Home Sound Effects
Get the sounds of a Yamaha 24MX 125 cc dirtbike – featuring onboard and exterior recordings.
The recording consists of 11 channels, two exhaust, driver back, chain, two engine, intake and 4 synced exterior channels, left, right, surround and following shotgun. It contains several start, stop, idle, blips, revving at constant rpms without gear, various accelerations and decelerations, driving while braking to get even rpms etc.
Driver back channel is missing for the first startup, and chain channel suffers from bad contact last startup, but we decided to keep those in since they still contain many useful parts. The recording length is 19 min 3 s.
In-depth recording of a Plymouth Cuda Convertible from 1971 with the extremely rare 426 Hemi engine and a 4-speed transmission.
Only two of these with the manual transmission were produced in 1971 so this car is obviously a clone but a very well built one. An original 1971 HemiCuda convertible is today extremely valuable, selling prices up to $5 million. The engine has 2 x 4-port Carter carburator and is (under)rated 425 horsepower by the factory.
The recording contains eight onboard microphones for interior, engine, intake and exhausts, and eight channels of exterior material.
It includes startup, idle, shutdown, driving at steady rpms, steady rpms in neutral, cruising, ramps, accelerations and decelerations through gears, approaches, passbys, aways as well as some foley like doors, hoods and knobs. Total recording length is 37m 39s.
A very in-depth multitrack recording of a Plymouth Road Runner 440 Sixpack from 1970.
The car has the 440cubic inches engine with the famous 3 x 2 barrel setup. The rating from factory was 390 horsepower. This car has the three geared automatic transmission.
The recording has eight onboard microphones, L+R interior, two engine, intake, L+R exhausts and finally a back center exhausts microphone. Exterior recording consists of four different stereo pairs, all in sync with the onboards.
The recording includes startup, idle, shutdown, blips, standing steady rpms, cruising, driving at steady rpms, various accelerations & decelerations, ramps, passbys, approaches, stops, aways and more.
It also contains foley recording of doors, hoods, gear shifter, switches and horn. Total recording time is 32min 7s.
Get the movement noise and handling sounds of a wide range of dresses and clothes, bags, necklaces, hats and footwear. Most items include photos too, to make the items easier to identify.
Footwear includes:
Japanese clogs • training shoes • mens' and womens' sandals • leather and canvas • turkish slippers • riding boots • military boots • canvas sneakers
Necklaces include:
Bijou Wooden copper balls • wood cubes • bijou plastic pearl • classified links • metal death head • fiber micro pearl • big plastic pearl and more
Bags include:
Small women's handbag • Grandmother handbag • Mini handbag • Cane handbag • Cane shoulder bag • Braided handbag • Indian shoulder bag • Military canvas bag
Hats:
Woolen hat • summer straw panama hat • basketball cap
Belts & more:
Canvas belt • plastic belt • leather belt • classic leather belt • ties • silk sheets • leather holster
Vehicles: Cars 1: Elements was designed as a tool kit to help you augment your own sound library with a broad mix of 500 automobile sound clips.
The collection features based on their type: luxury car, compact car, sedan, and so on. In particular, the collection features field recordings from:
Also included in the collection are over 100 tracks of various car recordings: peel outs on dirt and gravel, passes, and so on. There is also a mixed selection of car Foley: doors, glove box moves, horns, revs, idles, and more.
Please note: this collection is a “construction kit” of mixed sound fx from various cars. It is not intended to be an authoritative indexing of any one model in particular.
Get the true sounds of Italy in this authentic collection.
The Italian Ambiences sound effects library features recordings from places such as an Italian airport, bar, beach, city ambiences, crowd, countryside, market, pub, school, residential area, supermarket, train station, marina, museum, office, restaurant, tavern, village and many more.
Also includes a great collection of recordings from the historic city of Venice, Italy – excellent for old-city atmospheres. In total, more than 4.5 hours of atmospheric Italian recordings and ambiences are included.
Each sound file has been carefully named and tagged for easy search in Soundminer and is Universal Category System (UCS) compliant.
(see the full track list below).
“Sci-Fi Transitions” is a sound pack dedicated to the futuristic or unidentifiable transitions that are designed to sound great on their own or as a building material for other sound effects. The collection includes pass-bys, whooshes, and other actions in a varying degree of complexity – all ready for panning and Doppler effects.
