The Renault Master II van sound library was recorded with a two track Sound Devices 702 recorder. Foley was captured with a mono Rode NTG3 microphone. Engine sound effects were recorded with two DPA-4061 omni microphones.
The car was recorded during regular driving, accelerating, decelerating and more demanding way of driving with steady RPMs and RPM ramps. In addition to designed files, this library features RAW sounds pulled straight out of the recorder.
In this 88-minute long sound effects library you will find engine recorded onboard and outside, passby sounds, foley and engine recorded inside vehicles cabin in sync with microphones under the hood.
‘The Excavator’ by Cinematic Sound Design delivers a collection of recordings in pristine 24 Bit / 96 Khz. Captured using highest quality equipment providing a discrete signal path, such as Sound Devices 702 and a pair of Neumann KM 184, this collection features engine & bucket sounds from Neuson 3602 rd excavator, suitable for your car & construction games, visual projects etc.
In total, you will get 43 field recording sounds totalling over 10 minutes of engine & bucket recordings, captured from different perspectives. Product Details:
• 43 Field Recording sounds
• Engine Sounds
• Powering ups, pumping, speed ups, powering downs
• Excavator bucket sounds
• Shakings, digging, rattle
‘Traffic Tones’ will help build flavorful air tones and atmospheres in order to support urban or suburban environments.
This sound library is divided into 2 main sections
1) Traffic Loops 2) Single Event Sounds
The first part of this library comprises a wide variety of long undisturbed traffic loops; exempt from excessive dynamic fluctuations, and without any incongruous noises (such as birds).
These are non-disruptive atmospheres that you can easily layer up.
Ready to be inserted into your project, they will help you build the foundation of your own soundscape.
The second part of this library consists of ‘single event’ sounds.
They will bring character to your sound-bed and help soundify any story/visual cues.
You will find in this section well-classified eclectic sounds such as whistles, sirens, brake squeals,
but also more than 110 individual horns, and a massive collection of 300+ pass-by of all kinds…
The diversity of sounds delivered in this library reflects the large-scale recording process that took us 5 years to gather the right material, recorded throughout 30 cities in Europe, Asia, Africa, and America, from various perspectives in space and time, various weather conditions, various terrain type, and vehicle types.
What’s inside:
88 selected ambience loops, well edited (9 of these ambiences are Quad Surround recordings), Organized by sub-section folders:
At Street Level
Distance Away ( Diffused)
From Above Perspective
From Inside (Vehicles or House)
Near Bridges
Special Flavor
400+ ‘single event’ sounds (204 files) are included in the library. These are +100 Horns, +300 Pass Bys of all kinds, + Miscelleneous single event sounds such as: brake squeals, sirens, whistles, …
well-grounded Soundminer metadata, UCS-compliant
Recorded in 30 cities and areas throughout 5 continents, during the last 5 years
***Most of the library were recorded in 192KHz, however, in the majority of the recordings, there was no reason to keep this sample rate. Hence we saved some space and converted it to 96KHz unless interesting spectral information was found in these high ranges, in this case, we kept them at 192 kHz.
Alternatively, the pass-by section, which contains around 300 sounds, can be very useful to help design transitional sound effects such as dramatic accents, wooshes, or any other creative process.
+ Added Free Bonus: the library ‘Budapest Siren Pass-Bys’
Contained in this library are authentic Chicago environmental and transportation ambiences. You will find ambience inside and outside the famous L train, street cars and Chicago bus routes. As well, as a few memorable ambiences from the street-side and also down by the water. Recorded in high resolution, this library will put you right in the virtual seat of the city of neighborhoods!
Ford Ranger 4×4 truck, 24/96 FX sound library. Car in drive, on road and off road, exterior and interior of the car, booth in drive and stationary. Parts of the car, sensors, engine etc.
Many perspectives of the car in drive and stationary – from close to distant, from left to right, from front to…around the car.
Off road drive in low gear ratio (4×4) and high gear ratio included. During recording microphones are positioned on the vehicle body, roof etc.
Normal, road drive like city/suburbs drive, highway drive, open road drive also included.
Interior “room tone” of the vehicle in drive/stationary is also included. Check the sound list for add info.
