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Home Sound Effects

Pole Position Production

  • The Indoor Gun Acoustics 2 sound effects library features gunshot sounds from 6 different weapons in five room types.

  • The Aircraft Ambient Sound Effects library features jets, planes, and vintage fighters flying in the distance with a sense of spaciousness.

  • Specially recorded for sound design, The Guitaresque Power Tools Library include clips featuring bizarre whines, grinding, hums, and more as power tools are “played” on guitar necks and bridges. Clips include rising and falling tones and one-shots.

  • The Smith & Wesson .38 Chiefs Special Model 60 revolver sound effects library features firing and performed effects of loading, drum spinning, dry fire, and more from a .38 Special revolver.

  • The Desert Eagle sound effects library features multiple takes of gunshots, as well as performed effects of magazine moves, loading, unloading, and more.

    The Desert Eagle sound effects library includes 174 clips in 4.25 gigabytes of audio. It showcases the sound of a .44 2010 American pistol firing as well as performed effects of handling, loading, unloading, and magazine movement.

    The gunshots feature multiple shots in two takes from 24 perspectives ranging from close to over 150 meters distant. 50 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Neumann, Sanken, Sennheiser and other professional microphones.

    The collection includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, and Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • The Metal Hit Sweetener sound effects library features metal hit sound effects, drops, bashes, and more with shovels, containers, pots and pans, and others.

    The Metal Hit Sweetener Library gathers over 80 multi-sample strikes, hits, impacts, drops and other clips in 1.18 GB of 192 kHz sound-design friendly field recordings.

    The metal hit sound effects include strikes with hammers, drumsticks, forks, and other implements hitting over 22 types of props: from bowls to pots and pans, oil barrels to wheelbarrows, shovels and spades, trailers, and much more. Every recording has multiple performances in each file to allow for a variety of sound design tools created to sweetener hits, blasts, bursts, breaks, and other impactful sound effects.

    Includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments.

  • The grass trimmer sound effects library features field recordings of working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Jonsered GC 2125 grass trimmer with a 2-stroke engine 25 cm3. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The SPAS-12 combat shotgun sound effects library includes nearly 50 channels of two types of gunshots, performed effects of loading and pump action sounds, and more.

    This Franchi SPAS-12 combat shotgun sound effects library features 293 sound clips in 5.73 gigabytes of sound. It showcases field recordings of the Italian dual-mode weapon wth a folding stock and uses 12 gauge 2 3/4 inch shells.

    The collection gathers 24 perspectives and 47 channels (including an Ambisonic perspective) of both pump action and semi-automatic firing, as well as performed effects of loading, pump action, rattling, the safety, and others. The perspectives range from close to 150 meters distant.

    The sound library includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • The Tonal Colors Sound Effects Library shares a sonic palette of hits, impacts, rattles, and clatters from metal, glass, and ceramic objects in one-shots and continuous resonant tones.

  • The clearing saw sound effects library features field recordings of working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Husqvarna 245RX clearing saw with a 2-stroke engine 45 cm3. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • A library of Glock 17 sound effects including multiple gunshots and performed effects of handling, rack slides, magazine moves, and more.

    The Glock 17 sound effects library includes 171 clips in 4.55 gigabytes of audio. It shares the sound of an Austrian Glock 17 9mm semi-automatic pistol with 9×19mm Parabellum cartridge.

    Performances include 3 takes of firing from 29 mono, stereo, Ambisonic AmbiX and multichannel microphones from close to over 170 meters away. The recordings also include performances of rack movement, handling, rattles, magazine movement, and more.

    Also packaged with the collection are editing sessions in Pro Tools and Reaper formats, as well as complete embedded metadata support.

  • The large chainsaw sound effects library features field recordings of a chainsaw working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Husqvarna 372 XPG chain saw with a 2-stroke engine 72 cm3 and a 28″ sword. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The small chainsaw sound effects library features field recordings of a chainsaw working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Husqvarna 338 XPT top handle chain saw with a 2-stroke engine 38 cm3 engine and a 12″ sword. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The lawn mower sound effects library features field recordings of working, maneuvering, idling, and performed effects.

    This collection features a Husqvarna Master 46 lawn mower with a Briggs & Stratton 3,75 hk Sprint 4-stroke engine with a cutting width 46 cm. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects. It also shares driving from three exterior positions, as well as microphones mounted on the exhaust, overhead, and at the engine, with additional custom mixes of the onboard perspectives.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The leaf blower sound effects library features field recordings of working, idling, ramps, steady RPMs, and performed effects.

    This collection features a Husqvarna 170 BT leaf blower with a 2-stroke engine 65 cm3 with air volume 16m3/min and air speed 78 m/s. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The riding lawn mower sound effects library features field recordings of working, maneuvering, idling, and performed effects.

    This collection features a Mower Husqvarna Rider Proflex 21 riding lawn mower with a Kawasaki Twin 21hk engine with a cutting width 122 cm. It includes performances of idles, revs, blips, ramps, steady RPMs, and working from nearby and distant perspectives, as well as performed effects. It shares driving from three exterior positions, as well as microphones mounted on the exhaust, overhead, and at the engine, with additional custom mixes of the onboard perspectives.