Welcome to the Just Gore | Add On – more than 790 goregeous bone-breaking, blood-soaking and flesh-slicing splatter sound effects.
This huge hard-gore construction kit contains all extra-disgusting sounds for a breaking bone, a punch to the guts or a brutal dismemberment.
This is your exterior wind collection, mainly recorded outside with a wind trap. You will be surrounded in your editing room by blowing, fresh air.
An underground parking is a place where you don’t feel safe. A squeaky door, a car in approach or simply someone playing with keys. Once again you will have a lot of possibility with those surround sounds for creating space and depth.
This collection is really immersive, distant noises in large halls, people walking away to catch their train and much more.
The Burroughs Protectograph that we acquired was manufactured around the turn of the 20th century and had a single unique function – to stamp and emboss checks for banks. The Burroughs corporation has been around since 1886, and was an early force in the adding machine, check stamper and typewriter industries. This Protectograph version had an electric mechanism that would move large printheads down through a ribbon and would stamp a check hard and repeatedly for as long as the print key was held down. Our machine was acquired in perfect working condition.
Its keys have a short through but a satisfying clack, and the punch mechanism is a huge whir stamp sound than can cycle if the punch button is held down. We rolled with the case both on and off, which revealed very different sounds from the main electric mechanisms.
We ran the whole session with three perspectives miked up – front by the keys, in the back by the punch and a wide perspective perfect for bgfx placement. The front and back mics were Schoeps CMC6.MK4 and the wide mic was an AT 4050 in omni about 5 feet away. Listen to the straight examples give a clear accounting of the type of sounds we got from this machine, and the bent examples show what can really be done with those sounds and the Kontakt instrument.
Motion Texures is a broad library with a narrow purpose: to draw sonic lines and create gently moving sonic textures.
The concept is that consistent sound of friction will translate well to visual design elements that have CG and text movement on screen.
We recorded the friction sounds of dozens of small to medium sized props in constant motion. Major categories include metal, plastic, cloth, wood and skin. Some of the most interesting sounds came from the props that had small cavities such as the spray can lid and the water bottle. The constant changing of the cavity state relative to the mics creates strange vocal sounds.
Once the sounds were recorded we employed a proprietary smoothing process as a second pass to the sounds and provided them in addition to the original textures. These smoothed out sounds still have the organic quality of the original recordings, but with far fewer transient events. The end result are sounds that feel straighter than the more circular sounding original textures.
Inside of the Kontakt instruments we stacked layers and effects to create a broad base of deep and interesting textures. Many of the Kontakt presets mangle the sounds far beyond recognition of the original recordings.
The Handheld Tranceivers library delivers walkie-talkie sound effects from no less than three models: The AEG Voxtel, the Cobra MicroTalk and the Kenwood TK-3107.
It features button sounds, beeps, squelches, feedback sounds, static and white noise sounds, garbled communications and much more. Recorded with a Nevaton MC48 microphone and a Tascam DR70d portable recorder.
A collection of sounds gathered from conceptual designs and audio experiments. While not centered around a specific theme or topic, Vaeyan III will surely add unique and dynamic flavors to your sound vault.
Remington Rand is an early American typewriter and adding machine manufacturer formed in 1927. The last Remington Rand branded business machine rolled off the line in 1958. The adding machine that we acquired was an electric version in good working condition. Remington Rand also manufactured things like shavers, pistols and calculators.
Our adding machine has a big electronic mechanism for the summing function and nice heavy clacks for the regular keys. It also had some very sticky metal plates that would occasionally get stuck and then pop loose with a big resonant ringing sound. This specific defect made an incredibly interesting sound that is very unique to this specific machine’s wear and tear.
As with the Burroughs Protectograph we miked it with three different mono perspectives to produce three very different sounds on each move. We used Schoeps CMC6/MK4 mics on the front and back and an AT4050 for the wide perspective in mono. The close perspectives are great for big thick clicks and mechanisms, and the wide is excellent for use in one offs for bgfx tracks.
Want the sound of the real Paris? This library gets you the authentic sounds and ambiences of Paris, captured by Parisian natives Frederic Devanlay and Cedric Denooz. From the charms of the Quais de Seine, the quietness of its parks, the liveness of its courtyards, the frenzy ballet of its boulevards, and the warmness of its markets, the library captures the colors and shades of the French capital.
