Home Destruction & Impact Sounds Page 16
Destruction sound libraries, impact sounds, bomb blasts, full-on slams & smashes, metal, wood, glass and rock debris, breaking and destruction sound effects & recordings – they’re all here, for the sound of utter destruction.
The Master Gun AKM Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.
In addition to the unsuppressed shot recordings, we’ve also sampled the AKM with a suppressor attachment. The suppressed AKM was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
Transform your projects with our Cinematic Impacts sound effects pack, featuring 162 dynamic and powerful audio clips. Each impact is meticulously crafted to add depth and intensity to your scenes, whether in film, animation, or video games. From earth-shaking explosions to suspenseful crashes and dramatic thuds, these high-quality sounds ensure your audience feels every moment. Ideal for sound designers and editors looking to elevate their work, this versatile collection offers a range of impacts suitable for action sequences, sci-fi dramas, horror films, and more. Dive into a world of cinematic soundscapes and unleash the full potential of your creative vision with our comprehensive library of impactful audio effects.
Visit our full range of SFX packs at www.amplar.io
360 tracks placed into 18 different categories and folders. Filled with every day sound effects and ambiences to import directly into your project.
Ambiences, transportation, water & liquids, food & kitchen, animals, machines, hits & impacts, burn & flames, misc fx, historical, steam train locomotive, electricity & glitch, footsteps, glass breaking & smash, tools, levers, toys, doors.
These sounds were recorded in the past 10 years and span from Tivoli theme park, kitchen and cooking sounds, animals, huge window glass smashes, gas canisters impacts, to helicopters, steam trains, trucks passing inside tunnels, motorcycles, multiple tracks of thunder, and juicy liquid suction sounds.
Common for all sounds are, that they have been hand picked and mastered for easy use.
All 360 tracks are 96/24, recorded with a various amount of microphones. UCS ready. Bundled version is 13.8GB.
Hello Creators!
Here’s my new pack: “Sword Combat Sounds (weapons)“
The approach for this pack was to create some realistic sword sounds suitable for combats for RPG/Fantasy video games (although this sounds can be used in different other genres and other audiovisual creations.
In this pack there is different actions a sword can make like: slash, cut, armour hit, block, collision, critical hit, wounds, whooshes, hits to shields, etc…
Making-Off
I recorded metal objects in my garage and then processed this recordings (made with my Zoom H6) in Logic Pro X with tools like: PitchMonster, MTransformer, Logic Pro X sampler, Logic Pro X stock plugins, etc…
Scrap Metal Factory Provides you 64 original sounds recorded in a Recycling factory Based in the North of France.
She includes :
• Ambiences with Machines, bulldozers, cranes, forklift
• shredded, crushed, launched car, and various metal objects.
• Indoor Workers in sorting room of garbage recycling facility.
• Destructions and impacts.
Scrap Metal Factory was recorded in 96kHz/24 bits and provides a 48kHz/24 bits version.
• 23 MS and decoding versions
• 14 Binaural Ambiences !
• Stereo ORTF and Mono
The gear :
Sound Devices MixPre6, DPA 6060 (Binaural), MKH 8040 (ORTF), DPA 4018/ATE308 (MS,Stereo)
For Old Broken Piano we have recorded an old piano manufactured in the 1940s by the brothers Manegold. It has not been maintained and tuned for decades, giving it a unique, dark and nostalgic sound character.
The instrument was recorded with a Sennheiser MKH 8040 Stereo Pair connected to a Sound Devices 702T.
MKH 8040 are microphones with extended frequency response up to 50.000 Hz, which is great if you want to further process, re-pitch or stretch audio files.
Rather unconventional approaches were used to „play“ the piano: Not a single key was touched! It was performed using a violin bow, various mallets and sticks, kitchen utensils, sticky tape and bare hands. The casing of the piano was partly taken apart to get direct access to the strings and the interior components of the instrument.
