Home Destruction & Impact Sounds Page 18
Destruction sound libraries, impact sounds, bomb blasts, full-on slams & smashes, metal, wood, glass and rock debris, breaking and destruction sound effects & recordings – they’re all here, for the sound of utter destruction.
Resonating metallic creaks, groans, impacts, rattles and tremors from two variations of the BlueBird cargo bicycle.
This library covers all the possible perspectives, featuring recordings from the metallic box interior, exterior and contact.
All sounds were recorded using DPA 4060 stereo pair, Jez Riley French C-Series contact microphones, Schoeps CCM4/CCM8 Mid-Side microphone and the Sound Devices 788T.
Mid-Side recordings are presented in their raw, uncoded format as well as decoded stereo files for efficient editing. Recordings have been processed using the Control V2 plugin by Brainworx.
Visit edible-audio.com for behind the scenes photos, contact information, sound library updates and exclusive deals.
PORTAL offers a comprehensive collection of 540 meticulously crafted and authentic door sound effects, ranging from the creak of wooden door to the thunderous slam of a heavy metal gate. This extensive library includes both source recordings at 192kHz and creatively designed sound effects at 48kHz, providing you with the flexibility to craft intricate soundscapes for a wide range of projects. Whether you need subtle creaks, explosive slams, or anything in between, PORTAL has you covered.
From the gentle click of a latch to the forceful kick of a heavy door, PORTAL offers a diverse range of sounds, each with its own unique character. With detailed recordings of old wooden doors, metal gates, deep “dungeon” metal door, high pitch squeaking wire-netting gate, heavy church gate, you can add depth and realism to your audio projects.
Whether you’re creating horror sound design and obscure soundtracks, a historical drama or a futuristic sci-fi adventure, PORTAL’s extensive sound library has the perfect sound for your needs.
Blacktone Studio is a boutique post-production studio and a leader in sound design for film and television, with a track record of over ten years dedicated to creating soundscapes that enrich the narrative of the stories we work on.
Based in Madrid, our studio features advanced facilities, including a Dolby Atmos mixing stage equipped for cutting-edge post-production, designed to deliver the highest quality in every project. From our earliest productions to our work on major international films and series, our passion for sound, pursuit of technical perfection, and commitment to storytelling have established us as one of the most prominent studios in the industry.
“Blacktone Studio Master Collection Vol. 1” marks this decade of excellence in sound design and field recording by the Blacktone team, representing our sonic legacy—a collection that encapsulates the essence of our work over the years. This generalist library, with over 250 GB and more than 5,000 high-quality files, offers an immense variety of sounds, organized into more than 300 categories and subcategories under the international UCS classification system. Each file is meticulously cataloged and includes metadata in both English and Spanish, optimized for seamless integration into international projects and aligned with industry standards.
For the release of this library, Blacktone Studio has partnered with Surround Sound Lab, our label specializing in field recordings and sound library distribution, to ensure that every file is fully prepared for professional use. With over 50 sound libraries already in its catalog, Surround Sound Lab brings not only experience in editing, mastering, and distribution but also a shared commitment to quality and innovation. This collaboration allows the “Blacktone Studio Master Collection Vol. 1” to reach the market through Surround Sound Lab’s infrastructure, offering professionals a unique, trusted tool used daily in our own studio.
This collection is a unique and special collaboration, created specifically to capture and share the essence and legacy of our sonic work over the past ten years.
Although it is not part of the “SSL Complete Collection” bundle, which includes the full catalog of SSL series libraries, current bundle users will receive access to this exclusive edition at a special price as a token of our appreciation for their continued support.
“Blacktone Studio Master Collection Vol. 1” is a sonic celebration combining the best of Blacktone Studio with Surround Sound Lab’s expertise in distribution, available to those seeking quality and authenticity in their sound design.
Elevate Your Creative Projects with the Ultimate SCI-FI SOUND EFFECTS BUNDLE – Futuristic Weapons, Spaceships & Ambiences, UI, Computerized Voiceovers & Robots – the essential toolkit for creators ready to transport their audiences to thrilling new realms!