Paris locations recorded include:Alboni Street • Bercy Village • Dasnier Street • Daumesnil Market • Durban Street • Gare De Lyon • Lekain Street • Montmatre • Mouffetard Street • Nadeau Street • Notre Dame • Oberkampf Street • Pere Lachaise • Place Contrescarpe • Place Menilmontant • Place Tu Tertre • Porte De Vincennes • Quays of the Seine river • Robineau Street • Sacre Ceur • Saint Maur Street • Saint Mandé Station • Trocadero Park – and many more!
Get the pass-by sounds of unclassifiable objects, with a natural aspect and texture. They can be easily added into a natural, sci-fi, historical or fantasy world setting.
The source objects are items like toasters, gloves, paper, pipes, small motors, voices, an iron bowl, a garden hose, plastic sheets, air pumps, sticks, trolleys, ratchets. The elements are wind, water, underwater. The textures are plastic, metal and wood.
Unknown Pass-By contains fast, med, slow pass bys (from left to right). Both small and large objects are included, and the library is excellent for setting your sound design imagination free.
“The Zinc Mines” is a collection of high quality ambient and close up recordings from within the various levels, drifts, shafts and caverns of the underground Zinc Mines located in Grue, Norway.
Specifically these recordings were done in the mines called “Nysetergruvene”. The atmosphere inside the mountain mine is cold and wet, with water dripping between levels, trickling down shafts and dripping in large pools.
The recordings vary from extremely quiet and sparse dripping to gushing intense waterfalls with varying distance to source.
The “Screams & Shouts 2 – Humans” sound effects library brings you over 1.200 human shouts of pain and death, disturbing screams plus grunts of anger, struggle and attack from several men, women and children.
All sounds have been edited precisely and cut clean for instant use in your projects.
The “Screams & Shouts 2 – Monsters” sound effects library brings you over 940 shouts of pain and death, disturbing roars plus grunts of anger, struggle and attack from several monsters and zombies.
Additionally you get 250 clean untreated vocalized human monster sound to create your own designed monsters with it.
This is the go-to sound effects library to give your monsters an unpleasantly threatening, disgustingly haunting and ferocious voice
All sounds have been edited precisely and cut clean for instant use in your projects. These sounds fit very well in any scifi, horror, action, fighting or fantasy game, movie or any other audio-visual production.
Need high-impact car crash sounds – captured from both the inside and outside of a car? While there are no sounds of actual monsters attacking a car, there's certainly a lot of of recordings of sound-guys jumping on car roofs, beating car doors, smashing windshields and destroying paint jobs, with a big axe, and a crowbar.
Low sense DPA 4061 microphones were placed inside a car, and different actions were performed on it, like hitting, dragging, jumping, stepping and other improvising actions.
Microphones were also placed inside and outside the car, and windshields were smashed, with crowbars. These recordings covered the massive impacts as well as the small detailed glass pieces falling inside the car.
The Motorboat 2 library gets you recordings of a motor boat with a Honda BF 5A 5-HP 4-Stroke engine. Includes starts, idling, forward speeds, false starts, and engine shutoffs.
EDV3RB is designed to be a complete toolbox to create a realistic sounding room atmosphere up to 5.0 surround.
A full 5.0 Surround WAV-file of each room in different perspectives will give you the base and the real sound of the location.
With the exact same room as an Impulse Response you’ll be able to add all types of different sounds to the ambience to get a perfect natural-sounding environment.
EDV3RB’s Impulse Response Library is made for the IR-Reverb PlugIns Audio Ease Altiverb, Avid Space, Waves IR-1 and others supporting WAV impulses.
Bunker 101 • Carlsberg No 19 • Carpark Big • Carpark Small • Der Saal • Factory Hall Big • Factory – Furnace • Factory Hall Huge • Factory Hall Small • Factory Tunnel • Kitchen • Living Room • Living Room II • Sleeping Room • Staircase
Variation • EdV3rb Stereo • EdV3rb 5.0 Surround • EdV3rb 5.0 Surround | Resolution • 24 bit / 96 kHz • 24 bit / 48 kHz • 24 bit / 96kHz | Size • 5.75GB • 6.33GB • 13.2GB |
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
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We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
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There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
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A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
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A Sound Effect is a well curated boutique sound effects shop and a great place to find industry interviews and learning resources.