Various microphone setups used as well as microphones. Description and equipment info in metadata chunk. Recorded with Sound Devices recorder. RAW recordings without any dynamic manipulation (compressors/limiters) with max. peak level: -5dBFS.
Cars, trucks, motorcycles at different speeds on a rural road in the middle of nowhere during summer.
From left, from right, from both sides, single vehicle or several at the same time.
Recorded simultaneously with an ORTF and a AB microphone stereo pairs.
The Renault Master 2.3 dci diesel van sound library is a go-to pack for many transportation-related scenes. It features 102 96kHz files, more than 130 minutes of audio covering different aspects of using the van. Inside you’ll find engine sounds recorded under the hood, stereo recordings from the cabin during driving, exterior passes and different maneuvers and foley recordings.
The library contains:
• 6 engine under-the-hood onboard recordings while driving (38 minutes)
• 10 interior cabin recordings, 6 in sync with engine (54 minutes)
• 70 exterior passby / driving files
• 18 foley sound effects
This library includes 106 sfx of exterior, interior and on-board perspectives of pass bys, shifting, and foley of the Chevy Duramax 2500HD Pickup Truck.
With different performances of each action, you can add unique detail and character to your film, commercial, show, or video game.
The 2015 German MAN Lion’s Coach tourist bus includes 425 clips in 48.1 gigabytes of audio. It features the sound of a 6-cylinder 460 hp Euro 6 diesel engine.
The collection includes a total of 13 synchronized takes from exterior and onboard microphones. The exterior microphones captured departures, passes, arrivals, ignition, shutting off, idles, and doppler horns from 9 microphones at 4 positions. The onboard microphones were placed inside, at the exhaust, in the engine, the luggage hold, and in the washroom in 15 perspectives (including an Ambisonic perspective) as the coach drives at steady RPMs, with gearshifts, and ramps. Also provided are 4 designed mixes of the interior, exhaust, engine, and luggage compartment.
The package comes complete with performed effects of doors, wipers, fans, and more, Pro Tools and Reaper mixing sessions, custom mixes of onboard and exterior perspectives, and full Soundminer, BWAV, and MacOS metadata embedded in every clip.
Flysound has taken a legend of the 80s and immortalised it.
We’re taking about the Chevrolet G20 Beauville V8, which in other words is the Hippy Wagon but it moves and sounds better than its German counterpart. Big grumbling motor action, rhythmic rattling of the parts, and the growl of the engine.
We’ve recorded this great van (btw, corpos mentis) with our best practices of vehicular capture. The engine has the Neumann U87s under the hood, and the same for the exhaust system, with the Shure SM57 and Electro Voice ND 868 recording too. We have the revs, the drive off, the stopping, and the manoeuvres too.
This library is specifically coordinated for film, advertising, and gaming projects. All files, totalling 5.26GB and 190 minutes 24 bit/96 kHz, are fully metadated and easy to integrate into your projects. The 5.7L 350 horsepower beast is ready for your project’s ears
A lite and mixed version of this suite is also included, comprising 16 authentic stereo files 24 bit/48 kHz, designed, mixed, and studio packaged on best-of-breed equipment for simpler tasks which would have a preference for a package of ready made stock sounds of the Chevrolet Beauville Van.
1940 Military Gear is a unique collection of vehicles and Foley recordings, captured over several sessions in a Foley studio and on location with vehicles. The library features three trucks used extensively by the allied forces in WWII and then beyond into the Vietnam war era and other historic conflicts of the mid-20th century.
Iconic military truck recorded from all sides and at various distances. There are slow, medium and fast drive-bys, departures and arrivals. The interior was recorded quadraphonically. The exhaust system was taped, as was the engine from under the hood. Microphones used were the Neumann U87, Sennheiser MKH 70, Sennheiser MKH 416, Violet Design’s ‘Amethyst’, and the Schoeps CMC MK4. Also recorded were the doors, gas pedal, wipers, gearbox and ventilation system of this general-purpose off-road beast.
