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Foley sound effects collections featuring everyday objects, movement and common, useful sounds
Need a light? Plug not answering? We got you.
This Smoking, Vaping, Getting High SFX library is here for you and your vices. This library is full of sizzling, sparking blunts/bowls, and bubbly bongs, and cough cough hitting different vape pens.
Recorded at a higher sample rate perfect for your everyday cigarette sound effects or add crazy processing for high sound design (get it….?)
These SFX hit different. Elevate your stash.
Need a Light? We’ve Got Your Audio Fix
Welcome to the ultimate collection of premium smoking, vaping, and getting high sound effects. Our meticulously crafted library delivers authentic audio that will elevate your productions to new heights. Whether you’re creating films, games, podcasts, or multimedia projects, these sounds hit different.
What’s In The Stash?
Our comprehensive sound effects package includes:
Elevate Your Production Value
Recorded at a higher sample rate perfect for your everyday cigarette sound effects or add crazy processing for high sound design (get it….?). From subtle background elements to featured audio moments, these sounds deliver authentic atmosphere to any project. Transform ordinary scenes into extraordinary experiences with our premium audio assets.
Quality Assurance Note
No stoners were harmed in the making of this library, just buds.
What Creators Are Saying
“Puff, puff, but don’t pass on this library”
“Looking for that creative spark? These SFX provide the inspiration”
Everything About This Library Is HIGH
Don’t let subpar audio bring down your production quality. Our smoking and vaping sound effects library delivers the authentic audio experience your audience expects. Spark creativity and elevate your projects with our premium collection.
Ready to take your audio to new heights? Add to cart now and download instantly.
A large range of METAL SODA CAN Impacts, Friction, Hand Pats, Movement Foley, Crushing Sounds and much more…
Recorded and processed at 192khz using MKE600, EM272 and Zoom F3 32-bit Float.
This sound library focuses on the detailed handling of two different types of ammunition belts: a long 7.62x51mm belt with spent shells, and a shorter .303 British belt loaded with live bullets.
A variety of actions were recorded, including handling, shaking, sliding, and pickup/drop movements on various surfaces and inside both wooden and metal ammo boxes. The combination of metal links and cartridges provides a rich palette of mechanical textures, manipulations, and impacts.
Captured using both stereo and mono setups, this collection offers foley recordings suitable for weapon handling design, military props, mechanical sound layering, and more.
Gear used
MixPre-6 II • MKH30 • MKH8040 • C411 • MKH416
Metadata
This sound library is UCS compliant and comes with fully embedded metadata compatible with Soundly, Soundminer and Basehead.
We’ve launched a new recording series focused on typewriters, and for this first volume, we’ve included four distinct models:
– Olivetti ET Personal 55
– Olivetti Lettera 31
– Olivetti Pluma 22
– Olympia SM2
This library contains a total of 1008 high-quality audio files, and—as in all our sound libraries, each track includes multiple takes to give you flexibility and variety.
In the preview, what you’ll hear is a combination of all microphones used simultaneously to give a full, rich perspective of each sound.
🔊 What’s Included
This collection captures every mechanical nuance and interaction possible from the included machines, such as:
– Individual keystrokes for each letter, numbers, and special keys (both isolated and sequential)
– Mechanical movements, gear shifts, and levers
– Paper roller actions
– Powering on the electronic typewriter
– Carriage movements with detailed gear and rail recordings
– Sounds of the Olympia SM2 case being handled
– Side levers, paper insertion and release mechanisms
We also used a Geofon contact microphone to capture internal vibrations and mechanical resonances, offering a layer of realism rarely found in typewriter recordings.
🗂️ Well-Organized & Easy to Use
All files are uniformly named and sorted by machine and action type, making it easy to drag, drop, and find exactly what you need in your workflow.
🎧 Recording Approach & Equipment
All sounds were recorded at very close range to ensure exceptional detail and clarity. The recording setup included professional-grade equipment:
– Sound Devices MixPre-6 II
– Sennheiser MKH 8050
– Sanken CO-100K
– Tascam Portacapture X8
– Geofon
This high-fidelity setup allows you to alter pitch or stretch audio while preserving sonic integrity, making these sounds ideal for both hyper-realistic and creative sound design.
