoration plug-ins for cleaning up tape, vinyl, and acoustic recordings. The tools give extremely high quality results with minimal tweaking, hence they sound great and are easy to use.
    These plug-ins run within any Mac OS X (AU/VST/MAS/RTAS) or Windows (DX/VST/RTAS) based music production or audio editing application.

    The MR Suite consists of 5 plug-ins:

    • MR Noise – Stellar sounding broadband noise reduction
    • MR Click – Click and crackle filter for vinyl or digital sources
    • MR Hum – Precise hum and buzz removal
    • MR Gate – Expander/gate for quick and simple background attenuation

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  • Distortion Wave Arts Tube Saturator 2 $79

    – Exquisitely Accurate Tube Amp Model

    Tube Saturator 2 is a super accurate circuit simulation of a tube pre-amp with analog EQ, which can be overdriven gently for warming effects, or cranked for fat distortion. Like its predecessor, Tube Saturator, TS-2 is based on circuit simulation technology to capture every nuance of an analog circuit. The circuit consisting of the individual tubes, resistors, and capacitors is converted into a mathematical system of equations which is numerically solved to produce the exact same sound as a real circuit.

    But while the original consumed large amounts of CPU power, TS-2 is now super-efficient. The Saturation section of TS-2 runs about 7x faster than the original and yet the modeling is even more accurate. TS-2 includes the original circuit simulation of the three-band Baxandall type EQ as found in many guitar amplifiers.

    In addition to this breakthrough improvement in speed, TS-2 has many new features. You can switch between 12AX7 and 12AU7 tubes for different harmonic characteristics. The EQ can be switched to run pre or post-saturation. Saturation and EQ are separately switchable. Also, there is a 2x oversampling mode using a very high-quality resampler algorithm. Use 2x mode to attenuate aliased distortion harmonics. Also new is a mix control to blend the processed sound with the original. And finally, TS-2 has a gorgeous new interface.

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  • Channel Strip Wave Arts Trackplug 6 $129

    – Channel Strip Plug-in

    TrackPlug is an all-in-one channel strip which features a 10-band EQ, brickwall filters, spectrum analyzer, dual multi-mode compressors, gate/expander, extensive sidechain options, and a peak limiter. It also boasts Wave Arts’ outstanding sound quality and impressive CPU efficiency.

    TrackPlug’s interface has been meticulously designed for visual clarity and ease of use. For example, the EQ interface lets you add a new EQ band by double-clicking, then you drag the control point to change frequency and height, right-click (shift-click on Mac) to change the width. Right-clicking on a meter or display axis gives a popup menu of display ranges. Right-click a knob drag to get fine-tune adjustment, double-click a knob to revert to the default value. And so on.

    Our preset manager lets you A/B compare two different presets or undo the last change. TrackPlug also features preset managers per section so for example you can quickly combine an EQ preset with a compressor preset. Super handy.

    Like all Wave Arts’ plugs, TrackPlug only consumes CPU for features that are enabled, so if you just need a few bands of EQ and some compression, TrackPlug has a negligible CPU load. Even with everything turned on, TrackPlug is very light on CPU. We’ve had users report using over 100 TrackPlugs in a single project.

    The applications for TrackPlug are virtually endless: shape the tone of an instrument, fix sonic problems, bring dynamics under control, clean up noise problems, add some punch or vintage warmth to a track, de-ess a vocal track, and much more… The outstanding user interface puts the power of TrackPlug under your control.

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  • Special Purpose Wave Arts Panorama 6 $129

    – 3-D processor with room panning

    Panorama is a specialized tool for creating stunningly realistic 3-D audio scenes using regular stereo sound. The DSP technology in Panorama reproduces psychoacoustic sound localization and distance cues, allowing you to pan sounds in three dimensions: not just left and right, but up, down, front, back, near, and far. Panorama combines HRTF-based audio panning with acoustic environment modeling, including wall reflections, reverberation, distance modeling, and the Doppler pitch effect.
    Panorama sounds amazing when heard on headphones. Anyone producing podcasts or music specifically intended for mobile devices should definitely check out Panorama. Panorama also includes a crosstalk canceller to format the output for playback over conventional stereo loudspeakers. In this mode, Panorama can make sounds appear to come from outside the normal stereo soundstage.

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  • Dynamic Wave Arts MultiDynamics 6 $129

    – 6 band multi-band Compressor

    MultiDynamics is a powerful multi-band dynamics processor useful for mastering, track processing, sound design, and noise reduction. MultiDynamics provides up to 6 bands with independent compression or expansion per band. MultiDynamics has an elegant and ingenious user interface that makes it easy to edit bands and to visualize and hear what is happening.

    Multiband dynamics processing combines the techniques of equalization and single band dynamics processing. A simple application of multiband dynamics is to apply compression or expansion to a specific frequency range. It is also possible to think of multiband dynamics as applying equalization which is dependent on the level of the input sound. So one can set up an EQ curve for low volumes and set another EQ curve for high volumes.