A wide array of interesting sounds have been achieved by bowing, scraping or hitting single and multiple strings or parts of the wood body. For longer resonances, the sustain pedal was pressed down during almost all recordings.
Old Broken Piano is a collabration between SampleTraxx and german sound designer Sebastian Emling.
This library is the ideal companion for any professional sound designer, trailer or film composer.
An unusual collection of sounds with an unusual story.
The Story
I was working in an older mix room, originally designed for tape machines and lots of outboard gear. 5 large racks worth of outboard gear right behind the mix position. Over the years most of the outboard gear was removed and eventually replaced with blank metal spacer panels. While I was mixing I kept hearing odd resonances and ringing sounds in my mix. Eventually I figured out that some of the panels were being excited by sounds in my mix. After the session ended I started tapping on the panels to see which ones were the culprits. I soon discovered that it sounded interesting so I grabbed some mics out of the studio and started recording the results. First by tapping the plates with my finger, then with a wooden drumstick, and then with a homemade rubber mallet. I also used the rubber mallet as a friction mallet getting a cool groan sound.
The Sounds
A collection of interesting metal hits with lots of harmonic content using three different striking methods with different kinds of attacks. I found that there were 6 panels that had unique sound qualities when struck. These are ideal for making cinematic hits and sweeteners, and bell like sounds. Also there are a number of interesting metal groans made by using the homemade friction mallet. These work for metal groans and creaks but are also evocative of animal or creature sounds. Recorded at 192k/24bit. These sounds are made to be pitched down to find their true potential.
From the ashes of a Wurlitzer baby grand piano, we bring you a unique sample library for media sound design. Perfect for suspense and horror in films and games. Surprisingly good at emulating distant artillery hits and other destruction. Crunches. Bangs. Metal scrapes. Wood shattered. Strings scraped with saws and performed with sledgehammers… not felt.
119 stereo one-shots of the acoustic dismantling. 77 crafted soundscapes and designed effects crafted from processing the original sounds. And… a playable Kontakt patch of unusual and slightly out of tune string plucks with multiple round robins for natural variation (delivered at 48kHz for memory optimization). All recorded in stereo using Schoeps microphones arranged in mid-side stereo technique. Edited and tagged with UCS metadata for fast and clear search results.
Kontakt 6.8.0 or higher is required. NOTE: This library does not run in the free ‘Kontakt Player’
TAKE YOUR AUDIENCE TO THE BATTLEFIELD
THEY HAVE NEVER EXPERIENCED BEFORE.
Get 1000s of the highest-quality modern warfare weapons and vehicle sounds, all battlefield ambient environments you can think of, explosions / demolition sound effects, and exhaustive soldier voiceovers, with just one click of a button!
INCLUDED LIBRARIES (Total Value: $500!):
WHAT’S INSIDE:
SAVE TIME, SAVE EFFORT, SAVE MONEY
Instead of buying individual products and paying $500 USD for entire collection, or spending countless hours handpicking sounds that your projects need from all over the internet, download this collection of all the highest-quality warfare audio you will ever need with one click of a button!
Designed by our team of industry veterans with 1,000+ games worth of experience, every included sound has been carefully mastered and is drag-and-drop ready for your project. Entire content is meticulously labelled and easily keyword-searchable, and as always with us, all sounds are included in 3 most common audio formats for your convenience.
TECHNICAL DETALS:
DOWNLOAD THIS QUICKEST AND EASIEST, HIGHEST-QUALITY,
ONE OF A KIND WARFARE AUDIO SOLUTION FOR YOUR PROJECT NOW!
Printer Destruction is the result of destroying a desktop Canon MX450 printer/scanner with a 4lb Collins Axe. The collection also includes the printer being dropped from a height of 4 feet, as well as rummaging through the debris.
Resource Recovery Park is the result of a request for a resource recovery park scene’s ambience sounds in Taiwan. It includes excavators with grab and magnet to grab and press the metal junks, a baling press machine working with hum, workers sweeping and dumping piles of aluminum cans, and some dump trucks dumping cardboard.
