Home Mechanical Sound Effects Page 25
All files are recorded 32bit, 192 kHz, with RØDE NTG1 & FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and mechanical sounds. It is also available in UCS.
We recently visited Shanghai, and our BNB had an electric mahjong table — so naturally, we recorded it. Hear all the mechanical sounds it makes, from the magnetic dice roller to the automatic shuffler and dispenser. We also captured manual shuffling, as well as tile and table foley. Many of these sounds can be repurposed for designed mech SFX as well.
Add a layer of authenticity to your project with this collection of 115 mechanical sound effects. Designed to enhance the realism of your game, film, animation, or any other creative work, these high-quality sounds capture the essence of machinery in motion, making your project feel more immersive and dynamic. Perfect for creating action-packed or industrial scenes, this pack will elevate your work with lifelike audio.
115 sounds that you can import directly into your project.
Continuing the popular Videogame Foley Essentials series (Vol. I, Vol. II, Vol.III), Vol. IV offers an additional 1325 individual sound effects all mixed at the same volume level, carefully cleaned of any unnecessary background noise and artifacts. These sounds are ready to be integrated into any audio middleware solution, such as Wwise or FMOD. Recorded with videogame development in mind, all sounds are short, snappy one-shots with dozens of iterations, making them ideal for layering, stretching and bending to achieve surprising results. The goal is to streamline the workflow for editors and sound designers by providing ready-to-use sound batches for their middleware projects, avoiding auditory repetition and fatigue for gamers while keeping them fully immersed in their upcoming adventures.
You’ll find in this library the following folders with clear nomenclature and corresponding metadata related to various interactions either with environmental objects or the characters in the game:
The Master Gun East HK G3 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun Stoeger Condor Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun AKM Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.
In addition to the unsuppressed shot recordings, we’ve also sampled the AKM with a suppressor attachment. The suppressed AKM was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
6 different spinning tops on 12 different surfaces, close perspective recordings. All files are recorded 32bit, 192 kHz, with RØDE NTG1 and FEL Pluggy XLR EM272 microphones, Sound Devices MixPre-6 II and Zoom F3 recorders. The library is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. The library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds.
The download includes two versions (UCS and non-UCS).
360 tracks placed into 18 different categories and folders. Filled with every day sound effects and ambiences to import directly into your project.
Ambiences, transportation, water & liquids, food & kitchen, animals, machines, hits & impacts, burn & flames, misc fx, historical, steam train locomotive, electricity & glitch, footsteps, glass breaking & smash, tools, levers, toys, doors.
These sounds were recorded in the past 10 years and span from Tivoli theme park, kitchen and cooking sounds, animals, huge window glass smashes, gas canisters impacts, to helicopters, steam trains, trucks passing inside tunnels, motorcycles, multiple tracks of thunder, and juicy liquid suction sounds.
Common for all sounds are, that they have been hand picked and mastered for easy use.
All 360 tracks are 96/24, recorded with a various amount of microphones. UCS ready. Bundled version is 13.8GB.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Presenting the sounds of Joyland!
A unique collection of recordings featuring a selection of vintage rides dating from the 1950s.
A mixture of onboard and off-ride recordings captured during a specially-arranged recording session with no intrusive copyrighted music.
Listen to the nostalgic whine of electric motors, the clattering of ride cars as they rattle their way around the tracks, the distinct clicking of diff pins as the cars corner and the roar of the Jet Cars and family roller coaster- as well as the general atmosphere of this well-loved family amusement park.
Transform Your UI Experience with the Ultimate Sound Collection
Ready to elevate your user interface design to the next level? Our User Interface Sounds Bundle is the definitive toolkit for creating immersive and responsive UI experiences. Whether you’re designing a sleek, high-tech application, a spooky horror game, or a polished mobile app, this bundle has everything you need to make your interfaces come alive with sound.
FOUR PREMIUM LIBRARIES, ONE COMPLETE COLLECTION
ENHANCE EVERY INTERACTION WITH PROFESSIONAL UI SOUNDS
Why settle for generic sounds when you can provide your users with a truly immersive experience? Each library in this bundle is carefully curated to offer a wide range of sounds that fit various styles and moods, ensuring that your UI sounds match and enhance your design.
Whether you’re a game developer, app designer, or sound enthusiast, the User Interface Sounds Bundle is your go-to solution for professional-grade audio assets.
WHAT’S INSIDE:
YOUR SOUND DESIGN, OUR EXPERTISE
With Fusehive.com, you’re not just buying sound effects but investing in quality, creativity, and a product designed with the end user in mind.