A lite and mixed version of this suite is also included, comprising 19 authentic stereo files, designed, mixed, and studio packaged on best-of-breed equipment for simpler tasks which would have a preference for a package of ready made stock sounds of Ural 4320
This bundle was built with 4 different car libraries:
Renault Master F3500:
The Renault Master F3500 SFX library was recorded with two track Sound Devices 702 recorder. Foley was captured with mono Rode NTG3 microphone. The engine sound effects were recorded with two DPA-4061 omni microphones. Car was recorded during regular driving, accelerating, decelerating and more demanding way of driving with steady RPMs, slow accelerations and decelerations for game implementation. In addition to designed files, this library features RAW sounds pulled straight out of the recorder.
In this 102 minutes long sound library (without RAW files) you will find 16 designed and 32 raw engine sounds recorded onboard, 26 pass by and engine exterior sounds, 17 foley files and 9 engine interior recorded inside vehicles cabin in sync with microphones under the hood.
Renault Master II:
The Renault Master II sound library was recorded with two track Sound Devices 702 recorder. Foley was captured with mono Rode NTG3 microphone. Engine sound effects were recorded with two DPA-4061 omni microphones. Car was recorded during regular driving, accelerating, decelerating and more demanding way of driving with steady RPMs and RPM ramps. In addition to designed files, this library features RAW sounds pulled straight out of the recorder.
In this 88 minutes long sound library you will find engine recorded onboard and outside, passby sounds, foley and engine recorded inside vehicles cabin in sync with microphones under the hood.
Renault Master 2.3 dci diesel van:
The Renault Master 2.3 dci diesel van sound library is a go to pack for many transportation related scenes. It features 102 96kHz files, more than 130 minutes of audio covering different aspects of using a car. Inside you’ll fine engine recorded under the hood, stereo recordings from cabin during driving, exterior passes and different maneuvers and foley recordings.
Renault Kangoo 1.6 16V:
The Renault Kangoo 1.6 16V sound library features 227 96kHz/24 bit WAV files (including RAW files, for design purpose) recorded with 2 Sound Devices 702, 2 Sennheiser MKH 8040 microphones, Rode NTG3, 2 DPA 4061 and Sony PCM-M10 recorder. This library covers sounds of regular driving, slow and fast accelerating recorded under the hood and inside a drivers cabin at the same time, so the files are in sync and ready to edit in your DAW. In addition this library features exterior recordings, from slow passes through medium and fast ones, reverse sounds, doppler effects, braking and idle, driving away and more.
Everything was recorded from 3 perspectives with different equipment. Mono recordings followed the car all the time, and were recorded with NTG3. Stereo ones were recorded with Sony PCM-M10 and Sennheisers MKH 8040 in ORTF. Those microphones were standing still, capturing the car passes from left to right.
Last but not least, foley. This library covers different actions, like opening and closing doors recorded from the interior and exterior perspectives, opening and closing slide doors, hood, back doors and windows. Pulling and releasing the hand brake, AC fans, buttons and switches, emergency and turning lights, opening and closing glove compartment and more.
The total length of the files is 142 minutes (without RAW files). In addition to the cleaned and premixed files, you will receive Engine RAW recordings as a separate download link. Thanks to those files you can design the engine or interior sounds the way you like.
Are you working on a project that needs Authentic, Highest Quality TANK, HELICOPTER / CHOPPER, MILITARY JEEP or TRUCK, WAR JET AIRCRAFTS or BOMBER, SUBMARINE, DRONE or ROCKET, MISSILE ROCKET and TORPEDO sound effects? Then read on!
Discover this comprehensive, meticulously recorded, edited and mastered sound effects collection of ALL WARFARE VEHICLES you’ll ever need! Perfect for use in a war-themed or shooting video game, contemporary or historical military film, animation, or any other project that requires the Highest Quality BATTLEFIELD VEHICLE, ARTILLERY, MARINE or AIR FORCE sounds.
Designed by our team of AAA-industry veterans and inspired by games and movies such as Gears of War, Call of Duty, Medal of Honor, Battlefield, Killzone, Command & Conquer, Red Alert, Pearl Harbor, The Hurt Locker, Black Hawk Down, Saving Private Ryan and many more, VEHICLES OF WARFARE is the most complete realistic, one of a kind SFX library that will add a massive value for your audience to your project!
DRIVING, DIVING, FLYING, HANDLING, SHOOTING and MORE!
