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Metal sound effects

  • The suspense is building with the with Cinematic SFX Series! Find out what it sounds like with Vadi Sound Library.

    About the Cinematic SFX Series

    With the Cinematic SFX Series, make your audience feel the atmosphere you want to create with 300+ fresh sounds.

    This pack includes sounds of cinematic hits, booms, stingers, trailer sounds and much more. It gives you access to the designed sound effects, transition sound effects, and explosions sound effects that your project calls for – ready to be used as-is, or as building blocks for further creative sound design work.

    This is a bestseller pack that’s been designed after heavy research of the existing cinematic sound effects out there and exploring how to bring a fresh new angle of sounds to this important genre.

    218 sound files in 24bit/96 KHz .wav format with easy-to-navigate naming. It was recorded over a 6-month period, in collaboration with film makers and prerecording supervisors.

    Keywords including Actions, Parts, Equipment and Style
    Cinematic, trailer, hit, boom, stinger, transition, impact, pass-by horror, resonance, woosh, metallic, glassy, shimmer, saturation, designed, drum, cyber, texture, materials, swoosh, magic, spell, riser, ambience, creepy, eerie, brass, heavy, soft, reverse, film, game, movies, video, music.

    What else you may need
    You may also want to check out our Cinematic Whooshes & Transitions SFX Pack for access to clean and processed sounds, including futuristic sounds, pass by, power ups/ downs, movement, machine, and more sound effects.

  • TOOLBOX SOUND EFFECTS – THE RIGHT SET OF TOOLS
    Never find yourself short of tools with this complete TOOLBOX. From hammers to ratchets, we’ve pounded out the right sounds for your SFX collection. Be the sharpest tool in the shed and use this set of tools sound effects to get the job done.

    INCLUDED SOUNDS – KEYWORDS
    GRITTY, DROP, GLOVES, MOVEMENT, RUMMAGE, SHAKE, FIRE, RATCHET, IMPACT, METALLIC, TAPE, CHOP, PAPER, CUT, FILING, SPRAY, HAMMER, WOOD, CONCRETE, DOOR, EQUIPMENT, SPRAY CAN, WRENCH, SCISSORS, SAW, PUMP, AXE
  • Geophonic Design Vol. 3 features an eclectic array of designed sound effects, built from organic sources with infrasonic frequencies that go all the way down to 10Hz. This library has an abstract aesthetic and gives you a wide and varied palette of unique sounds that are perfect for injecting a little movement into your film, video game or documentary projects.

    To create the sounds in this library, Our Audio Craftsmen used a ‘Geophone’ which is a seismic measurement device used to record seismic waves and vibrations of the earth. With the Geophone, we recorded low vibrations, hits and interactions of wood, metal, trees, soil, clay and other natural ingredients. You can expect to find a wide selection of unique ambiences, as well as an assortment of warm subsonic hits and dynamic movements and whooshes.

    All of the included sounds were then precisely edited and designed by our dedicated in house team to build ambiences such as boulder movement, metal ghost voices, spirits calling, subsonic water texture, tree bark connection wind interference and many more. In addition, all the files are available in 24Bit 96kHz with extensive metadata and are UCS compliant to integrate seamlessly with your workflow.

    The sounds will also make a great addition to your library as layered textures, to build a designed atmosphere in your projects, and are perfect as drones and ambiences for futuristic, sci-fi and horror scenes.

  • Destruction & Impact Sounds Drops & Breaks Play Track 273 sounds included, 24 mins total $40

    This sound library contains 546 files with 273+ unique sounds of impact, breaks and debris of ceramics, glass and various metal objects. All sounds are recorded at 24 bit / 96 kHz using 2 microphones, the Diety S-Mic 2 and the Sennheiser MKE 600. All sounds are named acording to the metadata standard “UCS”.

