It’s been 5 years since the release of our Robotic Lifeforms 1 library, and we just felt we could do more! So we teamed up with an epic team of Sound Designers to create an ultimate follow up to it all with Robotic Lifeforms 2. This is no joke, a library of love and over 4,100 files and 12.5GB!
Using some of the most advanced microphones, Kyma, and synths, we really went all out to bring what we think is the most advanced and modern Robot library ever created. Not only do you get over 2,700 designed sounds, but you also get over 1,300 source audio files recorded in 192 kHz 24Bit with the Sanken c1000 mic, so you can pitch the sounds to infinity to create some stellar new sounds of your own.
In our opinion, this is THE robot library to have in your tool box. We aren’t just saying that because we made it, we are saying it because we believe it to be a fact.
Take Robotic Lifeforms 2 for a ride, and you will be happy to own the most advanced robot library ever made so far!
Library highlights:
• 2,700+ designed sound effects
• 1,300+ source audio files recorded in 192 kHz 24Bit with a Sanken c1000
• Transforms, Mechanisms, Movements
• Power
• Servos
• Air Hydraulics
• Energy
• Footsteps
• Impacts
• Computer
• Devices
• Attack Defense
• Textures
• Engines
• Synth
• Whooshes
• Drills
• Air Pneumatics
• Motors
• Bonus Recordings
‘Coal Mining’ is a unique collection of sounds that build the ambience of a momentous industry. You’ll hear the sounds from two coal mines, one surface and one underground, which are normally closed to the public.
The collection consists of two main parts:
Surface Mining features the clatter of a giant bucket-wheel excavator, a cross-pit spreader, a long belt conveyor, and the distinct atmosphere from a large open-pit mine.
Underground Mining includes the striking sounds of an underground mine shaft, recorded at a depth of 1500m. With the clatter from a miners’ elevator ride, a rattling chain conveyor, container movement, and many room tones, you’ll get a remarkable sense of underground working. Recorded in one of the last three active coal mines in Germany.
Recorded using Schoeps MK4/MK8 MS / CMIT-5U/CCM8 MS microphones and paired with a Sound Devices 702 recorder, the files are also embedded with detailed Soundminer Metadata.
The collection consists of 43 stereo recordings of 12 rare, industrial machines used many decades ago in German power plants and industrial sites. It includes the sounds of massive 10KV power switches, a Siemens exciter machine (power generator) built in 1945 and many other vintage machines.
All machines were recorded in isolation without background noise and at high sample rates (192 kHz / 24 bit) with a Sound Devices 633 recorder and the Sennheiser MKH 8040 Microphones in close ORTF, taking full advantage of the extended frequency range (30 – 50000 Hz) of the microphones. Some machines were additionally recorded with a stereo setup of Barcus Berry 4000 series contact mics.
The following 12 machines were recorded
– some in multiple takes:
• Ash breaker
• Ash blower
• Coal dispatcher
• Siemens exciter machine
• Gas turbine model
• Motorized throttle-Flap
• Oil atomizer
• Pneumatic power switch
• 10KV power switch
• Rotation motor
• Manual steam machine
2025 Update
• New UCS 8.2.1 compliant file names
• Improved 20+ fields of UCS compliant BWAV/Soundminer/XML metadata
• Metadata translations in 40 languages (TSV/XLSX files)
Get a huge variety of simple or complex lockdown mechanism sounds with a wide array of different latches and impacts with Lockdown, a performable Kontakt instrument and sound effects library.
We brought in dozens of props big and small to generate a massive array of source material recorded at 24 bit 192kHz. These included cameras, carabiners, wrenches, rack cases, knives, can openers, tongs, crimpers, solder suckers, file cabinet doors, vehicle doors and servos and much more – all with multiple unique performances per set.
Great care was taken to record each performance with the highest sonic quality and detail. We chose a pair of MKH50s in XY as our primary setup, creating a big, clean stereo image on every sound.
Lockdown is divided into two parts – elements and designed:
The elements collection has all of the source recordings in their unaltered states. Each sound is edited, cleaned, volume matched and carefully metadata tagged.
The designed collection uses samples based on the elements recordings that have been transformed into entirely new and different sounds using heavy processing and layering. It was created to produce interesting design and transition sounds quickly and easily. Lockdown includes over 500 fully lockdowns of all sizes and scales.