With over 610 audio files and over 200 original cinematic-quality sounds, we went the extra mile by creating multiple sound variations for each vehicle/weapon, various vehicle sizes, and numerous actions and maneuvers that each performs, handling noises and other foley, alternate sound sequences and looping versions of moving or idle engines, jets, mechanics, flying rockets / missiles, startups, shutdowns, hits / detonations / explosions and more.
All files are meticulously labeled, categorized and organized for maximum efficiency and ease of use, requiring absolutely no editing, labeling or splicing! And as always, we have included HD WAV, SD WAV and HQ MP3 versions of each sound for your convenience!
GIFT INCLUDED: DOWNLOAD NOW this Must Have sound library, and get a rich selection of SFX from our Explosions (best seller)and Parachute sound packs FOR FREE!!!
PERFECT FOR:
Video Games
Slot Games
Film / Animation
Ads / Trailers
YouTube Videos
Live Events
Sound Design
…and all other audio-visual productions
KEY FEATURES:
Huge selection of big and small vehicles, weapons and explosions, mechanical industrial and modern clean sounds, different type and intensity variants
Ready to use – requires no editing, labeling or splicing
Categorized, organized and individually labeled files for maximum use efficiency
All files are included in Hi-Rez WAV, SD WAV and HQ MP3 formats
FREE Updates to higher versions, FOREVER!
TECHNICAL DETAILS:
615 Audio Files (205 original sounds)
WAV Format: 24 Bit, 96 kHz and 16 Bit, 44.1 kHz
MP3 Format: 320 Kbps
Unpacked Size: 1.12 GB
Total Run Time: 70m 27s
There’s no time to lose!
PICK UP A COPY OF VEHICLES OF MODERN WARFARE NOW AND BRING YOUR WARFARE TO LIFE!
MASSIVE SAVINGS: The Modern Warfare Sound Effects Bundle brings together crucial military sounds—weapons, explosions, vehicles (across air, water, and land), battlefield ambiences, and soldier voiceovers—into one all-encompassing package. Purchase the bundle and achieve significant savings over buying individual packs. Click here to discover the bundle and maximize your savings!
‘GAZ-AA’ by Flysound is a comprehensive sound catalog for this iconic 1.5 ton cargo truck of the Soviet Union. The suite of 162 recordings of the vintage car is a systematic compilation authored by a dedicated full service post-production team, deploying NeumannU87s, Sennheiser MKH416s, Sound Devices 788Ts, Aaton Cantar X-2s, and further top quality recording, editing, sound design, and mixing equipment. It is the authentic sound of the historic vehicle, captured with 21st century best practices, that can be used for any old car. It is the sound of history, perfect for period or other high-quality media projects.
The truck and its professional driver have been tracked from a myriad of angles and distances, both external and onboard, capturing the engine sound, the exhaust system, take-offs at slow, medium, and fast speeds, stopping, and not forgetting engine ignition, revving at different engine speeds, idling and reversing. We have the doors’ actions covered too. In short, everything this hardy cargo beast does, all the maneuvers manifested by this massive machine as it performs its heavy-duty tasks, here in this suite.
The grumbling grace of this truck, produced from 1932 to 1938, which has an interesting history as a joint project with Ford (cf. their Model AA), has been captured with orchestra-grade studio equipment and field kit, by professionals, for professionals, ready to be used as authentic sound, ready to be arranged into seamless edits and proper 5.1 post-production. The 96kHz/24bit synced and multi-channel recordings have comprehensive metadata tags giving full position, microphone, and action detail. The size is 8GB and the metadata has been written under the Universal Category System.
The following is a 2.5 Ton diesel powered 2010 Military Truck LMTV (Light Medium Tactical Vehicle)
single license library (3.6gb compressed .rar file, 5.4gb Uncompressed) with Metadata.
For Mac users we recommend UnRarX. For Windows users we recommend WinRar.
All 194 wave files are in 24 Bit, 96 kHz. The Onboard multi-track recordings are in 6 separate mono wave files. Drag & drop or import each of the files into your audio editing software, then align them for creative mixing. There are also ready to use stereo mix versions of the OnBoard recordings. the External sounds are in stereo wave files. The combined driving time is more than 94 minutes long.
