Realistic and non-realistic (Sci-Fi) explosions, along with imaginative accompanying material such as after-blast ear ringing, fire loops, bomb timers, machinery destruction sound effects, and more. Dry and ready for any environment of your choice. The goal when creating this pack was to go beyond what explosion packs usually offer. We have included some great additions to the standard explosion sounds.
Get the lowest prices on individual packs or grab the Everything Bundle with lifetime free updates: www.cyberwave-orchestra.com
Realistic Explosions
These come in multiple flavors and offer the flexibility to choose the type of debris that matches your idea. Some of the explosions are also designed to have a bit of ricochet sound in them which is desired for certain scenarios.
Unrealistic Explosions
Made for projects that do not require realism, just some unique explosion sounds. Great for sci-fi and puzzle games for example. We also included a few retro 8bit explosion designs into this category.
Basic Explosions
Not quite realistic, but not unrealistic too! Generic all-around explosions for a variety of projects. Where there are multiple variations of an explosion like for ‘Basic (variation 1 to 4)’ it means it can be adjusted to randomly select from the 4 variations in order to provide a better experience for the gamers, especially if the sound is used a lot.
Additional Material
Here is where the cool stuff can be found. These ideas go hand in hand with explosions and can spice up your game.
‘Shoot ‘em up’ has never been this exciting! From powerful laser and plasma blasts, to specialised sounds such as fire, rain and laser circles, Sci-Fi Weapons: Bullet Hell adds intensity to virtual battles. With our trusty Vaemi’s El-Ma electromagnetic field mic, we’ve captured some wild electronic shenanigans, blending them with our synthetic sounds to cook up weapon effects that’ll make your players go, “Whoa!”
This soundlibrary arises from recordings with plugins and effects. In these sounds you will find 96 laser pistol shots and 36 laser pistol reloads. After working these sounds in post production, this library comes with 132 incredible laser pistol shots and reload sounds that will bring your vídeo, trailer or movie to life.
Size: 89 MB
Files: 136 • Including metadata
Sample Rate: 48Hz – 24 Bit WAV
Duration: Approx. 3 min
Gear: Virtual Plugins
Delivery: Instant – blazingly-fast
License type: Royalty-Free
🏴☠️ Unlock Uncharted Audio Adventures with the Ultimate Pirate Sound Effects Bundle! 🏴☠️
Embark on a 10-hour pirate sonic adventure: premium sound effects and foley, dynamic voiceovers, atmospheric ambiance – just one click away!
INCLUDED LIBRARIES (Total Value: $450!):
DOWNLOAD THIS QUICKEST AND EASIEST, HIGH-QUALITY PIRATE AUDIO SOLUTION FOR YOUR PROJECT NOW!
Ahoy there, daring audio enthusiasts!
Prepare to hoist the Jolly Roger of sonic creativity with our exclusive Pirate Sound Effects Bundle. It’s not just a collection of sounds; it’s your ticket to immersive storytelling that will mesmerize your audience. Whether you’re crafting epic games, cinematic films, captivating podcasts, or immersive VR experiences, this bundle is your compass to authentic audio magic.
INSIDE THIS TREASURE TROVE, YOU’LL UNCOVER:
Pirate Adventure Sound Effects Library: Transform your scenes with clashing pirate weapons, roaring ship cannons, triumphant cries of victory, and the captivating sounds of treasure hunting. From map handling and shovel digging to the tantalizing creak of treasure chests, turn your audio into an experience that resonates with authenticity.
Pirates’ Voice Samples: Infuse your characters with undeniable charisma and gravitas using male and female words, phrases, grunts, and shouts. Craft dialogue that’s as memorable as the characters delivering it, making your narratives truly legendary.
Pirate Ship Sailing Ambience: Immerse your audience in the very heart of pirate life. Capture the creaking timbers of an old wooden ship, the rhythmic sound of the waves against the hull, and the whispers of secrets carried by the wind. Transform your setting into a dynamic, living backdrop.
