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Home Plug-Ins Page 8

Plug-Ins

Plug-Ins and Standalone tools for all of you mixing and sound design needs

  •
    Equalizer & Filter NF575 Native v6 $69

    The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Equalizer & Filter NF575 HD v6 $119

    The NF575 Noise Filter is a high resolution filter set designed to remove a wide variety of noise types from audio.
    Accurate high pass and low pass filters reduce low frequency rumble and high frequency hiss. Selectable slopes of 6, 12, 18, 24, 30 and 36 dB/Oct and frequency control range covering the entire audible spectrum make the NF575 filters extremely flexible.

    Advanced notch filters allow the user to select the amount of signal cut, cut frequency, and width (Q). All five NF575 notch filters can be linked harmonically to address common cyclical noise problems such as 60 Hz hum.

    Features

    • High Pass Filtering (HPF) with slopes up to 36 dB/Oct
    • Low Pass Filtering (LPF) with slopes up to 36 dB/Oct
    • Five bands of notch filtering with linkable frequency control
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Dynamic ML8000 Native v6 $129

    The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
    The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
    The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.

    The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
    Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage and multi-band peak detection and limiting
    • Unique limiter Knee, Mode, and Focus controls
    • Snap function instantly sets multi-band thresholds to signal levels
    • Double precision processing
    • Low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Dynamic ML8000 HD v6 $179

    The ML8000 Advanced Limiter is the next generation of limiter technology, using two completely separate stages of processing for significantly improved peak level adjustment.
    The first stage of the ML8000, the Multi-band Limiter, uses 8 bands of active processing for superior phase response over traditional cross-over based processing. Each band has its own gain and threshold (output ceiling) control. Additional overall band controls include release time and limiter modes, calibrated similarly to the modes of the original highly acclaimed McDSP ML4000 limiter. An additional focus mode provides subtle articulation changes in how each band tracks and limits the incoming signal.
    The second stage of the ML8000, the Master Limiter, is a precise recreation of the patented ML4000 limiter algorithm, right down to the limiter modes. The Master Limiter also includes filter design enhancements to further reduce peak distortion.

    The ML8000 8-bands of processing are easily controlled from the response plot, large gain faders beneath, and convenient threshold markers aligned to each band’s input meter. Text readouts can be adjusted from the keyboard, or controlled with mouse movement. Any number of bands can be linked to another band, and each band can be solo’ed or have its key input monitored.
    Visual feedback, multiple metering sources, and an intuitive user interface make the ML8000 an easy choice for the audio professional.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage and multi-band peak detection and limiting
    • Unique limiter Knee, Mode, and Focus controls
    • Snap function instantly sets multi-band thresholds to signal levels
    • Double precision processing
    • Low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Dynamic ML4000 Native v6 $149

    The ML4000 is two plug-ins:
    • ML1 – mastering limiter
    • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

    The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

    The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

    The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.

    Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

    The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage peak detection and limiting
    • Unique limiter Knee and Mode controls
    • Multi-band Gate, Expander (up/down), Compressor
    • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
    • Multiple real-time metering options
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Low Latency

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Dynamic ML4000 HD v6 $199

    The ML4000 is two plug-ins:
    • ML1 – mastering limiter
    • ML4 – multi-band Gate, Expander, and Compressor fed into the ML1 mastering limiter

    The ML1 mastering limiter uses a flexible brick wall look-ahead design coupled with multiple stages of limiting for superior peak detection. The unique Knee and Mode controls allow the ML1 to handle any kind of material with a variety of responses ranging from transparent to aggressive.

    The ML4 multi-band dynamics processor includes a 4-band Gate, Expander (upwards or downwards), and Compressor fed into the same limiter algorithm found in the ML1. Each band’s Gate, Expander, and Compressor can be configured separately or linked together. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent bands. Multiple real-time metering options in each band allow quick visualization of all signal dynamics.

    The ML4 crossover page shows the overall frequency response in real-time of the input, output, or total dynamics effect, on top of the graphically adjustable crossover frequencies.

    Accurate output adjustment is fast and simple with output ceiling control, large meters, and meter level text readouts.

    The ML4000 provides outstanding results with an intuitive user interface, flexible design, and powerful set of algorithms.