External Settings: Stereo in Left and Right Channels
Notes: If you need specific shots of this truck, Watson is available for hire to re-record this or similar sounding vehicles. Other types of vehicles are also available upon request.
Definitions:
External = Sounds recorded from outside of the vehicle (passbys, etc)
OnBoard = Recording perspectives on and in the vehicle
Cab = Cabin, where the driver and in cab passengers sit
Cargo Area = this is the opened area behind the cabin where troops sit and where cargo is stored.
Ramp = is when vehicle is using a single gear (typically 1st gear) and smoothly driven from idle up the RPM redline, then engine brake back to idle. Ramps are often used in video game software.
Recording of a 2014 American Dodge Ram 1500 pickup truck with a V8 Hemi engine with a custom 4” straight exhaust.
The 2014 Dodge Ram 1500 pickup truck sound bundle features 192 sounds in 17.63 gigabytes of audio. It collects field recordings of a American V8 Hemi engine with a custom 4” straight exhaust.
A total of 11 synchronized takes share both exterior and onboard field recordings of driving. 10 onboard perspectives in the interior, at the engine, and at the exhaust share driving with ramps, steady RPMs, and gearshifts. The 9 exterior perspectives showcase driving from slow to fast speeds while departing, passing by, and arriving.
The sound library includes Pro Tools and Reaper mixing sessions, 18 fields of Soundminer metadata, plus BWAV metadata and MacOS Finder comments, 3 stereo mixes of the onboard perspectives, and metadata keyword import files in 7 languages.
The Nissan Terrano II 2.7 TDi sound library features 111 high-quality files recorded with a multi-mic setup. Engine was recorded in sync with cabin interior ambients, and you can expect different styles of driving.
From casual city driving, through accelerations on a highway up to rpm ramps and constant rpm loops for game audio. In addition to engine recordings, this sound effects library features exterior passes, whooshes and other road-related sounds recorded in mono and stereo both on wet and dry asphalt.
Last but not least, different foley sounds were recorded to cover exterior and interior activities.
This is a collection of snowy, icy, slushy, crunchy winter traffic. Single car passes, busy city roads, distant skylines, village roads, highways. All files are 96khz 24bit with metadata, and recorded with 2 x Sennheiser mkh 8040, mkh 416, Audio Technica BP4025 and Sony D100.
Los Angeles is well-known for having some of the largest and most traveled freeways in the United States.
The L.A. Freeways sound effects library captures the traffic ambience on the massive freeways that run through the Greater L.A. area – 3 hours of recordings in total!
Multiple perspectives were recorded, from close vehicle pass bys to distant traffic ambience captured from city parks, surrounding hillsides, tunnels and underpasses. Traffic types range from fast pass bys, to slow and congested traffic.
Freeways included:
• US-101 (Hollywood Freeway)
• I-405 (San Diego Freeway)
• I-5 (Golden State Freeway)
• I-10 (Santa Monica Freeway)
• I-110 (Harbor Freeway)
• SR-134 (Ventura Freeway)
• (Glendale Freeway)
Elevated Ambiences and Modular Scene Sweeteners for Modern City Soundscapes
Capture the vibrant pulse of a bustling city with “London Skyline: Urban High Street,” a comprehensive sound effects library designed specifically for sound designers,sound effect editors, and picture editors. This collection is your key to bringing the vibrant energy of London’s iconic streets into your projects, offering a versatile palette of authentic urban sounds captured from a unique skyline perspective.
This library delivers a wide array of high-quality recordings that encapsulate the unique atmosphere of London’s bustling high streets. From the dynamic roar of vehicles accelerating through tight city lanes to the subtle yet immersive background hum of pedestrian chatter and distant traffic, every sound in this collection has been meticulously captured from the top of the city’s skyline, providing an unparalleled angle that enhances the realism of your soundscapes.
London Skyline: Urban High Street includes two types of material to suit different creative needs:
Full Ambiences Rich, layered recordings of busy streets and quieter moments — perfect for creating immersive backgrounds and setting the scene.
Modular Scene Sweeteners Isolated, carefully edited scene elements like vehicle pass-bys, brake squeals, sirens, and fragments of city life — designed for layering, customising, or enhancing existing ambiences with precision.