Compilation of 10 different 2010s Cars. Sounds are recorded with RØDE NTG1, RØDELink Lav, Line Audio Omni1, Shure KSM137, Shure VP88, Sonorous Objects SO.3 FEL Pluggy XLR EM272 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II, Zoom F3 and Zoom H4n recorders. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. The library is also available in UCS.
Models:
1. Alfa Romeo Stelvio 2016 compact crossover SUV sport utility vehicle
2. Audi A4 2012 large family car
3. Ford Mondeo 2014 large family car
4. Mazda CX-5 2012 compact crossover SUV sport utility vehicle
5. Mercedes Benz C Class W204 2011 large family car
6. Renault Clio 2013 subcompact supermini car
7. Škoda Kamiq 2019 subcompact crossover SUV sport utility vehicle
8. Toyota Yaris 2011 subcompact supermini car
9. Volkswagen Touran 2010 compact MPV minivan multi purpose vehicle
10. Volvo V60 2014 large family car
SMALL MOTORS, BIG VALUE – TINY TECH IN ACTION
The SB114 SMALL MOTORS Sound Effects Library is a collection of close-up recordings of various small electronic motors.
WHIZ, WHIRS, REVS AND PURRS FOR YOUR PROJECT
We captured the sounds of small electric motors from various household items, then meticulously edited them to be useful as practical effects or manipulated as sound design. Our recordings feature blenders, coffee grinders, drills, food processors, handheld massage vibrators, a tiny whipping frother, toothbrushes, razor/shavers, and a wine opener. Each sound was recorded in 24-bit/96kHz to minimize audio artifacts when processing as unique sound design. Every file includes Soundminer-compliant metadata and an organized file naming structure, allowing you to spend less time searching and more time creating.
A wide array of of still cameras from the 40’s, 50’s, 80’s and 2000’s. Shutter clicks, switches, servos, lens/body handling, close and roomy perspectives. Recorded for literal uses like press scrums, crime scenes and surveillance, as well as for source material for gadgetry and weapon mechanics.
Bonus material like flashbulb crackles, electronic flash pops and charge whines.
Models: Bronica SQ-A, Canon 5D MkII, Canon T2i, Graflex Speed Graphic, Kiev 88, Leica M2, Nikon D50, Nikon D80, Nikon FM2, Nikon N2000
Bringing you the distinctive sounds of electric tufting guns.
With 60 files and 182 sounds, you will get rhythmic, repetitive thuds as the gun drives the tufts of yarn or fabric into the rug, and the whirring, buzzing and more.
All organically recorded at 192 and 96kHz, in stereo and mono with a Sennheiser MKH8040 stereo pair, F3 and Tascam DR-40X. You’ll have long, short and medium durations, continuous and in intervals.
Rich electronic and mechanical clunks and whirs accompanied by the occasional thuds, buzzing and whirring. The resulting spectrum is rich and allows for manipulation of the sounds for complex sound design.
182 sounds / 100% royalty-free / comes with detailed naming / UCS compatible
Find the true sound of it with Vadi Sound Library.
Keywords
Tufting, machine, gun, electric, cut, pile, loop, rug, carpet, yarn, fabric, whirring, buzzing, clunk, weaving, thud, click.
What else you may need
You may want to check out the new Pottery Workshop for 84 sounds of hums, scrapes, splashes, thuds and more. Our Mechanicals library is another option for 600+ sounds of mechanics, tools, Foley and equipment.
Sci-Fi Vehicles Vol. 3 is a collection of 4 sci-fi inspired land vehicles, meticulously designed and crafted from the ground up.
Our Audio Craftsmen used a plethora of sound design techniques to create 4 unique land-based crafts, each inspired by a particular shape, size, material, or purpose;
Underwater Explorer – A small 2 person vehicle to explore the treasures below.
Segway – A small personal transporter. Capable of fast, swift movements if used by a skilled pilot.
Chopper – The helicopter technology of the future.
Train – Large public transport of a struggling future civilization
For each vehicle you will find sounds covering engine turn on, idle, speed up, slow down and turn off, alongside 12 pass by’s at various speeds and distances.
This library is a perfect addition to sci-fi Film, TV & Game trailers, or productions with a futuristic, experimental or abstract edge. Use these sounds in projects to inject larger than life, futuristic textures into your vehicle sound design.