Weather and Nature Sound Effects Library: Transport your listeners to mesmerizing locales – from the mysterious forests to the majestic mountains, the solitude of desert sands, and the serene shores of Caribbean islands. Infuse every scene with the ambiance of the great outdoors, creating a world that leaps from the imagination to reality.
SAVE TIME, SAVE EFFORT, SAVE MONEY
Why purchase individual products at $450 USD for the entire collection? Don’t waste endless hours scavenging for sounds across the web. Streamline your journey by downloading this complete treasure trove of top-tier pirate audio in one effortless click!
Crafted by our veteran team with 1,000+ games of expertise, each sound is expertly mastered and ready to seamlessly integrate into your project. With meticulous labeling and simple keyword searchability, our meticulously organized content simplifies your creative process.
As always, our sounds come in the 3 most common audio formats for your convenience.
Claim Your Pirate Sound Effects Bundle Now And Set Sail For Unparalleled Audio Brilliance!
WHAT’S INSIDE:
4 Full Royalty-Free Pirate Sound Libraries
572 Audio Files (1,716 original sounds)
Perpetual World-Wide License
WAV Format: 24 Bit, 96 kHz and 16 Bit, 44.1 kHz
MP3 Format: 320 Kbps
Unpacked Size: 7.42 GB
Total Run Time: 9h 38m
Ready to use – requires no editing, labeling or splicing
Categorized, organized and individually labeled files for maximum use efficiency
FREE Updates to higher versions, FOREVER!
Don’t just collect sounds; shape worlds. Elevate your creations with sounds that transport your audience beyond their reality. This bundle is a voyage of value, a treasure trove of inspiration, and a companion for creators who dare to dream bigger.
With each sound, you weave a tale; with every element, you paint an adventure. Seize this opportunity before it vanishes like a ship over the horizon – grab your bundle today and chart your course to audio greatness.
From the ashes of a Wurlitzer baby grand piano, we bring you a unique sample library for media sound design. Perfect for suspense and horror in films and games. Surprisingly good at emulating distant artillery hits and other destruction. Crunches. Bangs. Metal scrapes. Wood shattered. Strings scraped with saws and performed with sledgehammers… not felt.
119 stereo one-shots of the acoustic dismantling. 77 crafted soundscapes and designed effects crafted from processing the original sounds. And… a playable Kontakt patch of unusual and slightly out of tune string plucks with multiple round robins for natural variation (delivered at 48kHz for memory optimization). All recorded in stereo using Schoeps microphones arranged in mid-side stereo technique. Edited and tagged with UCS metadata for fast and clear search results.
Kontakt 6.8.0 or higher is required.
NOTE: This library does not run in the free ‘Kontakt Player’
TAKE YOUR AUDIENCE TO THE BATTLEFIELD
THEY HAVE NEVER EXPERIENCED BEFORE.
Get 1000s of the highest-quality modern warfare weapons and vehicle sounds, all battlefield ambient environments you can think of, explosions / demolition sound effects, and exhaustive soldier voiceovers, with just one click of a button!
INCLUDED LIBRARIES (Total Value: $500!):
WHAT’S INSIDE:
Weapons: Machine Guns, Pistols, Rocket Launcher, Grenades, Huge Chain Gun, Flamethrower, Sniper, Army Knive, Remote Display-Oriented Weapons, and more
Vehicles: Tanks (in diferent sizes), Helicopter / Chopper, Military Jeep, Truck, War Jet Aircrafts, Heavy Bomber, Submarine, Flying Drone, Missile Rockets, Torpedo and sounds of all other battlefield Vehicle, Artillery, Marine or Air Force vehicles
Handling and Misc. Sounds: Alarms and Sirens, All Weapons and Vechies Handling, Night Vision Goggle Sounds, Silencers, Bullet Fly-By Swishes, Zaps And Ricochets, Missile And Torpedo Run-Bys, Blank Weapon Clicks, Soldier Marching Footsteps Foley, and more
Explosions, Cracking, Bursts, Earthquakes, Electricity Noises and Debris – all in various sizes, complexities, and materials such as: Glass, Liquid, Stone, Concrete, Metal, Wood, Snow, Fire, Water and Ice
Enviroment Loops: Battlefield, Prison, Farm, Village, Grasslands, Countryside, Forest, Jungle, Beach / Island and many more; each included in Multiple Variations, all Weather Conditions, and Multiple Intensities to cover each and every scene you’ll need sounds for
Voice Over Recordings of most commonly used Army Soldier situational words, phrases and shouts, such as Warnings, Attack Sequences, Questions, Responses, Hurt Wails, Vocal Noises, and more. Combine them together to form a troop of heroes, ready for battle!