Lockdown highlights
• more than 1700 elements files
• 192 kHz source recordings
• 500 heavily designed sounds
• 96kHz designed collection
• 2 full kontakt instruments (full version of Kontakt 5.5 required)
• soundminer and bwav metadata
Note: Can be used without Kontakt too!
All Kontakt instrument libraries include fully unlocked and accessible metadata tagged .wav files. You don't need any version of Kontakt to use these files as a standalone sample library.
This sound effects library is a collection of field recordings of freight trains in the San Francisco Bay area with a route along San Jose, Richmond, Oakland, Emeryville, and San Francisco. All the recorded freight trains were old, rusty, and covered in graffiti. When in motion they come alive with very unique sounds such as metal on metal scrapes, heavy thuds, clunking, and screeching noises. All trains were recorded within 15-20 feet from the mic setup of Schoeps 2 CMC 6 U mic bodies, a Schoeps MK4 and MK8 mic capsules, and a Rycote windjammer fed into a Sound Devices 744T.
The most advanced series of experimental fantasy machinery is here with the release of STEAM MACHINES. Perfect in games, film, or television.
We spent months recording and designing material to bring you the freshest set of sounds to give you the user maximum potential for sonic creativity. Get great-sounding machinery, gizmos, gadgets, steam releases, foley, and more. This package of sounds also has massive potential for creating your very own fantasy machines!
Steam Machines features more than 400+ sounds and 2.5GB of 16bit/44.1khz to pristine 24bit/96khz .WAV files, all meticulously embedded with metadata including:
• Both designed sounds and source recordings
• Large, medium and small machines
• Loads of gizmos and gadgets
• Machine foley material
• Lots of potential for experimentation
• Create your own steam machines!
The EFX Gun Foley collections feature gun handling, munitions handling, shell case drops, clip insertions and removals, cocking/uncocking, weapon drop and slide sounds – and much more. Great for actual gun handling sounds, but also highly useful for designing other mechanical sounds!
Imagine you had a real color palettewhen it comes to boat horn sounds. That is now possible with Sound Tailor Effects Library new release.
In the heart of Burgundy, in central France, wemet with this passionate boat horn chaser and collector whohas managed, through years of research, to acquire one of the largest boat horns collection in the world. In a quiet field, we captured these incredibly loud horns, from close to distant spots, with a variety of static and dynamic microphones.
This library includes33 unique boat horns, organized in a chromatic scale, from A2 to F#5. We recorded 4 blasts of each horn, from short to long ones, for convenient editing. Each horn comes in 3 audiofiles, with 3 different microphone perspectives:
– 4 meters in LCR(a combination of Neuman TLM103 / Sennheiser SM57)
– 50 & 200 meters in a 5.0 surround mic array (Sennheiser MKH8020/8040)
They have the same length and can be easily combined for more sonic possibilities.
In addition,you get recordings of an air siren, custom made from a boat horn, and 5 edited loops of it, plus 3 different train steam whistles.
Boat Horns contains more than 22,41 GB / 252 Files.
WHAT’S INSIDE
All files are 24Bit/192kHz WAV Surround / LCR & 24Bit/48kHz Stereo Version files.
All meticulously embedded with Soundminer & UCS Metadata.
Get the sounds of mechanisms, Steampunk inspired gears, contraptions, metal and servos with the Mechanism sound effects library.
Mechanism was created in collaboration with Sweet Justice Sound, Richard Devine, and SoundMorph, and we put great effort into ensuring the quality and usefulness of this unique collection. Half designed and half source recordings, Mechanism gives you a toolbox to be inspired by.
It features more than 300 files – and right now you get a bonus 400 best-of-sounds from our Robotic Lifeforms library, for a total of 2.8GB of 24bit/96khz .WAV files.
Mechanism highlights:
• Mechanical Gears
• Designed contraptions
• Steampunk rusty doors and levers
• Source recorded by Richard Devine
• All meticulously embedded with Soundminer & Basehead metadata
+ 400 “best of” sounds from our Robotic Lifeforms library
Get the sounds of a Printrbot 3D printer – with four NEMA 14 stepper motors -, in this interesting SFX library by New Sound Lab.