  • Resonant metal impacts with movement. There is both microphone movement and swinging metal movement. In addition there are AMBISONICS recordings of the same. Great big pieces of metal being hit to produce resonant tones that then are moved in relation to the microphones. Lots of swinging metal and ringing effects. Also some great objects that resonate almost musically. Perfect for magical weapon movement.

  • The Sonomar Collection: Blacksmith sound effects library features 155 recordings from a blacksmith’s workshop that are sure to strengthen your scenes with an authentic, ironclad edge. Use the pristine sounds of metal clanks, sizzles, and scrapes as building blocks for creative sound design or as a backdrop for industrial or medieval settings.

    Ringing clanks of hammers striking anvils. Sharp sizzles of hot iron submerged in water. Subtle scrapes of shoveling metal files and coal. This collection is sure to supply your project with the detailed, high-quality smithing sounds you require. With a sample rate of 96kHz, utilize this diverse selection of impacts and hisses for creative pitching and processing. In addition to isolated actions, Blacksmith contains a number of Ambience recordings that can be used to add a hardy backdrop to your scenes for period pieces and beyond. This library was recorded using three different microphones, including the Sennheiser MKH 8040, which records up to 50kHz and allows for more sound design options.

    Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields ensure compatibility across any database search platform such as Search by PSE, Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.

    Key Features:

    • 155 sound effects (6.6GB)
    • 24-bit/96kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • Scrap Metal Factory Provides you 64 original sounds recorded in a Recycling factory Based in the North of France.
    She includes :
    • Ambiences with Machines, bulldozers, cranes, forklift
    • shredded, crushed, launched car, and various metal objects.
    • Indoor Workers in sorting room of garbage recycling facility.
    • Destructions and impacts.

    Scrap Metal Factory was recorded in 96kHz/24 bits and provides a 48kHz/24 bits version.
    • 23 MS and decoding versions
    • 14 Binaural Ambiences !
    • Stereo ORTF and Mono

    The gear :
    Sound Devices MixPre6, DPA 6060 (Binaural), MKH 8040 (ORTF), DPA 4018/ATE308 (MS,Stereo)

  • Beautiful Bells Vol 2 contains the solo sound of 135 different stationary bells, captured in 39 bell towers, chapels, carillons, churches, cathedrals and clock towers across France, with unprecedented quality. Most of the sounds were recorded inside bell towers.

    Stationary bells are struck by external hammers. They have a steady and rich tone, with a long sustain. They are mostly used as musical instruments in carillons, to indicate the hour in clock chimes or to alert the population in tocsins.

    Every bell size and pitch is represented in this library, from huge 8 ton bourdon to tiny carillon bells weighing a few kilograms. You will find bells founded from 14th to 21st century with a great variety of timbres and tunings, over a range of 5 octaves (from G2 to G7).

    The library contains 2 carillons with 54 bells and 10 bells, available as sound files and virtual instruments (NI Kontakt and EXS24 with round robin).

    All the sounds in this library were recorded in bell towers or as close as possible to provide great sonic precision and optimal signal-to-noise ratio.

    Over 12,000 kilometers were traveled during six months to get you one of the most exhaustive stationary bell, chime and carillon sound collection ever recorded.


    SUMMARY:

    • A total of 135 different bells, sorted by note from G2 to G7
    • Wide variety of bells (size, age, tuning)
    • 2 carillons virtual instruments
    • Contains a collection of 10 small ancient bells
    All notes from G2 to G7
    • Metadata with detailed information about each bell


    SPECS:

    • 96KHz/24bit
    • Very low noise
    • Metadata UCS-compliant
    • Mainly recorded with Sennheiser MKH 8040

  • Mechanical Sound Effects Scene Shop Play Track 260 sounds included, 58 mins total $54

    Scene Shop is a collection of high quality recordings of industrial machinery used in scenic construction workshops. Some machinery are in good condition, others not so much so… expect lots of metal rattling!