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What’s Inside:
Vehicle Sounds: Everyday engine hums, moderate accelerations, and typical city vehicle sounds, ideal for capturing the everyday rhythm of urban life.
Street Ambiences: Diverse background sounds featuring everything from the bustling activity of busy intersections to the quieter moments of early morning streets.
Emergency and Public Transport: Authentic sirens and bus horns, essential for any urban soundscape.
Unique City Elements: High-pitched brake squeals, clumsy tire bumps, and the echo of late-night laughter—every detail you need to recreate London’s vibrant city life.
——————————–
Recorded from elevated viewpoints and delivered in high-resolution audio, this library gives you maximum flexibility in your creative process — whether building realistic city environments, crafting nuanced sound design for film and television, or adding depth to interactive game worlds.
This extensive collection of vehicle recordings contains a full work up from a 2017 Land Rover Discovery Sport HSE, 2.0L. Complete with onboard and external recordings made at different speeds and performing different manoeuvres. Hear the distinctive sound of this Land Rover engine roar into action as its put through its paces in Dirt & Asphalt Vol.3.
This library features 6 channel HD onboard recordings, with 2 microphones placed inside the engine bay, a stereo microphone placed inside the interior and individual microphones placed by each exhaust outlet pipe on the rear of the vehicle. A pro tools session is provided that takes all the effort out of arranging and preparing these recordings for mixing. Just launch the session, add your favourite DSP and render your own mix in minutes.
Stationary revving, speed runs, slow driving, stopping and starting are all included in this collection with onboard and external recordings. The vehicle has been driven in both standard ‘drive’ mode and performance based ‘sports’ mode. Takes are included from both modes to give sound editors extra choice and a broad range to select from.
This library features recordings of vehicle pass bys on bumpy road surfaces, more specify, bridge joints.
There are compact vehicles which give smooth, clean yet robust whooshes. In contrast, heavy vehicles, likes trucks and trailers, give bold, intense clanging and rattling sound. These characterful pass bys, whooshes, are perfect raw material for further cinematic sound design, for example, trailer hits, transitions and more.
Content:
Location A consists of:
26x Compact Car Pass By
13x Multiple Vehicle Pass By
22x Truck Pass By
Location B consists of:
15x Light Truck Pass By
23x Medium Truck Pass By
26x Heavy Truck Pass By
Excavator Sounds is a library of a recording session during excavation work at home This bundle contains an overall recording of the work done by the excavator and many close microphones take about the Bucket scratching, pouring and digging earth and rocks, The Boom/Stick hydraulic movements, the engine idle, revs, start and stop and the squeaky metal Track rolling on the ground. The bundle includes 100 files recorded in Stereo at 96khz – 32 bits. A great tool to have for any audio production.
Excavator Sounds is a library of a recording session during excavation work at home This bundle contains an overall recording of the work done by the excavator and many close microphones take about the Bucket scratching, pouring and digging earth and rocks, The Boom/Stick hydraulic movements, the engine idle, revs, start and stop and the squeaky metal Track rolling on the ground. The bundle includes 100 files recorded in Stereo at 96khz – 32 bits. A great tool to have for any audio production.
Each sound has been meticulously edited individually. All files were recorded and are delivered in 24bit 96kHz Broadcast Wave files, all embedded with metadata information for easy import and ensure fast and easy workflow.
With A Sound Effect, Asbjoern has created a web site where our international community can browse, learn, and share the vast fruits of our labors. Together we are accelerating the very real potential power of sound design as a recognized art form.
A Sound Effect is an excellent resource for us to keep our animated films sounding unique and exciting.
Gabriel Guy
Re-recording Mixer, Walt Disney Animation Studios: Frozen, Big Hero 6
A Sound Effect is a great asset to have discovered.
We found the site very easy to navigate, purchasing and downloads were effortless and the effects themselves are awesome! Asbjoern has done us all a great service.
There are many great independent sound effect libraries available these days. The main problem with having so many, is keeping track of them!
A Sound Effect is a great hub, and is one of the first places I visit to look for sounds by category or genre. I started coming here to see if I could find libraries that I knew I had heard, but forgot WHERE I had heard them.
And in the process discovered libraries I never would have found otherwise. Great work! Keep it up!