    The collection includes Pro Tools and Reaper mixing sessions and 18 fields of embedded metadata.

  • The Dan Wesson .445 SuperMag revolver sound effects library includes clips of dry firing, cocking, handling, and more.

    The Dan Wesson .445 SuperMag revolver sound effects library includes 170 clips in 3.27 gigabytes of audio. It shares the sound of a 1995 American revolver firing as well as performed effects of cocking, unlocking, loading, opening and closing the chamber, and many more.

    The gunshots feature many multiple shots in three takes from perspectives on the gun to over 150 meters distant. 53 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The package includes Reaper and Pro Tools sessions with all performances aligned for easy editing, and complete embedded metadata support.

  • The Colt Python 357 Magnum sound effects library includes 52 channels of multi-take gunshots, performed effects of cocking, loading, movement, and more.

    The Colt Python 357 Magnum sound effects library includes 158 clips in 4.01 gigabytes of audio. It shares the sound of a .357 1955-2005 American revolver firing as well as performed effects of loading, unloading, cocking, de-cocking, movement, and handling.

    The gunshots feature multiple shots in three takes from 25 perspectives ranging from close to over 150 meters distant. 52 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.

    The collection includes 18+ fields of mule-format embedded metadata as well as Reaper and Pro Tools sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • A library of grunt sound effects including breathing, groans, moans, fighting vocalizations and more.

    The Grunts Sound Library includes 211 sound clips and 8.4 GB of male and female grunts and breathing.

    Recorded with a whisper-quiet Ehrlund EHR-M1 microphone with sound-design friendly 192 kHz/24-bit fidelity, the grunt sound effects feature performances from four female and four male voice actors. Categories of breathing, combat, and dying present running, jumping, and sliding breathing, punches, receiving hits, and battle cries, as well as death rattles, dying sounds, and much more.

  • A sound effect library of electromagnetic sound clips including buzzes, drones, crackles, pops, and more.


    The Electromagnetic Sound Library is a 2.96 gigabyte bundle of 235 buzzes, drones, clicks, pops, and other EMI effects. Crafted to use in sound design, the clips are ideal for high-tech accents, bad transmissions, computing tones, magnetic buzzes, and more otherworldly technological elements.

    The bundle is packed full of recordings of VLF radio frequencies using a LOM Priezor passive magnetic antenna and an electric guitar pickup box. A broad mix of subjects ranging from power tools to household appliances to motors and computers produce broad tones and drones as well as shorter clicks, pops, and pulses.

    The collection is named and described with care with ample keywords to ensure these strange sounds will be found fast.

  • A sound library recording of cracking, hitting, scraping, sliding, and singing ice on a Swedish frozen lake.


    The Frozen Lake collection includes 94 files of wintery performed sound effects in 1.12 GB of field recordings.

    Captured on an iced-over lake in Sweden, a total of 5 channels share various isolated performances on the frozen surface: hits, breaks, cracks, groans, grinds, slides, scrapes, and more. Ice debris, metal hits, and rock drops were performed on the solid surface to provide a range of sounds and textures. The recordings were captured with high-resolution CO-100k and MKH 8060 microphones, as well as with dual Aquarian H2a hydrophones positioned beneath the surface.

    The collection includes extensive, detailed embedded metadata, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.

  • This plastic sound effects library includes textures, drops, movement, handling and more from over a dozen types of plastic props.


    The Plastic Textures Library includes 625 clips and 12.33 GB of sound effects. Each clip includes multiple performances of drops, scrapes, movement, rattles, hits, squeaks, twists and others.

    Created to help sound editors with sound design, the plastic sound effects collection shares sounds from props ranging from balloons to bubble wrap, flexible pipes to plastic bags, buckets, cups, toys, and more. Recorded in sound-design friendly 192 kHz/24-bit resolution with high-frequency microphones (including the 100 kHz-capable Sanken CO-100k), the package is ready for pitching, morphing, and other creative uses.

    Includes detailed metadata in 18+ fields to help you find the sounds you need fast.

  • A stone and sand sound library with over 1300 takes of drops, slides, scrapes, trickles, debris and more from gravel, stones, tiles, rock flakes, boulders, and other varied props.

  • A sound library featuring the sounds of war: grenade launchers and cannons firing, RPGs, assault rifles, and pistols firing at an armor plate, and a mix of claymore, grenade, and various mine explosions.


    The Warfare 2 Library sound bundle showcases 627 field recordings in 19.82 GB from a genuine military exercise.

    A total of 22 perspectives arrayed around the location capture recordings from dozens of microphones at close, medium, and distant positions as well as from inside a bunker in 37 exterior and 4 interior channels.

    The field recordings gather sounds of grenade launchers and cannons firing and reloading, troop mines, vehicle mines, and tank mines detonating and exploding, as well as artillery grenade and C-4 plastic explosive blasts. Many takes depict exploding wood and stone with extended debris settling. Assault rifles, RPGs, and pistols firing at a metal plate as well as skirmish shooting share long, clean tails.

    Also included are 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper mixing sessions.

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