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Home Materials & Texture Sound Effects Page 20

Materials & Texture Sound Effects

Sound effects and recordings of various surfaces, textures, objects and elements – soft, hard, organic, wooden, stone, metallic and lots more

  • Sci-Fi Sound Effects Sci-Fi Atmospheres Play Track 92 sounds included, 92 mins total $18

    This library is a collection of 60 Sci-Fi atmospheres, all loop seamlessly, which can be used to represent alien worlds, drones ambiences, spacecrafts, futuristic engines, nuclear facilities, celestial spaces, generators, dark elements and from outer space. Mainly inspired by the Alien saga.

    Each file has a duration of one minute with subtle changes over time. Ideal sounds to use as a layer in your sound design or for those project where music and sound design are pretty close.

    Files have been designed on the basis of two different TVs buzzing, making a total of 32 buzz files, which have also been included in the collection. Calibrated to -24 LUFS. You can experiment with them to create more sounds, or use them as what they are, a TV buzz.

    All files come in 96 kHz/24 bit, with a very descriptive metadata, based on what the sounds represent and which kind of feeling and mood they suggest to the listener.

    Soundcloud preview includes all the designed sounds.

  • Glass and Metal Clouds are the result of experimenting with the tonal and noise elements of a glass or metal impact via granular processing. Various household objects were struck and recorded, ranging from metal shovels, desk legs and brass ornaments to glass and crystal objects – basically anything that would ring after it was struck.

    The recordings were then sent through ‘Clouds’ and processed with gentle, chaotic modulation by a combination of sloth chaos modules and standard cyclic modulation resulting in drones that gently sweep between musical tonal sounds and the random noise produced by the strike and are ever evolving; some more than others.

    Sometimes some surprising sounds came out of the drones and I let them run, some were kept quite constant with only a subtle amount of modulation so there is a lot of variation in the pack.
    The sounds came from my need as a sound designer to embed strange mood, emotion and feeling of uncertainty into everyday ambience.

  • The Machine Factory library delivers 265 unique impact & foley sounds with over 26 minutes of playtime – including sounds such as metal doors, stairway, wood impacts and many other like metal impacts or thundering metal. The library is perfectly suited for post production, audio books, radio broadcasts and other audio channels. All sounds are in WAV, 24 bit & 96 kHz and include metadata.

  • Metal Sound Effects Metal Contact Play Track 136+ sounds included, 230 mins total $24

    The Metal Contact sound library features the recordings of various metal surfaces tortured with different tools. From touching things with fingers, through hitting with metal bars and up to using blenders or magnets to cause the materials to resonate.

    While recording this library my goal was to cover different needs, not only for sound designers but also editors. Scrapes and squeaks were recorded with different intensity and speeds, just like the impacts. From soft and quiet, through medium up to loud and reverberant ones.

    In addition to the regular approach of just touching, hitting and scraping metal parts, I’ve decided to record few experimental sound effects. Listening to the tons of water flowing through a dam, by sticking the microphones to the building’s wall? You got it. Messing with guitar strings using a blender and magnets? It’s here. Throwing coins and different metal parts inside cast iron cooking dish? No problem!

    Includes recordings such as:

    Different lids, cast iron dishes, metal pots, baking forms and sheets, bullet catcher, different boxes, cooking oven, sinks, fan, pans, grills, coins, small tools, different jugs, electric guitar, buckets, washing machine, metal parts, old doors and walls, road sign, handrails, cages and much more.

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  • Foley Sound Effects Burst Play Track 324+ sounds included, 38 mins total $16

    This collection features a wide assortment of FX derived from that classic Japanese soda, ramune.  By controlling how the drink is opened, a veritable cornucopia of sonic clay is unleashed.   With its unique design and composition of materials, the ramune bottle creates a timbre all its own.  Glass, soft plastics, bits of aluminum, and the carbonated soda interact in unique ways.  Layer these sounds into impacts, slides, scrapes, openings, divisions, and any other effect where a dynamic high end transient is required.

    Soon to be a new go-to library in your collection.  Drink up!

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  • Bundles Wind Bundle Play Track 244+ sounds included, 1260 mins total $167

    Wind Bundle includes four different sound libraries, providing a comprehensive and versatile collection of windy sounds. By purchasing this bundle you will benefit of a 20% discount.