The high torque motors connected to a pulley system control the X-Y-Z movements of the aluminum extruder and metal print bed. When printing three-dimensional objects, these fast and precise movements result in a unique barrage of percussive and rhythmic mechanical noise.
These sounds were captured using three different recording setups: Barcus Berry contact mics, RF coils, and combined contact mic / RF coil into a Sound Devices 702 recorder.
The resulting sounds are a mix of grainy, gritty atonal patterns, robotic percussive bleeps, glitchy digital beeps/clicks, low fidelity drones, and chaotic noise. Both raw recordings, and processed elements are included and ready for further sound manipulation.
The Elevators library was recorded over a period of one year, and comes with over 100 movement and metal impacts from elevators, around 50 elevator cab travels and over 60 elevator door slides and variations.
The Wheels & Gears SFX library features a collection of bicycle tire, freewheel, gear and chain recordings. Two bike models were recorded: A Specialized Carve Expert (mountain bike) and a Bianchi Campione (city/road bike).
A wide range of sounds were recorded, from conventional bike sounds (such as freewheel clicks, gear shifting and chain movements, acceleration with various speeds, coasting, and disc brake movements) to more experimental sounds, creating unique sound effects using various found objects on the tires and spokes (such as cardboard, wooden sticks, fabric, shoe soles, guitar picks, and paper).
Recordings were captured with a Sanken CSS-5 Shotgun mic. The shotgun microphone was mounted in a full Rycote windshield kit and connected to a Sound Devices 702 recording at 192khz. The contact mic recordings were captured with the Barcus Berry 4000 Planar Wave system.
The whole 9 yards.
Comprised of 11 heavy hitting libraries, this bundle includes SEISMIC CORE, OVERKILL, 4 ELEMENTS, COLLISION, INTERACTIVE, SCI FI, GEARBOX, SORCERY, HERO, BROKEN, and MELEE. Save by bundling all ELEVEN in a single library.
GEARBOX:
Boutique analog mechanical contraptions, steampunk gadgetry, gizmos and machines big and small.
SORCERY:
Spells, deflects, casts, blocks, beams, and more. Unrivaled wizardry at your fingertips.
BROKEN
Car crashes, explosions, crumbling buildings, earthquakes, ripping earth and metal, to debris, and more.
HERO:
HERO – Sword fights, stabbing, guillotines, impaling, battle cries, shields, drawbridges, armor, foley and more.
MELEE:
Punches, kicks, blocks, bodyfalls, grabs, slaps, bone breaks, blood splatters, and more.
SCI FI:
Spaceships, machines, mechanicals, weapons and more. Technologies exceeding your boldest visions of the future.
INTERACTIVE:
The ultimate Game UI SFX library including clicks, pops, whooshes, musical and tonal elements, and ready to use designs for every UI action and game style.
COLLISION:
The ultimate sound effects library for massive impact sounds. Stingers, crashes, hits, whooshes and fully designed impact effects.
4 ELEMENTS:
Harness the raw power of fire, water, earth, and air with over 3000 elemental sounds crafted for limitless creativity.
OVERKILL:
Unleash pure audio carnage with OVERKILL – a brutally detailed 5.7GB sound library featuring 3390 hyperreal gore sound effects across 607 files.
SEISMIC CORE:
Unleash raw sonic power with SEISMIC CORE – a meticulously crafted 1.62 GB sound library featuring 548 impact-driven sound effects across 108 files.
Clocks is a small unique sound library – not recorded from traditional clocks but of edited sounds that tick tock. These recordings come from items such as a tape measure, door locking, screwdriver, and much more.
Recorded in 96kHz / 24 bit – All sounds are one minute long, loopable files.
Disclaimer: Music in the audio demo is not included in the product.
Articulated presents here a careful collection of 100 Electric Fans, HVAC, AHU, and Mechanical Drones. After months of capture, we recorded, selected, and edited this unique library featuring rich, varied, and useful assets ready-to-use for any game or movie project.
These sounds can serve to inspire life inside environments, provide industrial tones, domestic houses, or back alleys, setting moods or atmospheres. They can also serve as elements to design mechanical machine or engine sounds.