All in cutting-edge cinematic quality, with multiple premium WAV and MP3 formats for your convenience.
SAVE TIME, SAVE EFFORT, SAVE MONEY
Instead of buying individual products and paying $500 USD for entire collection, or spending countless hours handpicking sounds that your projects need from all over the internet, download this collection of all the highest-quality warfare audio you will ever need with one click of a button!
Designed by our team of industry veterans with 1,000+ games worth of experience, every included sound has been carefully mastered and is drag-and-drop ready for your project. Entire content is meticulously labelled and easily keyword-searchable, and as always with us, all sounds are included in 3 most common audio formats for your convenience.
TECHNICAL DETALS:
6 Full Royalty-Free Warfare Sound Libraries
3,024 Audio Files (1,008 original sounds)
Perpetual World-Wide License
WAV Format: 24 Bit, 96 kHz and 16 Bit, 44.1 kHz
MP3 Format: 320 Kbps
Unpacked Size: 5.49 GB
Total Run Time: 5h 45m 45s
Ready to use – requires no editing, labelling or splicing
Categorized, organized and individually labeled files for maximum use efficiency
FREE Updates to higher versions, FOREVER!
DOWNLOAD THIS QUICKEST AND EASIEST, HIGHEST-QUALITY,
ONE OF A KIND WARFARE AUDIO SOLUTION FOR YOUR PROJECT NOW!
The Dan Wesson .445 SuperMag revolver sound effects library includes clips of dry firing, cocking, handling, and more.
The Dan Wesson .445 SuperMag revolver sound effects library includes 170 clips in 3.27 gigabytes of audio. It shares the sound of a 1995 American revolver firing as well as performed effects of cocking, unlocking, loading, opening and closing the chamber, and many more.
The gunshots feature many multiple shots in three takes from perspectives on the gun to over 150 meters distant. 53 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Sennheiser, Sanken, DPA, Neumann and other professional microphones.
The package includes Reaper and Pro Tools sessions with all performances aligned for easy editing, and complete embedded metadata support.
The SPAS-12 combat shotgun sound effects library includes nearly 50 channels of two types of gunshots, performed effects of loading and pump action sounds, and more.
This Franchi SPAS-12 combat shotgun sound effects library features 293 sound clips in 5.73 gigabytes of sound. It showcases field recordings of the Italian dual-mode weapon wth a folding stock and uses 12 gauge 2 3/4 inch shells.
The collection gathers 24 perspectives and 47 channels (including an Ambisonic perspective) of both pump action and semi-automatic firing, as well as performed effects of loading, pump action, rattling, the safety, and others. The perspectives range from close to 150 meters distant.
The sound library includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, as well as Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
The Desert Eagle sound effects library features multiple takes of gunshots, as well as performed effects of magazine moves, loading, unloading, and more.
The Desert Eagle sound effects library includes 174 clips in 4.25 gigabytes of audio. It showcases the sound of a .44 2010 American pistol firing as well as performed effects of handling, loading, unloading, and magazine movement.
The gunshots feature multiple shots in two takes from 24 perspectives ranging from close to over 150 meters distant. 50 channels of audio captured by mono, stereo, and Ambisonic microphones share recordings from Neumann, Sanken, Sennheiser and other professional microphones.