A five litre metal olive oil tin is pushed and pressed resulting in metallic bending, folding and crumpling sounds.
Excellent design source material for metallic sound effects.
Are you in need of smashing, crashing and sounds of breaking?
Do you need your scene to sound like a bull in a china shop, without having to break all your own things?
Well great! I broke my plates just for you!
Please buy this pack so I can replace them…
Here is a collection of various glass and ceramic smashes, crashes, dragging and dropping debris, that should suit many editing needs!
Recorded in 192Khz 32bit float and exported in 32/192 kHz to give full flexibility in edit
The Master Gun HK VP9 contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun SR-25 AR-10 Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun SVD-S Dragunov Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun PM Md.63 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
Reverb Chamber Impacts Vol. 1 features cinematic impacts performed in a reverb chamber.
Our Audio Craftsmen recorded a variety of items and actions in a highly live room to produce performances with rich reverberation. These were then layered and designed into 4 categories of cinematic impacts:
This library is a perfect addition to Film, TV & Game productions or trailers with a cinematic, experimental or abstract edge. Use these sounds in in sci-fi, thriller, horror and action projects to create moments of mystery, eeriness and tension.
All sounds are delivered in 24Bit 192kHz format allowing further sonic manipulation and have been meticulously edited and tagged with extensive UCS compliant metadata for ease of use.
The Master Gun PSL-54 Dragunov Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun Savage 110 Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata. (64 Total Files, 3.03GB Total).
The Master Gun M14 SOCOM Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun RPK LMG contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun SVD Tiger Dragunov Sniper Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata.
The Master Gun AIMS-74 Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun AKM Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Master Gun IWI Galil MAR Assault Rifle contains 20 microphone perspectives delivered at 192kHz Broadcast WAV files with UCS Standard Soundminer metadata
The Sci-Fi Collection contains 983+ sound effects from every sci-fi sound library that we have released so far. It features ambiences, drones, textures, swooshes / wooshes, impacts, glitches, sequences, and more. Royalty-free.
Included libraries:
Experience the power of magnetic force with Sonomar Collection: Magnetic, featuring over 1,600 designed impacts, rattles and scrapes as well as the 200+ raw recordings used to create them. With deep tonal resonances, subtle debris rattles and sharp impacts, Magnetic offers a wide variety of high quality recordings for your sound design needs that showcase all aspects of magnetic attraction. Use it as a toolkit to design pulses, subs, punches and beyond.
To capture these sounds, sound designer and recordist Martin Pinsonnault (Big Little Lies, Dallas Buyers Club) and the team at Sonomar amassed a collection of magnets – ranging from small watch batteries to large speaker magnets and a variety of metal objects. Using MKH-8040 microphones in an XY setup, Sonomar recorded numerous vibrations, collisions and resonances resulting from a wide range of magnetic intensity. The high sample rate of 192kHz opens up limitless potential for pitching and processing, a feature that is masterfully exemplified by the designed sounds within the collection that are ready to use in your audio projects.
Each sound file is embedded with diligent metadata to help you find the exact sound effect you need with fast, pinpoint search. Enable creativity with detailed descriptions of each recording encompassing both literal sonic qualities as well as the images they invoke. Advanced metadata fields include translated French descriptions and additional info to ensure compatibility across any database search platform such as Soundminer, BaseHead, Netmix, Workspace (Pro Tools), Find Tool (Media Composer), Media Bay (Nuendo), Reaper, Adobe Premiere, and beyond.
Sonomar Collection: Magnetic is also included in Pro Sound Effects’ CORE: Pro.
Undoing computer is a package of destroying actions and metal sounds. The library contains 125 files of various metal case computer destruction sounds. Hit, Rubbing, Drop, Bend, Twist, Crush. A collection of several sounds of Scrap Metal, Rattle, Smash on the floor and object debris! The perfect little scrap metal pack!
Each sound has been meticulously edited individually, All files were recorded and are delivered in 24 Bit / 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure a fast and easy workflow.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
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