    Features

    • Brick wall look-ahead limiter
    • Multi-stage peak detection and limiting
    • Unique limiter Knee and Mode controls
    • Multi-band Gate, Expander (up/down), Compressor
    • Simultaneous display of Gate, Expander, and Compressor dynamic curves in every band
    • Multiple real-time metering options
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Low Latency

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Dynamic MC2000 HD v6 $149

    The MC2000 is a high-end multi-band compressor plug-in designed to emulate the sounds of vintage and modern compressors.

    MC2000 is 3 plug-ins:
    • MC202 – two-band compression
    • MC303 – three-band compression
    • MC404 – four-band compression

    The MC2000 gives the user complete control of multi-band dynamic compression. Common controls such as output (make-up gain), threshold, compression (ratio), attack, and release are provided. Non-standard Knee and BITE controls allow unique and unprecedented articulation of compression characteristics. Multiple peak detection circuit types provide flexibility only previously achieved by owning several compression units. Steep 24 dB/Oct crossover filters minimize signal leakage into adjacent compression bands.

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Adjustable crossover filters
    • Multi-band control linking
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Distortion FutzBox HD v6 $149

    FutzBox is a distortion and noise generator plug-in for creating low fidelity versions of audio signals.
    Typical post productions require distorted, or ‘futzed’ versions of dialog and other tracks. Simulations of radios, cell phones, and televisions are now available in a single software product. These simulations, called SIMs (Synthetic Impulse Models) provide accurate modeling in an extremely optimized format, allowing FutzBox to use less DSP power than conventional convolution based products. Furthermore, SIMs can be scaled in real-time and changed on the fly.

    In addition to the SIM library of sounds, FutzBox also includes filtering and EQ, distortion, a noise generator, and gating to complete the sonic destruction required. Original and distorted audio can be mixed in real-time to accommodate scene changes or other automation requirements.

    Features

    • Library of Synthetic Impulse Models (SIMs)
    • Configurable ‘futz’ effects including filtering, EQ, and distortion
    • Flexible noise generator with ducking capability
    • Hyper-sensitive gate for signal dropout effects
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Equalizer & Filter FilterBank Native v6 $99

    FilterBank, McDSP’s first product, is an equalizer plug-in that rivals any analog EQ with its flexible design and substantial feature collection.
    FilterBank can emulate any EQ, or be used to create a distinct custom EQ.

    FilterBank is 3 plug-ins:
    • E606 – parametric, high and low shelving EQ, high and low pass filters
    • P606 – parametric EQ with variable Q modes
    • F202 – steep high and low pass filtering with resonant Q control
    With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.

    Features

    • Shelving and Parametric EQ
    • High and Low pass filters with resonance control
    • Unique Peak-Slope-Dip Shelving EQ parameters
    • Variable parametric Q modes
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Equalizer & Filter FilterBank HD v6 $149

    FilterBank, McDSP’s first product, is an equalizer plug-in that rivals any analog EQ with its flexible design and substantial feature collection.
    FilterBank can emulate any EQ, or be used to create a distinct custom EQ.

    FilterBank is 3 plug-ins:
    • E606 – parametric, high and low shelving EQ, high and low pass filters
    • P606 – parametric EQ with variable Q modes
    • F202 – steep high and low pass filtering with resonant Q control
    With its unique Peak, Slope, Dip controls and variable Q modes FilterBank can emulate any EQ, or be used to create a distinct custom EQ.

    Features

    • Shelving and Parametric EQ
    • High and Low pass filters with resonance control
    • Unique Peak-Slope-Dip Shelving EQ parameters
    • Variable parametric Q modes
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Delay EC-300 HD v6 – Echo Collection $149

    The EC-300 Echo Collection brings the sounds of dozens of echo and chorus effects into a single plug-in.

    The three delay types – Magnetic, Digital, and Analog – come with a generous collection of user controls, plenty of character modes, highly stylized visual feedback, and McDSP’s nearly two decades of gear modeling experience.

    Each EC-300 delay type comes with additional character modes to create new and unique sounds. Other delay features include adjustable saturation, wow and flutter, delay output ducking, in-loop filtering and EQ, and level control at the input and output stages. The EC-300 can operate in single, dual, and ping-pong modes, and delay time can be synced to session playback or to a tapped tempo.

