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Home Foley Sound Effects Page 46

Foley Sound Effects

Foley sound effects collections featuring everyday objects, movement and common, useful sounds

  • Need a light? Plug not answering? We got you.

    This Smoking, Vaping, Getting High SFX library is here for you and your vices. This library is full of sizzling, sparking blunts/bowls, and bubbly bongs, and cough cough hitting different vape pens.

    Recorded at a higher sample rate perfect for your everyday cigarette sound effects or add crazy processing for high sound design (get it….?)

    These SFX hit different. Elevate your stash.

    Need a Light? We’ve Got Your Audio Fix
    Welcome to the ultimate collection of premium smoking, vaping, and getting high sound effects. Our meticulously crafted library delivers authentic audio that will elevate your productions to new heights. Whether you’re creating films, games, podcasts, or multimedia projects, these sounds hit different.

    What’s In The Stash?
    Our comprehensive sound effects package includes:

    • Sizzling, sparking blunts and bowls for authentic combustion audio
    • Bubbly bong sounds with perfect water resonance
    • Diverse vape pen hits from gentle to cloud-chasing intensity
    • Natural coughing and exhaling sequences for realistic user experiences
    • Lighter flicks, plug-in sounds, and other accessories for complete scene building

    Elevate Your Production Value
    Recorded at a higher sample rate perfect for your everyday cigarette sound effects or add crazy processing for high sound design (get it….?). From subtle background elements to featured audio moments, these sounds deliver authentic atmosphere to any project. Transform ordinary scenes into extraordinary experiences with our premium audio assets.

    Quality Assurance Note
    No stoners were harmed in the making of this library, just buds.

    What Creators Are Saying
    “Puff, puff, but don’t pass on this library”

    “Looking for that creative spark? These SFX provide the inspiration”
    Everything About This Library Is HIGH

    • Samplerates: HIGH
    • Sound Quality: HIGH
    • Value: HIGH
    • Performers: HIGH

    Don’t let subpar audio bring down your production quality. Our smoking and vaping sound effects library delivers the authentic audio experience your audience expects. Spark creativity and elevate your projects with our premium collection.

    Ready to take your audio to new heights? Add to cart now and download instantly.

  • Destruction & Impact Sounds METAL CANS Play Track 200+ sounds included, 15 mins total $8

    A large range of METAL SODA CAN Impacts, Friction, Hand Pats, Movement Foley, Crushing Sounds and much more…
    Recorded and processed at 192khz using MKE600, EM272 and Zoom F3 32-bit Float. 

    • Over 350 sounds! 
    • All assets have been processed including noise reduction
    • Over 15 minutes of content 
    • Universal Category System (UCS) Compliant 
    • Deliverables of 192khz, 24 bit, Stereo WAV files
    • Royalty-Free for Commercial Use 
    • Full Embedded Metadata 
    11 %
    OFF
  • This sound library focuses on the detailed handling of two different types of ammunition belts: a long 7.62x51mm belt with spent shells, and a shorter .303 British belt loaded with live bullets.

    A variety of actions were recorded, including handling, shaking, sliding, and pickup/drop movements on various surfaces and inside both wooden and metal ammo boxes. The combination of metal links and cartridges provides a rich palette of mechanical textures, manipulations, and impacts.

    Captured using both stereo and mono setups, this collection offers foley recordings suitable for weapon handling design, military props, mechanical sound layering, and more.

    Gear used

    MixPre-6 II • MKH30 • MKH8040 • C411 • MKH416


    Metadata

    This sound library is UCS compliant and comes with fully embedded metadata compatible with Soundly, Soundminer and Basehead.

  • We’ve launched a new recording series focused on typewriters, and for this first volume, we’ve included four distinct models:
    Olivetti ET Personal 55
    Olivetti Lettera 31
    Olivetti Pluma 22
    Olympia SM2

    This library contains a total of 1008 high-quality audio files, and—as in all our sound libraries, each track includes multiple takes to give you flexibility and variety.
    In the preview, what you’ll hear is a combination of all microphones used simultaneously to give a full, rich perspective of each sound.

    🔊 What’s Included
    This collection captures every mechanical nuance and interaction possible from the included machines, such as:
    – Individual keystrokes for each letter, numbers, and special keys (both isolated and sequential)
    – Mechanical movements, gear shifts, and levers
    Paper roller actions
    Powering on the electronic typewriter
    Carriage movements with detailed gear and rail recordings
    – Sounds of the Olympia SM2 case being handled
    Side levers, paper insertion and release mechanisms

    We also used a Geofon contact microphone to capture internal vibrations and mechanical resonances, offering a layer of realism rarely found in typewriter recordings.