    • Urban areas: empty streets, backyards and parks howling and whistling, trees rustling, plastic and cloth materials flapping.
    • Rural areas: meadows, cliffs, forests, marshes, montane grasslands, high mountain ridges.
    • Wind through vegetation: bushes, shrubs, trees, corn fields, palm leaves, lanceolate leaves.
    • Indoor perspectives: windows, shelters, attics, cars, even from inside a helmet.
    • Unless it’s specified in the filename, all recordings are free of human made noises, bird and insect.
    • From turbulent winds to long sweeping gusts and light breezes.
    • LOM Geofon was used both in stereo and mono configurations. Attached to several materials (chimneys, ACs, bottles, chains) blasted by wind. Depending on the homogeneity of the sounds, these files have been delivered either in mono as two different channels or in stereo. You can always split them up.
    • Gear used: Sound Devices MixPre 6-II, Zoom F8, Zoom F3, Sennheiser 8040s and MKH30 in DMS, Sennheiser 8040s in ORTF, Sennheiser 8050 or 8040 with MKH30 in M/S, Sony D100, LOM Mikro Usis, Clippy Primo EM172, LOM Geofon.
    • All files are labeled with descriptive keywords and metadata.
    • UCS Compatible Metadata embedded. Fields included CatID, Category, Subcategory, FX Name, Filename, Description, BWDescription, Library, RecType, RecMedium, Microphone, Designer, Manufacturer, Keywords, VendorCategory.
    • Libraries included: Wind Textures, Wind Textures II, Wind Textures III, Wind textures IV.
  • This sound library introduces reverberant aggressive metal rampage with just a hint of subtlety right before the enormous sound rushes to deliver a piercing brutal blow.

    Featuring creeping evolving metal pressure and resonating rattle, gritty friction and massive rumble, explosive impacts and fierce slams, vicious screeches and nerve-racking squeaks.

    Explore and layer meticulously edited source material or drag and drop high-end detailed sound effects designed for instant devastating damage.

    With plenty of experimentation and unique processing, this library introduces a fresh sound palette for action adventure and horror genre, trailers and in-game cinematics.

    This Sound Library is a part of the Slava Pogorelsky – Complete Bundle.

    WHAT SOUND PROFESSIONALS SAY:

    Victor Mercader – AAA Sound Designer (Apex Legends)
    “I find myself continuously using Slava’s SFX libraries to blend it’s pristine and detailed sound designs into my own sounds. They always add that cutting edge I am missing and make my sound designs more unique and pristine.”

    Enos Desjardins – Sound Designer/Sound Effects Editor (Mission: Impossible – Dead Reckoning, Black Mirror)
    “Slava has been creating some really cool libraries which I find myself using time and again. Really high quality recordings to start with but then the cool processing he has used for example in his cinematic whoosh libraries really stand out. They are not just your standard generic whoosh sounds but are loaded with character and have a unique feel to them that is really fresh and cuts through in the nicest of ways.”

    Bjørn Jacobsen – AAA Sound Designer (CyberPunk 2077, HITMAN, DARQ)
    “Slava has for several years made high quality sound effects for me to play with. I use his sound libraries across multiple projects as lego blocks of my creations.”

    Ginno Legaspi – SoundBytes Music Magazine‎
    “Slava is back with another aggressive and energetic sample library called Resonating Metal Force – a 680 strong collection of modern metal effects captured using various tools and high-end studio equipment. The source material was edited and processed professionally for instant use. These sounds are primed for experimentation – whether you add your unique processing, layer several WAV samples or slice and dice to your heart’s content, the sky’s the limit. This sound pack is another winner.”

    Yarron Katz – AAA Composer and Sound Designer
    “Slava makes some wonderful libraries. He’s relatively new on the scene and his libraries have come to critical acclaim. He takes some general ideas, like whooshes and he injects some extremely revolutionary and innovative ideas to them, so you’re not getting another whoosh library – you’re getting something very unique, very fresh. He brings some wonderful ideas to the table.”