    Another use of multiband dynamics is noise reduction. One can set up multiple bands to do noise gating, by setting the gain to decrease when the signal falls below threshold. Also, multiband dynamics applied to solo instrument sounds can be used for sound design. It is possible to split up the sound into different frequency ranges, apply compression to some and expansion to others, and dramatically change the character of the original sound.

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  • Repair & Denoise Wave Arts MR Noise $129

    – Great Sounding Noise Reduction Processor

    MR Noise is a broadband noise reduction processor. It distinguishes itself by being both great sounding and incredibly easy to use. Like most noise reduction systems, MR noise works in the frequency domain, and requires that the noise spectrum be learned before noise reduction can commence. If your track starts with a bit of silence then MR Noise will work right out of the box, since by default MR Noise has the Learn parameter enabled, then when you hit play, MR Noise will learn the noise profile and start noise reduction. The default parameters work extremely well for most cases. One of our reviewers thought something was wrong because they opened up MR Noise and the noise vanished – and they didn’t have to do anything.

    When designing MR Noise, we spent considerable effort researching and experimenting with existing noise reduction algorithms. MR Noise combines the best of these with some new innovations, especially our Auto Dynamics mode. This mode automatically adjusts the attack and release times of the noise reduction processor based upon the amount of transients in the input signal. This minimizes artifacts in the noise reduction processing while maintaining sharp transients that would normally be smeared by other methods.
    The user interface makes it a snap to see and hear what is going on. The frequency response display shows the spectrum of the input signal, noise floor, and output signal so you can see at a glance what frequencies are being reduced. A monitor feature allows you to hear the noise that is being removed (with separate volume control). For most cases you simply have to select a preset and hit play, MR Noise will learn the floor and start reduction. Then you can simply adjust the Amount control to set the amount of reduction. For super fine tweaking, the noise floor and all the reduction parameters can be edited as a function of frequency by dragging control points on the frequency response display.

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  • Repair & Denoise Wave Arts MR Hum $39

    – Hum & Buzz Removal & Brickwall Filtering

    Combining hum removal, buzz removal, brickwall filtering, and spectrum analysis into one easy to use plug-in, MR Hum is the perfect tool to clean up recordings with any sort of hum or nasty buzz.

    The hum removal section works by applying a set of notch filters spaced at multiples of the fundamental hum frequency, usually 60 Hz or 50 Hz. You select the fundamental frequency, the number of harmonics you want to eliminate (up to 10), and the width of the notches (the default works fine). There are presets for the usual cases of 60 Hz hum and 50 Hz hum. You can also select any fundamental frequency continuously from 20 to 200 Hz. Sometimes it’s necessary to use a slightly different frequency in cases where the hum has been recorded on analog tape and played back on a different machine, which will cause the hum frequency to change.

    The high resolution spectrum display makes it easy to see the hum frequency and the number of harmonics that are required. The spectrum display can run before processing, to see the input signal spectrum, or after processing, to see the output signal spectrum. The monitor feature allows you to hear the signal being removed, offering another way to set the parameters.

    MR Hum contains a separate processor for buzz. Buzz is a periodic signal with frequency harmonics through the entire audible spectrum, which would require hundreds of notch filters to eliminate. The buzz algorithm uses a different approach which is far more efficient. Often buzz is a nasty case of hum, and hence is at 50 or 60 Hz, but sometime buzz is caused by a motor or some other kind of interference, hence the buzz processor allows any frequency from 20 to 200 Hz.
    Finally MR Hum also provides brickwall filters to eliminate low or high frequency interference.

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  • Repair & Denoise Wave Arts MR Gate $39

    – Noise Reduction Plug-in

    MR Gate is a full featured expander/gate that can be used to gate noise during quiet sections. It’s a very comprehensive gate implementation with adjustable lookahead, variable ratio, attack and decay times, etc. In addition, it has a scrolling time display that shows the level of the input signal and the gate attenuation, very handy for setting up the parameters. Also, it has a monitor feature that lets you hear the gated signal which is kind of cool for listening to the background without the foreground.

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  • Repair & Denoise Wave Arts MR Click $39

    – Noise Reduction Plug-in

    MR Click combines click and crackle filtering for cleanup of phonograph recordings or other impulsive contamination. MR Click has separate processors for clicks and crackles because of the different nature of the contaminants. We use the term “click” to mean a large disturbance, such as caused by a phonograph scratch or a splice in a digital signal. The click processor automatically detects clicks and reconstructs the audio signal in the neighborhood of the click to eliminate it. We use the term “crackle” to mean the high frequency scratchiness you get from dust or wear in the grooves of a phonograph. The crackle processor automatically detects crackle and eliminates it by smoothing the signal in the neighborhood of the crackle event. The crackle processor also contains an onset detector that will inhibit de-crackling the onset of events like snare hits or cymbal crashes.
    MR Click has a scrolling time display that shows all the click and crackle events detected, so you can easily adjust the detection thresholds. There is also a monitor feature to hear the removed clicks and crackles.