The sonic quality extends a large spectrum from clean, modern, to old and rusty, on rooftop, indoor, flush ceiling-mounted, Bathroom extractor, or floor stand; along with many flavours like metal, plastic, smooth or raspy rattles with gurgling wobbles. Some of the Sounds have useful varied point of perspectives (Close-up, distance), and most of them are ‘loopable’.
WHAT’S INSIDE:
124 stereo files
Highly focused and meticulously edited sounds
Wide variety
Different perspectives are included as well
The ‘Lifts and Elevators’ library contains a collection of sounds sourced from 19 different elevators. Each model bringing their own unique sonic qualities and character. From slick and smooth modern elevators to weathered old freight and goods lifts, these high-quality recordings have been carefully captured in:
Each elevator has been recorded in motion, opening and closing its doors (manually and mechanically), producing metallic rattles, creaks, groans and more. Additionally, Button pressing, alarm bells, buzzers and stationary room tones, have been captured in crystal clear detail.
All sounds have been recorded in high-quality 24 bit, 96 kHz using Sound Devices recorders and Sennheiser MKH8040, MKH416 and MKH30 microphones. Each file has been also tagged with detailed Soundminer metadata to speed up workflow and increase organisation.
The majority of recordings contain both a stereo MS decoded and ORTF version. The midside has a narrower stereo image whilst the ORTF provides a wider version.
“I love the variety of the elevators, they’re real, heavy and dirty and you can hear the grit and dust in the cogs. The reverberant buttons and room tones are super useful too’
Anna Bertmark – Sound Designer/Supervising Sound Editor
“fantastic stuff all around and definitely not only for literal elevator scenes, tons of interesting metal shakes, scrapes, squeaks and rumble, bravo!”
Michal Fojcik – Supervising Sound Editor/Re-recording Mixer
While straying through several antiques shops and flea markets I unveiled a lot of very interesting and organic sounds with character. Sounds that only prop up with plenty years of service can do.
So this library is a versatile and composite collection of all those squeaky, creaky, rusty sounds with a lot of personality.
Here you will find all the little vintage sonic gems.
From mechanical cameras and rusty coffee mills, over-jammed drawers, doors and locks, to sewing machines, typewriters and malfunctioning projectors. You get over 1000+ready to use sounds. All painstakingly edited, cleaned and decently named for you.
All source sounds were recorded with Sonosax SX-R4+ with a Sennheiser MKH8050+MKH30 M/S rig, a Sound Devices MixPre-6 + MKH8060 and a Sony PCM-D100. All sounds come with embedded Metadata.
The Windmill library gets you rich, organic-sounding recordings of wood, stone and metal. Crunches, grindings, rumbles, rhythm, squeaks, roars, movements, gears – it’s all there, captured in an old windmill.
The library focuses on the sounds of the wings, the main axis, the grindstone, the flour beaters and the global atmosphere – and they’re perfect for sounds of a wooden boat, wagons, structures, ropes etc.
Features both interior and exterior recordings, and gets you more than 1 hour and 20 minutes of atmospheric recordings in total.
Space Divers library kicks you right into the deep sea and to open space. This special material-resonation-based sound design has been inspired by such movies as Gravity, Interstellar and variety of scuba-diving or submarine movies.
Experience the dark and deep frequencies, vibrating through rusty submarines and errant space shuttles. Listen to your own breath and hollow noises while exploring sea bottom or repairing space-station systems.
Content highlights:
IMPACTS – from underwater splash to huge shuttle crash
VEHICLEVIBRATIONS – metal and plastic resonations, through air or without
VEHICLENOISES – including rotating gears
UNDERWATERMOVES – paddle, swim, pass-by…
BREATHING – through different gears and without, underwater and dry
FOOTSTEPS – on different materials, space suit rustle included
MECHANICALMANIPULATION – click clacks, buttons, handles and much more
TOOLS – grinding and drilling on different materials
UNDERWATERBUBBLES – this category could not be missed, right?
Computer Sound FX from SoundBits features 650 computer noises, glitches, digital distortions, stutters, bleeps, signals, interfaces, buttons, loading and feedback
The Floppy Drives sound effects library features recordings of seven computer disk drives: two 3.5″ floppy drives, one 5.25″ floppy drive, three Zip drives, and one SuperDisk drive.