    Features

    • Three delay types – Magnetic, Digital, and Analog
    • Wide variety of character modes per delay tape
    • Saturation, Wow, Flutter, Ducking, and other delay features
    • Single, dual, and ping-pong delay operation
    • Tap tempo and session sync
    • Over 75 SIMs (Synthetic Impulse Models) included
    • Mono, stereo, and mono-to-stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Repair & Denoise DE555 Native v6 $69

    The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Repair & Denoise DE555 HD v6 $119

    The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

    Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

    Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

    Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

    Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

    Features

    • Advanced de-essing technology
    • Unique key filter focus and de-essing controls
    • Real-time metering and key filter response plot
    • High frequency (HF) only option
    • Double Precision Processing
    • Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Dynamic CompressorBank Native v6 $99

    CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.

    CompressorBank is 3 plug-ins:
    • CB101 – basic compression
    • CB202 – compression with pre-filtering
    • CB303 – compression with pre-filtering and static/dynamic EQ

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Static and Dynamic EQ
    • Side chain support and pre-filtering options
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Dynamic CompressorBank HD v6 $149

    CompressorBank is a high-end compressor plug-in designed to emulate the sounds of vintage and modern compressors, while delivering complete control of dynamic compression.

    CompressorBank is 3 plug-ins:
    • CB101 – basic compression
    • CB202 – compression with pre-filtering
    • CB303 – compression with pre-filtering and static/dynamic EQ

    Features

    • Compression curve modeling
    • Multiple peak detection circuits
    • Static and Dynamic EQ
    • Side chain support and pre-filtering options
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Bundles Classic Pack HD v6 $299

    McDSP’s legendary emulations of vintage equalizers, compressors, tape machines and channel amplifiers are available together as McDSP Classic Pack v5.

    Includes:

    • Analog Channel HD v5
    • CompressorBank HD v5
    • FilterBank HD v5
    • MC2000 HD v5

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Plug-Ins Channel G Surround v6 $149

    Channel G Surround is a Compressor/Limiter optimized for 5.1 channels using 4 compressors sets – LR, C, LsRs, and LFE.
    These compressor sets can key from any combination of the LR, C, LsRs, and LFE channels. Individual compressor controls can be linked across various surround channels, and the LFE channel includes an optional low pass filter.

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Full featured surround Compressor/Limiter in LR, C, LsRs, and LFE channel sets
    • Optional LFE low pass filter 24 dB/Oct slope
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • 5.1 version only

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Bundles Channel G Native v6 $149

    Channel G is 3 plug-ins:

    • G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section
    • G Equalizer – a five-band professional grade console style EQ with a versatile filter section
    • G Console – a combination of the G Dynamics and G Equalizer configurations

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct
    • Full featured Expander/Gate, Compressor/Limiter
    • Five-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Bundles Channel G HD v6 $199

    Channel G is 3 plug-ins:

    • G Dynamics – a fully featured console style dynamics section with an Expander/Gate, Compressor/Limiter, and a versatile filter section
    • G Equalizer – a five-band professional grade console style EQ with a versatile filter section
    • G Console – a combination of the G Dynamics and G Equalizer configurations

    The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • Multi-mode filters (high pass, low pass, notch) with selectable slopes of 6 to 24 dB/Oct
    • Full featured Expander/Gate, Compressor/Limiter
    • Five-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Plug-Ins Channel G Compact Native v6 $99

    Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.

    Channel G Compact delivers the same sonic experience as Channel G with a smaller DSP footprint. The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • High pass and low pass filters with 12 and 24 dB/Oct slopes
    • Full featured Compressor/Limiter
    • Four-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Plug-Ins Channel G Compact HD v6 $149

    Channel G Compact features calibration modes for music, post production, and models of the world’s most popular analog mixing desks.

    Channel G Compact delivers the same sonic experience as Channel G with a smaller DSP footprint. The Channel G Compact user interface seamlessly integrates with the Avid S1, S4, and S6 control surfaces, the D-Control and D-Command legacy control surfaces, as well as the S6L live sound consoles.