The collection includes 18+ fields of Soundminer metadata, BWAV, and iXML metadata and MacOS Finder comments, and Pro Tools and Reaper sessions with all fx pre-aligned to allow editors to begin mixing and editing immediately.
In this library you will find a variety of sounds intended to be used as laser or sci-fi gunfire.
These sounds are perfect to use in movies, games, documentaries, etc.
These sounds were all created by me on virtual synthesizers.
After working these sounds in post-production, this library comes with 50 single and burst shot sounds.
Get some funny cartoon arrow and spring sounds! I made this sound collection inspired by classic funny cartoons. I always liked these funny arrow or spring sounds even when I was a child. I feel like I managed to create sound effects that bring back these funny feelings.
This sound effect collection is ideal for use in game software, applications, commercials, movies, TV shows,
videos, animation, and any other entertainment industry where a high-quality audio effect is essential.
55 Funny Cartoon Arrow sound effect
These arrow and spring sound effects are perfect for funny productions
Designed Bundle for sound designers & audio creatives at any level.
Epic Arsenal Complete is a hybrid collection of sound effects, loops, and samples that hit on multiple genres & sound categories. The organization and sheer amount of content will help game developers, film editors, & sound designers have a solid foundation when it comes to doing foley work, sound design, prototyping, final game sound, etc. All sound effects are provided in WAV audio file format which are mixed and mastered and ready for production. Plus, each file is embedded with Soundminer Metadata.
The latest in our collection of Historical Weapons sounds is a symphony of shing-ing, clunking, thudding, clashing and ringing impacts for all your combat and battle design needs! This library focuses on shield-based sounds, with additional recordings of weapon-on-weapon fights.
Using our multi-mic configuration (comprising the Sennheiser MKH50, Røde NTG-3 and Line Audio CM4 Stereo Pair), our Audio Craftsmen recorded two professional swordsmen going head-to-head in multi-move melees using wooden shields, spears, swords and axes.
This library includes shield holds and push-offs, spear pole hits, spear scrapes to a shield edge, metallic sword clashes, axe clinks on a shield boss, a metal shield spinning on the ground and being picked up, spear hits on a wooden haft, sword slide cuts and much more! Perfect for TV, film, game and documentary projects requiring the exciting, natural tones of authentic historical weapons!
Sound have been separated into the follow categories:
Shield Groundwork: Sounds of a wooden and metal shield dropping onto the floor, spinning on the floor and being picked up.
Shield Impacts: A huge variety of sounds where a spear, sword, wooden stick and axe hit different shield parts.
Spear Fights: Recordings of spear head and pole combat sequences.
Sword Impacts: Swords sliding off each other, being pressed against each other, and clashing together.
Each file contains multiple takes of the named action.
All sounds were recorded in 24Bit 192kHz, and have been tagged with extensive UCS metadata for ease of use.
The Tommy Gun sound effects library features 42 recordings of the historic weapon, ready to electrify your projects with this iconic American firearm. While the Thompson Submachine Gun was used primarily in the 1920’s and ‘30’s, the firing, bullet pass-bys, and ricochet sounds from the ‘Chicago Typewriter’ can be used for guns of any time period.
Recorded to tape by renowned sound artist Andy Aaron (Scarface, Apocalypse Now, Return of the Jedi), these characterful gunshot sounds feature both single shots, bursts of various lengths, and fully automatic gun fire. The collection was recorded in a secluded forest in Woodstock, NY, complete with firing targets including cans, broken furniture, a washing machine, and glass bottles of “shooting beer” (not to be confused with “”drinking beer””) The session came to an abrupt end when a stray bullet severed an audio cable near a target.
Complemented by sounds of metal impacts, glass and dirt debris, bullet pass-bys, these gun recordings will add explosive energy to your scenes that feature old-school gangsters, mob/mafia members, World War II soldiers — as well as contemporary gun-wielders. Each sound file is embedded with rich, descriptive metadata for fast, intuitive search results to help increase efficiency and sustain creativity.
