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Metal sound effects

  • The Master Gun Colt M16A4 RIS Bundle Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    This library features two Colt M16A4 RIS one recorded with a 20 channel setup, and a 2nd one recorded with a 32 channel setup.

    Raw Recordings – Gun Colt M16A4 RIS V1

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Raw Recordings – Gun Colt M16A4 RIS V2

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    1st PERSON
    Game Ready 1st Person Designed Mixes Both With & Without Tails
    3rd PERSON CLOSE
    Game Ready 3rd Person Designed Mixes Both With & Without Tails
    3rd PERSON DISTANT
    Game Ready 3rd Person Designed Mixes Both With & Without Tails

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Ithaca Model 37 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Barrett M107A1 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun AK-47 (Type-56) Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Blaser LRS2 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Kel Tek KSG Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the Kel Tek KSG with a suppressor attachment. The suppressed Kel Tek KSG was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun IWI Galil MAR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun Beretta M9A3 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the Beretta M9A3 with a suppressor attachment. The suppressed Beretta M9A3 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • City Life Sound Effects Telephone Booths Play Track 54 sounds included, 103 mins total $19.99

    Telephone Booths features the sounds of indoor wooden and outdoor aluminum telephone booths. From the early 20th century until the last decade, these booths could be found inside hotels, restaurants, offices, state capitol buildings, highways and rest areas throughout the United States. In addition, the library includes sounds of pay telephones that would have been used inside these booths. These include hand crank, 3-slot rotary and 1-slot push-button Touch-Tone telephones.

    I used a variety of microphones along with several miking techniques (X/Y, OFTF, and binaural). You’ll hear bi-fold doors sliding open and closed in stereo, sometimes accompanied by an annoying squeal. You’ll listen to coins being dropped into the phone and receivers being picked up and placed back on their cradles. And of course, you’ll hear numbers being dialed. On a rotary phone, each number takes slightly longer to circle the dial, with one being the shortest and zero being the longest. 

  • Over 80 spokes on an abandoned vintage hay tedder produce raw rattles, vibrations and scrapes.

    Featuring geophone and contact mic recordings, the library includes detailed textures from metallic rubs and glitches to wind tones and subtle grass rustles.

    Perfect for creating atmospheric metal FX, deep bass clangs, trembling impacts and earthquake-like rumbles.

     

    Multi Recording Takes For Varying Nuances

    Multiple Microphone Perspectives

    Type : Source Files – WAV Stereo & WAV Mono

    Mastered : No

    Normalised : Yes  -6 dbFS      

    Recorder : Sound Devices Mix Pre 10II

    Microphones : Stille and Klang spot contact microphones, Organic Audio Cjossul contact microphones, LOM Geofon

    Microphone Perspective : Contact / Magnet

     

    Documentation Included : Copyright, EULA, Images, Metadata (exported in multiple formats)

    Metadata : Files are stamped with detailed UCS compliant metadata in Soundminer, including pictorial references.

    https://www.youtube.com/watch?v=PMyXnY2XJlE

  • 288 files • 96 kHz/32 Bit • 3.74Go • 54:29 mins

    Introducing Homemade Waterphone: a daring journey into the realm of experimental sound design. Crafted from scratch, this unique instrument is the culmination of our quest to forge an otherworldly sonic experience.

    Designed as the ultimate tool for crafting horror stingers, thrilling ambience, and spine-chilling sequences, Homemade Waterphone offers an unparalleled range of possibilities. By seamlessly blending contact microphone and stereo microphone recording techniques, we’ve unlocked a vast spectrum of sounds, spanning from earth-shaking sub-bass to ethereal high frequencies.

    Each sound within this library has been meticulously captured using top-of-the-line equipment, ensuring unparalleled audio quality. Every detail has been painstakingly refined through individual editing, resulting in a collection of sounds that are both captivating and immersive.

    Delivered in Broadcast Wave format, with embedded metadata for seamless integration, Homemade Waterphone promises a fast and effortless workflow. Whether you’re scoring a horror film, crafting a spine-tingling video game soundtrack, or exploring the depths of experimental music, this library is your key to unlocking a world of sonic possibilities. Are you ready to dive into the unknown?

    Respecting all complaints from the UCS system.

  • Discover the Mechanical Pencil Sharpener Library, featuring 90+ high-quality recordings of a hand cranked mechanical Boston pencil sharpener. With a wide variety of sounds from the sharpener including cranking at different speeds, grinding, impacts, squeaks, clanks and clicks there’s plenty of material to use in your designs.
    Perfect for filmmakers, game designers, and sound engineers, these 192kHz/24bit recordings offer versatile creative possibilities and allowing for fantastic pitch bending.
    Ideal for design, weapons, mechanical devices, engine rooms, sweeteners, and a wide range of other metal, rubber, and mechanical gear related activities.

  • Nolan Sound Library – ALL IN ONE Bundle.

    Get 1825+ Files in one bundle: Trains, Norway Nature, Nature Soundscapes, Radio Noises, Motocross, Foley Sounds, Spain Ambiences, Planes, Airports, New York Life, Mountains Winds, Forests and many more…

    Also includes the NSL in ATMOS Format for big productions.