    Machinery are not recorded during active use (not during wood cutting for example) so the recordings are very clean and lend themselves well to being used for large elevators, lifts, automatic doors and generally metal machinery of any kind and size.

    There are multiple takes for most of the sounds, all complete with startup, steady phase, and shutdown.

    This collection is a mixture of stereo and mono, very sensitive microphones able to pickup beyond 20khz were used, so it was produced and post-produced at 192khz (these machines are already very big, but slowed down they sound even bigger!)

    There are also some extra sounds such as the switches of the machinery, bursts of compressed air, large metal doors and others.

  • Immerse yourself in the distinctive sounds of the Abandoned Trailer Foley, a meticulously curated sound effects library. Crafted for professionals in film, gaming, and multimedia, this collection captures the essence of an abandoned trailer with its rustic and eerie sounds.

    Bring a unique and authentic touch to your audio projects with the Abandoned Trailer Foley. Ideal for sound designers and audio professionals seeking to add depth and realism to their work.

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  • Unleash the full potential of your audio production with the Tool Bag Foley Sound Effects Library. Meticulously recorded with precision, this library offers an expansive collection of sounds straight from the tool shed. Whether you’re in film, television, game development, or theatre, these sounds will enhance your soundscapes and bring your scenes to life.

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  • Foley Sound Effects Zip It Play Track 37 sounds included $7

    Zip It contains 37 zipper sounds with variations of fast, slow, and stuck zips, perfect for adding Foley to items such as bags, jackets or purses!

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  • ‘Shoot ‘em up’ has never been this exciting! From powerful laser and plasma blasts, to specialised sounds such as fire, rain and laser circles, Sci-Fi Weapons: Bullet Hell adds intensity to virtual battles. With our trusty Vaemi’s El-Ma electromagnetic field mic, we’ve captured some wild electronic shenanigans, blending them with our synthetic sounds to cook up weapon effects that’ll make your players go, “Whoa!”

  • Materials & Texture Sound Effects Tuning Forks Play Track 300 sounds included, 13 mins total $65

    DESCRIPTION:
    • In Tuning Forks, get a collection of microtonal metal sounds created by plunging tuning forks into water. Hear laser-like chirps with wild harmonics shifting. Hear microtonal beating and tonal kerplunks. Hear extended clattering from underwater impacts and bass drones with deep ominous character.
    • This library offers you the collection of surprising laser-like sounds from a quotidian sound source. Thanks for listening.

    KEY FEATURES:
    • Laser-like chirps
    • Complex microtonal impacts and textures
    • Wild harmonics
    • Resonant clattering
    • Singing musical tones
    RECORDING STORIES:
    • This was my first time recording sound design material using hydrophones. Here are a few of the things I learned.
    • Stereo hydrophones are essential. I hate the sounds of mono underwater.
    • I generally don’t like the sound of hydrophones alone as well. So, I experimented with recording in Mid/Side above water and stereo H2a hydrophones below. Turns out, I love the combined sound of the acoustic mics with the hydrophones.
    • My Cinela blimp (which I’ve waterproofed for rain recording) worked perfectly. Because of the NixWax waterproofing, I could place the Mid/Side mics extremely close to the water. This yielded crisp detail, and the mics were completely protected from constant splashing.
    • With the perfect mic setup found, I proceeded to plunge tuning forks into water thousands of times in search of the perfect laser-like sounds!
    FILE LIST:
    File List
    • A spectrogram is included for each audio file. Double click on the photo in the file list to enlarge.
    GEAR USED:
    • Sennheiser MKH8040 pair and MKH30 in Mid/Side
    • Aquarian Audio H2a-XLR hydrophones
    • Sound Devices MixPre-6 and MixPre-3 II
    • Cinela Pianissimo Mid/Side Blimp
    • Mid/Side and Hydrophones are mixed into one stereo recording.
  • An unusual collection of sounds with an unusual story.