    🗂️ Well-Organized & Easy to Use
    All files are uniformly named and sorted by machine and action type, making it easy to drag, drop, and find exactly what you need in your workflow.

    🎧 Recording Approach & Equipment
    All sounds were recorded at very close range to ensure exceptional detail and clarity. The recording setup included professional-grade equipment:
    Sound Devices MixPre-6 II
    Sennheiser MKH 8050
    Sanken CO-100K
    Tascam Portacapture X8
    Geofon

    This high-fidelity setup allows you to alter pitch or stretch audio while preserving sonic integrity, making these sounds ideal for both hyper-realistic and creative sound design.

    Professional Quality Standards
    Recording resolution: Captured at 32-bit / 192 kHz, delivered at 24-bit / 192 kHz
    Editing: All files were meticulously cleaned to remove room reflections, background noise, and handling artifacts

    🎯 Ideal Applications
    Video games: Add depth and realism to vintage or stylized interfaces and props
    Film & documentaries: Use authentic machine sounds for historical accuracy or background texture
    Multimedia projects: Perfect for immersive installations, art pieces, or stylized animations

    📦 Technical Details
    Total Files: 1008
    Format: 192 kHz / 24-bit WAV
    Gear Used: Sound Devices MixPre-6 II, Sennheiser MKH 8050, Sanken CO-100K, Tascam Portacapture X8, Geofon

  • Foley Sound Effects Household Sound Effects Play Track 174 sounds included, 7 mins total $10.99

    Enhance your project with our 174 High-Quality Realistic Recordings of Everyday Household Items pack. This extensive collection captures the authentic sounds of daily life. Each recording is carefully crafted to provide rich, lifelike detail, making it perfect for adding realism to your game, film, or audio project. Whether you’re designing a domestic environment, creating immersive soundscapes, or adding subtle background noise, these high-quality recordings of everyday objects will bring your scenes to life with authenticity and depth.

    Features:

    •  Bathroom (shower, sink, toiler, brushing, pipe, air vent etc.)
    • Kitchen
    • Cutlery
    • Chopping
    • Clothes Hanger
    • Doors / Drawers
    • Glasses / Plates
    • Key Locks
    • Light Switches

    174 sounds that you can import directly into your project.

  • Foley Sound Effects Kitchen Sound Effects Play Track 132 sounds included, 4 mins total $10.99

    Bring your household and kitchen scenes to life with this foley kitchen sound effects pack, designed to add a layer of realism to your project. This collection of sounds captures the atmosphere of a kitchen. Whether you’re working on a film, game, animation, or any other creative project, these detailed sound effects will immerse your audience in a true-to-life culinary environment, making every scene feel more vibrant and believable.

    Features:

    •  Cutlery – 15 sound effects
    •  Cutting – 34 sound effects
    •  Cutting Board – 7 sound effects
    • Drawers – 17 sound effects
    • Fridge – 6 sound effects
    • Knife / Blades – 7 sound effects
    • Paper – 5 sound effects
    • Pouring Liquid – 2 sound effects
    • Putting Down Objects – 21 sound effects
    • Sink – 7 sound effects
    • Soap Pump – 1 sound effect
    • Stove – 2 sound effects
    • Toaster – 8 sound effects

    132 sounds that you can import directly into your project.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Fabric Sound Effects Instrument Case Play Track 274 sounds included, 6 mins total $20

    We recorded a Saxophone hardcase everything from

    Case being Closed/Slammed
    Case Grabs
    Case Foley Strokes
    Case Foley Taps
    Case being Placed onto Flooring (Carpet, Concrete, Laminate, Metal and Tile)
    Latch Open
    Latch Close
    Latch Movement
    Handle Drops
    Handle Movement
    Handle Multiple Hits
    Handle One Hits

    This won’t just cover you for a Musical Instrument Case but can be used for hardshell cases in general. Giving you more uses for this sample pack.

    Instrument Case will give you enough audio to give your project the authentic sound of a hard case, boosting your project to the next level. Instrument Case has been edited to allow a drop in ready and Royalty Free sample pack. These Samples can be used in a variety of projects from Sound Designing/Compositions for TV, Film, Documentaries and Video Games. UCS Compliant and Metadata is attached to the samples.