  • Presenting the Creaks And Squeaks sound effects library from Sonicsalute.
    The material in this library was recorded for the sound editor who just cant get enough different creaking and squeaking sounds. For the editor who needs a vast amount of creaking floor boards, or for those who are struggling with finding that classic metallic squeaking sound that will fit in a scene.
    Each track contains multiple takes and variations, which will make finding sounds that have the same acoustic sound surrounding them, more easy.

    103 UCS metadata tagged tracks, 1.25Gb, 96Khz, mostly recorded in quiet acoustic spaces, featuring:

    • Old vintage chairs
    • Antique church bench
    • Plastic
    • Floor boards
    • Leather straps
    • Boxing leather sand bag
    • Ropes, both organic and nylon
    • Doors
    • Hydraulic metal lift
    • Home made creak box
    • 18 slot metal post box, with multiple takes of rhythmical squeaking loops, which easily can be shuffled into even more options.

    Recorders used: Sound Devices 702 and Mixpre
    Microphones: Sennheiser Mkh416, Mkh30, Mkh8020´s, Ambient Ate208.

  • Fully over 6 tons of metal was pummelled during the making of this sound library. Prepare for some serious metal impact recordings with this massive SFX collection that will be the go-to for game sound design, trailers, and film. Recorded over several months with precision recording techniques and discerning ears, this hard-hitting, vast library will serve any serious sound designer well for years to come.

    Capturing Intense Metal Impacts

    After recording a few dozen metal impact sounds with a standard close-mic recording setup, we were just not getting the next-level quality we wanted for this library. The recordings had an overbearing proximity feel and the sharpness of the transients was fatiguing our ears. With time, experimentation and a lot of listening we found a formula which changed the game completely. We want to share some of our findings with you!

    Microphone Setup Positioning 1

    Using a stereo pair of Sennheiser mkh 8040s feeding into a Mix Pre 6, the first step was to change up the mic positions into some balanced but unusually placed, more distanced configurations. For the sound pressure levels (SPL) that the impacts were throwing out, mid-distance recording positions were providing a broader frequency, more balanced overall feel. It might be obvious, but taking the time to position the mics and find where the nodes of sound waves are most interesting is key. At this point in our setup, the captures of the old metal cabinet we were pounding already started producing some very interesting results.

    Microphone Setup Positioning 2

    Getting within striking distance of the quality target, we still found that the recordings were not celebrating that resonant bass personality that is particular to metal objects and surfaces. To address this, we brought in a LOM Geophon contact mic which we do recommend to pick up low end frequencies beautifully. Positioning the Geophon at different nodal points on the metal surface – which was entirely different for each surface used – we started getting some well balanced low end into the recordings. The captures were really starting to get to where they needed to be; the bass was there, the frequency range was there, and above all, the complex personality of the metal impacts was really pouring through the headsets. Almost there, some truly fantastic audio captures.

    Microphone Setup Positioning 3

    The final touch was added to the recording setup when a fourth microphone, a shotgun Rode NTG2, was added to the mix. The shotgun mic was pointed directly at the source of the impact with mid-low input gain to bring in a present but balanced transient into the impact recordings. Absolute magic – the quality target was achieved and even surpassed. For recordings like these we can definitely recommend multiple microphone positions, and a high quality contact mic is essential. For each object and surface used in this Metal Impacts SFX Library, either one of the recording formula described above was used to capture the best sounding metal impacts, shakes, resonances, rattles and rings you will ever own.

  • Magic Spells Sound Pack

    143 professional-quality & game-ready sound effects for general magic, huge elemental spells, casting loops, healing, and much more.
    Includes:

    • 70 Elemental Magic Spells (Fire, Arcane, Ice, Water etc…)
    • 35 Elemental Magic Buffs
    • Healing
    • Negative Auras
    • General Casting & more…

    More info:

    • Perfect for any game or project where magic, healing, mage combat are featured.
    • Each spell designed by professionals using unique source material, giving you huge variation for your game’s magic.
    • Mixed and mastered to a game-ready standard, check out the previews for yourself – we are immensely proud of these sounds.

    Format
    All files are in:
    WAV – Stereo  (44.1 Khz, 16bit)
    OGG – Stereo  (44.1 Khz, 16bit)

    Unlimited Use
    Use the sound effects as much as you desire, in any of your projects or productions, forever without any additional fees or royalties.