All drives were taken apart to access and manipulate the stepper/eject motors to create unique sounds. These range from electronic percussive bleeps and glitchy noises, to electromechanical motor movements.
An Arduino UNO microcontroller board was connected to one of the 3.5″ floppy drives, allowing precise control of the drive’s stepper motor via custom software code. A midi keyboard was interfaced to the system, giving the ability to control the back-and-forth movement of the read/write heads via notes on the keyboard. This essentially turned the drive into an instrument, producing a new set of sounds not existing in the drive’s normal functions.
A complete collection of sonic exploration by Slava Pogorelsky.
Grow your sound arsenal with an ever evolving collection of high-end cinematic and fresh sound effects!
Here’s what to expect:
STEAMPUNK VINTAGE MACHINERY AND MECHANISMS introduces a fresh sound palette for steampunk soundscape of machinery and mechanisms that sound huge, gritty and full of character, totaling 1454 sound effects.
RESONATING METAL FORCE offers a fresh sound palette of reverberant aggressive metal rampage, totaling 680 sound effects. Featuring creeping evolving metal pressure and resonating rattle, massive rumble, explosive impacts and nerve-racking squeaks.
HORROR SERIES VOL.1: EVIL STRINGS TORTURED WIRES offers a unique toolset for nightmarish designs, totaling 564 sound effects. Featuring creeping dread of bowed metal wires, strings and double bass, providing exciting opportunities for unique layering.
CINEMATIC MAGICAL ICE is offering a unique toolset for ice-cold freezing designs, totaling 267 sound effects. Great for fantasy genre with ice based magic, motion graphics, time lapse and flow motion freeze sequences.
CINEMATIC WATER WHOOSHES AND TEXTURES is offering a unique toolset for water and underwater designs, totaling 285 sounds. Great for hyper realistic designs, water based magic, surreal underwater movement or motion graphics with liquid elements.
CINEMATIC WOOD SYMPHONY is offering a variety of wood based recordings that were morphed into a unique audio experience that bends the boundaries between recognisable source and unusual wooden textures, totaling 611 sound effects.
SCI – FI ELEMENTS VOL.1 is offering a variety of carefully crafted futuristic sound effects that vary from pleasant and musical to unpredicted and glitchy, totaling 364 sound effects.
CINEMATIC METAL WHOOSHES is offering a unique collection of aggressive roaring metal whooshes and transitions with cinematic feel and mind bending characteristics, totaling 120 sound effects.
WHAT SOUND PROFESSIONALS SAY:
Philip Eriksson – Audio Director (It Takes Two, Battlefield V, Star Wars: Battlefront I & II) “Slava has some pretty kick ass sound libraries!”
Victor Mercader – AAA Sound Designer (Apex Legends) “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine. The Sci-fi Elements sound library is the perfect library to use and blend into my UI designs in Apex Legends.”
Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror) “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”
Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ) “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”
Stefan Kovatchev – Audio Director (MultiVersus) “Slava has put together an impressive collection of high quality source assets, recorded cleanly, and at high sample rates. It’s always refreshing to find a new purveyor of good source material. I particularly enjoyed Resonating Metal Force, which is comprised of very useable, unique tonal textures and impacts.”
Shane Tetro – AAA Sound Designer (Remnant II) “Slava’s libraries feature high-quality, adaptable recordings and designs. There is plenty to dig through in every pack, making each library extremely dynamic for various applications. Their exceptional textures have significantly enhanced my workflow; consider me a fan!”
Samuel Gagnon-Thibodeau – Sound Designer/Sound Effects Editor (Dream Scenario, The Watchers, Hunting Daze) “Slava’s Cinematic Wood Symphony detailed textures and movements blend so well in what I’m usually looking for in terms of sound design. It really brings proximity and sensitivity to the action while feeling real and natural. The creative blend of the wooden sounds with whooshes and impacts also makes them very unique. I’m finding myself coming back to them more and more as they fit in many situations.”
Yarron Katz – AAA Composer and Sound Designer “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”
Japan: Bullet Trains is a collection of exterior recordings and interior ambiences of a variety of Japanese bullet trains which includes passbys, arrivals, idles, departures and ride ambiences.