  • Foley Sound Effects Extra Snaps Play Track 316 sounds included, 2 mins total $19.99

    EXTRA SNAPS – is an auxiliary sound library containing 316 unique sound effect files of human hand snaps. From gentle light snaps to hard and loud pops and multiple snappings at once. Whether it’s singular and attention grabbing or subtle and encouraging you’re looking for; This Extra sound effects library will help supplement any of your human hand snapping needs, for your next project. Extra Snaps comes in at over 2 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.

  • Household Sound Effects Extra Keys Play Track 123 sounds included, 7 mins total $19.99

    EXTRA KEYS – is an auxiliary sound library containing 123 unique sound effect files of real keys. From picking up large and small sets of keys to dropping, shaking and picking through. Whether it’s maintenance or domestic sfx you’re looking for; This Extra sound effects library will help supplement any of your key needs, for your next project. Extra Keys comes in at over 7 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.

  • Household Sound Effects Extra Coins Play Track 179 sounds included, 24 mins total $19.99

    EXTRA COINS – is an auxiliary sound library containing 179 unique sound effect files of real metal coins. From spare change and coin sacks to individual coins being handled and dropped. Whether it’s metallic clanking and ringing or the old familiar sound of a hand full of coins you’re looking for; This Extra sound effects library will help supplement any of your coin money needs, for your next project. Extra Coins comes in at over 24 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.

  • Foley Sound Effects TAM 2000 1961 truck Play Track 126 sounds included, 49 mins total $65

    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving and foley, mechanical and electrical sounds. It is also available in UCS.

  • Foley Sound Effects Craftsman Tools vol. 2 Play Track 179 sounds included, 6 mins total $14.99

    Elevate your project with our sound pack featuring 179 realistic, high-quality foley craftsman and worker sound effects. Carefully recorded to capture the authentic sounds of hands-on craftsmanship and labor, this collection is perfect for adding rich, detailed audio to construction, workshop, and industrial scenes. Whether you’re working on films, games, or interactive media, these versatile sound effects will bring a dynamic and realistic touch to your project.

    Features:

    •  Cracking Wood : 5 audio files
    • Grinder : 5 audio files
    • Hammer : 24 audio files
    • Hand Plane : 3 audio files
    • Hand Saw : 10 audio files
    • Hand Screwing Nuts : 8 audio files
    • Marker : 11 audio files
    • Nail Gun : 19 audio files
    • Objects : 15 audio files
    • Picking Up Wooden Object : 4 audio files
    • Sandpaper : 14 audio files
    • Tool Box Nuts and Bits : 40 audio files
    • Wrench : 21 audio files
  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, foley, mechanical and electrical sounds. It is also available in UCS.

  • All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1 and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • Hand Combat Sound Effects Fight Sound Effects 2 Play Track 105 sounds included, 1 mins total $10.99

    Enhance the realism of your project with this dynamic collection of 105 designed fighting sound effects. From powerful punches to swift swings, this pack provides a wide variety of sounds to bring action-packed scenes to life. Whether you’re working on a game, film, animation, or any other project, these high-quality effects will immerse your audience in an authentic combat experience. Each sound is carefully crafted for maximum impact, making it easy to integrate into your project.

    105 sounds that you can import directly into your project.

  • Foley Sound Effects Zastava Rival 1987 truck Play Track 159 sounds included, 49 mins total $65

    All files are recorded 32bit, 192 kHz, with RØDE NTG1, Line Audio Omni1and FEL Clippy XLR EM272 microphones, Sound Devices MixPre-6 II recorder. Library contains wav files of driving, interior and exterior foley, mechanical and electrical sounds. It is also available in UCS.

  • The Master Gun Browning M2-HB Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 26 channels including 12 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun RPK-74 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the RPK-74 with a suppressor attachment. The suppressed RPK-74 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • Bundles MASTERGUN – MK48 Play Track 1673 sounds included $90

    The Master Gun MK14 Mod 0 EBR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the MK48 with a suppressor attachment. The suppressed MK48 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun HK MP5A2 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    Suppressed Recordings

    In addition to the unsuppressed shot recordings, we’ve also sampled the HK MP5A2 with a suppressor attachment. The suppressed HK MP5A2 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
    The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
    Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun HK MP5 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

  • The Master Gun FN P90 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.

    Raw Recordings

    Our raw shots features a total of 20 channels including 10 Stereo sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
    Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.

    Our foley features a total of a stereo A/B pair of Neumann KMR81i mts which are placed on both the left and right of the gun. All of the foley has been recorded at 192kHz for extreme processing workflows.

    Designed Mixes

    Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.

    UCS compatible metadata embedded

    All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.

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