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Metal sound effects

  • Zip It contains 37 zipper sounds with variations of fast, slow, and stuck zips, perfect for adding Foley to items such as bags, jackets or purses!

  • ‘Shoot ‘em up’ has never been this exciting! From powerful laser and plasma blasts, to specialised sounds such as fire, rain and laser circles, Sci-Fi Weapons: Bullet Hell adds intensity to virtual battles. With our trusty Vaemi’s El-Ma electromagnetic field mic, we’ve captured some wild electronic shenanigans, blending them with our synthetic sounds to cook up weapon effects that’ll make your players go, “Whoa!”

  • An unusual collection of sounds with an unusual story.

     

    The Story

     

    I was working in an older mix room, originally designed for tape machines and lots of outboard gear.  5 large racks worth of outboard gear right behind the mix position.  Over the years most of the outboard gear was removed and eventually replaced with blank metal spacer panels.  While I was mixing I kept hearing odd resonances and ringing sounds in my mix.  Eventually I figured out that some of the panels were being excited by sounds in my mix.  After the session ended I started tapping on the panels to see which ones were the culprits.  I soon discovered that it sounded interesting so I grabbed some mics out of the studio and started recording the results.  First by tapping the plates with my finger, then with a wooden drumstick, and then with a homemade rubber mallet.  I also used the rubber mallet as a friction mallet getting a cool groan sound.

     

    The Sounds

     

    A collection of interesting metal hits with lots of harmonic content using three different striking methods with different kinds of attacks.  I found that there were 6 panels that had unique sound qualities when struck.  These are ideal for making cinematic hits and sweeteners, and bell like sounds.   Also there are a number of interesting metal groans made by using the homemade friction mallet.  These work for metal groans and creaks but are also evocative of animal or creature sounds.  Recorded at 192k/24bit.  These sounds are made to be pitched down to find their true potential.

  • Dig into the eerie depths of Noise Box. Sampled from the enigmatic ‘Moonlight’ made by Tetsuo Noise Box. This library offers 354 samples. Every part of the noise box is sampled as a one shot and useful for designing with metal hit and scrape sounds. Perfect starter material for crafting suspense, horror, and sci-fi atmospheres.

    To get you started…  We include 61 designed textures as ready to use samples.  These processed designed sounds highlight the creative potential of the raw one shots. Also, we include four Kontakt presets for quick access to the samples and inspire performance, emulating the experience of playing our noise box.

    Useful for sound design and creative cinematic scoring!

    Kontakt 6.8.0 or higher is required.
    NOTE: This library does not run in the free ‘Kontakt Player’
  • From the ashes of a Wurlitzer baby grand piano, we bring you a unique sample library for media sound design. Perfect for suspense and horror in films and games. Surprisingly good at emulating distant artillery hits and other destruction. Crunches. Bangs. Metal scrapes. Wood shattered. Strings scraped with saws and performed with sledgehammers…  not felt.

    119 stereo one-shots of the acoustic dismantling. 77 crafted soundscapes and designed effects crafted from processing the original sounds. And…  a playable Kontakt patch of unusual and slightly out of tune string plucks with multiple round robins for natural variation (delivered at 48kHz for memory optimization).  All recorded in stereo using Schoeps microphones arranged in mid-side stereo technique. Edited and tagged with UCS metadata for fast and clear search results.

    Kontakt 6.8.0 or higher is required.
    NOTE: This library does not run in the free ‘Kontakt Player’
  • Printer Destruction is the result of destroying a desktop Canon MX450 printer/scanner with a 4lb Collins Axe. The collection also includes the printer being dropped from a height of 4 feet, as well as rummaging through the debris.

  • Foley Sound Effects Creaking Computer Chair Play Track 76 sounds included, 8 mins total $6

    A person sitting in a computer chair moves and shifts their weight creating dry textured creaks, squeaks, glitches and clicks.

    Number of Sounds : 76

    Number of Files : 82

    Grouped Files for Easy Reference Included  : Yes

    Total Audio Time (single files) : 4 minutes  14 seconds

    Total Audio Time (grouped files) : 4 minutes  14 seconds

    Combined Audio Time (Single Files and Grouped Files) : 8 minutes  28 seconds

    Multi Recording Takes For Varying Nuances : Yes

    Type : WAV Mono

    Sample Rate / Bit Rate : 192 kHz / 24 Bit

    Normalised : Yes  -6 dbFS      

    Looped Files : No

    Single Shot Files : Yes

    Size : 506.3 MB

    Metadata : Files are stamped with detailed UCS compliant metadata in Soundminer.

    Documentation Included : Copyright, EULA, Images, Metadata (exported in multiple formats)

    Recorder : Zoom F3

    Microphones : Stille and Klang Small Spot

    Microphone Configuration : Contact

    KEYWORDS : Computer Chair, Click, Squeak, Creak, Glitch, Rub, Knock, Dry, Texture, Atmospheric, Eerie, Metallic

    FXNAME : Abandoned Environment, Chair Creak, Chair Movement, Chair Sound Effects, Creaks and Squeaks, Custom Textures, Design Source, Eerie Atmosphere

  • Metal Springs is 444 MB of metal spring sound effects. 662 individual sounds in 78 separate files – recorded in 24bit/96kHz. All sounds are UCS-compatible.