    Designed By
    The team at Daydream Sound ([email protected])

  • The Tool Pack 01: Drops contains over 90 minutes ( 350 files) of a variety of tools and decorating items drops, impacts, rolls & slides, allowing for a huge array of custom variations to be created.

    The assets have been designed for use with computer game media that demands high asset variations, however this pack is suited for all forms of audio media.

    The included basic construction kit / original recordings enables further custom asset details to be created for more granular focus.

    All assets have been recorded & produced at 96kHz/24bit.

    Included in this pack:

      • • Individual Designed full sequence drops (Impacts, Rests, Rolls, Slides, etc…) Ready to use

     

      • • Basic construction kits of the original recording, Including Bounce, Rests, Rolls & Slides, with multiple variations.

     

      • • 20 unique tools / items types each with their own characteristics

     

      • 4 main surface types: Concrete, Metal, Rubber Foam, Wood.
  • FUTURISTIC SOUND DESIGN ELEMENTS
    Sometimes a sound is elementary for a complex sound design and sometimes a single sound is an iconic statement. NEON is both: A modern SFX library that is fundamental to designing new sounds while expanding your library with unprecedented stand-alone SFX.

    WHAT’S INSIDE

    BLASTS, BRAAMS, HITS, MOVEMENTS, PARTICLES, WHOOSHES, TEXTURES, ZAPS, AMBIENCES

    PERFECT FOR STANDALONE USAGE
    NEON was built to deliver yet unheard creative sound design and sonic quality. Each sound has been hand-crafted and had to pass the very critical ears of every involved sound designer. This process took us longer than usual, but the result speaks for itself. More than 700 professional sound effects are waiting for you to drop some jaws.

    PERFECT TO DESIGN YOUR OWN ASSETS
    NEON contains pre-processed and designed source material that is useful for sound designers to create their own assets. Our regular BOOM Library DESIGNED collections are highly processed and mastered for fantastic instant results in your projects, whereas our regular CONSTRUCTION KITS contain our raw and cleaned source recordings. NEON fills the gap in between. The sounds are less processed, leaving enough room to further mangle, process and enhance them to add your personal twist to it, making NEON a perfect toolset for fast and efficient modern sound design.

    PERFECT FOR TRAILERS
    NEON is the ultimate weapon for futuristic and modern trailer sound design. Adding these massive blasts, ingenious hits and gripping movement sounds and whooshes to your project, will make them sound cutting-edge, whether you like it or not.


    TECH SPECS

      Files: 200
      Sounds: 750
      Size: 3.2 GB
      Content Info: PDF + XLS
      Available As: Download
      Format: WAV – 24bit – 96kHz / Windows + Mac
  • More than two years after the release of Binary Code sound library, Sound Response brings you massive (1.5GB in size) second installment – Binary Code 2, with a total of 1000 professionally designed, high quality, futuristic interface and sci-fi computer UI sound effects!

    Binary Code 2 is a diverse collection of HUD and UI sound effects separated in eight different categories, that features vast selection of neutral interface hi-tech beeps, bleeps, and button sci-fi sound effects, confirmed (access granted) and negative (access denied) interface sounds, subtle sweeps and smooth futuristic hi-tech hologram sound effects, data processing and readouts, various glitch sound effects, those chirpy 8-bit retro game sounds, and typing sci-fi sound effects! With this large and versatile interface sound effects collection at your disposal you’ll be able to create that sought-after, sophisticated, futuristic sound for your next game, movie, trailer, video, app, music track, or any other project that you’re working on!

    Creation of Binary Code 2 sound library involved two months of extensive sound synthesis with synthesizers and usage of noise generators in order to create the necessary source sounds, followed afterwards by hours upon hours of mangling, processing, meticulous editing and fine-tuning.

    Binary Code 2 sound library contains 1.57GB (1000 sound effects) of high definition 24bit/96khz Stereo WAV files, embedded with metadata to speed up your workflow, and separated into eight categories.