Here’s my new pack: “Fantasy Combat Sounds – Volume 02“
The approach for this pack was to create some special weapon & combat sounds suitable for RPG/Fantasy video games (although this sounds can be used in different audiovisual creations)
In this pack there are:
– Slashes, magic swords, different special attacks…
– Impacts, hits, magic impacts, etc…
– Arch sounds
All this sounds were originally recorded with a Zoom H6 (cardiod microphone), and were edited in Logic Pro X, almost no processing was made, it was mainly editing the recorded material but also I used the plugin “Phaseplant” as a sampler.
Unleash the full power of combat audio with the Combat Bundle, a premium collection of four crafted sound packs designed to bring every fight scene to life. Featuring a massive library of realistic punches, bone-crushing impacts, powerful weapon swings, blade clashes, shield blocks, and brutal stabs, this bundle delivers everything you need to create truly immersive and dynamic battle sequences.
Perfect for game developers, filmmakers, and sound designers, the Combat Bundle combines authenticity, detail, and intensity to ensure every strike, block, and clash feels impactful and cinematic. Whether you’re designing action-packed brawlers, RPGs, animations, or films, this all-in-one bundle provides the essential audio tools to elevate your combat scenes and keep players and audiences fully engaged.
EXTRA FIREWORKS – is an auxiliary sound library containing 878 unique sound effect files of fireworks. From distant booms and pops to whizzing, crackling and showers. Whether it’s mortars, fountains or roman candles you’re looking for; This Extra sound effects library will help supplement any of your celebratory needs, for your next project. Extra Fireworks comes in at over 13 minutes and was recorded at 192kHz / 32bit using an ultrasonic microphone. All of our libraries comply with the Universal Category System naming convention standard, allowing for accurate and easy granular searches.
This sound library focuses on the detailed handling of two different types of ammunition belts: a long 7.62x51mm belt with spent shells, and a shorter .303 British belt loaded with live bullets.
A variety of actions were recorded, including handling, shaking, sliding, and pickup/drop movements on various surfaces and inside both wooden and metal ammo boxes. The combination of metal links and cartridges provides a rich palette of mechanical textures, manipulations, and impacts.
Captured using both stereo and mono setups, this collection offers foley recordings suitable for weapon handling design, military props, mechanical sound layering, and more.
Gear used
MixPre-6 II • MKH30 • MKH8040 • C411 • MKH416
Metadata
This sound library is UCS compliant and comes with fully embedded metadata compatible with Soundly, Soundminer and Basehead.
Unleash the power of battle with Swords and Blades Sound Effects Pack. Designed to elevate your project, this collection features a wide range of designed sounds, including heavy hits, armor cuts, blocks, and more. Whether you’re creating intense fight scenes or adding dramatic flair to your swordplay moments, these high-quality sound effects will enhance the emotion and intensity of every clash. Perfect for games, films, or any project requiring immersive and impactful sword and blade sounds.
Features:
Hits
Cuts
Armor
Blades
Blocks
Whoosh Hits
Stabs
101 sounds that you can import directly into your project.
The Lynx 50 sniper rifle sound effects library includes 189 clips in 3.27 gigabytes of audio. It showcases the sound of a Finnish mod. 50 rifle made by Pirkan Ase Oy using 50 BMG Ammunition with A-MAX bullet and a high ballistic coefficient 1.050, made by Hornady.
The collection includes 2 takes of firing with 23 mono, stereo, Ambisonic AmbiX, and multichannel microphones from nearby up to 160 meters away. The sound library features performed effects of magazine handling, reloading, and more.
Also packaged with the collection are editing sessions in Pro Tools and Reaper formats, as well as complete embedded metadata support.
The Winchester 70 sound effects library features gunshots and performed effects from a .375 HH Mag (9,5 x 72BR) American rifle in 67 sounds and 1.71 gigabytes of audio.