All sounds are delivered in 24Bit 96kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
Want sounds of buttons, switches, levers or gears - and other mechanical sound elements that clink, clank, whir, squeak and grind? These mechanical sound effects libraries offer you an extraordinary toolbox of recordings - from the tiniest gears to gigantic bucket-wheels, and everything in between. Recorded from a wide range of perspectives and featuring both construction kit elements and designed sounds, these sound libraries come in handy for any project that calls for mechanical sounds, or as sonic building blocks when designing robots, motors, machines and other contraptions that call for that mechanical sound.
Clank, whir, beep, click, hiss, buzz, hum, rattle, screech, thud, squeak, crackle, pop, sizzle, grind, roar, bang, snap, creak, chime
Q: What are some of the most popular mechanical sounds?
A: Click to sort the category by most popular mechanical sound effects libraries
Q: Are there any mechanical sound libraries on sale right now?
A: Click to sort the category by mechanical sound libraries on sale
Q: How do I download the mechanical sounds?
A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen mechanical SFX.
Q: Are these sounds royalty free?
A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds?
A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Expand the timbre of your horror violins and cellos with CIRCUS, a sinister sample pack featuring 180 WAV sounds of screeching or high-pitched string noises, perfect for horror music and dark sound design.
This collection offers a curated selection of screeches, high-tension tremolo, heavy jeté strokes, dark demonic textures, finger patterns, chaotic string elements, clock loops and bow accents.
Create haunting atmospheres, perfect for horror, thriller or experimental soundtracks. Every element has been designed to unsettle and disturb, blurring the line between music and noise.
The asset list includes but is not limited to: hippos, hyenas, vultures, dwarf mongooses, elephants, African cranes, parrots, tigers, pigmy hippos, rhea ostriches, brown bears, pheasants, wildebeests, African wild dogs and many more. The content has been recorded at 192KHz with a Sanken CO100K, an Avisoft CMPA and a Sennheiser 8050 for center plus two Sennheiser MKH8040 for stereo image.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Unleash the raw power of fire, water, earth, and air with this comprehensive 9 GB sound library featuring 3050 high-quality sound effects across 630 files. Whether you’re designing cinematic soundscapes or enhancing video games Four Elements delivers the tools you need to harness the energy of the natural world.
A treasure trove of raw, organic, and processed sounds including seamless loops divided into Fire, Water, Air, Earth and Explosion categories. Customize every detail with an extensive selection of sound components.
Game-ready sound layers featuring Impacts, Whooshes, and Textures as seamless loops. Elevate transitions and enhance atmospheres with loops and pre-designed sound layers.
A collection of ready-to-use sound effects divided into Attack, Bend, and Explosion categories for quick integration into your projects. Perfect for high-energy scenes and immersive storytelling.
Four Elements gives you complete creative control, blending organic recordings with processed sound layers to meet the demands of any project. Master the forces of nature with Four Elements. Let your creativity ignite.
Keywords:
Elements, Fire, Water, Earth, Air, Wave, Water, Liquid, Rock, Cast, Stone, Pebble, Torch, Gas, Flame, Campfire, Sizzle, Burst, Scrape, Whoosh, Impact, Texture, Attack, Bend, Bending, Explosion, Processed, Surge, Quake, Hit, Flow, Burn, Ignite, Drop, Smack, Destruction, Rumble, Hiss, Blow, Wind, Cloth, Movement, Underwater, Bubble, Ocean, River, Lake, Firework, Firecracker, Bang, Blast, Detonation, Magic, Fantasy, Forces, Fire Magic, Water Magic, Earth Magic, Fire Air, Fire Effect, Fire Whoosh, Water Whoosh, Seamless Loop, Loop, Fire Cast, Water Cast, Earth Cast, Air Cast
Hyper Thunder is a colossal collection of thunder and lightning, 100% crafted from the ground up using innovative synthesized technics and props recordings. Not a single real life thunder recording was used. using synthesis and props manipulation crafted to deliver impact far beyond natural recordings. Built entirely from innovative synthesis and props recordings, this library pushes the boundaries of weather sound design—perfect for when you need the raw energy of a storm dialed up to cinematic extremes.
Featuring over 800 files, Hyper Thunder spans everything from subtle distant rumbles and rolling thunder to razor-sharp lightning strikes and earth-shaking impacts. With both designed hits and source layers, you have full control—drop in ready-to-use power or sculpt your own stormscapes using the source recordings.
Created in collaboration with Bruits.Studio’s Vincent Fliniaux and Tibo Csuko—longtime SoundMorph contributors to acclaimed libraries like Robotic Lifeforms 2 and WATER— Hyper Thunder blends technical mastery with bold creativity.
From atmospheric detail to explosive drama, Hyper Thunder gives you thunder and lightning that are bigger, subtler, and more versatile than nature itself.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.