    Categories included:

    1. Neutral • 2. Confirmed (Access Granted) • 3. Denied (Access Denied) • 4. Subtle (Holograms) • 5. Data Processing • 6. Typing • 7. 8-Bit Retro • 8. Glitches

    If you like the sound of Binary Code 2 be sure to check out the most massive and the most diverse interface sound library from Sound Response to this date – Binary Code 3 – Interface Multiverse! The third installment features 1300 (2.3GB) professionally designed, brand new HUD & UI sound effects separated into 10 different categories and it contains everything from neutral beeps & buttons, confirmed (access granted) and negative (access denied) UI sounds, sophisticated holograms & subtle transitions, various glitches, typing sounds, and much more!

  • Mechanical Sound Effects Lifts & Elevators (EA) Play Track 350+ sounds included, 140 minutes mins total $50

    This library contains a collection of sounds sourced from 22 different elevators found in the following locations:

    • Apartments
    • Car Parks
    • Libraries
    • Offices
    • Theatres
    • Universities
    • Warehouses

    Each elevator has its own unique characteristics featuring creaks, groans, impacts & rattles. All elevators feature roomtones, buttons, doors opening & closing (both interior & exterior perspective) and in motion using the Sound Devices Mix-Pre 6, Sennheiser MKH 416 and Sennheiser MKH 8020 stereo pair at 24bit/96khz for all your sound design needs.

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

  • Metal Sound Effects Ilmarinen Play Track 302+ sounds included $20

    This collection encompasses the foundations of a blacksmith audio library.  Hits, grinds, machinery, tools, and squelches are all included.

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  • Sci-Fi Electric is a collection of sparks, static, drones, hums, zaps and textures! The library features 64 files with over 80 audio clips. Here you’ll find a wealth of processed sounds for your Sci Fi adventure. Source material ranges from beard scratching to lap steel pickup interference.

    Through processing they end up as “alienistic” textures, sparks, static, drones, hums, zaps, ambiences, and whatever else your imagination can come up with! Other sounds include raw microphone feedback, streetlight buzz, and electrical static.

    The source material ranged from beard scratching to lap steel pickup interference… This one was fun to make, and it will be even more fun for you to play with!

  • This library features recordings of different objects ripped and torn apart, making for lots and lots of interesting material for you to design anything you want. Features a total of 445 audio files in 17 different categories.

    Note: This is an updated and remastered version of Rips and Tears – it also features more and better metadata.

    Includes 17 different categories, including:

    Cardboard • Coupon Paper • Craft Paper • Denim • Duct Tape • Foam Board • Food • Large Envelope • Paper Bag • Paper Box • Poster Board • Randoms • Regular Paper • Sock • T-Shirt • Velcro

    Bonus:
    This library includes the Suburb Rain SFX collection at no extra cost - featuring almost 50 minutes of rain recordings
  • Sand and Pebble features 671 drops, hits, impacts, debris, scrapes, slides, pours, tosses, shakes, rolls and more movement sound effects on lots of surfaces. Find the true sound of it with Vadi Sound Library.

     

    About Sand and Pebble

    671 files (431 sand and 240 pebbles) that are clean, impactful and capture pretty much every material, surface, and action, with a variety of sand granules and pebbles being thrown, poured, cascaded, handled, and manipulated in various ways.

    Includes 671 takes from 2 perspectives on cardboard, metal, plastic, ground, stone, wood, tile, rocks, and more surfaces.

     

    The sand and pebble sounds are broadly grouped as:

    Action: Drop, hit, throw, impact, debris, trickle, scrape, slide, pour, toss, shake, roll, friction, dip, stab, brush, fill, mix, shake, sift, crash, gather, pick up, break, sweep

    Surface: Metal, aluminum, copper, plastic, ground, stone, wood, gravel, tile, rocks, dirt

    Style: Fast, hard, medium, slow, soft, in intervals, tonal, rattle, squeaky

    What makes this collection handy is the creativity, clarity and diversity of the sounds. These meticulously recorded sounds have both practical usability and room for further sound design.

    You will get intuitive, detailed naming, UCS compatibility and the usual Vadi Sound craft and attention to detail in 671 pristine sounds.

    Recorded in 24bit-96kHz.WAV format on our favorite Sennheiser MKH 8040 and DPA 4060 stereo pairs and Zoom F3 in A/B and ORTF.

    What else you may need

    You may also want to check out the new Lots Of Chains Sound Effects Pack for 450+ sounds that capture pretty much every material and action of the chain, and our bestseller Crafting and Survival Sound Effects Pack for 1000+ survival, gathering, movement and crafting sounds.