     

    The Story

     

    I was working in an older mix room, originally designed for tape machines and lots of outboard gear.  5 large racks worth of outboard gear right behind the mix position.  Over the years most of the outboard gear was removed and eventually replaced with blank metal spacer panels.  While I was mixing I kept hearing odd resonances and ringing sounds in my mix.  Eventually I figured out that some of the panels were being excited by sounds in my mix.  After the session ended I started tapping on the panels to see which ones were the culprits.  I soon discovered that it sounded interesting so I grabbed some mics out of the studio and started recording the results.  First by tapping the plates with my finger, then with a wooden drumstick, and then with a homemade rubber mallet.  I also used the rubber mallet as a friction mallet getting a cool groan sound.

     

    The Sounds

     

    A collection of interesting metal hits with lots of harmonic content using three different striking methods with different kinds of attacks.  I found that there were 6 panels that had unique sound qualities when struck.  These are ideal for making cinematic hits and sweeteners, and bell like sounds.   Also there are a number of interesting metal groans made by using the homemade friction mallet.  These work for metal groans and creaks but are also evocative of animal or creature sounds.  Recorded at 192k/24bit.  These sounds are made to be pitched down to find their true potential.

  • The Master Gun Remington 700 .308 Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.

  • The Master Gun FN 509 LS Edge contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.

  • Bundles MASTERGUN – Ultimax 100 Play Track 557 sounds included From: $20

    The Master Gun Ultimax 100 LMG contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata

  • Bundles MASTERGUN – PP-19 Vityaz Play Track 1182 sounds included From: $15

    The Master Gun PP-19 Vityaz SMG contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata

  • Bundles MASTERGUN – PPSH-41 Play Track 684 sounds included From: $20

    The Master Gun PPSh-41 SMG contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata

  • Bundles MASTERGUN – FN SCAR 16 Play Track 1092 sounds included From: $15

    The Master Gun FN SCAR 16 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.

  • Dig into the eerie depths of Noise Box. Sampled from the enigmatic ‘Moonlight’ made by Tetsuo Noise Box. This library offers 354 samples. Every part of the noise box is sampled as a one shot and useful for designing with metal hit and scrape sounds. Perfect starter material for crafting suspense, horror, and sci-fi atmospheres.

    To get you started…  We include 61 designed textures as ready to use samples.  These processed designed sounds highlight the creative potential of the raw one shots. Also, we include four Kontakt presets for quick access to the samples and inspire performance, emulating the experience of playing our noise box.

    Useful for sound design and creative cinematic scoring!

    Kontakt 6.8.0 or higher is required.
    NOTE: This library does not run in the free ‘Kontakt Player’
  • From the ashes of a Wurlitzer baby grand piano, we bring you a unique sample library for media sound design. Perfect for suspense and horror in films and games. Surprisingly good at emulating distant artillery hits and other destruction. Crunches. Bangs. Metal scrapes. Wood shattered. Strings scraped with saws and performed with sledgehammers…  not felt.

    119 stereo one-shots of the acoustic dismantling. 77 crafted soundscapes and designed effects crafted from processing the original sounds. And…  a playable Kontakt patch of unusual and slightly out of tune string plucks with multiple round robins for natural variation (delivered at 48kHz for memory optimization).  All recorded in stereo using Schoeps microphones arranged in mid-side stereo technique. Edited and tagged with UCS metadata for fast and clear search results.

    Kontakt 6.8.0 or higher is required.
    NOTE: This library does not run in the free ‘Kontakt Player’
  • Specification: 1964 Cessna 172 (Skyhawk) prop airplane

    Onboard consists of 7 channels (Ambisonic for Cabin, mono for Cockpit, mono for hard left and
    mono for hard right).

    Files Port side and Starboard side from Onboard can be joined for wide
    stereo effect.

    External Tracking (microphone following the aircraft) was from a MS (Mid Side) stereo
    microphone. Mid from left channel can be used as mono when mono is needed.

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