There are some birds and distant traffic of Taiwan in some sounds. Please be aware.
This library includes total 21 files, consisting of 8 mono files and 13 stereo files recorded in AB at 96 kHz. Approx. 44 minutes total.
Additionally, this library was carefully tagged with rich Soundminer metadata.
All the recordings were recorded, edited and mastered with care and love.
A general sound effects collection that includes SIX of our first category-focused micro library releases, plus HUNDREDS of additional files, priced at a substantial discount compared to buying collections separately. 1100+ separate WAV files recorded at 24bit, 96kHz or 48kHz.
In this library you will find a variety of sounds intended to be used as laser or sci-fi gunfire.
These sounds are perfect to use in movies, games, documentaries, etc.
These sounds were all created by me on virtual synthesizers.
After working these sounds in post-production, this library comes with 50 single and burst shot sounds.
Cartoon Arrow Sound Effect Pack 01
Get some funny cartoon arrow and spring sounds! I made this sound collection inspired by classic funny cartoons. I always liked these funny arrow or spring sounds even when I was a child. I feel like I managed to create sound effects that bring back these funny feelings.
This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
videos, animation, and any other entertainment industry where a high-quality audio effect is essential.
55 Funny Cartoon Arrow sound effect
These arrow and spring sound effects are perfect for funny productions
The latest in our collection of Historical Weapons sounds is a symphony of shing-ing, clunking, thudding, clashing and ringing impacts for all your combat and battle design needs! This library focuses on shield-based sounds, with additional recordings of weapon-on-weapon fights.
Using our multi-mic configuration (comprising the Sennheiser MKH50, Røde NTG-3 and Line Audio CM4 Stereo Pair), our Audio Craftsmen recorded two professional swordsmen going head-to-head in multi-move melees using wooden shields, spears, swords and axes.
This library includes shield holds and push-offs, spear pole hits, spear scrapes to a shield edge, metallic sword clashes, axe clinks on a shield boss, a metal shield spinning on the ground and being picked up, spear hits on a wooden haft, sword slide cuts and much more! Perfect for TV, film, game and documentary projects requiring the exciting, natural tones of authentic historical weapons!
Sound have been separated into the follow categories:
Shield Groundwork: Sounds of a wooden and metal shield dropping onto the floor, spinning on the floor and being picked up.
Shield Impacts: A huge variety of sounds where a spear, sword, wooden stick and axe hit different shield parts.
Spear Fights: Recordings of spear head and pole combat sequences.
Sword Impacts: Swords sliding off each other, being pressed against each other, and clashing together.
Each file contains multiple takes of the named action.
All sounds were recorded in 24Bit 192kHz, and have been tagged with extensive UCS metadata for ease of use.
Geophonic Design Vol. 5 features a unique collection of designed organic recordings captured with the Lom Geofon. These sounds include frequencies that go all the way to 10Hz, creating a darker, grittier atmosphere, ideal for your more mysterious film, TV and game designs.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
Geophonic Design Vol. 2 features a diverse collection of compelling designed sounds, which includes infrasonic frequencies all the way down to 10Hz. This library has a strong sci-fi & horror vibe and gives you a wide and varied palette of unique sounds that are perfect for injecting a little mystery and darkness into your film, video game or documentary project.
To create the sounds in this library, Our Audio Craftsmen used a ‘Geophone’ which is a seismic measurement device used to record seismic waves and vibrations of the earth. Using the Geophone, we recorded low vibrations and rumbles of various surfaces and locations. You can expect to find a wide selection of seismic ambiences, as well as an assortment of thunderous subsonic hits, blistering whooshes and electrifying glitch effects.
All of the included sounds were then precisely edited and designed by our dedicated in house team to build ambiences such as underground sewers, a labyrinth of metal pipes, nuclear wastelands, research bases, and other abstract ambiences. In addition, all the files are available in 24Bit 96kHz and extensively tagged with metadata and are UCS compliant to integrate seamlessly with your workflow.