Description:
The shinkansen, or bullet train, is a symbol of Japan’s economic and technological prowess. Streaking by at speeds of up to 200mph, their sound pierces over miles of empty farmland. In rare spots where you can get near the tracks, the air pressure bursts of these trains passing by can knock you off-balance.
Recording coverage between models vary quite a bit, so please check the tracklist to get a sense of what is available per bullet train model.
Note: The W7 series bullet trains were recorded within their first month entering service, well before they had time to wear-in.
Models represented in this collection:
W7 Series (2015-)
N700 Series (2007-)
E5 Series (2009-)
800 Series (2004-)
E2 Series [Currently Being Withdrawn] (1997-)
E4 Series [Currently Being Withdrawn] (1997-)
(Dates indicate the service years for the model, not the specific age of the train recorded)
All recordings have meticulously written Soundminer metadata embedded in them and comply with Universal Category System naming standards. Included in the download folder is also an excel file and CSV file with all of the metadata fields.
Computer Noises is based on a wide palette of noises that computers emit when booting, reading from their CD-ROM drives, or accessing a hard disk.
The library contains several complete boot sequences of 10 different laptop and desktop computers ranging from an old ATARI PC-2, going over to Pentium I and III, Celerons and Core Duo machines.
Each booting sequence was recorded from different positions within the computer casings.
Additionally, all included components are available as separate takes so that each computer is entirely featured with its hard disks, power- and CPU fans plus all those other strange noises that occurred. As bonus, 25 extra sounds from external hard disks and blowers of all kind are included in this library.
Want sounds of buttons, switches, levers or gears - and other mechanical sound elements that clink, clank, whir, squeak and grind? These mechanical sound effects libraries offer you an extraordinary toolbox of recordings - from the tiniest gears to gigantic bucket-wheels, and everything in between. Recorded from a wide range of perspectives and featuring both construction kit elements and designed sounds, these sound libraries come in handy for any project that calls for mechanical sounds, or as sonic building blocks when designing robots, motors, machines and other contraptions that call for that mechanical sound.
Mechanical sounds commonly found in this category:
Q: How do I download the mechanical sounds? A: Add the sound libraries you're interested in to the cart, and complete the checkout - you can then instantly download your chosen mechanical SFX.
Q: Are these sounds royalty free? A: Yes, they're royalty free, and no attribution is required
Q: Who has recorded and designed these sounds? A: They're created by the independent sound community, and have been recorded by some of the best recordists and sound designers on the planet. There's a constant flow of brand new sound libraries coming from the community, giving you the absolutely freshest sound effects available anywhere. Oh, and by getting sounds from the community, you support individual sound designers and sound recordists – that’s a pretty cool thing too.
Spell Variations Vol. 4 marks the grand finale of our magical sound series, delivering a diverse and powerful collection of spell effects. Inside, you’ll find summonings, blood spells, petrifications, healing spells, dark incantations, and much more!
This volume includes 255 high-quality sound effects, organized into 27 distinct spell types, each with multiple variations (3 to 17) to ensure no spell sounds the same, even when reused across your project.
Each spell type is carefully named and sorted into individual folders, giving you intuitive navigation and maximum flexibility for magical scenes, game effects, or cinematic transitions.
Recorded, edited, and mastered in 192 kHz / 24-bit, these sounds deliver exceptional clarity and full adaptability for pitching, layering, or creative processing.
A must-have library for professional sound designers seeking drag-and-drop magical sounds for video games, trailers, animations, or any audiovisual production.
More about the pack
– Intuitive file naming
– All you’ll ever need regarding magical sounds [Use them again & again
Use the sound effects over and over, in any of your projects or productions, forever without any additional fees or royalties. Use the SFX in your game, in your trailer, in a Kickstarter campaign, wherever you need to, as much as you want to.
– Totally mono compatibility
– All sounds have several variations.
– Use your imagination and feel free to use any sound for a creature other than the one described, remember that the world of sound is totally subjective.
– For any questions or problems: [email protected]
Features
– 255 spell sounds
– Number of Audio Waves: 255
– Format: 192KHz / 24 bits
– Win/Mac: Yes
– Minutes of audio provided: 19:21
Florida Thunder by Eric Berzins contains 111 distinct wav files with over 200 dry thunderclaps and over 300 thunderclaps with rain. All files were recorded in the US state of Florida between 2021 and 2025. Florida has more lightning strikes than any other U.S. state! All files have been meticulously edited and cleaned, and have embedded UCS-compliant Soundminer metadata.