David Farmer
Sound designer: Lord of the Rings & The Hobbit trilogies
We're always looking for new sounds to mangle, so when A Sound Effect had a holiday sale, I tried them out.
The purchase experience is really smooth and quick, and delivery is almost instant.
I'll definitely come back to them again in the future!
A Sound Effect is a wonderful resource for indie sound effects libraries. On top of that, it has some of the finest sound design, film and game audio interviews!
Zdravko Djordjevic
founder of The Audio Spotlight
I often need very specific types of sounds so I've become a big supporter of independent recorders.
Until now I've always had to go to their individual websites. Now I can find them all in one place.
Afghanistan
Åland Islands
Albania
Algeria
American Samoa
Andorra
Angola
Anguilla
Antarctica
Antigua and Barbuda
Argentina
Armenia
Aruba
Australia
Austria
Azerbaijan
Bahamas
Bahrain
Bangladesh
Barbados
Belarus
Belau
Belgium
Belize
Benin
Bermuda
Bhutan
Bolivia
Bonaire, Saint Eustatius and Saba
Bosnia and Herzegovina
Botswana
Brazil
British Indian Ocean Territory
Brunei
Bulgaria
Burkina Faso
Burundi
Cambodia
Cameroon
Canada
Cape Verde
Cayman Islands
Central African Republic
Chad
Chile
China
Christmas Island
Cocos (Keeling) Islands
Colombia
Comoros
Congo (Brazzaville)
Congo (Kinshasa)
Cook Islands
Costa Rica
Croatia
Cuba
Curaçao
Czech Republic
Denmark
Djibouti
Dominica
Dominican Republic
Ecuador
Egypt
El Salvador
Equatorial Guinea
Eritrea
Estonia
Eswatini
Ethiopia
Falkland Islands
Fiji
Finland
France
French Polynesia
Gabon
Gambia
Georgia
Germany
Ghana
Gibraltar
Greece
Greenland
Grenada
Guam
Guatemala
Guernsey
Guinea
Guinea-Bissau
Haiti
Honduras
Hong Kong
Hungary
Iceland
India
Indonesia
Iran
Iraq
Ireland
Isle of Man
Israel
Italy
Ivory Coast
Jamaica
Japan
Jersey
Jordan
Kazakhstan
Kenya
Kiribati
Kuwait
Kyrgyzstan
Laos
Latvia
Lebanon
Lesotho
Liberia
Libya
Liechtenstein
Lithuania
Luxembourg
Macao
Madagascar
Malawi
Malaysia
Maldives
Mali
Malta
Marshall Islands
Martinique
Mauritania
Mauritius
Mexico
Micronesia
Moldova
Monaco
Mongolia
Montenegro
Montserrat
Morocco
Mozambique
Myanmar
Namibia
Nauru
Nepal
Netherlands
New Zealand
Nicaragua
Niger
Nigeria
Niue
Norfolk Island
North Korea
North Macedonia
Northern Mariana Islands
Norway
Oman
Pakistan
Palestinian Territory
Panama
Papua New Guinea
Paraguay
Peru
Philippines
Pitcairn
Poland
Portugal
Puerto Rico
Qatar
Romania
Russia
Rwanda
São Tomé and Príncipe
Saint Barthélemy
Saint Kitts and Nevis
Saint Lucia
Saint Martin (Dutch part)
Saint Vincent and the Grenadines
Samoa
San Marino
Saudi Arabia
Senegal
Serbia
Seychelles
Sierra Leone
Singapore
Slovakia
Slovenia
Solomon Islands
Somalia
South Africa
South Korea
South Sudan
Spain
Sri Lanka
Sudan
Suriname
Sweden
Switzerland
Syria
Taiwan
Tajikistan
Tanzania
Thailand
Timor-Leste
Togo
Tokelau
Tonga
Trinidad and Tobago
Tunisia
Turkey
Turkmenistan
Turks and Caicos Islands
Tuvalu
Uganda
Ukraine
United Arab Emirates
United Kingdom (UK)
Uruguay
Uzbekistan
Vanuatu
Vatican
Venezuela
Vietnam
Virgin Islands (British)
Virgin Islands (US)
Western Sahara
Yemen
Zambia
Zimbabwe