    Features

    • High pass and low pass filters with 12 and 24 dB/Oct slopes
    • Full featured Compressor/Limiter
    • Four-band EQ with shelving and parametric sections
    • Compressor/Limiter operation pre or post EQ section
    • Analog Saturation Modeling
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Special Purpose Analog Channel Native v6 $99

    Analog Channel is 2 plug-ins:

    • AC101 – Emulates analog channel amplifier circuits
    • AC202 – Emulates analog tape machines

    The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.
    The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

    Features

    • Library of presets emulating analog mixing systems
    • Real-time display of saturation curves and calibrations
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart
  • Special Purpose Analog Channel HD v6 $149

    Analog Channel is 2 plug-ins:

    • AC101 – Emulates analog channel amplifier circuits
    • AC202 – Emulates analog tape machines

    The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio “sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.
    The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

    Features

    • Library of presets emulating analog mixing systems
    • Real-time display of saturation curves and calibrations
    • Analog Saturation Modeling
    • Double Precision Processing
    • Ultra Low Latency
    • Mono and Stereo versions

    Formats
    • HD v6: AAX DSP/Native, AU, VST

    Add to cart
  • Equalizer & Filter AE600 Active Equalizer Native v6 $149

    The AE600 is the next generation of active equalization. New and unique EQ modes, independent control of fixed and active EQ bands, and an ultra low latency algorithm make the AE600 the perfect solution for any audio production.
    Every fixed and active band in the AE600 has its own gain, frequency, Q, and mode controls. EQ mode options include parametric, proportional Q parametric, 5x Q parametric, Baxandall shelving EQ, vintage styled EQ, X-style shelving EQ, Baxandall shelving EQ plus filtering, and high and low pass filtering. All bands are completely overlapping and can use the input signal or selected side chain inputs to trigger the active EQ response. The active EQ bands can be controlled via the response plot itself, or from the text readouts above and below the response plot.
    The AE600’s active EQ response is determined by each band’s threshold, attack and release settings. Additionally, a ratio control determines input signal level sensitivity to further articulate how the active EQ will reach maximum active equalization – a feature unique to the AE600 (and AE400) active equalizers by McDSP.
    Peak signal text readouts for each active EQ band’s key signal allow quick setup of each band’s active EQ threshold, and are located underneath band dynamics plots. Input and Output controls, individual band bypass, band control linking, and band key signal monitoring round out the features of the AE600.

    Features
    • Six fully overlapping fixed and active EQ bands
    • Independent control over all fixed and active EQ parameters per band
    • Selectable EQ mode per fixed and active bands
    • Unique active EQ ratio response control
    • Side chain support
    • Double precision processing
    • Ultra low latency
    • Mono and stereo versions

    Requirements

    McDSP HD and Native plug-ins are compatible with Pro Tools, Pro Tools HD, Logic 9 and Logic X, Cubase, Nuendo, Ableton Live, MOTU Digital Performer (DP), Studio One, and other DAWs that support AAX, AU, VST, and/or VST3 plug-in formats. McDSP HD plug-ins also support the Avid S3L and S6L live sound systems running VENUE OS 5.x or later.

    McDSP Native plug-ins support AAX Native, AU, VST, and VST3 plug-in formats. McDSP HD plug-ins additionally support the AAX DSP plug-in format, as well as AAX Native, AU, VST, and VST3 plug-in formats. McDSP plug-ins support Mac OS 10.7.2 or later (Lion), 10.8.x (Mountain Lion), 10.9.x (Mavericks), 10.10.x (Yosemite), 10.11.x (El Capitan), and Windows 7, 8 and 10.

    McDSP plug-ins require an iLok2 USB Smart Key for authorization.

    McDSP AAX plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Pro Tools 10.3.8 or later, 11.1.3 or later, and Pro Tools 12.x or later.

    McDSP AU plug-ins require Mac OS 10.7.2 or later, and support Logic 9 and Logic X, Digital Performer, Ableton Live, and other AU compatible DAWs.

    McDSP VST and VST3 plug-ins require Windows 7 or later, Mac OS 10.7.2 or later, and support Cubase 7.x or later, Nuendo 6.5.x or later, and other VST and VST3 compatible DAWs.

    Formats
    • Native v6: AAX Native, AU, VST

    Add to cart

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