    Metal Springs is a collection of spring sounds that don’t just go twang, but explores many other sounds that can be coaxed from these flexible steel wonders.

    I recorded a selection of small steel springs pulled from various mechanical and electronic devices, ending up with many sounds that could be used in a variety of sound designs. Whether you want to add some extra authenticity to button presses, operating small office machines, or add a little comedy to any kind of malfunctioning technology, you will find something useful here.

    Any time I use a machine or some piece of equipment, and hear a spring-like sound, I feel like I have gained a little more knowledge about the internal workings of that machine or equipment. Spring sounds, or their absence, can also be indicate quality and age of an object. You wouldn’t expect to hear them from a very high-tech console in a super-villains lair, but it wouldn’t be out of place in the movements of a worn down droid.

    With 662 sounds in 78 files, most sounds come in multiple variations or takes, adding some life and realism in those situations when you need to play a sound repeatedly.

  • A general sound effects collection that includes SIX of our first category-focused micro library releases, plus HUNDREDS of additional files, priced at a substantial discount compared to buying collections separately. 1100+ separate WAV files recorded at 24bit, 96kHz or 48kHz.

  • Here is a collection of Sounds from a tin workshop, creating jewelry, using different kinds of tools and machinery.

    Precise and delicate manipulation of tin metal. A unique set of sounds.
  • Mechanical clicks dials and winding from Retro and Vintage cameras and film printing from a polaroid camera that can easily be used in any project.

    I left in some movement sounds to help create a naturalistic handling of film cameras but can be easily isolated as recorded in a clean environment.

    recorded and exported in 24/192khz

    All metadata tagged and updated using the Universal Category System in Soundly

  • There are 13 main loops with several variations each, for a grant total of 428 single files!
    Whether you produce Lofi Hip Hop up to jungle\D&B this library it’s great for your next hits. You can go with a clean sound and make it dirty and distorted with your own effects, or you can use the loFi versions already in the lib, which are dirty and crunchy to the bone.

  • Nuts and Bolts contains a huge array of DIY and construction themed sound effects featuring tools that are used by tradesmen such as hammers, saws, chisels and spanners, as well as several other miscellaneous tools such as brushes, tape, filler guns and of course, nuts, bolts and screws.

    As well as hand-operated tools, Nuts and Bolts gives you several power tool sound effects being operated at different intensity levels. All of the sounds in this library have been recorded in context, meaning that they reflect how you would actually use the tools, not just how they sound in a controlled studio environment. We recorded close, distant and far recordings to capture natural reverb, giving you the maximum flexibility when searching for the right sound for your projects. We also recorded dropping effects for most of the tools.

    Nuts and Bolts contains a total of 145 files (with lots of variations per file) including a designed folder of 10 sounds. This library gives you everything you need to create compelling DIY and construction soundscapes, ideal for use in a range of sound design applications including building sites, mechanics garages, joinery, metalwork workshops, painting, decorating, and demolition based scenes. All sounds have been recorded in 24bit 96khz, and have been carefully edited so that you can easily drop them into your project timeline and get working right away.

    Here are the included folders:

    Power Tools: Lovely and disturbing drills, saws and electric sanders, perfect for becoming a noisy neighbor.

    Hammers and Mallets: Hitting and dropping things as hard as possible makes a lovely sound, great for building trailer impacts.

    Toolboxes: Heavy and metallic rummaging through a large toolbox.

    Spanners: Turning bolts and spinning ratchets.

    Saws: The seminal DIY sound effects of sawing wood.

    Pliers, Grips and Screws: Micro details like these can make or break your construction scenes.

    Chisels: Hitting chisels, planing wood, and scraping.

    Pencils, Brushes and Tape: Drawing, brushing, measuring.

    Misc Tools: Vacuuming, cutting, sanding, moving ladders and many more!

    Designed Effects: A suite of heavily designed sounds which demonstrate the flexibility of the library when used for sound design.

  • Performed and captured using a specially-constructed metal sculpture, Metalmorphosis features 600 high-quality sounds perfect for adding a dramatic, unsettling edge to your projects. Featuring booming metallic groans, wandering wails and piercing squeals, this collection yearns to texture your sound design with character and provide the groundwork for boundless creativity.

    Forged in the spirit of authenticity, the creation of Metalmorphosis began with the construction of a one-of-a-kind layered steel sculpture designed for the sole purpose of generating dense, full-bodied metallic noise. By dragging a violin bow across the contraption, recordist Colin Lechner craftily conceived sonorous layers of scrapes and grinds to add tension and texture to any project and design. These sounds are ideal for injecting your scenes with a shocking, mysterious element and are sure to raise hairs and heart rate alike.