  • Here’s lots of dragging, sliding, scraping and friction sounds of different objects made of wood, plastic, metal on various surfaces. Find the true sound of it with Vadi Sound Library.

     

    About Drag & Slide

    477 files that are clean, impactful and capture pretty much every material, surface and action.

     

    The sounds are broadly grouped as:

    Action: Drag, Scrape, Roll, Impact, Rattle, Swirl, Fall, Drop, Friction

    Material: Rock, Wood, Metal, Plastic, Cloth, Ceramic, Stone and more

    Object: Household Objects, Furniture, Tools, Kitchenware, Office Objects, Clothes and more

    Surface: Stone, Glass, Ceramic, Metal and more

    Style: Fast, Hard, Medium, Slow, Soft, In Intervals, Tonal, Squeaky

    What makes this collection handy is the clarity and diversity of the sounds. These meticulously recorded sounds have both practical usability and room for further sound design.

    You will get intuitive, detailed naming, UCS compatibility and the usual Vadi Sound craft and attention to detail in 477 pristine sounds. Recorded in 24bit-96kHz.WAV format on our favorite Sennheiser MKH 8040 stereo pair in A/B and ORTF.

     

    What else you may need

    You may also want to check out Lots Of Chains Sound Effects Pack for 450+ sounds in 150 SFX files that capture pretty much every material and action of the chain, and our bestseller Crafting and Survival Sound Effects Pack for 1000+ survival, gathering, movement and crafting sounds.

  • The Foley Vault is home to an ever-growing collection of original Foley recordings.

    Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.

    These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.

  • Fire Sound Effects Torch Burning – fire Play Track 59 sounds included, 20 mins total $25

    Torch Burning – fire FX library

    Fire torch burning recorded outdoors and in underground military complex-with rich natural echo.

    Many torch burning actions including: stationary, moving torch, walking around, away,… mics. Check the sound list for add info.

    59 RAW files without any dynamic manipulation (compressors/limiters etc.). Maximum peak level is approx. -5 dBFS. Silent background.

    Recorded in MS stereo, NOS stereo, XY stereo, various perspectives and distance from torch-fire. Check the sound list for additional info.

    Equipment used: Sennheiser MKHs mics, Rode NT1a mics (matched), LOM Usi Sound Devices recorder/mixer (for every file in the metadata chunk there is a description ).

    Metadata tagged with list of equipment and microphone technique/stereo setup used.

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  • The Car Destruction sound effects collection contains chassis scrapes, dragging, flipping, road rail scratching, multiple car chassis dropping takes include rolling down a slope, falling onto the ground, and impacting other cars.damaged engine idling and slow to fast driving with gearshifts, ramps, and steady RPMs from both onboard and exterior perspectives both on two cylinders and without oil and more.

  • Drones & Mood Sound Effects Minacious Play Track 369 sounds included, 42 mins total $30

    “Minacious” is a collection of 369 sounds suited for horror/paranormal productions.

    If you need to induce tension, fear and oppression in your game, movie or trailer and evoke the sensation that someone or something is hiding and watching you ready to scare or kill, this library full of textures and atmospheric elements is great for you.

    The library consist of 50 WAV files at 24 Bit / 96 kHz with 6 variations in each file. You will get metallic movements, abnormal textures, dark pianos and guitars, dark vocals, atmospheric elements, reverses, noises and glitches.

    Also you will get the sources used to create the pack. 69 WAV files at 24 Bit / 96 kHz. Pianos, vocal effects, guitar noises and metallic cups are some of the things you will encounter in the sources section.

    The sounds in this pack can be used to add rare textures to musical compositions too.

    If you liked my library “DARE“, you are gonna love this one.

  • This sound library contains a wide variety of creaks, squeaks and squeals. All content was recorded using high-quality, professional equipment, such as Sennheiser MKH-8050, Neumann Kmr81i, Rode NTG3, and Sony PCM-d100.

    This unique sound library contains 145 files with over 1300 high-quality sounds from a wide variety of sources, including materials such as glass, rusty ladders, wicker baskets, vintage leather jackets, and large ovens. These sounds can be used for traditional foley, eerie horror, or for any sound design you can imagine. Metadata is provided.

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