The collection includes 23 perspectives in 52 tandem channels of audio (including an Ambisonic perspective) and features firing, bolt action reloading, grabbing, loading the magazine, safety moves, and more.
The bundle comes complete with Reaper and Pro Tools mixing sessions, as well as 18+ fields of Soundminer, BWAV, and iXML metadata and MacOS Finder comments, ready to use with your favourite sound organizer app.
The Master Gun Browning M2-HB Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Raw Recordings
Our raw shots features a total of 26 channels including 12 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.
Designed Mixes
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
UCS compatible metadata embedded
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun RPK-74 Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Raw Recordings
Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.
Suppressed Recordings
In addition to the unsuppressed shot recordings, we’ve also sampled the RPK-74 with a suppressor attachment. The suppressed RPK-74 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
Designed Mixes
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
UCS compatible metadata embedded
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
The Master Gun MK14 Mod 0 EBR Sound Effects library is recorded using a large array of various microphone configurations, we recorded shots from several distances in an open shooting range in the Nevada Desert.
Raw Recordings
Our raw shots features a total of 28 channels including 13 Stereo and 2 mono sources. All of our close and mid spaced pair Microphone options can be used as two independent mono microphones. The right side of every spaced pair will have more Mech than its left side counterpart.
Every single gun has been recorded using the same gain settings on the same recorders, and we have level matched each microphone option between the same calibers so your 50ft microphones will be the same or similar across all libraries that share the same calibers. This makes mixing large amounts of weapons easier as the loudness and character of each gun is predictable.
Our foley features a total of 4 audio channels with 1 Stereo and 2 mono sources, including the Sanken CO-100k which captures frequencies above 100kHz for extreme pitch shifting workflows.
Suppressed Recordings
In addition to the unsuppressed shot recordings, we’ve also sampled the MK48 with a suppressor attachment. The suppressed MK48 was sampled right after the unsuppressed recordings using the exact same microphone setup as the unsuppressed version. This provides you a seamless transition between the unsuppressed and the suppressed recordings.
The suppressed recordings also have the added benefit of muting the shot layers which helps bring out the intricate details of the mechanism (mech layers).
Because adding a suppressor to the firearm increases the weapons muzzle velocity, the fire rate of the suppressed weapon is slightly faster than its unsuppressed counterpart.
Designed Mixes
Created from the ground up we’ve designed a collection of game-ready mixes for your next project. If you are creating your own custom weapons system and would like to use our designed mixes in your project, you can use our no-tail options which are our realistic designed mixes without our tail layers. Just drag, and drop.
UCS compatible metadata embedded
All files contain extensive metadata to provide you with the fastest and easiest workflow possible. Metadata can be read and processed by audio management tools. Some digital audio workstations feature an included search tool that can also read embedded metadata.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
Gabriel Guy
Re-recording Mixer, Walt Disney Animation Studios: Frozen, Big Hero 6
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
David Farmer
Sound designer: Lord of the Rings & The Hobbit trilogies
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
Zdravko Djordjevic
founder of The Audio Spotlight
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
Afghanistan
Åland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belau
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bonaire, Saint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Brazil
British Indian Ocean Territory
Brunei
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo (Brazzaville)
Congo (Kinshasa)
Cook Islands
Costa Rica
Croatia
Cuba
Curaçao
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Falkland Islands
Fiji
Finland
France
French Polynesia
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Isle of Man
Israel
Italy
Ivory Coast
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
North Macedonia
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Rwanda
São Tomé and Príncipe
Saint Barthélemy
Saint Kitts and Nevis
Saint Lucia
Saint Martin (Dutch part)
Saint Vincent and the Grenadines
Samoa
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom (UK)
Uruguay
Uzbekistan
Vanuatu
Vatican
Venezuela
Vietnam
Virgin Islands (British)
Virgin Islands (US)
Western Sahara
Yemen
Zambia
Zimbabwe