  • Typewriters is a sound effects collection chock-full of vintage typewriters making sounds beyond the simple click-clack-clunk heard in so many TV shows and movies. I was curious if there was more to the sound of these old machines than meets the naked ear. Would recording them with high-end Barcus Berry contact microphones help bring out the best in them sonically? After recording 20 typewriters for this library, and performing a variety of keystrokes and actions on each in isolation, I can definitively say, yes.

    Included are standard, portable and ultraportable machines from the early 20th century to the mid-1970s. Each machine, metal or plastic, emits sounds that are almost musical in nature. These files can enhance your next sound design project in nuanced ways that exceed the usual clickity-clack-clunk-thwack-smack we associate with typewriters. You’ll get a variety of zips, rips, twangs, growls, bounces, snaps, zings, rings and dainty end-of-line warning bell dings.

    Typewriters Recorded Plus Production Dates
    • Aztec 14 – 1963
    • Corona 3 Folding – 1912
    • Corona Standard – 1938
    • Hammond – early 1900s
    • IBM Selectric II – 1973
    • Oliver Number 5 – 1908
    • Olympia Traveller – 1974
    • Remington KMC – 1947
    • Remington Standard Number 12 – 1922
    • Royal Companion – 1941
    • Royal Quiet DeLuxe – 1951
    • Royal Safari II – early 1980s
    • Smith Corona Galaxie – 1959
    • Smith Corona Silent – 1953
    • Smith Corona Skyriter – 1957
    • Smith Corona Sterling – 1953
    • Tower Quiet Tabulator – 1956
    • Underwood Olivetti Lettera 22 – 1953
    • Underwood Rhythm Touch – 1949
    • Underwood Standard Number 5 – early 1920s
  • The Foley Vault is home to an ever-growing collection of original Foley recordings.

    Each library was captured by professional Foley Artists on our in-house Foley Stage using a Sennheiser MKH50 microphone.

    These sounds were originally performed for a variety of feature and short film projects. They have now been compiled and released for you to edit and implement into your own film, game and television productions.

  • The Sonomar Collection: Pianos sound effects library began with a curious question: What new and unconventional sounds can be made with a piano for use in sound design?

    The result is 652 enigmatic sounds exploring the sonic properties of various pianos to create suspense and tension in your audio projects. Created by sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the Sonomar team, the Pianos library blurs the line between music and sound design – captured at 192kHz using contact mics and an MKH-8040 for endless possibilities in pitching and processing.

    Available in three unique collections, this expressive library combines the resonant nature of pianos with experimental approaches to recording, performing, and preparing this classic instrument:

    Pianos – Broken contains 63 rusty, grinding, rhythmic growling piano hits for eerie roars and anxiety-inducing resonances. Includes percussive performance by Thomas Brodeur from the Sonomar team.

    Pianos – Prepared features 539 textured punches, decays, chords and notes – ripe with complex harmonics, string rattles and vibrations. Created by placing objects on the strings of a piano with performance by Mingan Sauriol.

    Pianos – Designed expresses the limitless possibilities of the raw recordings with pitched and processed sounds ready to drag-and-drop directly into your designs.

    Each sound file is embedded with rich metadata to help you find the sounds you need with a fast and precise search. Unique descriptions of each recording encompass both literal sonic qualities as well as the images they invoke to enhance your creative workflow. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 652 sound effects (16GB)
    • The full bundle includes:
      • Pianos – Broken: 63 sound effects
      • Pianos – Prepared: 539 sound effects
      • Pianos – Designed: 51 sound effects
    • 24-bit/192kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • Bicycle Sound Effects BlueBird Bicycle Play Track 500+ sounds included, 70 mins total $60

    Resonating metallic creaks, groans, impacts, rattles and tremors from two variations of the BlueBird cargo bicycle.

    This library covers all the possible perspectives, featuring recordings from the metallic box interior, exterior and contact.

    All sounds were recorded using DPA 4060 stereo pair, Jez Riley French C-Series contact microphones, Schoeps CCM4/CCM8 Mid-Side microphone and the Sound Devices 788T.

    Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.

    Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.

  • Metallic Scrapes is a focused library of metal-on-metal movements, featuring a range of drags, scuffs, and surface scrapes. From short, subtle textures to longer, sustained scrapes, these sounds provide useful building blocks for adding grit, tension, or industrial detail to your projects.

    Each sound is included in both raw and processed versions, giving you flexibility to choose between clean recordings for natural realism or designed variants that are ready to drop straight into your timeline.

    While less dramatic than impacts or crashes, these textures are effective for layering into ambiences, creating transitional elements, or adding subtle tension in sci-fi, horror, or industrial contexts.

    All files are carefully edited and delivered in 96kHz / 24-bit quality, complete with UCS-compliant metadata for fast and accurate search results in your sound effects workflow.

  • Metallic Atmospheres is a collection of designed ambiences crafted entirely from metallic source material. Our team recorded a wide variety of metal objects and surfaces, then applied advanced sound design techniques to transform them into evocative atmosphere tracks.