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  • Reverb Wave Arts MasterVerb 6 $129

    – Superb Reverb Plugin with Stunning GUI

    The rooms sound natural and spacious. The plates are extremely dense. The decays are silky smooth without annoying artifacts. The reverb is clearly audible without being muddy. When applied to stereo inputs, the stereo soundstage is maintained with proper balance.

    It can reproduce a range of spaces. MasterVerb contains two different algorithms to generate the dense late reverberation: a hall algorithm and a plate algorithm. Each of these algorithms has independently adjustable size and decay time controls, so they can be morphed across a wide range of characteristics. The hall algorithm is intended for acoustic spaces, e.g. rooms, chambers, studios, halls, while the plate algorithms is for, well, plate reverbs. An early reflection section allows for various early reflection patterns, again with adjustable size. Wet and dry delays allow for pre-delay and other delay effects. Two three-band EQs are provided: the early EQ shapes the overall tonality of the reverb response and the late EQ shapes the frequency dependent decay. On top of that there is a triggered amplitude envelope which can generate gated and reverse reverb effects. So, there is a ton of flexibility here. MasterVerb ships with 60 presets which cover a wide range of reverbs and serve as starting points for further exploration
    It’s easy to use. The interface allows you to quickly visualize the changes you are making. A reverb time response lets you see the reverb decay, early reflections, amplitude envelope, and delay settings. A 3-D frequency response plot shows the reverb decay as a function of frequency. There are graphical frequency response controls for both EQs.

    It’s CPU efficient. Considerable effort went into designing the low level algorithms so they could be fully automatable and also extremely CPU efficient. The result is that MasterVerb takes far less CPU than other reverb plug-ins.

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  • Dynamic Wave Arts FinalPlug 6 $129

    – Professional Peak Limiter

    FinalPlug is a professional peak limiter/volume maximizer with extensive bit depth truncation and dither options, making it ideally suited for a final mix. Tame the peaks a bit, or really squeeze all the volume you can out of it.
    The peak limiter section works by looking ahead 1.5 milliseconds. When a input peak is detected that will exceed the desired output ceiling, the gain is quickly ducked to let the peak pass, then the gain is restored relatively slowly according to the release time control. During rapidly changing program material with frequent peaks, a faster release time will achieve better results. During slowly changing material, slower release times prevent excessive modulation distortion. FinalPlug’s auto release feature analyzes the input signal to determine peakiness, and selects the optimum release time for the program material.
    The truncate/dither section is usually used for CD mastering, where truncation to 16 bits can create audible quantization distortion. By adding special dither noise, the quantization distortion can be eliminated, and the dither noise can be spectrally shaped to move it to frequency ranges where it is less audible. FinalPlug contains a comprehensive noise shaping section which reproduces a variety of commonly used noise shapes.

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  • Repair & Denoise Wave Arts Dialog 2 $129

    – Voice and Speech Post Production Tool

    Dialog 2 combines in one plug-in all the processing needed to clean up, adjust, and sweeten recordings of the spoken voice. It is perfect for voice-over, film/tv recordings on location or sound stage, and broadcast.
    Dialog 2 includes brickwall filters, de-hum, and de-buzz processing, broadband noise reduction, de-ploding, de-essing, 10-band equalization, compression, and limiting. Separate presets for each section allow you to get results fast.
    The brickwall filters have variable rolloff slopes and can be used to cutoff low or high frequency ranges. The de-hum processor uses notch filters to eliminate 10 harmonics of either 50 Hz or 60 Hz hum. The de-buzz processor squelches nasty line frequency buzzes. The de-noise processor is the stellar-sounding MR Noise algorithm with a simplified interface. De-plode and de-ess are custom processors; use de-plode to tame plosive sounds and use de-ess to adjust the amount of sibiliants. The EQ section is the powerful and easy to use TrackPlug equalizer, with 10 bands of equalization, 11 different filter types to choose from, and a variety of presets. The compressor is the TrackPlug Vintage compressor, with presets tailored to voice processing.

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  • Bundles D16 Classic Boxes Bundle $299

    – Includes all D16’s acclaimed emulations of classic vintage boxes

    Nepheton
    Emulates the famous 808 drum machine. All the nuances and details of the instruments sounds are captured perfectly. The instruments models are equipped with additional controls giving you possibility to tweak the sound much better.

    Drumazon
    Emulates the famous 909 drum machine. All the instruments are synthesized in exactly the same way as the original. All the nuances and detail of the original are captured perfectly. In addition, all Drumazon instruments have enhanced controls.

    Nithonat
    Fully synthesized drum machine which emulates classic 606 box. This perfect emulation is enhanced with extra functionality taking the little pocket drum machine to the new dimension.

    Phoscyon
    Taking the classic analogue sound of the legendary 303 silver box into the future. It offers an unmatched sound together with many advanced features.

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