The sounds will also make a great addition to your library as layered textures, to build a mysterious atmosphere in your projects, and will be perfect as drones and ambiences for futuristic, sci-fi and horror scenes.
Polystyrene Destruction!
Hopefully, the name says it all. I took a claw hammer, saw, metal bar and my hands to various different types of polystyrene (packing peanuts, big stiff packing material and softer packing material) and wrenched lots of weird sounds out of them. Plenty of squeaky gross crunches and cracks useful for sweetening bone breaks, impacts and other gore stuff if you’re bored of celery and cabbages! Also good for sweetening up other foley stuff too and lots of the recordings contain lots of high frequency, squealy material which is fun for pitching. I included some designed stuff as well including a few UI bits, some pitched impacts, weird alien bug wings and various other bits and bobs. Recorded at 96Khz/24 Bit and processed in Reaper and RX.
50 powerful industrial kicks tell a story about the role of a man among machines and unprecedented heavy mechanisms. The right techno kick is 50% success for a track in the true style and experimental sound. The pack includes saturated and compressed oneshots of varying sizes and sonics, with booming subs, persistent tones and reflections. Inspired by illegal raves, parties at abandoned factories and dark basements like Berghain, Tresor, Kraftwerk.
This compilation is not designed for Deep House, Minimal and EDM regular artists.
This impacts library can be used as sfx’es for movie, trailers and commercial.
Sound Boosters – Affordable, Premium-Quality Libraries to Elevate Your Creative Workflow!
This pack includes:
Big, Large, Massive, MEGA GEAR! Boost your sound palette with ultrasonic sounds that can be pitched, stretched, and manipulated to mechanical extremes. Add the perfect punch to your creations with designed mechanical snaps, creaks and massive machine motion. Whether you’re building from scratch or enhancing your sounds, Mega Gear delivers the raw power and intensity your project demands.
• 181 ultrasonic and designed sounds for extreme manipulation
• Massive mechanical actions including metal gears, creaks, snaps and stomps
• Massive Machine Motion Sequences
• Perfect for steampunk, puzzle, city builder, horror, survival or factory games
• Fully UCS-standardized filenames, with rich metadata
With a minimum of 8 variations per action, this library is perfectly suited for both game audio and film, offering the versatility and depth required for high-quality production!
Introducing a new sound library where cars collide, rebound, thunder and crash on top of each other, all to create the most exciting sounds possible for your film or gaming projects. Let’s make your audience thrilled and enthralled in anticipation of every sound, with the authentic audio of real crashes!
We went to the scrapyard armed with the following microphones: Neumann U 87, Oktava 012, Sennheiser MKH 416, Shure SM57, Shure 52, Electro Voice RE-20, and Sennheiser SPM 8000. They all made it home intact, which is more than can be said for the subject matter of the recordings, because for the purposes of making a sound library that epitomizes metal carnage, the cars got battered beyond belief. They’ll never drive again, but the sounds of their climactic fate are immortalized in this library to enjoy.
Thunder Drums is a sound effects library designed to deliver powerful low-frequency impacts, rumbles, and strikes for cinematic sound design. It features non-traditional percussion instruments, including a thunder tube (spring drum), loose drumheads, and large plexiglass sheets, struck with mallets and drumsticks to produce a wide range of impacts, thunder-like rumbles, deep strikes, and heavy drum hits.
In addition to raw recordings, the library includes designed elements enhanced with granular processing, distortion, and impulse response reverbs. Perfect for sound design in film, games, and trailers where powerful hits and low-end energy is needed.
All sounds were captured using a Sennheiser MKH 8050 microphone and Zoom F6 recorder at 32-bit / 192kHz, and are delivered as 24-bit / 192kHz WAV files. The library includes 185 files (512 sounds), is 3.7 GB in size, and is fully UCS-compliant with embedded metadata.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
We’ll definitely be back!
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
And, Asbjoern is great to work with!
A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.