    This diverse assortment captures an extensive range of textures and emotions, from eerie resonances and unsettling tonal beds to harsh industrial environments. Perfect for quickly establishing a dark, immersive mood, these sounds are ideally suited for sci-fi, horror, dystopian, and post-apocalyptic productions.

    Every file has been meticulously edited for immediate use, so you can drag and drop them straight into your DAW timeline without extra cleanup. All sounds are delivered at 96kHz / 24-bit for maximum fidelity, giving you the flexibility to manipulate, stretch, and layer them further in your own designs. Each file has been tagged with UCS-compliant metadata, ensuring seamless integration into any professional sound effects workflow.

  • Hammer Impacts contains 53 high quality impacts on nails, wood and metal surfaces, with variations of soft, medium and heavy hits. It features a mix of both single strikes and multiple strikes, offering flexibility depending on your projects.

    25 %
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    Ends 1760479200
  • Quietsub FX Construction

    A large collection of 1,097 Construction sound effects. This contains the sounds made fixing around the home and noises made by professionals, as loud as they may be.

    It seems people are always building something. They also make a lot of noise doing it. From home building, workshops, public works projects, home renovation and plumbing, even Blacksmiths! This collection covers all the bases.

    Production of this collection was challenging. Although recording stationary sounds like hammers and saws is relatively simple, they still have to be located and gain permission to record items. Also, large construction equipment has be recorded on-site. Getting close enough can be difficult. Being polite and respectable to workers always helps. It can be dusty, dirty, and you deal with conflicting background sounds such as road traffic.

    Sounds in this collection:

    • Metal parts dropping
    • Blacksmith
    • Anvil hits
    • Backhoe digging
    • Bricklaying
    • Chisel mortar
    • Bulldozer
    • Carving wood
    • Chainsaws
    • Compressors
    • Concrete cutter
    • Shovelling
    • Construction site backgrounds
    • Jackhammers
    • Cranes
    • Disposal bin
    • Drills
    • Hammering
    • Drywall work
    • Dump Trucks
    • Earth mover
    • Excavator
    • Generator
    • Grinder
    • Hand saws
    • Jigsaw
    • Masonry work
    • Nail gun
    • Painting
    • Plumbing work
    • Power washer
    • Ratchet
    • Sanding, powered and manual
    • Saws, powered
    • Screwdrivers, powered and manual
    • Sledgehammer
    • Staple guns
    • Street cleaner
    • Measuring tape
    • Sweeping
    • Tinsmith
    • Tire iron
    • Tractor
    • Wire cutting
    • Wood breaking
    • Wrenches

    Everything you need for your next construction project!

    Files are 24-96000 BWF with metadata.

  • Foley Sound Effects Saxophone Play Track 443 sounds included, 8 mins total $20

    We were in need of some Saxophone foley but couldn’t find any suitable sounds, noticing a gap in the market we borrowed a Saxophone and started recording trying to cover as much as we could.

    We recorded everything from:

    Saxophone Grabs and Releases
    Saxophone Foley Taps, Handle and Strokes
    Key Presses
    Mouth Piece Attach
    Neck Attach and Remove
    Saxophone placed/removed into/from a case
    Case Fabric stokes for more Saxophone/Case contact

    Saxophone will give you enough audio to give your project the authentic sound of a Saxophone, boosting your project to the next level. Saxophone has been edited to allow a drop in ready and Royalty Free sample pack. These Samples can be used in a variety of projects from Sound Designing/Compositions for TV, Film, Documentaries and Video Games. UCS Compliant and Metadata is attached to the samples.

  • Sound Design Kits are premium libraries built for professionals and studios, combining versatility, organic variation, and state-of-the-art quality.

    This pack includes:

    • 468 individual actions

    • Over 4,000 sounds of authentic gun handling and foley

    • 12 iconic WWII weapons meticulously recorded

    • Detailed cloth handling textures for added realism

    • Additional metal mechanics and textures for extra depth

    • 10 ammunition types covering reloads and magazine actions

    • Fully UCS-standardized filenames, with rich metadata and detailed vendor categories

    Included Actions

    Bullet handling & reloads, gun mechanics, cocking, gun handling, cloth foley, and mechanical sweeteners.

    Included Weapons

    MP40, Thompson M1A1, K43, M1 Garand, Mosin-Nagant, Mauser G43, Mauser 98K, Walther P38, Luger P08, Colt M1911, Zastava M72, M260, StG 44, Marushin M500

    With a minimum of 8 variations per action, this library delivers the versatility and depth required for both game audio and film, making it a powerful resource for high-quality productions.

    Gun Handling, Foley and Mechanics Sound Effects Library

  • City Life Sound Effects NSL – 60s TRAINS Play Track 51 sounds included, 100 mins total $15

    This Sound-Pack features a diversity of 51 Punctual Sounds, including Train Pass by, Onboard High Speed Rolling, Raw Metal Railway Sounds, Train Doors, and a lot more !

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