✅ Professional Quality Standards
– Recording resolution: Captured at 32-bit / 192 kHz, delivered at 24-bit / 192 kHz
– Editing: All files were meticulously cleaned to remove room reflections, background noise, and handling artifacts
🎯 Ideal Applications
– Video games: Add depth and realism to vintage or stylized interfaces and props
– Film & documentaries: Use authentic machine sounds for historical accuracy or background texture
– Multimedia projects: Perfect for immersive installations, art pieces, or stylized animations
📦 Technical Details
– Total Files: 1008
– Format: 192 kHz / 24-bit WAV
– Gear Used: Sound Devices MixPre-6 II, Sennheiser MKH 8050, Sanken CO-100K, Tascam Portacapture X8, Geofon
Enhance your project with our 174 High-Quality Realistic Recordings of Everyday Household Items pack. This extensive collection captures the authentic sounds of daily life. Each recording is carefully crafted to provide rich, lifelike detail, making it perfect for adding realism to your game, film, or audio project. Whether you’re designing a domestic environment, creating immersive soundscapes, or adding subtle background noise, these high-quality recordings of everyday objects will bring your scenes to life with authenticity and depth.
Features:
174 sounds that you can import directly into your project.
Bring your household and kitchen scenes to life with this foley kitchen sound effects pack, designed to add a layer of realism to your project. This collection of sounds captures the atmosphere of a kitchen. Whether you’re working on a film, game, animation, or any other creative project, these detailed sound effects will immerse your audience in a true-to-life culinary environment, making every scene feel more vibrant and believable.
Features:
132 sounds that you can import directly into your project.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
We recorded a Saxophone hardcase everything from
Case being Closed/Slammed
Case Grabs
Case Foley Strokes
Case Foley Taps
Case being Placed onto Flooring (Carpet, Concrete, Laminate, Metal and Tile)
Latch Open
Latch Close
Latch Movement
Handle Drops
Handle Movement
Handle Multiple Hits
Handle One Hits
This won’t just cover you for a Musical Instrument Case but can be used for hardshell cases in general. Giving you more uses for this sample pack.
Instrument Case will give you enough audio to give your project the authentic sound of a hard case, boosting your project to the next level. Instrument Case has been edited to allow a drop in ready and Royalty Free sample pack. These Samples can be used in a variety of projects from Sound Designing/Compositions for TV, Film, Documentaries and Video Games. UCS Compliant and Metadata is attached to the samples.
EXTRA SNAPS – is an auxiliary sound library containing 316 unique sound effect files of human hand snaps. From gentle light snaps to hard and loud pops and multiple snappings at once. Whether it’s singular and attention grabbing or subtle and encouraging you’re looking for; This Extra sound effects library will help supplement any of your human hand snapping needs, for your next project. Extra Snaps comes in at over 2 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.
EXTRA KEYS – is an auxiliary sound library containing 123 unique sound effect files of real keys. From picking up large and small sets of keys to dropping, shaking and picking through. Whether it’s maintenance or domestic sfx you’re looking for; This Extra sound effects library will help supplement any of your key needs, for your next project. Extra Keys comes in at over 7 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.
EXTRA COINS – is an auxiliary sound library containing 179 unique sound effect files of real metal coins. From spare change and coin sacks to individual coins being handled and dropped. Whether it’s metallic clanking and ringing or the old familiar sound of a hand full of coins you’re looking for; This Extra sound effects library will help supplement any of your coin money needs, for your next project. Extra Coins comes in at over 24 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and foley, mechanical and electrical sounds. It is also available in UCS.
Elevate your project with our sound pack featuring 179 realistic, high-quality foley craftsman and worker sound effects. Carefully recorded to capture the authentic sounds of hands-on craftsmanship and labor, this collection is perfect for adding rich, detailed audio to construction, workshop, and industrial scenes. Whether you’re working on films, games, or interactive media, these versatile sound effects will bring a dynamic and realistic touch to your project.
Features:
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
Enhance the realism of your project with this dynamic collection of 105 designed fighting sound effects. From powerful punches to swift swings, this pack provides a wide variety of sounds to bring action-packed scenes to life. Whether you’re working on a game, film, animation, or any other project, these high-quality effects will immerse your audience in an authentic combat experience. Each sound is carefully crafted for maximum impact, making it easy to integrate into your project.
105 sounds that you can import directly into your project.
All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.
The Master Gun Browning M2-HB Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 26 channels including 12 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun RPK-74 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.
In addition to the unsuppressed shot recordings, we’ve also sampled the RPK-74 with a suppressor attachment. The suppressed RPK-74 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun MK14 Mod 0 EBR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.
In addition to the unsuppressed shot recordings, we’ve also sampled the MK48 with a suppressor attachment. The suppressed MK48 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun HK MP5A2 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
In addition to the unsuppressed shot recordings, we’ve also sampled the HK MP5A2 with a suppressor attachment. The suppressed HK MP5A2 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun HK MP5 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun FN P90 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
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A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.