    Recorded with high-quality condenser microphones including an AKG C414, Neumann U87, and a Schoeps CMC 6U/MK 22, these resonant screeches and squeals are masterfully recorded for the utmost sonic clarity. The 9GB of raw sounds can be used to add a layer of mystery and shock to your projects, or altered to fit your creative needs. Recorded at the high sample rate of 192kHz, these sounds are ideal for experimental manipulation, giving you the freedom to pitch and process to seemingly no end. Get lost in this comprehensive collection with hundreds of variations at your disposal.

    Key Features:

    • 600 sound effects (9GB)
    • 24-bit/192kHz broadcast .wav files
    • Rich embedded metadata descriptions
    • 100% Royalty-Free
  • Sound Boosters – Affordable, Premium-Quality Libraries to Elevate Your Creative Workflow!
    This pack includes:
    Big, Large, Massive, MEGA GEAR! Boost your sound palette with ultrasonic sounds that can be pitched, stretched, and manipulated to mechanical extremes. Add the perfect punch to your creations with designed mechanical snaps, creaks and massive machine motion. Whether you’re building from scratch or enhancing your sounds, Mega Gear delivers the raw power and intensity your project demands.

    MEGA Gear ⚙️ Massive Machine and Factory Mechanics

    181 ultrasonic and designed sounds for extreme manipulation
    Massive mechanical actions including metal gears, creaks, snaps and stomps
    Massive Machine Motion Sequences
    Perfect for steampunk, puzzle, city builder, horror, survival or factory games
    Fully UCS-standardized filenames, with rich metadata

    With a minimum of 8 variations per action, this library is perfectly suited for both game audio and film, offering the versatility and depth required for high-quality production!

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  • Destruction & Impact Sounds METAL CANS Play Track 200+ sounds included, 15 mins total $8

    A large range of METAL SODA CAN Impacts, Friction, Hand Pats, Movement Foley, Crushing Sounds and much more…
    Recorded and processed at 192khz using MKE600, EM272 and Zoom F3 32-bit Float. 

    • Over 350 sounds! 
    • All assets have been processed including noise reduction
    • Over 15 minutes of content 
    • Universal Category System (UCS) Compliant 
    • Deliverables of 192khz, 24 bit, Stereo WAV files
    • Royalty-Free for Commercial Use 
    • Full Embedded Metadata 
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  • Vintage Manual Grinding Wheel is a field/foley recording collection of mechanical tones sourced from a vintage manual, pedal-powered grindstone wheel.

    Once found in blacksmith shops and farmyards, this antique sharpening and grinding wheel produces a diverse range of rhythmic, gritty, abrasive scrapes, squeaks and rattling, resonant metal-on-stone movements.

    Captured through varied rotations, slow and fast turns, sudden releases, back-and-forth and random movements – this library is packed with friction rich textures.

    Vintage Manual Grinding Wheel

  • Household Sound Effects Extra Keys Play Track 123 sounds included, 7 mins total $19.99

    EXTRA KEYS – is an auxiliary sound library containing 123 unique sound effect files of real keys. From picking up large and small sets of keys to dropping, shaking and picking through. Whether it’s maintenance or domestic sfx you’re looking for; This Extra sound effects library will help supplement any of your key needs, for your next project. Extra Keys comes in at over 7 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.

  • Household Sound Effects Extra Coins Play Track 179 sounds included, 24 mins total $19.99

    EXTRA COINS – is an auxiliary sound library containing 179 unique sound effect files of real metal coins. From spare change and coin sacks to individual coins being handled and dropped. Whether it’s metallic clanking and ringing or the old familiar sound of a hand full of coins you’re looking for; This Extra sound effects library will help supplement any of your coin money needs, for your next project. Extra Coins comes in at over 24 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.

  • Bundles Metal Bundle Play Track 401+ sounds included $79

    The NSL Metal Bundle includes 3 New Sound Lab sound libraries.
    401 high resolution WAV files – 8 GB

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  • Resonant Metal is a sound library built around the resonant and tonal characteristics of metal. It features a wide variety of recordings—from small, high-frequency metal tones to large, heavy impacts with long sustain. The focus is on metallic sounds with rich overtones, clean transients, and tonal clarity.

    The library includes both raw recordings of real-world metal objects (bowls, trays, heavy pans, rods, tools, etc.) and a selection of designed sounds. These designed elements include processed impacts, pitch-shifted scrapes, granular textures, and reversed hits.

    Every sound was recorded using a Sennheiser MKH 8050 microphone and a Zoom F6 recorder and files are delivered in high-resolution 24-bit / 192kHz WAV format.

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  • The Master Gun Browning M2-HB Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 26 channels including 12 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun RPK-74 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the RPK-74 with a suppressor attachment. The suppressed RPK-74 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Bundles MASTERGUN – MK48 Play Track 1673 sounds included $90

    The Master Gun MK14 Mod 0 EBR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the MK48 with a suppressor attachment. The suppressed MK48 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

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