Audiobeast is proud to present our second sample library; the only library of its kind to focus entirely on weapons being fired in urban environments! For this recording session we were given access to a military training site known as a FIBUA (Fighting In Built-Up Area) consisting of streets with a variety of buildings, vehicles, and exclusive permission to fire weapons in several locations. Pictures of the street and gas station locations and firing points are included.
The aim of this library was to offer the slapback type tails needed for gun sound design for convincing city scenes in film, games and tv production. It’s always been difficult to find gun recordings in a city environment so we hope this library helps sound people everywhere.
This Library contains over 3 GBs of weapons being fired in multiple urban environments, a street, outside of a gas station and inside of a tower block. 218 WAV files of single shots, bursts and many with multiple takes, all recorded at 96 khz 24 bit, with heaps of information on microphones used and distance from the firearms.
Various distances were captured, from the DPA4062 on the guns themselves, to the distant other end of the street 100 metres away. To add, some mics were positioned around corners, a nearby graveyard, through walls and in armored vehicles to capture a variety of perspectives.
Minimal cleanup on the recordings was carried out very carefully so as not to introduce any artefacts into the recordings, they are presented as raw as possible.
Animal Hyperrealism Vol III is a library containing sounds themed animal vocalisations, from real to designed creatures totaling more than 1700 individual sounds in 279 files.
The sounds were recorded in zoos and wildlife centers. The asset list includes but is not limited to: european red deers, monkeys, reindeers, hornbills camels, crickets, tamarins, boars, frogs, red ruffed lemurs, parrots, and many more.
The content has been recorded at 192KHz with a Sanken CO100K plus a Sennheiser 8050 for center image and a couple of Sennheiser MKH8040 for stereo image.
Part of the cheats section of the library features samples recorded at 384KHz. For these sounds an additional microphone was employed, specifically the CMPA by Avisoft-Bioacoustics which records up to 200 KHz. This microphone was used to record most of the library but the 384KHz format was preserved only where energy was found beyond 96KHz not to occupy unnecessary disk space.
All files are delivered as stereo bounce of these for mics, though in some instances an additional couple of CO100K was added to the sides.
The resulting ultrasonic spectrum is rich and allows for truly extreme manipulation of the content.
Bonus: Two extra libraries included for free:
This library also includes two additional releases from Mattia Cellotto - for free: Crunch Mode delivers 230 crunchy sounds made with a variety of vegetables, fresh bread, pizza crust and a selection of frozen goods. The Borax Experiment gets you 158 squishy, gory, slimy and gooey sounds.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
Gabriel Guy
Re-recording Mixer, Walt Disney Animation Studios: Frozen, Big Hero 6
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
David Farmer
Sound designer: Lord of the Rings & The Hobbit trilogies
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
Zdravko Djordjevic
founder of The Audio Spotlight
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
Afghanistan
Åland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belau
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bonaire, Saint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Brazil
British Indian Ocean Territory
Brunei
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo (Brazzaville)
Congo (Kinshasa)
Cook Islands
Costa Rica
Croatia
Cuba
Curaçao
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Falkland Islands
Fiji
Finland
France
French Polynesia
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Isle of Man
Israel
Italy
Ivory Coast
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
North Macedonia
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Rwanda
São Tomé and Príncipe
Saint Barthélemy
Saint Kitts and Nevis
Saint Lucia
Saint Martin (Dutch part)
Saint Vincent and the Grenadines
Samoa
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom (UK)
Uruguay
Uzbekistan
Vanuatu
Vatican
Venezuela
Vietnam
Virgin Islands (British)
Virgin Islands (US)
Western Sahara
Yemen
Zambia
Zimbabwe
STEAMPUNK VINTAGE MACHINERY AND MECHANISMS
RESONATING METAL FORCE
HORROR SERIES VOL.1: EVIL STRINGS TORTURED WIRES
CINEMATIC MAGICAL ICE
CINEMATIC WATER WHOOSHES AND TEXTURES
CINEMATIC WOOD SYMPHONY
SCI – FI ELEMENTS VOL.1
CINEMATIC METAL WHOOSHES
